วีดีโอ

넵 알겠습니다~ 사실 지금 겨울나그네 작업을 하려고 준비중이였는데 겸사겸사 피아노 소나타 쪽도 올려 드릴게요~~! 겨울이 되면 슈베르트 참 좋은거 같아요...ㅎㅎㅎㅎ

Thank you for watching every little part of my video carefully and saying good things. With comments from people like you, I can have a good day. I hope we have a chance to exchange better musical opinions in the future too! 😊

I wanted to include as many pianists as possible, but I couldn't because of my lack of musical knowledge. If I have a chance to produce another video, I will try to include Sir Schiff's music!

You talk like only the best interpretation you think is the measure of the worst and the best. As you say, Glenn Gould playing Bach is The Worst of Worst? Not everyone has to be the Toscanini of the piano world. There is no reason to blame the performers in the video as Worst Interpeters just because they didn't. Only diversity exists. And only subjectivity remains. There is no reason to insist only on Serkin, Brendel and Schiff. Rather, if there are only them left in the world, only dull Beethoven will remain. (Imagine if there are only three of them in the world, though they are great pianists and I love them.) Do not confine yourself to your limited musical world.

mine too

The

@@GUILLOM yes, you're right, the p was missing.

@@DressedForDrowning the

@@GUILLOM Okay, but why?

@@DressedForDrowning because

Yes. Beethoven was a musician who tried to use amazingly innovative and experimental elements. You seem to have discovered those parts.

amazing dominant pedal point trill 🫣

4:00 always remind me of plant vs zombie ost

Music may not be entirely objective - but I do think there’s levels of artistry. No way Ed sheeran is as good as beethoven I’m Sorry

​@@samaritan29lol

E-flat Major! Sorry for that 😢

Ye u need to be friendly and careful with such 5heads

Or F# minor

@@bvssmouq6gamingofficialyt no

@@bvssmouq6gamingofficialyta piece can’t be A major or F# minor… this one is just A major

@@spuuuniyt2095 dude I said "or" not "and" it can be one or the other. Also I wasn't mentioning this video just the fact that A Major can be F# Minor.

Yes, that's right! It was my mistake. Thank you for the correction!

Excelente seleccion del maestro ludwig...le agregaria variaciones sobre un tema de paisielo ..que las estoy grabando...gracias por tu video saludos desde chile😅❤

My favorite composer is Beethoven, but I like Bach, too. I can say I'm a Bach fan. The video to upload today is also about Bach's work!

And lots of fiorituras. And even some archaic chord progressions. such style could be called somewhat like "romantic neobaroque"

The repetition of a single note in the bass part makes the notes that are subsequently added more attractive. 😊

Yes, it is. Personally, I feel like I'm in another sublime world when I listen to Op. 106. It's a happy thing to share my favorite moments! Thank you for visiting. 😊

You appear to like in particular fugal or quasi-fugal episodes. While they can be fascinating, I don't know that I would necessarily pick them in particular as my favorite moments.

​@@alger3041That is very understandable. What are some of your fav Beethoven sonata moments as well?

​​@@alger3041Beethoven's fugues are very meticulous and constructive. The aesthetics of the solidity of each melody is a good reason why I chose his fugue at my favorite moment. If you haven't listened to Eroica's 2nd and 4th mov or contrapuntal passage of his late string quartets, I recommend that you listen to them!

@barstumkaya2581 I would have to run the entire thirty-two to pick a moment out of at least most of the sonatas. Off the top of my head - The slow movement of Op.2, No. 3. The entire sonata Op. 14, No. 1. Closing section of the first variation movement of Op. 26. First movement of Op. 28 for its strong foreshadowing of Brahms' Second and even more Dvorak's Sixth Symphony. The very singable main theme of the last movement of Op. 53. The gentle movement in Op. 78 from the four bar introduction into the allegro which seems to grow out of it. The entire Op. 101 sonata which directly speaks to me. The Arietta movement of Op. 111 which transports me to Utopia if sensitively done (the last movement of Schumann's Fantasie has almost the same effect). In the slow movement of Op. 57, in a live Askenazy performance he took the latter portion with the thirty-second notes in the same tempo as the preceding, maintaining the tranquil mood right through, and not suddenly rushing ahead as most other pianists do. I have never forgotten this. I hope that this satisfactorily answers your question.

I have just listened to both of these videos. It accentuated for me how I differently value the various sonatas. For example, listening to the excerpt from Op. 10. No. 3 pointed out that as I receive it is worth more to me than its two Op. 10 companions. With Op. 13, I wish, as long as you were so close, you had taken it to the end of the movement. And again, I could say that Op. 14, No. 1 is worth far more to me than its No. 2 companion and Op. 22 together. Hearing these in succession brings the comparisons out. In Op. 27, No. 1, never one of my favorites, I noticed for the first time ever that it was another instance where Beethoven was hampered by the range of the keyboard. At the pause, I would definitely take it up to A Flat at the top. The middle slow movement of Op. 28 was a favorite of Beethoven's. In the tumultuous development in the last movement of Op. 31, No. 2, I found another very brief suggestion of Dvorak, in the development of the last movement of his Seventh Symphony, also wildly modulating and also entirely in minor keys. This suggestion for me lasted a very short time, however. I love that opening theme of the last movement of Op. 53, and particularly loved the clean pedaling here. It is another example of that three prong presentation that Beethoven loved to use for his last movement main themes. We have it in the Violin Concerto, the Sixth Symphony, and a suggestion of it in his Fifth Piano Concerto. The theme itself in his Op. 53 is one of his best. I move on to Op. 79, the middle movement, which for me is the only worthwhile part. It bears a very strong anticipation and resemblance to a short piece that Elgar wrote many years later, entitled Dream Children. Op. 81a, certainly the last movement, can be transcribed for piano and orchestra as a concerto. There is a strong suggestion of it. Wherever you would have picked up in Op. 90, the work has a strange enervating effect on me, and I endeavor to avoid it. The following Op. 101 comes as a healthy antidote for me, and I love that sonata in its entirety. That I think takes care of everything.

​@@alger3041 I read the comment you wrote. I can feel your love for music beyond your writing. To me, all 32 sonatas of Beethoven are precious. It was for that reason that when making three videos, not a single sonata was left out. But at the same time, I realize that there's still a lot I don't know. Especially, Your point about the limitation of the range of Op. 27 No. 1 leaves me with the possibility of a new interpretation. However, such limitations may add to the sadness of the theme of Adagio movement that comes out later. I'll listen to the other works you mentioned later. I'm not familiar with composers like Dvorak and Elgar. I'm a little familiar with composers like Schubert, Chopin and Mahler. I'll try to get closer later. Also, I wonder what's the reason why you don't like Op. 90. I love this piece as much as L.v. Beethoven's five later works. I hope you feel the beauty of this work someday. Lastly, I think Beethoven's music is interesting in that it creates this kind of debate for listeners. It's a happy thing.

Purely subjective. Plus you are only comparing one form of music.

Listen to Fidelia then le nozze di fígaro yo see if you think the same

@@87linceed I personally still think the same

Mozart was More limited due to politics and money on his creation

When you grow up you will understand how much profound and harmonically complex Mozart's music is, especially his chamber music, sacred music and isolated piano pieces, compared to the overrated, vulgar Beethoven music. Beethoven is pretty uninteresting when you're more than 25 years old.

Yes. None of Beethoven's works can be ignored!