Shekhar Lovekar
Shekhar Lovekar
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วีดีโอ

Mangaldas Lovekar - Natya Geet - Upavani Gaat Kokila
มุมมอง 736 หลายเดือนก่อน
Senior citizens program to celebrate 90th birthday
Mangaldas Lovekar - Bhajan - Thumaki Chalat Ram Chandra
มุมมอง 316 หลายเดือนก่อน
Senior citizens program to celebrate 90th birthday
Sargam in Raga Bhairavi - Teental in Slow, Medium and Fast Tempo
มุมมอง 8710 หลายเดือนก่อน
Sargams are compositions in a given Raga and Tala, not to be confused with Gats. They have two parts - the Asthai and the Antara, each of them being repeated in a cycle. Hopefully, students of the sitar find them useful as practice exercises
Sargam II in Raga Todi - Teental in Medium and Fast Tempo
มุมมอง 11211 หลายเดือนก่อน
Sargams are compositions in a given Raga and Tala, not to be confused with Gats. They have two parts - the Asthai and the Antara, each of them being repeated in a cycle. Hopefully, students of the sitar find them useful as practice exercises
Mangaldas Lovekar - Nirguni Bhajan
มุมมอง 1611 หลายเดือนก่อน
Bhajan
Mangaldas Lovekar - Bhajan Hirana
มุมมอง 2511 หลายเดือนก่อน
Bhajan
Sargam I in Raga Todi - Rupak Taal in Slow, Medium and Fast Tempo
มุมมอง 5011 หลายเดือนก่อน
Sargams are compositions in a given Raga and Tala, not to be confused with Gats. They have two parts - the Asthai and the Antara, each of them being repeated in a cycle. Hopefully, students of the sitar find them useful as practice exercises
Sargam in Raga Bhairav - Teental in Slow, Medium and Fast Tempo
มุมมอง 66ปีที่แล้ว
Sargams are compositions in a given Raga and Tala, not to be confused with Gats. They have two parts - the Asthai and the Antara, each of them being repeated in a cycle. Hopefully, students of the sitar find them useful as practice exercises
Sargam in Raga Gunakali - Jhaptaal in Slow, Medium and Fast Tempo
มุมมอง 53ปีที่แล้ว
Sargams are compositions in a given Raga and Tala, not to be confused with Gats. They have two parts - the Asthai and the Antara, each of them being repeated in a cycle. Hopefully, students of the sitar find them useful as practice exercises
Sargam in Raga Jaunpuri - Jhaptal in Slow, Medium and Fast Tempo
มุมมอง 44ปีที่แล้ว
Sargams are compositions in a given Raga and Tala, not to be confused with Gats. They have two parts - the Asthai and the Antara, each of them being repeated in a cycle. Hopefully, students of the sitar find them useful as practice exercises
Sargam in Raga Alhaiya Bilawal - Teental in Slow, Medium and Fast Tempo
มุมมอง 28ปีที่แล้ว
Sargams are compositions in a given Raga and Tala, not to be confused with Gats. They have two parts - the Asthai and the Antara, each of them being repeated in a cycle. Hopefully, students of the sitar find them useful as practice exercises
Sargam in Raga Sarang - Teental in Slow, Medium and Fast Tempo
มุมมอง 43ปีที่แล้ว
Sargams are compositions in a given Raga and Tala, not to be confused with Gats. They have two parts - the Asthai and the Antara, each of them being repeated in a cycle. Hopefully, students of the sitar find them useful as practice exercises
Sargam in Raga Kafi - Slow, Medium and Fast Tempo
มุมมอง 32ปีที่แล้ว
Sargams are compositions in a given Raga and Tala, not to be confused with Gats. They have two parts - the Asthai and the Antara, each of them being repeated in a cycle. Hopefully, students of the sitar find them useful as practice exercises
Sargam in Raga Bhupali - Rupak Taal in Slow, Medium and Fast Tempo
มุมมอง 63ปีที่แล้ว
Sargams are compositions in a given Raga and Tala, not to be confused with Gats. They have two parts - the Asthai and the Antara, each of them being repeated in a cycle. Hopefully, students of the sitar find them useful as practice exercises
Sargam in Raga Hansadhwani - Ektaal in Slow, Medium and Fast Tempo
มุมมอง 59ปีที่แล้ว
Sargam in Raga Hansadhwani - Ektaal in Slow, Medium and Fast Tempo
Sargam in Raga Tilang - Teental in Slow, Medium and Fast Tempo
มุมมอง 42ปีที่แล้ว
Sargam in Raga Tilang - Teental in Slow, Medium and Fast Tempo
Sargam in Raga Khamaj - Teental in Slow, Medium and Fast Tempo
มุมมอง 27ปีที่แล้ว
Sargam in Raga Khamaj - Teental in Slow, Medium and Fast Tempo
Mangaldas Lovekar: Krishna Krishna Kahiye Uthi Bhor
มุมมอง 245ปีที่แล้ว
Mangaldas Lovekar: Krishna Krishna Kahiye Uthi Bhor
Mangaldas Lovekar: Chinmaya Sakal Hridaya
มุมมอง 85ปีที่แล้ว
Mangaldas Lovekar: Chinmaya Sakal Hridaya
Sargam in Raga Durga - Rupak Taal in Slow, Medium and Fast Tempo
มุมมอง 57ปีที่แล้ว
Sargam in Raga Durga - Rupak Taal in Slow, Medium and Fast Tempo
Sargam in Raga Kamod - Teental in Slow, Medium and Fast Tempo
มุมมอง 56ปีที่แล้ว
Sargam in Raga Kamod - Teental in Slow, Medium and Fast Tempo
Sargam in Raga Kedar - Teental in Slow, Medium and Fast Tempo
มุมมอง 36ปีที่แล้ว
Sargam in Raga Kedar - Teental in Slow, Medium and Fast Tempo
Sargam in Raga Puriya Dhanashri - Teental in Slow, Medium and Fast Tempo
มุมมอง 43ปีที่แล้ว
Sargam in Raga Puriya Dhanashri - Teental in Slow, Medium and Fast Tempo
Sargam in Raga Puriya Kalyan - Ektal in Slow, Medium and Fast Tempo
มุมมอง 34ปีที่แล้ว
Sargam in Raga Puriya Kalyan - Ektal in Slow, Medium and Fast Tempo
Sargam II in Raga Yaman Kalyan - Teental in Slow, Medium and Fast Tempo
มุมมอง 51ปีที่แล้ว
Sargam II in Raga Yaman Kalyan - Teental in Slow, Medium and Fast Tempo
Sargam in Raga Tilak Kamod - Teental in Slow, Medium and Fast Tempo
มุมมอง 44ปีที่แล้ว
Sargam in Raga Tilak Kamod - Teental in Slow, Medium and Fast Tempo
Sargam I in Raga Yaman Kalyan - Teental in Slow, Medium and Fast Tempo
มุมมอง 62ปีที่แล้ว
Sargam I in Raga Yaman Kalyan - Teental in Slow, Medium and Fast Tempo
Sargam III in Raga Yaman - Teental in Slow, Medium and Fast Tempo
มุมมอง 297ปีที่แล้ว
Sargam III in Raga Yaman - Teental in Slow, Medium and Fast Tempo
Sargam II in Raga Yaman - Teental in Slow, Medium and Fast Tempo
มุมมอง 25ปีที่แล้ว
Sargam II in Raga Yaman - Teental in Slow, Medium and Fast Tempo

ความคิดเห็น

  • @jyotsnadate7138
    @jyotsnadate7138 18 วันที่ผ่านมา

    खरोखर सूरेलता जागोजागी दिसते

  • @jyotsnadate7138
    @jyotsnadate7138 26 วันที่ผ่านมา

    खरोखर अप्रतिम वादन जे मनाला भिडले .पार्से करांना त्रिवार वंदन

  • @ramakantparanjape2631
    @ramakantparanjape2631 26 วันที่ผ่านมา

    फारच गोड आणि आकर्षक.

  • @ramakantparanjape2631
    @ramakantparanjape2631 26 วันที่ผ่านมา

    फारच अप्रतिम !

  • @ramakantparanjape2631
    @ramakantparanjape2631 26 วันที่ผ่านมา

    फारच अप्रतिम !

  • @DineshPatel-g1s
    @DineshPatel-g1s หลายเดือนก่อน

    I am 93 years old and have listened to classical music from age 12. I was fortunate to have heared live in Laxmi Baag and Deodhar School of music. Essentially his style changed after 1960 same as Ust.. Amjad Ali Khan in 1980. In both cases they played for their satisfaction from within. Whereas they played for public afterwards. Yes. It was the golden period of classical music.

  • @MarutiKhot-lj4jp
    @MarutiKhot-lj4jp หลายเดือนก่อน

    N hu

  • @hemantghayal7709
    @hemantghayal7709 4 หลายเดือนก่อน

    The violinist with tragic end. He passed away just at the age of 44 due to heavy drinking and the country lost a gifted artist.

  • @mariangelamarrale5069
    @mariangelamarrale5069 8 หลายเดือนก่อน

    could you please write the notes of this alankar? Thank you

  • @ganeshkarambelkar1684
    @ganeshkarambelkar1684 8 หลายเดือนก่อน

    संगीतसृष्टीचे हे मोठे दुर्दैव की हा चमकदार तारा अकाली अस्ताला गेला.

  • @maulipakhawaj
    @maulipakhawaj 9 หลายเดือนก่อน

    गोव्यात भारतीय शास्त्रीय voilin कोण शिकवणारे आहेत का सर

  • @kamupendse1
    @kamupendse1 9 หลายเดือนก่อน

    I am not sure why these commentators can’t just enjoy this divine music! Why try to be wise guys showing off?

    • @JOHN-tk6vl
      @JOHN-tk6vl หลายเดือนก่อน

      Good point.

  • @charuhasbadve7909
    @charuhasbadve7909 10 หลายเดือนก่อน

    सतार वादनातील कमालीचे प्रभुत्व असलेले एकमेव कलाकार... पं.रविशंकर.

  • @dineshtrivedi901
    @dineshtrivedi901 10 หลายเดือนก่อน

    Very versatile artist. Taken very early exit of this mortal world 😢

  • @kkbhatta
    @kkbhatta 11 หลายเดือนก่อน

    The golden years of Hindustani music. This era is gone. Alas no one plays the dhrupad style any more.

  • @pramodshirodkar3706
    @pramodshirodkar3706 11 หลายเดือนก่อน

    He has rendered oñ violene Hirabai Barodekar's marathi bhavgeet Upavani Gaat Kokila which was published on 78RPM record in 1937. This maestro in violene spoilt his life in over drinking.

  • @dr.manojpatil8289
    @dr.manojpatil8289 ปีที่แล้ว

    🙏🙏🙏🙏🙏🙏🙏🙏🙏✌️💯💐👌👍

  • @SuchnSuch
    @SuchnSuch ปีที่แล้ว

    Very good. . Melodic incantations ?

  • @santoshkumarsingh8432
    @santoshkumarsingh8432 ปีที่แล้ว

    Salam

  • @SubhankhanKhan-w5o
    @SubhankhanKhan-w5o ปีที่แล้ว

    Kya baat hai dada

  • @jomarluke
    @jomarluke ปีที่แล้ว

    I really enjoy how the audience is very much involved in the performance. You can hear their sighs, their appreciation. It's amazing.

  • @yashpanchal2328
    @yashpanchal2328 ปีที่แล้ว

    Greatness 🙏🙏

  • @chanchalchakraborty3953
    @chanchalchakraborty3953 ปีที่แล้ว

    🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻

  • @gauritalekar8265
    @gauritalekar8265 ปีที่แล้ว

    Bhishmacharya in vaiyolin

  • @chanchalchakraborty3953
    @chanchalchakraborty3953 2 ปีที่แล้ว

    Very very Nice

  • @panchananbhattacharya1632
    @panchananbhattacharya1632 2 ปีที่แล้ว

    Lucky to get to listen to this heartful rendering by the master. Must have had deep craving in previous lives to offer his salutations through music.

  • @TheVinanthi
    @TheVinanthi 2 ปีที่แล้ว

    Wah 👌👌👌👌🙏🙏

  • @debiprasadsadhu1017
    @debiprasadsadhu1017 2 ปีที่แล้ว

    Wanderful Crores of Pranams to Varatratna Pandit Rabisankar Ji

  • @eytonshalomsandiego
    @eytonshalomsandiego 2 ปีที่แล้ว

    This is the Ravi Shankar that I love is it fair to say that his style or play got a bit watered down after the 1970s and that’s a question not a statement for Indians here that know the music better than I do

    • @theblaseone
      @theblaseone 2 ปีที่แล้ว

      1960 onwards actually. The style not only got watered down, but got transmogrified into one that placed a lot more emphasis on rhythm than melody, the one that valued the lay person in the audience over the connoisseur. I am not necessarily saying one is bad and the other is good. But this is a fact. I am also not suggesting that he lost the ability to play like his old self (there are examples to the contrary: th-cam.com/video/BwYCMnDq6Bs/w-d-xo.html); but he gravitated towards the other style without a doubt. It is also during this transition that his sitar 'voice' became markedly more angular and krintan-reliant than rounded and meend-reliant.

    • @eytonshalomsandiego
      @eytonshalomsandiego 2 ปีที่แล้ว

      @@theblaseone Thank you Hemant Sir for clarifying; that's exactly what I thought, and from reading a little bit....his rhythm IS so beautiful at times, but overall i prefer Nikhil Bannerjee exactly for the melody and depth....I alway wonder if his background as a dancer has anything to do with his love of rhythm, or if it was just what my Indian friend calls "playing to the gallery."

    • @RVHello
      @RVHello ปีที่แล้ว

      He used one instrument from ~1945--1964. His meend oriented melodic performances are from that era. Then he changed instruments to improve the bass sound but that was limited in meend. He mentions this in his biography. Also the melody oriented style requires more daily practice, hard to maintain with panditji's numerous commitments and dalliances.

  • @debiprasadsadhu1017
    @debiprasadsadhu1017 2 ปีที่แล้ว

    Best Regards To Bharat Ratna Pandit ji

  • @gauritalekar8265
    @gauritalekar8265 2 ปีที่แล้ว

    Violin madhil bhishmachaya

  • @mirrortime
    @mirrortime 2 ปีที่แล้ว

    THANK YOU! Very good for meditation. Great Tabla's! So, In a very loving way... I fell in love with the woman on the left of the screen. Her smile!

  • @mirrortime
    @mirrortime 2 ปีที่แล้ว

    Sublime and to the source. So beautiful!

  • @mirrortime
    @mirrortime 2 ปีที่แล้ว

    This made me cry. So beautiful. So very beautiful. Love to Ravi Shankar!

  • @RoseMarieRaccioppi
    @RoseMarieRaccioppi 2 ปีที่แล้ว

    Gratitude and Blessings ~ Sounding that speaks the heart and sings the soul.

  • @DurantaRangan
    @DurantaRangan 2 ปีที่แล้ว

    I don’t have words to express my feelings after listening to this recording repeatedly. It’s a gem. Neither I have any word to thank you. Thank you from the bottom of my heart ❤️ for uploading Shekharji.

  • @raviwarkhedkar
    @raviwarkhedkar 2 ปีที่แล้ว

    महान कलाकाराला विनम्र अभिवादन

  • @achalabhusari7593
    @achalabhusari7593 2 ปีที่แล้ว

    खूप च छान मामा.

  • @shekhardhamnaskar2571
    @shekhardhamnaskar2571 2 ปีที่แล้ว

    Very fascinating and engrossing, one can hear shehanai, violin, and gayaki all at a time.

  • @pramodarulekar9616
    @pramodarulekar9616 2 ปีที่แล้ว

    🙏👍

  • @bhag2023
    @bhag2023 2 ปีที่แล้ว

    Great sitarist... Pious soul 🌹. His nobility and humbleness emnates in his music too 🙏

  • @chanchalchakraborty3953
    @chanchalchakraborty3953 2 ปีที่แล้ว

    Very very Nice

  • @prasannasohale9547
    @prasannasohale9547 3 ปีที่แล้ว

    Very high class

  • @bhaikaka4469
    @bhaikaka4469 3 ปีที่แล้ว

    Exactly what is this ? Why is it captioned उपवनी गात कोकिला, when it has no connection to that song ?

    • @shekharlovekar8917
      @shekharlovekar8917 2 ปีที่แล้ว

      Please listen to Hirabai Barodekar singing Upavani Gaata Kokila, it is identical to Parsekar's version on violin...... th-cam.com/video/_LpL6llZdkU/w-d-xo.html

  • @dnyanprakashvarma9536
    @dnyanprakashvarma9536 3 ปีที่แล้ว

    His work in the mandra saptak and atimandra saptak is rarely seen now.adays.

    • @shekharlovekar8917
      @shekharlovekar8917 3 ปีที่แล้ว

      True!

    • @markjoshua3802
      @markjoshua3802 3 ปีที่แล้ว

      Yes.Indeed, you never listen this type of rendition in ati mandra work. It trnansandces you in a different world.

  • @ygrao9817
    @ygrao9817 3 ปีที่แล้ว

    Very good Bhakti Keertan

  • @pramodarulekar9616
    @pramodarulekar9616 3 ปีที่แล้ว

    Great sir we miss you 🙏RIp

  • @pramodarulekar9616
    @pramodarulekar9616 3 ปีที่แล้ว

    🙏 Best performance sir miss you.

  • @pramodarulekar9616
    @pramodarulekar9616 3 ปีที่แล้ว

    🙏Best

  • @sayanchatterjee1482
    @sayanchatterjee1482 3 ปีที่แล้ว

    ❤️