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Roussel - Symphony No. 3 - Leonard Bernstein, Orchestre National de France
Albert Roussel
Symphony No. 3 in G minor, Op. 42
Leonard Bernstein
Orchestre National de France
November 21, 1981
Théâtre des Champs-Elysées
I. Allegro vivo (00:36)
II. Adagio (07:00)
III. Vivace (18:30)
IV. Allegro con spirito (21:42)
___________________________________
Fair Use Act Disclaimer
© COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
All copyrights go to Unitel and Deutsche Grammophon
Symphony No. 3 in G minor, Op. 42
Leonard Bernstein
Orchestre National de France
November 21, 1981
Théâtre des Champs-Elysées
I. Allegro vivo (00:36)
II. Adagio (07:00)
III. Vivace (18:30)
IV. Allegro con spirito (21:42)
___________________________________
Fair Use Act Disclaimer
© COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
All copyrights go to Unitel and Deutsche Grammophon
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Beethoven - String Quartet No. 16 in F Major, Op. 135 - Leonard Bernstein, Vienna Philharmonic
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Ludwig van Beethoven String Quartet No. 16 in F Major, Op. 135 Leonard Bernstein Vienna Philharmonic September 17, 1989 Großer Saal of the Wiener Musikverein I. Allegretto (00:50) II. Vivace (08:11) III. Lento assai, cantante e tranquillo (11:42) IV. "Der schwer gefaßte Entschluß". Grave, ma non troppo tratto ("Muss es sein?") - Allegro ("Es muss sein!") - Grave, ma non troppo tratto (21:56) Fa...
32:08 So much sarcasm I wonder if he's laughing at his upcoming death
Bernstein could be so great conducting Haydn !
9:37
This part is so special, not sure how to describe it: th-cam.com/video/b9Umjnwvn4g/w-d-xo.html
Mil gracias !!!
Thanks
Haydn should have been called 'The Magician'. I find it good to remember that without Haydn there could have been no Mozart and no Beethoven, although perhaps they would have evolved in different ways. This is such a happy and energising account of this wonderful symphony. Thank you.
Notice the difference between a French-shot video and an American-shot video: the French way is to concentrate on the instruments. The American-shot, the camera would have been on Lenny throughout.
After hundred times of listening, I still don't fully understand how Hydn constructed the magical - alas very fleeting - contrapunkt seconds at 27:00...
Bravo 🎉
His Schumann is always special.
My late mother favourite ever... Passed away 15 years ago... God rest her soul...
👏👏👏👏👏👏👏👏👏👏👏
Elegant and clipped, exacting classicism over romanticism in the faster movs, in contrast to his Mozart and Karajan’s Haydn, well judged faster tempos breezing forward with conversational interpolations, considerable intensity and overall unity, while avoiding trying too hard. However the slow mov then contrasts too much and the finale slightly is unserious; the overall conception lacks deeper values and interest, staying on the surface and showing ignorance of the music’s nature. It’s VPO-ized with an inevitable range of later Vienese overtones including J.Strauss and Bruckner and insistence on doing things their way, with even the plush and gaudy room they’re in bringing in extra social values; despite its qualities this is in dogged ignorance of HIP that indeed uncovers the real Haydn of unsold objectivity and crystalline poise; he may have lived in Vienna but there’s hijacking here.
Good grief, get over yourself
Did those folks in Vienna get a show like this every week? That shit is crazy!!!!! In the end Bernstein is conducting with his facial expressions! That's not just a maestro, that's a wizard!
9:24 I love how that riff changes just a little bit from before so that you can tell it's entering the triumphant finale
Le nom " maestro " a été inventé pour des Leonard Bernstein
❤великолепно❤
19:38 це революція в музиці, Гайдн переверши сам себе
Haydn conveys on symphonies as thisvone a sense of perfection I hardly find on other pieces, even if I love many other composers, from Bach to Brahms to Wagner. 13:19
My cats love Franz Joseph Haydn's orchestral and instrumental music and often listen to his works. A short while ago, they were exposed to the great experience of Haydn's “Surprise Symphony,” in which they presented a collective astonishment at the second movement's fortissimo strike. They now perform a synchronized vertical jumping at the same fortissimo, having acclimated to the musical stratagem. But, it appears that they have adopted this behavior as a ceremonial act of engagement with this symphony.
Haydn, Bernstein, la Filarmónica de Viena!. Difícil pedir algo mejor ...
Eso mismo pienso yo
HC Robbins Landon said Lenny was the best Haydn conductor.
Bernstein was an excellent conductor who was well aware that he was in Show Business (especially when he was On Camera).
I think a lot of Bernstein...but not as much as he did. The conducting with his eyes was a stunt. He KNEW the camera was on him. Thats why he did it.
I'm not a great Bernstein admirer...but I am convinced that late Haydn symphonies need a big band...and some small authentic instrument orchestras really do play too quickly. Bernstein's Paris symphonies still hold their own. And this symphony is among many people's favourites in the whole Haydn catalogue. I still think one can go the other way in terms of speed; the opening is a little too slow for me, as is the largo.
Slower than most, but I quite like it. The contrast with the main section is great
Bernstein conducts 88, 92, 94, and 101 very well for me. He is on top for me on these symphonies. Franz Bruggen is great too. My new favorite for earlier Haydn symphonies is the Milan guy Giovanni Antonio. He brings some seemingly dull earlier symphonies to lively new heights!
🥰🌹❤👏❤🌹🥰
The 5th movement sounds about the same as the 4th
It's a repetition of the 4th with no conductor. A Bernstein novelty.
Gran director y gran obra de Haydn . Muchas gracias,
A masterpiece (although little known) made unforgettable by Bernstein's brilliant conducting.
Listen to Paul Gilbert version of this on electric guitar. It will knock ur Sox off
Will it knock more socks off than Bernstein, Furtwängler, Walter or Doráti ever did?
The Adagio in this version, in THIS key (D flat major), in THIS tempo with THIS conductor with THIS orchestra reminds of Mahler...
I was about to write absolutely the same thing.
@@МаксимВзоров-к4щ 🙂
Mahler & Tchaikovsky were probably Beethoven's biggest fans.
Wtf are u talking about Beethoven made them lol and made the romantic era
How many conductors today kiss their concertmasters after a performance?
Not enough
To insert a 48 measure canon at the measure in the development section of the last movement was a stroke of genius.
Sir Simon Rattle called Haydn, "A genius hidden in plain view."
11:45
0:38 the beginning
Was im Leben…? Warum hat der Konzertmeister jedes Mal eine ROTES Geige!?
what a nice, calm symphony. Sure hope nothing surprising happens :)
Brahms est le plus grand compositeur (pour moi bien sûr)
Magistrale
Música divina.
No women musicians?
At that point The Vienna Phil was an all boys club.
1983? Wohl noch eine andere Welt. Aber, "miss-feähllt" etwa dadurch an der Musik an sich etwas ? Hadyn ist/bleibt wohl Hadyn ... ob sie sich jetzt irgendwas wünschen oder nicht...
Amazing brainrot, you must have to listen to such a marvelous performance of an amazing piece, for your only concern to be what genitals the musicians have...
I. Adagio cantabile - Vivace assai - 00:29 Vivace assai. - 01:51 A - 02:15 B - 02:41 C - 03:16 II. Andante - 09:37 III. Menuetto - Trio - 16:19 IV. Finale: Allegro molto - 21:50 Q - 24:43
I rather enjoy this short clip than suffer watching Maestro. My opinion.
This is not a short "clip" these two pieces are Overtures not long symphonies ....
Lenny and the Vienna Philharmonic at their best
0:30 1:54. Largo 9:43 14:30 Finale 21:25
ハイドン【交響曲第94番「驚愕」】
ハイドン【交響曲第88番「V字」】
Effusive music making; Beethoven grittier in his eight symphony but could bit touch Haydn.
Gorgeous.