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The Full Frame
United Kingdom
เข้าร่วมเมื่อ 21 ก.ค. 2023
Welcome to "The Full Frame" - a captivating journey through the world of film photography and exploration! Join Mark and Ben, capturing moments on film. From bustling metropolises to serene landscapes, they seek out the hidden gems and iconic landmarks, always with a keen eye for the perfect shot.
How to shoot expired film
In this episode of Full Frame, Mark dives into the world of expired film as he shoots with a roll of Konica Minolta 200 Super, which expired way back in 2007! Join us as Mark shares his insights on how to get the best results from expired film, including tips on adjusting your settings and managing expectations.
You'll also get a first-hand look at the unique characteristics of this vintage film, including its distinctive pink tones that give your photos a nostalgic vibe. Whether you're new to shooting expired film or a seasoned pro, this video has something for everyone.
Don't forget to like, comment, and subscribe for more film photography adventures!
#ExpiredFilm #KonicaMinolta200 #FilmPhotography #FullFrame #VintageFilm
You can follow Mark on Instagram here: markredbook?igs...
And Ben on Instagram here: bensjpg?igshid=...
Follow The Full Frame Podcast on Instagram: thefullfram...
You'll also get a first-hand look at the unique characteristics of this vintage film, including its distinctive pink tones that give your photos a nostalgic vibe. Whether you're new to shooting expired film or a seasoned pro, this video has something for everyone.
Don't forget to like, comment, and subscribe for more film photography adventures!
#ExpiredFilm #KonicaMinolta200 #FilmPhotography #FullFrame #VintageFilm
You can follow Mark on Instagram here: markredbook?igs...
And Ben on Instagram here: bensjpg?igshid=...
Follow The Full Frame Podcast on Instagram: thefullfram...
มุมมอง: 26
วีดีโอ
Film Photography Workshop: @coconut-marketing goes Analogue!
มุมมอง 8816 ชั่วโมงที่ผ่านมา
In this episode of Full Frame, Mark and Ben team up with Coconut Marketing for a hands-on film photography workshop that puts the Coconut team to the ultimate test. Watch as the Coconut Marketing crew dives into the world of analogue photography, selecting cameras that range from 'beginner' to 'experienced' levels. With the choice between Kodak Gold colour film and Kentmere 100 black & white fi...
Exploring experimental film: KONO! Original Galaxy
มุมมอง 8914 วันที่ผ่านมา
In this episode of Full Frame, Mark takes to the vibrant streets of Chelsea, London, to put KONO! Original Galaxy film to the test. This unique 35mm film stock, re-animated in Germany, promises a burst of vibrant colors and light leak effects, making it perfect for experimental photography enthusiasts. Join Mark as he explores the art of shooting with this unconventional film, capturing the ess...
Shooting Film in Iconic London Underground Stations | Cinemot Lisboa 500 & Lomography Metropolis
มุมมอง 23414 วันที่ผ่านมา
In this episode of The Full Frame, join Mark and Ben as they embark on a unique photographic journey through the historic London Underground. Armed with their film cameras, they explore some of the city's most iconic and architecturally stunning stations, including Baker Street, Bank, and Westminster. Ben experiments with the moody tones of Lomography Metropolis, while Mark captures the undergr...
Analysing THAT Trump Photo, London Photography and New Photobooks | The Full Frame Podcast 9
มุมมอง 6928 วันที่ผ่านมา
In this episode of The Full Frame Podcast Mark and Ben analyse some incredible photos that have been taken since the last episode. Most notably right after Donald Trump's assassination attempt photographer Evan Vucci snapped what is probably the photo of the century so far. We also discuss our top three photos of the month as we discuss recent shoots in London and Bournemouth as well as our fav...
The Lowest ISO Film... In the world!
มุมมอง 2.2Kหลายเดือนก่อน
Join Mark and Ben as they take to the streets of Bournemouth, testing the limits of the world's lowest ISO film. Mark shoots with FPP Sun, an ultra-slow ISO 1 film, while Ben challenges himself with FPP ISO 1.6 - still incredibly low but offering a slight edge in flexibility. In this video, they explore the unique demands of shooting with such slow films, from managing long exposures to creativ...
Shooting Double Exposures on film with @blossombaytalks
มุมมอง 206หลายเดือนก่อน
Join Mark and Ben from The Full Frame as they team up with the talented Daisy Nefatari from Blossom Bay Talks for an exciting film photography adventure! In this video, they explore the charming streets of Winchester, sharing tips and techniques for shooting stunning double exposures on film. Watch as they swap film rolls and create unique, layered images that capture the essence of their surro...
Film vs Digital Photography - Fuji X100F vs Fuji Velvia
มุมมอง 399หลายเดือนก่อน
Join Mark and Ben on an epic photography journey to the breathtaking Howden Dam as they compare the timeless charm of film with the convenience of digital photography! In this episode of "The Full Frame," our dynamic duo dives deep into the age-old debate: Film vs Digital. What You'll See: Mark shooting on his Nikon FE with Fuji Velvia film that expired in 2006 Ben capturing stunning shots on h...
Everything We Know About Street Photography | A Brief Guide
มุมมอง 438หลายเดือนก่อน
Join us on an exciting journey as Mark and Ben head to the vibrant streets of Leeds to capture stunning street photography! In this video, we’ll dive deep into the art and craft of street photography, sharing everything we know to help you take your skills to the next level. What You'll Learn: Essential tips and tricks for capturing candid moments How to approach and photograph strangers How to...
Street Photography in Amsterdam
มุมมอง 3222 หลายเดือนก่อน
In this week's episode Mark heads to Amsterdam in the Netherlands to shoot Silbersalz 250D and Kodak Pro Image 100 on a trip with old friends. He was only in Amsterdam for 24 hours, so this really was a whistle stop tour of the city. Shooting on film on his Nikon Zoom 800AF and Nikon FE how will his shots turn out after being sent through the scanners at Gatwick and Schipol? You can follow Mark...
'I only shoot double exposures' | The Full Frame Podcast with Daisy Nefatari @blossombaytalks
มุมมอง 3852 หลายเดือนก่อน
On this episode of The Full Frame Podcast we're joined by fellow film photographer Daisy Nefatari from BlossomBayTalks on TH-cam. Daisy has been shooting film for years, and is a keen enthusiast for double exposures and weird film stocks. We discuss her favourite film stocks, her process for shooting and so much more! This was a fantastic chat and will be followed up in a few weeks with another...
Capturing a London Show Through Street Photography
มุมมอง 642 หลายเดือนก่อน
In this week's episode of The Full Frame we head to The ExCeL in London for the International Franchise Show. Technically we were both there for work, but between work we managed to head out and shoot a whole bunch of film photographs. Ben was shooting Kodak Vision 3 500T which he bulk bought on eBay. And Mark was shooting Lomo 800 on his Canon IOS 5OON. A very interesting shoot featuring a loa...
The Top Photography Spot in Yorkshire
มุมมอง 1302 หลายเดือนก่อน
In this episode of The Full Frame Mark wanders round the town of Haworth in West Yorkshire, what could well be the top photography spot in Yorkshire. Inspired by local photographer Dave Zdanowicz who's taken some cracking photos in and around Yorkshire, Mark decided to have a walk around the historic town himself. Known for the Bronte family and the 1970 film 'The Railway Children' Haworth has ...
Brutalist Architecture on Film | The Barbican
มุมมอง 843 หลายเดือนก่อน
Welcome to another episode of Full Frame! In this episode, Mark and Ben visit the iconic Barbican Centre in London, capturing its stunning brutalist architecture on film. Mark is shooting with Ilford HP5, embracing the classic black and white aesthetic that perfectly complements the stark lines and dramatic shadows of the Barbican. Ben, on the other hand, is shooting with Kodak Ultramax, adding...
Ben's Photos from Sweden and Leeds City Council | The Full Frame Podcast 7
มุมมอง 583 หลายเดือนก่อน
In this month's edition of The Full Frame Podcast Mark and Ben discuss a bumper edition of 'Photos of the Month' as it's been a while and Ben went to Sweden and took a million photos. Plus we're discussing photo books including 'Framelines' magazine and 'Find your Frame' by Craig Whitehead. Framelines: frame-lines.com/ Craig Whitehead: www.sixstreetunder.com/ Plus our film developer 'Take it Ea...
Is Re-Spooled Kodak Vision 3 500t better than Cinestill?
มุมมอง 6894 หลายเดือนก่อน
Is Re-Spooled Kodak Vision 3 500t better than Cinestill?
'I only use Portra 160' | The Full Frame Podcast with Charlie Buck
มุมมอง 5364 หลายเดือนก่อน
'I only use Portra 160' | The Full Frame Podcast with Charlie Buck
High ISO Black and White Film Photography Challenge: T-Max 3200 vs. Ilford Delta 3200
มุมมอง 2035 หลายเดือนก่อน
High ISO Black and White Film Photography Challenge: T-Max 3200 vs. Ilford Delta 3200
Favourite Photobooks and Upcoming collaborations | The Full Frame Podcast 5
มุมมอง 1145 หลายเดือนก่อน
Favourite Photobooks and Upcoming collaborations | The Full Frame Podcast 5
Lomo Redscale: When is the right time to shoot?
มุมมอง 1306 หลายเดือนก่อน
Lomo Redscale: When is the right time to shoot?
Exploring photography project ideas | The Full Frame Podcast 4
มุมมอง 686 หลายเดือนก่อน
Exploring photography project ideas | The Full Frame Podcast 4
120 vs 35mm film in Cambridge | Film photography challenge
มุมมอง 2K7 หลายเดือนก่อน
120 vs 35mm film in Cambridge | Film photography challenge
Day and Night: Film photography from last summer
มุมมอง 577 หลายเดือนก่อน
Day and Night: Film photography from last summer
It’s a really beautiful film. Would love to shoot a portrait series on it
Nice experiment Mark. I found half a roll of expired vx200 in a camera in a bucket at a carboot sale so no idea how it had been stored. Reset the ISO to 50 and finished the roll, the shots had some colour shift but came out great, definitely not pink! I loved it so much that I always grab it when I see a cheap roll and have got some VX100 in 120 to play with in future. hope you find some more rolls!
Thanks for watching! Yeah we’ll 100% be shooting more expired film
4:10 - Same
Still? After all these years?
I like how at 2:20 the sign for Bens of kings road is in the same part of the frame in both photos, it cuts well.
I missed Ben
so have you determined what actuall stock this is, I assume some soft of Movie LAB film.?
Ben reckons it’s used for copying motion picture film
I have a roll of that stuff I think. Bought it from my local lab a year ago, it was hand rolled by some local guy who named it "slow your roll" and just can't get myself out to shoot it. Good thing it's only 27 exposures too. Got another stock of black and white in ISO 6 as well, maybe a combo shoot
its quite rewarding to shoot with actually, if you have and f2 or f1.8 lens its just about hand holdable on a very sunny day
@@BenGrayphoto All we get are very sunny days in Texas right now! ✌🏽
Best thumbnail ever! Good video too 👌
Thumbnail was all down to Ben! Thanks for watching 👍🏻😁
Why are Bens photos so low res, is he WhatsApping them to you??
I don’t WhatsApp them, but I only get low res scans from the developer
The perfect film to use a 0.95 lens
Gotta watch for those stingers!
holy shit those colors are weird, was not expecting that. Great video lads! subscribed
Thanks!
ISO 1 film. 30s exposure when in bright sunlight. 😂
Haha it was more like 1/15th of a second at f1.8! And that was about as sunny as it gets
I quite enjoyed the fact checking mark pop ups
Next stop BBC news
Enjoyed this! Thanks for the shout out for Harry too! 😂
We love your videos! Thanks for watching 👍🏻
If you’ve shot this film we want to see your photos. Send them to us on Instagram! instagram.com/thefullframepodcast?igsh=NzJwczc4cGgzcHdi&
the low iso 1.6 colors are phenomenal
Yeah I’m well jealous of Ben. From Mark. 😁
Nice one gents.
Big up
iso 1 sounds unbelieveable
It was great fun to shoot. A real challenge. Thanks for watching!
Malaysia Reason: We Got Nasi Lemak
I’m not sure what a a pile of fluffy, aromatic rice with a spicy sambal and crunchy garnish, all served in a banana leaf has to do with low iso film but thanks for watching.
ISO 1!!! That’s crazy, but so cool! I bet it would be so much fun to shoot in the summer 😮
Yeah we’ve had it for months and were waiting for a sunny enough day. Thanks for watching!
Nice Video, thank you! I was looking at pictures on lomography and videos of this camera while in the process of buying a film cam and I'm quite shocked at how little this model is documented for the quality of pictures. Did you experience with films other than the kodak pro image 100 on this camera? What would you recommend? Thanks again for the video!
I need to make another video on this camera because it’s become one of my go to cameras. Particularly if I’m out with the family, I don’t have to think about settings, it’s a great point and shoot. I’ve used a variety of films, I think it just comes down to having something that is going to work well in the light you’re expecting to be in (although this does have a flash) I’ve got some great shots from Gold and Ultramax as well on this camera. Keep an eye out for a ‘Year Later’ review on this, because I know a lot more about it now.
I'm so happy to hear that. I pulled the trigger and got one in pristine condition today. I'm super eager to try it out. Will sub and activate notification to make sure I don't miss your next video on this one! 👍 Thanks again for the feedback
@@TheHappyWookie thanks for watching!
More Daisy please
I shall ask her
cracking film good people.
Thanks for watching Paulo
Such a cool idea, I still don’t quite fully understand double exposures so I’m anxious to try it.
The film swap was a cool idea to jump into it. But like Ben says there’s a lot more of a forensic way to do it to plan it out. Thanks for watching!
Such an epic video!! Well done guys
Thank you for joining us!
This camera is shit, as all from canon ;-) one broke only by leght on regal ;-) - and this is ubershit - buy NIKONOS V - don't say bulls* like that work AF - becuse not, AF not workin on this canon as underwater camera - al all other is irelevant ;-)
Very informative video. Nicely done guys 🌞
Cheers! You’re next week 😬😁
How is this the "ultimate guide" to anything? This is just two guys shootin' the shit and talking shop about street photography. Misleading title at best.
Changed it 😘. Hope you enjoyed it despite us ‘shootin’ the shit’.
Cracking vlog gents.
Thanks Paul. And thanks for your advice 😁
Hey! I have the camera. But I can't open the battery slot. Any tip?
I think I used a coin or a flathead screwdriver (gently) Ben said - if there’s a battery in there it might be corroded and stuck shut
Wheres my invite?
Next time babes x
Why did I have to blink??
😂😂
Beautiful work!
Thanks for watching
I love this! ❤🎉
Thanks for watching!
Love this set up x Daisy is awesome! X
Thanks! And yeah she’s great!
Daisy is rad. The link to her channel doesn't work.
Thanks I’ll fix it
Two wonderful guys! Thanks for chatting
Thank you for joining us!
Y'all would love 66! Did a month long trip barely scraped the surface. Grainydays made me do it. He should head the historic 66 tourism board lol😂
Yeah his video got me onto it to! One day! Until then we’ve got the M25
you forgot to add the links in the corner also your pointing could be better, photos weren't bad though.
I should’ve added them now. Thanks for watching
I’ll work on my pointing 👍🏻
What a gray area it is! I get it, the intent of us film shooters is to get it right in camera and embrace the inherent limitations, but why not push the envelope? People been dodging, burning, and retouching before computers. Subbed! BTW on a slightly related note, if you have a sec, I just posted a silly light hearted childish look into the ethics of wide angle close up vs telephoto voyeurism when shooting the public. It is titled "Photographers are Creeps." Sorry for the plug here, but at least I buried it under the "read more" button lol
Will take a look. Thanks for subscribing
@@TheFullFrame35mm My pleasure man. Thanks for checking me out. Looking forward to watching more photo talks from ya!
Great photos!
Thanks! See you Friday!
whats that hanging next to Ben just to the right of the sound panel, is it 3D printed?
If it’s the chain it’s for 3 paper backgrounds. I run a video production company so shoot against a few different colour paper backdrops. If that’s not what you were asking let me know. Thanks for watching!
Just stumbled across this- thanks for making this video! I was looking for something this comprehensive and 2k resolution was a bonus for the end product. The underwater test was actually very useful for what I'm looking at this camera for so appreciate it being included
It’s hard to find anywhere that will let you photograph in a swimming pool in the UK. Do I had to sneak in early in the morning. It’s a great camera and I’ve been using it quite a bit, not just for when it’s raining or underwater.
Need to sort out the exposure and basic photography and get out of the mindset of shooting like with a phone for the 35mm. The 120mm def more on the mark.
That’s why Ben is the better photographer 😂
I've done a little research on the film before and the "light leaks" on the black and white was light piping from how you loaded it. The reason the leader is a different color is to protect the film, but its supposed to be loaded in a dark environment to prevent this.
Ah! It was certainly dim where Ben loaded it but not completely dark.
Back in the late 70s I was given a bulk roll of 35mm x-ray film by a friend who worked in a hospital. I loaded it into 35mm cassettes and spent much time experimenting. I could never find the right developer and in those days there were not resources like the internet to get information about obscure things like that. In the end I gave up!
Ah such a shame. Even today with the colour I had to find 2 developers. It was fun to shoot! Thanks for watching. 👍🏻
the out of focus might be your ground glass in your viewfinder being a different distance away from the lens to the film.
It’s been fine on other films I’ve shot, just got a roll of gold back and it was spot on
Thank you though!
I tried limo purple on 35mm on a sunny day and was surprised how good it was, I'll have to try it a night having seen your results (if I can find some lights to shoot somewhere!)
We might try it in the day then if you say it’s alright. But night looks really cool!
RE: editing film (or digital for that matter) - I think it only is a problem if authenticity is an intended part of the photo (reportage, wildlife, etc.). I also think this is softened if the intended photo could have been captured anyway with sufficient patience. Whether you waited or edited, the result is the same. Basically, as long as *how* you arrived at the photo doesn't comprise part of the art or meaning in the photo, who cares? People don't care about the color of trousers you were wearing when taking the photo, so by the same token they shouldn't care about editing vs waiting.
500t > cinesteal 800t
And at those prices who can argue!?