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Roussel - Symphony No. 3 - Leonard Bernstein, Orchestre National de France
Albert Roussel
Symphony No. 3 in G minor, Op. 42
Leonard Bernstein
Orchestre National de France
November 21, 1981
Théâtre des Champs-Elysées
I. Allegro vivo (00:36)
II. Adagio (07:00)
III. Vivace (18:30)
IV. Allegro con spirito (21:42)
___________________________________
Fair Use Act Disclaimer
© COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
All copyrights go to Unitel and Deutsche Grammophon
มุมมอง: 2 016

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Thomas - Overture to “Raymond” - Leonard Bernstein, Orchestre National de France
มุมมอง 1.5K10 หลายเดือนก่อน
Ambroise Thomas Overture to “Raymond”, IAT 18 Leonard Bernstein Orchestre National de France November 21, 1981 Théâtre des Champs-Élysées Fair Use Act Disclaimer © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyrigh...
Haydn - Symphony No. 88 - Leonard Bernstein, Vienna Philharmonic
มุมมอง 56Kปีที่แล้ว
Franz Joseph Haydn Symphony No. 88, Hob. 1/88 Leonard Bernstein Vienna Philharmonic November 26-27, 1983 Großer Saal of the Wiener Musikverein I. Adagio - Allegro (00:28) II. Largo (09:40) III. Menuetto: Allegretto (16:58) IV. Finale - Allegro con spirito (21:23) Encore - Finale with eyes only (25:10) Fair Use Act Disclaimer © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. A...
Brahms - Overtures - Leonard Bernstein, Vienna Philharmonic
มุมมอง 818ปีที่แล้ว
Johannes Brahms Academic Festival Overture, Op. 80 (00:00) October 3-4, 1981 Tragic Overture, Op. 81 (12:20) October 10-11, 1981 Leonard Bernstein Vienna Philharmonic Großer Saal of the Wiener Musikverein Fair Use Act Disclaimer © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching,...
Haydn - Symphony No. 94 in G Major "Surprise” - Leonard Bernstein, Vienna Philharmonic
มุมมอง 79Kปีที่แล้ว
Franz Joseph Haydn Symphony No. 94 in G Major, Hob. 1/94, "Surprise" (Mit dem Paukenschlag) Leonard Bernstein Vienna Philharmonic October 26-27, 1985 Großer Saal of the Wiener Musikverein I. Adagio cantabile - Vivace assai (00:29) II. Andante (09:37) III. Menuetto - Trio (16:19) IV. Finale: Allegro molto (21:50) Fair Use Act Disclaimer © COPYRIGHT Disclaimer, Under Section 107 of the Copyright ...
Weber and Schumann - Overtures - Leonard Bernstein, Vienna Philharmonic
มุมมอง 6Kปีที่แล้ว
Carl Maria von Weber Overture to "Euryanthe” (00:00) November 26, 1983 Robert Schumann Overture from "Manfred", Dramatic Poem in Three Parts, Op. 115 (10:50) November 2-6, 1985 Großer Saal of the Wiener Musikverein Fair Use Act Disclaimer © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting,...
Beethoven - String Quartet No. 16 in F Major, Op. 135 - Leonard Bernstein, Vienna Philharmonic
มุมมอง 23K2 ปีที่แล้ว
Ludwig van Beethoven String Quartet No. 16 in F Major, Op. 135 Leonard Bernstein Vienna Philharmonic September 17, 1989 Großer Saal of the Wiener Musikverein I. Allegretto (00:50) II. Vivace (08:11) III. Lento assai, cantante e tranquillo (11:42) IV. "Der schwer gefaßte Entschluß". Grave, ma non troppo tratto ("Muss es sein?") - Allegro ("Es muss sein!") - Grave, ma non troppo tratto (21:56) Fa...

ความคิดเห็น

  • @nithaelgiroux780
    @nithaelgiroux780 4 วันที่ผ่านมา

    32:08 So much sarcasm I wonder if he's laughing at his upcoming death

  • @waynesmith3767
    @waynesmith3767 7 วันที่ผ่านมา

    Bernstein could be so great conducting Haydn !

  • @유승혜-k8v
    @유승혜-k8v 11 วันที่ผ่านมา

    9:37

  • @elosoter
    @elosoter 24 วันที่ผ่านมา

    This part is so special, not sure how to describe it: th-cam.com/video/b9Umjnwvn4g/w-d-xo.html

  • @GUSTAVOMARZANO
    @GUSTAVOMARZANO หลายเดือนก่อน

    Mil gracias !!!

  • @goodmanmusica2
    @goodmanmusica2 หลายเดือนก่อน

    Thanks

  • @stevegardiner5471
    @stevegardiner5471 หลายเดือนก่อน

    Haydn should have been called 'The Magician'. I find it good to remember that without Haydn there could have been no Mozart and no Beethoven, although perhaps they would have evolved in different ways. This is such a happy and energising account of this wonderful symphony. Thank you.

  • @r.i.p.volodya
    @r.i.p.volodya หลายเดือนก่อน

    Notice the difference between a French-shot video and an American-shot video: the French way is to concentrate on the instruments. The American-shot, the camera would have been on Lenny throughout.

  • @dr2549
    @dr2549 หลายเดือนก่อน

    After hundred times of listening, I still don't fully understand how Hydn constructed the magical - alas very fleeting - contrapunkt seconds at 27:00...

  • @jonathanhos6031
    @jonathanhos6031 หลายเดือนก่อน

    Bravo 🎉

  • @srothbardt
    @srothbardt 2 หลายเดือนก่อน

    His Schumann is always special.

  • @ZenonLopezwallace
    @ZenonLopezwallace 2 หลายเดือนก่อน

    My late mother favourite ever... Passed away 15 years ago... God rest her soul...

  • @mireniosu1328
    @mireniosu1328 2 หลายเดือนก่อน

    👏👏👏👏👏👏👏👏👏👏👏

  • @seanmchugh840
    @seanmchugh840 2 หลายเดือนก่อน

    Elegant and clipped, exacting classicism over romanticism in the faster movs, in contrast to his Mozart and Karajan’s Haydn, well judged faster tempos breezing forward with conversational interpolations, considerable intensity and overall unity, while avoiding trying too hard. However the slow mov then contrasts too much and the finale slightly is unserious; the overall conception lacks deeper values and interest, staying on the surface and showing ignorance of the music’s nature. It’s VPO-ized with an inevitable range of later Vienese overtones including J.Strauss and Bruckner and insistence on doing things their way, with even the plush and gaudy room they’re in bringing in extra social values; despite its qualities this is in dogged ignorance of HIP that indeed uncovers the real Haydn of unsold objectivity and crystalline poise; he may have lived in Vienna but there’s hijacking here.

    • @JohnSmith-oe5kx
      @JohnSmith-oe5kx 18 วันที่ผ่านมา

      Good grief, get over yourself

  • @tomyamartino
    @tomyamartino 2 หลายเดือนก่อน

    Did those folks in Vienna get a show like this every week? That shit is crazy!!!!! In the end Bernstein is conducting with his facial expressions! That's not just a maestro, that's a wizard!

  • @thomasdasilva1464
    @thomasdasilva1464 2 หลายเดือนก่อน

    9:24 I love how that riff changes just a little bit from before so that you can tell it's entering the triumphant finale

  • @benjamindemornay1444
    @benjamindemornay1444 2 หลายเดือนก่อน

    Le nom " maestro " a été inventé pour des Leonard Bernstein

  • @ЮрийЗаславский-ю5к
    @ЮрийЗаславский-ю5к 2 หลายเดือนก่อน

    ❤великолепно❤

  • @ssttiiff1
    @ssttiiff1 2 หลายเดือนก่อน

    19:38 це революція в музиці, Гайдн переверши сам себе

  • @albertomuller212
    @albertomuller212 3 หลายเดือนก่อน

    Haydn conveys on symphonies as thisvone a sense of perfection I hardly find on other pieces, even if I love many other composers, from Bach to Brahms to Wagner. 13:19

  • @doromamire
    @doromamire 4 หลายเดือนก่อน

    My cats love Franz Joseph Haydn's orchestral and instrumental music and often listen to his works. A short while ago, they were exposed to the great experience of Haydn's “Surprise Symphony,” in which they presented a collective astonishment at the second movement's fortissimo strike. They now perform a synchronized vertical jumping at the same fortissimo, having acclimated to the musical stratagem. But, it appears that they have adopted this behavior as a ceremonial act of engagement with this symphony.

  • @carlosvizia2357
    @carlosvizia2357 4 หลายเดือนก่อน

    Haydn, Bernstein, la Filarmónica de Viena!. Difícil pedir algo mejor ...

  • @srothbardt
    @srothbardt 4 หลายเดือนก่อน

    HC Robbins Landon said Lenny was the best Haydn conductor.

  • @excelsior999
    @excelsior999 4 หลายเดือนก่อน

    Bernstein was an excellent conductor who was well aware that he was in Show Business (especially when he was On Camera).

  • @cerchiamusic
    @cerchiamusic 4 หลายเดือนก่อน

    I think a lot of Bernstein...but not as much as he did. The conducting with his eyes was a stunt. He KNEW the camera was on him. Thats why he did it.

  • @duncanmckeown1292
    @duncanmckeown1292 4 หลายเดือนก่อน

    I'm not a great Bernstein admirer...but I am convinced that late Haydn symphonies need a big band...and some small authentic instrument orchestras really do play too quickly. Bernstein's Paris symphonies still hold their own. And this symphony is among many people's favourites in the whole Haydn catalogue. I still think one can go the other way in terms of speed; the opening is a little too slow for me, as is the largo.

    • @JohnSmith-oe5kx
      @JohnSmith-oe5kx 18 วันที่ผ่านมา

      Slower than most, but I quite like it. The contrast with the main section is great

    • @mms7704
      @mms7704 8 วันที่ผ่านมา

      Bernstein conducts 88, 92, 94, and 101 very well for me. He is on top for me on these symphonies. Franz Bruggen is great too. My new favorite for earlier Haydn symphonies is the Milan guy Giovanni Antonio. He brings some seemingly dull earlier symphonies to lively new heights!

  • @gheorghepascar5308
    @gheorghepascar5308 5 หลายเดือนก่อน

    🥰🌹❤👏❤🌹🥰

  • @laurentb8720
    @laurentb8720 5 หลายเดือนก่อน

    The 5th movement sounds about the same as the 4th

    • @porridgeandprunes
      @porridgeandprunes 3 หลายเดือนก่อน

      It's a repetition of the 4th with no conductor. A Bernstein novelty.

  • @rolandosimpfendorfer3415
    @rolandosimpfendorfer3415 5 หลายเดือนก่อน

    Gran director y gran obra de Haydn . Muchas gracias,

  • @paolofurlani
    @paolofurlani 5 หลายเดือนก่อน

    A masterpiece (although little known) made unforgettable by Bernstein's brilliant conducting.

  • @hildyva
    @hildyva 5 หลายเดือนก่อน

    Listen to Paul Gilbert version of this on electric guitar. It will knock ur Sox off

    • @sbor2020
      @sbor2020 3 หลายเดือนก่อน

      Will it knock more socks off than Bernstein, Furtwängler, Walter or Doráti ever did?

  • @borisbrinkmann
    @borisbrinkmann 5 หลายเดือนก่อน

    The Adagio in this version, in THIS key (D flat major), in THIS tempo with THIS conductor with THIS orchestra reminds of Mahler...

    • @МаксимВзоров-к4щ
      @МаксимВзоров-к4щ 4 หลายเดือนก่อน

      I was about to write absolutely the same thing.

    • @borisbrinkmann
      @borisbrinkmann 4 หลายเดือนก่อน

      @@МаксимВзоров-к4щ 🙂

    • @MrYoumitube
      @MrYoumitube หลายเดือนก่อน

      Mahler & Tchaikovsky were probably Beethoven's biggest fans.

    • @philchng
      @philchng 27 วันที่ผ่านมา

      Wtf are u talking about Beethoven made them lol and made the romantic era

  • @muslit
    @muslit 5 หลายเดือนก่อน

    How many conductors today kiss their concertmasters after a performance?

    • @tanaraci92
      @tanaraci92 5 หลายเดือนก่อน

      Not enough

  • @muslit
    @muslit 5 หลายเดือนก่อน

    To insert a 48 measure canon at the measure in the development section of the last movement was a stroke of genius.

    • @excelsior999
      @excelsior999 4 หลายเดือนก่อน

      Sir Simon Rattle called Haydn, "A genius hidden in plain view."

  • @Homer__Simpson
    @Homer__Simpson 5 หลายเดือนก่อน

    11:45

  • @СофіяПанченко-щ1и
    @СофіяПанченко-щ1и 5 หลายเดือนก่อน

    0:38 the beginning

  • @ChamMansour
    @ChamMansour 6 หลายเดือนก่อน

    Was im Leben…? Warum hat der Konzertmeister jedes Mal eine ROTES Geige!?

  • @snaukball8764
    @snaukball8764 6 หลายเดือนก่อน

    what a nice, calm symphony. Sure hope nothing surprising happens :)

  • @hugueslamoulieretherapeute2923
    @hugueslamoulieretherapeute2923 6 หลายเดือนก่อน

    Brahms est le plus grand compositeur (pour moi bien sûr)

  • @hugueslamoulieretherapeute2923
    @hugueslamoulieretherapeute2923 6 หลายเดือนก่อน

    Magistrale

  • @maka13135
    @maka13135 7 หลายเดือนก่อน

    Música divina.

  • @lizwiener2364
    @lizwiener2364 7 หลายเดือนก่อน

    No women musicians?

    • @davidmintzer3743
      @davidmintzer3743 7 หลายเดือนก่อน

      At that point The Vienna Phil was an all boys club.

    • @Art_Girlie0
      @Art_Girlie0 7 หลายเดือนก่อน

      1983? Wohl noch eine andere Welt. Aber, "miss-feähllt" etwa dadurch an der Musik an sich etwas ? Hadyn ist/bleibt wohl Hadyn ... ob sie sich jetzt irgendwas wünschen oder nicht...

    • @yumyumwhatzohai
      @yumyumwhatzohai 6 หลายเดือนก่อน

      Amazing brainrot, you must have to listen to such a marvelous performance of an amazing piece, for your only concern to be what genitals the musicians have...

  • @alessandrocanal6184
    @alessandrocanal6184 8 หลายเดือนก่อน

    I. Adagio cantabile - Vivace assai - 00:29 Vivace assai. - 01:51 A - 02:15 B - 02:41 C - 03:16 II. Andante - 09:37 III. Menuetto - Trio - 16:19 IV. Finale: Allegro molto - 21:50 Q - 24:43

  • @jcaldu1
    @jcaldu1 8 หลายเดือนก่อน

    I rather enjoy this short clip than suffer watching Maestro. My opinion.

    • @sarahjones-jf4pr
      @sarahjones-jf4pr 8 หลายเดือนก่อน

      This is not a short "clip" these two pieces are Overtures not long symphonies ....

  • @edithk.2411
    @edithk.2411 8 หลายเดือนก่อน

    Lenny and the Vienna Philharmonic at their best

  • @yl4521
    @yl4521 8 หลายเดือนก่อน

    0:30 1:54. Largo 9:43 14:30 Finale 21:25

  • @マヂレス男
    @マヂレス男 9 หลายเดือนก่อน

    ハイドン【交響曲第94番「驚愕」】

  • @マヂレス男
    @マヂレス男 9 หลายเดือนก่อน

    ハイドン【交響曲第88番「V字」】

  • @siyer4806
    @siyer4806 9 หลายเดือนก่อน

    Effusive music making; Beethoven grittier in his eight symphony but could bit touch Haydn.

  • @victorjuhasz9078
    @victorjuhasz9078 9 หลายเดือนก่อน

    Gorgeous.