When i was in high school, our teacher in Japanese class showed us this scene. It's been 16 years, and this still hits me in my heart because it reminds me of my late grandma. I miss my grandma.
I absolutely love the use of light in the eating scene. The victory of a ramen maker [in the canon of this movie] comes from bottoms up. In other words when the eaters pick up the bowl and slurp up the soup. That means they ate everything. When the men pick up the bowls, the light brightens but dims because the last man lowered his bowl. When he finally bottoms up, the light becomes maddenly brightly because poor Tampopo finally won. The direction is pure art. Applaud.
For me, the moral of this poignant scene is, responsibilities keeps you alive. Having a purpose gives a meaning to your life and without it, you fade away...
The father's face says so much. Realization, awe, and disbelief that this woman he had married loved her family so much. He just never knew until then...
GIANMARCO GROPPELLI: CRITICO CINEMATOGRAFICO-SCRITTORE-POETA-AFORISTA-SAGGISTA. UNO DEI FILM PIÙ STRUGGENTI, AFFASCINANTI E RIUSCITI CHE ABBIA AVUTO LA FORTUNA DI RECENSIRE. CAPOLAVORO G.G. Giudizio: ♤♤♤♤♤
So there are many interpretations: 1. Father makes mother cook dinner so that she'd be with them longer 2. It's a parody exaggerating Japanese women's ability to make family dinner no matter how unwell they are 3. It's touching scene showing how delicious the banal fried rice must have been to this poor family in this circumstance Which one do you think?
See the doctor, he is not Japanese; that is, he must be a a volunteer person from Church. This scene represents typical struggling family, and the "fried rice" is a dish that you can cook with any remaining stuff in your fridge (e.g piece of ham, egg, scallions etc...). In addition, all those indications, such as skinny kids, room without A/C, and a apartment nearby train station, indicates they are lower income family. In this family, the taste of her last fried rice must be special.
In Japan, as of 2000, 80% of people died in hospitals, and over 10% lived in fear at home. In 1950, 80% of the cases were at home and 10% at the hospital. , there was no health insurance system. Patients who were suddenly ill relied on house calls from their families. The film depicts a time in between, when the country was economically prosperous, but those left behind had to resort to the old ways.
What the hell are you talking about? The father made his wife cook supper like she always did when she was healthy only because he thought doing so will make her live longer (even if only a little), like you won't fall asleep and die as far as you keep doing something to stay awake in a cave in a snowy mountain.
Proiettai "Al primo soffio di vento" ad una rassegna: è incredibile quanto il silenzio atterrisca il pubblico. C'è chi parlò di "incubo", "tacita testimonianza di nichilismo", "radiografia di - sic! - esistenze sprecate" ... personalmente lo considero uno delle pellicole italiane più belle della prima metà degli anni Duemila. E' l'indagine di un poeta sul mondo della vita, sulla sua umida concretezza. Rispett. vadapermaria, perché non lo carica integralmente su TH-cam?
光と音楽の演出だねぇ わかりやすく力強い
When i was in high school, our teacher in Japanese class showed us this scene. It's been 16 years, and this still hits me in my heart because it reminds me of my late grandma. I miss my grandma.
大月ウルフ
It saddens me to think that one day I won't be able to taste my mother's food again, to see her smile when she watches me eat.
タンポポ屈指の名シーン。 小田急線界隈ってトコから何とも云えん雰囲気を醸し出してる。
立ち上がる母ちゃんのしりを、名残惜しそうに見つめあげるシーンが...心に突き刺さる😢
母ちゃん、今までうまいメシをつくってくれてありがとう！ 🙏
That's my favorite bit.
...And the tree was happy.
Having depression and being a parent
晩飯、チャーハン、美味そう、私、死ぬ前に、何、食べようかなぁ！
KEN WATANABE!
伊丹十三の奥さんって可愛いな、
Capolavoro 🎬✨
I absolutely love the use of light in the eating scene. The victory of a ramen maker [in the canon of this movie] comes from bottoms up. In other words when the eaters pick up the bowl and slurp up the soup. That means they ate everything. When the men pick up the bowls, the light brightens but dims because the last man lowered his bowl. When he finally bottoms up, the light becomes maddenly brightly because poor Tampopo finally won. The direction is pure art. Applaud.
How long it is gonna take for The Western people to catch up to The Japanese ? Proper way . Slurp.
Ma...?
この映画🎦このシーンだけが一番インパクトがあったの覚えている✨
映画タンポポのこのシーンは、とっても感動した見ていた 最後チャーハン美味しそうだけど お母さんフラフラながらも チャーハン作る所何かは、演じてる人の演技が凄い
なんだこれわ??
For me, the moral of this poignant scene is, responsibilities keeps you alive. Having a purpose gives a meaning to your life and without it, you fade away...
When her husband asks her to cook, it is because he knows how happy it makes her to make food for her family. She died doing what she loved :(
子供の泣き方わざとらしい笑笑 もう少し蹲り加減で泣いたらよかったのにぉー
The father's face says so much. Realization, awe, and disbelief that this woman he had married loved her family so much. He just never knew until then...
GIANMARCO GROPPELLI: CRITICO CINEMATOGRAFICO-SCRITTORE-POETA-AFORISTA-SAGGISTA. UNO DEI FILM PIÙ STRUGGENTI, AFFASCINANTI E RIUSCITI CHE ABBIA AVUTO LA FORTUNA DI RECENSIRE. CAPOLAVORO G.G. Giudizio: ♤♤♤♤♤
I cried my eyes out when she won
はははfunny
これだ！
これこれ！
So there are many interpretations: 1. Father makes mother cook dinner so that she'd be with them longer 2. It's a parody exaggerating Japanese women's ability to make family dinner no matter how unwell they are 3. It's touching scene showing how delicious the banal fried rice must have been to this poor family in this circumstance Which one do you think?
1 だよ。 私は日本人です。
Should I cry or laugh at this part?
You should cry
映画のストーリーや脈絡と全く無関係な一シーンなのだが。 これほど強烈に覚えているシーンは無い。
素晴らしい母ちゃん。。。
è un film molto bello
La MERAVIGLIOSO. INCANTO D'AMORE E PASSIONI.MUSICA STUPENDA i personaggi straordinari
Il NO SENSE regna sovrano secondo me
vabbè come l' hanno tradotto i doppiatori non è proprio tutto tutto spagnolo purtroppo...
Pessimo cocktail , però indispensabile per chi non capisce la lingua... magari con i sottotitoli veniva meglio...
the doctor is a domiciliary] visit. he is half-Japanes(Urufu Ootsuki), Fuzjko Hemming's young brother.
they are lowest familiy,live near train side. but,maybe,that mom had cancer and wants to die at home.I think.
Masterpiece. Fullstop.
See the doctor, he is not Japanese; that is, he must be a a volunteer person from Church. This scene represents typical struggling family, and the "fried rice" is a dish that you can cook with any remaining stuff in your fridge (e.g piece of ham, egg, scallions etc...). In addition, all those indications, such as skinny kids, room without A/C, and a apartment nearby train station, indicates they are lower income family. In this family, the taste of her last fried rice must be special.
笑いながらも涙がでてくる
They have a doctor and a nurse making a house call? Are they rich or is this normal, or what? They don't seem that rich.
In Japan, as of 2000, 80% of people died in hospitals, and over 10% lived in fear at home. In 1950, 80% of the cases were at home and 10% at the hospital. , there was no health insurance system. Patients who were suddenly ill relied on house calls from their families. The film depicts a time in between, when the country was economically prosperous, but those left behind had to resort to the old ways.
What the hell are you talking about? The father made his wife cook supper like she always did when she was healthy only because he thought doing so will make her live longer (even if only a little), like you won't fall asleep and die as far as you keep doing something to stay awake in a cave in a snowy mountain.
あったなぁこんなシーン 本筋とは無関係だが印象的だな
esse filme é muito engracado: uma cozinheira que nao sabia cozinhar (tampopo) e o caminhoneiro que a ajuda...
Her shop is frequented by the Japanese village people.
日本人の原風景ですね 日本のどなたかコメントされてましたが 私もこのシーンは涙がでますね
Is it possible to make it in English version ? Thanks !
bullshit, i want they pay for my noodle
Proiettai "Al primo soffio di vento" ad una rassegna: è incredibile quanto il silenzio atterrisca il pubblico. C'è chi parlò di "incubo", "tacita testimonianza di nichilismo", "radiografia di - sic! - esistenze sprecate" ... personalmente lo considero uno delle pellicole italiane più belle della prima metà degli anni Duemila. E' l'indagine di un poeta sul mondo della vita, sulla sua umida concretezza. Rispett. vadapermaria, perché non lo carica integralmente su TH-cam?
Penso che questa frase racchiuda il senso del film! Che interpretazione, da brividi, finalmente un bel film made in italy!
@charlieokey You're an idiot.