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Ensemble Phoenix Munich
Germany
เข้าร่วมเมื่อ 11 ม.ค. 2015
Ensemble Phoenix Munich (EPM) was founded in 2003 by Joel Frederiksen, American bass and lutenist, with the recording of "Orpheus, I am." The ensemble focuses on music of the Renaissance and early Baroque, but does not limit itself to any one epoch exclusively. Programs range from Medieval to contemporary music reflecting the interests of its artistic leader, Joel Frederiksen. This freshness of programming is reflected in its concert series "Between Mars and Venus" in Munich (Germany), begun in 2007 and held at the Bavarian National Museum. EPM recorded four CDs for harmonia mundi France and now records exclusively for SONY/Deutsche Harmonia Mundi. Joel Frederiksen, the aritistic director, and the ensemble have won numerous prizes (Echo Prize, German Record Critics' Prize, Orphée d'Or, etc.) and appeared at major festivals around the world. www.joelfrederiksen.com / www.ensemble-phoenix.com
The Three Basses - Die drei Bässe / Joel Frederiksen, Thomas Bauer, Harry van der Kamp
Joel Frederiksen and Thomas E. Bauer speak about bass voices, the special music composed for them in the Baroque and the unique dramatic power of the bass singer. In this program of early Baroque music from Germany, the complete range and possibilities of the bass voice are exploited to their fullest.
At that time, Italian music was enticing many composers to cross the Alps, including Heinrich Schütz, who went to Venice twice. He studied there with Giovanni Gabrieli and sampled the pioneering work of Claudio Monteverdi. Like Franz Tunder, Christoph Bernhard and Johann Caspar Kerll. Schütz combined the Italians’ dramatic panache with the spiritual depth and contrapuntal complexity of the German Baroque. Ensemble Phoenix Munich has chosen the most beautiful solos, duets and trios for this spirited programm: some are melodic and dancing, others are patient narratives, but all are magnificently expressive. Through the pages of the score, the bass reveals itself as so much more than a harmonic foundation: its deep, bronze register represents majesty, wisdom and power, in good times and bad.
Performance Excerpts: Erlöserkirche (Church of Our Savior), Munich, Germany on February 24, 2024
Performers:
Thomas E. Bauer: Bass
Harry van der Kamp: Bass
Joel Frederiksen: Bass, Archlute & Conductor
Félix Verry: violin
Aleksandra Brzóskowska: violin
Axel Wolf: Theorbo
Domen Marinčič: viola da gamba, violone
Michael Eberth: organ, harpsichord
www.joelfrederiksen.com
www.ensemble-phoenix.com
Chiarini Media, Gregory Wang
chiarinamedia.de/
Video Re-release: Revised Subtitles in English
At that time, Italian music was enticing many composers to cross the Alps, including Heinrich Schütz, who went to Venice twice. He studied there with Giovanni Gabrieli and sampled the pioneering work of Claudio Monteverdi. Like Franz Tunder, Christoph Bernhard and Johann Caspar Kerll. Schütz combined the Italians’ dramatic panache with the spiritual depth and contrapuntal complexity of the German Baroque. Ensemble Phoenix Munich has chosen the most beautiful solos, duets and trios for this spirited programm: some are melodic and dancing, others are patient narratives, but all are magnificently expressive. Through the pages of the score, the bass reveals itself as so much more than a harmonic foundation: its deep, bronze register represents majesty, wisdom and power, in good times and bad.
Performance Excerpts: Erlöserkirche (Church of Our Savior), Munich, Germany on February 24, 2024
Performers:
Thomas E. Bauer: Bass
Harry van der Kamp: Bass
Joel Frederiksen: Bass, Archlute & Conductor
Félix Verry: violin
Aleksandra Brzóskowska: violin
Axel Wolf: Theorbo
Domen Marinčič: viola da gamba, violone
Michael Eberth: organ, harpsichord
www.joelfrederiksen.com
www.ensemble-phoenix.com
Chiarini Media, Gregory Wang
chiarinamedia.de/
Video Re-release: Revised Subtitles in English
มุมมอง: 449
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Von Aufgang der Sonnen - Heinrich Schütz (1585-1672) with basses Joel Frederiksen and Thomas Bauer
มุมมอง 372หลายเดือนก่อน
From "The Three Basses - Baroque for Bass" with Joel Frederiksen and Ensemble Phoenix Munich. Performance: Erlöserkirche, Munich, Germany on February 24, 2024 Von Aufgang der Sonnen (SWV 362) Symphoniae Sacrae II, Dresden, 1647 Von Aufgang der Sonnen bis zu ihrem Niedergang sei gelobet der Name des Herren. Gelobet sei des Herren Name von nun an bis in Ewigkeit. Der Herr ist hoch über alle Heid...
Himmel und Erde vergehen - The Three Basses / Joel Frederiksen, Thomas Bauer, Harry van der Kamp
มุมมอง 133หลายเดือนก่อน
Himmel und Erde vergehen (SWV 300), Heinrich Schütz (1585-1672) Kleine geistliche Konzerte I, Dresden, 1636 Himmel und Erde vergehen, aber meine Worte vergehen nicht. (Lukas 21:33) Performance: Erlöserkirche, Munich, Germany on February 24, 2024 Performers: Thomas E. Bauer: Bass Harry van der Kamp: Bass Joel Frederiksen: Bass, Archlute & Conductor Félix Verry: violin Aleksandra Brzóskowska: vi...
O welch eine Tiefe des Reichtums, Christoph Bernhard (1628-1692) - Joel Frederiksen, Bass, with EPM
มุมมอง 226หลายเดือนก่อน
From "The Three Basses" program of Ensemble Phoenix Munich. Live from the Erlöserkirche in Munich, Germany, on February 24, 2024. This dramatic motet for Bass was written by a devoted Heinrich Schütz student and author of an informative treatise about Baroque ornamentation and style, the Tractatus compositionis augmentatus. Text: O welch eine Tiefe des Reichtums, beide der Weisheit und Erkenntn...
Bird on the wire /La Rossignoll/The Tuneful Nightingale - Joel Frederiksen / Ensemble Phoenix Munich
มุมมอง 4246 หลายเดือนก่อน
Ensemble Phoenix Munich/Joel Frederiksen perform live at the University of Calgary, Rozsa Centre, Canada, October 28, 2023 / Calgary Pro Musica, Horizon Series. This song is from the CD, "A DAY WITH SUZANNE - A TRIBUTE TO LEONARD COHEN WITH FRENCH RENAISSANCE CHANSON" (Spiegel Bestseller Top 10; Opus Klassik Award Nominee). SONY/Deutsche Harmonia Mundi (January 2023): static1.squarespace.com/st...
O che nuovo miracolo - Emilio de Cavalieri, La Pellegrina /Ensemble Phoenix Munich, Joel Frederiksen
มุมมอง 1.2K7 หลายเดือนก่อน
Ballo (Ballet) from "La Pellegrina The Florentine Intermedii of 1589" Ensemble Phoenix Munich, Joel Frederiksen, Director - Live from the Wilhemina Theater Stuttgart on October 15, 2022 The finale of the Florentine Intermedii of 1589 is a "ball" (Ballo) with music by Emilio de’ Cavalieri, consisting of alternating three- and five-part sections in which rhythm and harmony are combined. Full stre...
Le Phoenix (de Vincent) - So long Marianne (Leonard Cohen) -Joel Frederiksen/Ensemble Phoenix Munich
มุมมอง 4428 หลายเดือนก่อน
Live from the University of Calgary, Rozsa Centre, Canada, October 28, 2023 / Calgary Pro Musica, Horizon Series. This song is from the CD, "A DAY WITH SUZANNE - A TRIBUTE TO LEONARD COHEN WITH FRENCH RENAISSANCE CHANSON" (Spiegel Bestseller Top 10; Opus Klassik Award Nominee). SONY/Deutsche Harmonia Mundi (January 2023): static1.squarespace.com/static/5a8e7f04f6576eea8d6d7e1b/t/655260220f62f55...
La Compositrice - Komponistinnen der frühen Neuzeit und Gegenwart / Teaser zum Konzert am 6. März
มุมมอง 5552 ปีที่แล้ว
Ensemble Phoenix Munich und Joel Frederiksen präsentieren: La Compositrice - Komponistinnen der frühen Neuzeit und Gegenwart / Konzert mit Film Sonntag, 06. März, 19 Uhr ALLERHEILIGEN-HOFKIRCHE DER RESIDENZ, München KARTENVORVERKAUF / TICKET SALES Kartenpreise: 32,00€ | Ermäßigt: 27,00€ | SchülerInnen / Studierende 16,00€ EPM direkt -Tel. 089 8575604 oder epm@gmx.de www.muenchenticket.de • www...
Scarborough Fair - Traditional ballad, arranged and performed by Joel Frederiksen
มุมมอง 16K2 ปีที่แล้ว
I recorded this video on December 20, 2021. The arrangement was made by me some years ago, and is featured on the CD "The Elfin Knight" (harmonia mundi France, 2007) with more instruments and a harmony voice. On that album, you will also find two other variations of The Elfin Knight (Child Ballad Nr. 2): Whittingham Faire and The Lover's Tasks. In this song, the lover presents his beloved with ...
Alla Battaglia (excerpt) - Heinrich Isaac
มุมมอง 7152 ปีที่แล้ว
Ensemble Phoenix Munich Interpret*Innen: Maria Andrea Parias - Sopran | Giovanna Baviera - Mezzo, Viola da Gamba | Ivo Haun - Tenor | Ryosuke Sakamoto - Laute, Viola da Gamba | Catalina Vicens - Orgelpositiv | Joel Frederiksen - Bass, Laute & Leitung Projektmanagement und PR: Dr. Ulrike Keil Sonntag, 21.11.2021, 19 Uhr, St. Johannes-Kirche, Preysingplatz, München Programm: Heinrich Isaac und de...
O Welt, ich muss dich lassen - Heinrich Isaac
มุมมอง 6K2 ปีที่แล้ว
This piece is musically the same as Isaac's famous "Innsbruck, ich muss dich lassen", but with a sacred text (a so-called contrafactum). Dieses Stück ist musikalisch dasselbe wie Isaacs berühmtes "Innsbruck, ich muss dich lassen", allerdings mit einem geistlichen Text (einem sogenannten Kontrafaktum). Ensemble Phoenix Munich Interpret*Innen: Maria Andrea Parias - Sopran | Giovanna Baviera - Mez...
Innsbruck, ich muss dich lassen - Heinrich Isaac
มุมมอง 4.4K2 ปีที่แล้ว
Ensemble Phoenix Munich Interpret*Innen: Maria Andrea Parias - Sopran | Giovanna Baviera - Mezzo, Viola da Gamba | Ivo Haun - Tenor | Ryosuke Sakamoto - Laute, Viola da Gamba | Catalina Vicens - Orgelpositiv | Joel Frederiksen - Bass, Laute & Leitung Projektmanagement und PR: Dr. Ulrike Keil Sonntag, 21.11.2021, 19 Uhr, St. Johannes-Kirche, Preysingplatz, München Programm: Heinrich Isaac und de...
Ich saz ûf einem steine -- ein Sangspruch von Walther von der Vogelweide (ca. 1170 - ca. 1230)
มุมมอง 1.4K2 ปีที่แล้ว
Von dem Programm, "Walther von der Vogelweide - ein Wanderleben." 26. September, 2021, Allerheiligen Hofkirche, Residenz, München From the program, "Walther von der Vogelweide - ein Wanderleben", September 26, 2021 in Munich's Allerheiligen Hofkirche (All Souls Court Church) of the Residenz. (English song translation below) Im Video zu sehen sind / Appearing in the video: Joel Frederiksen - Ges...
'Tis late and cold - Robert Johnson (c1583-1633) / Joel Frederiksen and Hille Perl Live!
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'Tis late and cold - Robert Johnson (c1583-1633) / Joel Frederiksen and Hille Perl Live!
Un Niño nos es nasçido | Spanish music for Christmas
มุมมอง 5332 ปีที่แล้ว
Un Niño nos es nasçido | Spanish music for Christmas
Un Niño nos es nasçido | Spanish music for Christmas
มุมมอง 2982 ปีที่แล้ว
Un Niño nos es nasçido | Spanish music for Christmas
Walther von der Vogelweide - ein Wanderleben / Trailer zum Programm
มุมมอง 5452 ปีที่แล้ว
Walther von der Vogelweide - ein Wanderleben / Trailer zum Programm
Ensemble Phoenix Munich LIVE Konzert: Musiker auf Reisen (Traveling Musicians)
มุมมอง 3.3K3 ปีที่แล้ว
Ensemble Phoenix Munich LIVE Konzert: Musiker auf Reisen (Traveling Musicians)
Künstler fragen Künstler zu Gast Joel Frederiksen
มุมมอง 6144 ปีที่แล้ว
Künstler fragen Künstler zu Gast Joel Frederiksen
Teil 2 / Part 2: Wohzimmerkonzert / Living Room Concert - Musiker auf Reisen / Musicians on the Road
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Teil 2 / Part 2: Wohzimmerkonzert / Living Room Concert - Musiker auf Reisen / Musicians on the Road
Music Without Quarantine interview with Joel Frederiksen by Michael Thallium May 2020
มุมมอง 7044 ปีที่แล้ว
Music Without Quarantine interview with Joel Frederiksen by Michael Thallium May 2020
Ocean - Joel Frederiksen / Ensemble Phoenix Munich: Requiem for a Pink Moon
มุมมอง 2.4K4 ปีที่แล้ว
Ocean - Joel Frederiksen / Ensemble Phoenix Munich: Requiem for a Pink Moon
Beauty is but a painted Hell / Ensemble Phoenix Munich / Joel Frederiksen
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Beauty is but a painted Hell / Ensemble Phoenix Munich / Joel Frederiksen
The Flaming Fire / Ensemble Phoenix Munich with Hille Perl and Joel Frederiksen
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The Flaming Fire / Ensemble Phoenix Munich with Hille Perl and Joel Frederiksen
Barock & Beyond - Musik von Claudio Monteverdi / Joel Frederiksen & Ensemble Phoenix Munich
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Barock & Beyond - Musik von Claudio Monteverdi / Joel Frederiksen & Ensemble Phoenix Munich
Un Niño nos es naçido | Spanish music for Christmas
มุมมอง 1.4K6 ปีที่แล้ว
Un Niño nos es naçido | Spanish music for Christmas
THE FLAMING FIRE / Ensemble Phoenix Munich / Joel Frederiksen
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THE FLAMING FIRE / Ensemble Phoenix Munich / Joel Frederiksen
Nuttmigs and Ginger (Sunday, May 3, 2015)
มุมมอง 6916 ปีที่แล้ว
Nuttmigs and Ginger (Sunday, May 3, 2015)
Brilliant - thanks
@@michaeljones3694 Thank you, Michael, for your comment!
Divine Emma ❤
@@TheFakeMe_ Agreed!!
Singing and playing like this at the same time is surprisingly difficult. Amazing performance.
Thank you! It’s a pleasure! I suppose you have seen my videos of “Flow my teares” and “Come Again” with Emma Kirkby? All best, Joel
The one who thought no one would hear any of his songs, now has disappeared when the whole world listens and plays all his songs.
@@Whn1794 It‘s sad to think that he wouldn’t know…he wrote so many beautiful songs. Thankfully, we can hear him through his recordings and yes, through the many renditions which keep the work alive. Connecting Nick to Elizabethan music roots him deeply in a tradition of great songwriting.
Wow!! 🫶🏼🫶🏼
@@willy1957 Thank you!
Oude muziek kan nog steeds heel mooi zijn!😊
@@WimVanDijk-j5b Hartelijk dank!
Now, O now, I needs must part, Parting though I absent mourn. Absence can no joy impart: Joy once fled cannot return. While I live I needs must love, Love lives not when Hope is gone. Now at last Despair doth prove, Love divided loveth none. Sad despair doth drive me hence, This despair unkindness sends. If that parting be offence, It is she which then offends. Dear, when I am from thee gone, Gone are all my joys at once. I loved thee and thee alone, In whose love I joyed once. And although your sight I leave, Sight wherein my joys do lie, Till that death do sense bereave, Never shall affection die. Dear, if I do not return Love and I shall die together, For my absence never mourn, Whom you might have joyèd ever. Part we must, though now I die. Die I do to part with you. Him despair doth cause to lie, Who both lived and died true.
Amazing!
Awful. operatic voice!!
Ich hatte das Vergnügen dieses Konzert live zu erleben und es war wirklich etwas ganz besonderes!
Danke, Willem!
Vielen Dank für diesen Upload. Das Lied wurde wunderschön gesungen und begleitet. Ein großer Genuss!
Vielen Dank für die schönen Worte. Das Lied berührt mich tief, jedes Mal wenn ich die Gelegenheit habe, es zu singen. Danke, Walther....
@@ensemblephoenixmunich2210Verzeihung, beim lesen weiterer Kommentare war der Text dabei
I bless the Creator who gave this human being and his gift for us to learn how incredible our world is……………and LIsten…………………….to music always, listen.
Thank you, Rosella. I am humbled and honored….
Ich saz ûf eime steine und dahte bein mit beine: dar ûf satzt ich den ellenbogen: ich hete in mîne hant gesmogen daz kinne und ein mîn wange. dó dâhte ich mir vil ange, wie man zer welte solte leben. deheinen rât kond ich gegeben, wie man driu dinc erwurbe, der keines niht verdurbe. diu zwei sint êre und varnde guot, daz dicke ein ander schaden tuot: daz dritte ist gotes hulde, der zweier übergulde. diu wolte ich gerne in einen schrîn. jâ leider desn mac niht gesîn, daz guot und weltich êre und gotes hulde mêre zesamene in ein herze komen. stîg unde wege sint in benomen: untriuwe ist in der sâze, gewalt vert ûf der strâze: fride unde reht sint sêre wunt. diu driu enhabent geleites niht, diu zwei enwerden ê gesunt.
I must say that seeing Mr Sherwood copying Chris Squire's bass, singing and movements is, well, creepy. Not healthy, in my opinion. What used to be thought of as progressive is now just repeating the past, for me.
Alles für die Meine - schon vor 70 Jahren im Schulchor zu Bocholt in Westfalen gesungen. Und wir sind immer noch innig zusammen. Welch ein Glück!
Sehr schön!
Fabulous on every level!
Thank you, Barry!
Extraordinary, she's living it. Accompaniment could not be more attentive
Yes! Emma is perfect!
Magnifique !
Merci!!
ein imposanter und emotionaler Abschluss eines 1 1/2 Std Festes der Stimm - und Klangwelten alter Musik. Ich war im Antiquarium der Münchener Residenz abgetaucht in die mystische Geschichte der Götter, Spären und Dämonen. Ein unvergessliches und für mich ganz besonderes Erlebnis !!!
Great performance 💯
Absolutely astonishing! I've loved the magnificent Emma Kirkby for years, and never thought I'd hear a voice that could upstage hers. But I just did. Congrats on a wonderful performance!
Much appreciated! Emma is an Angel and it has always been an honor for me to perform with her!!
👏👏👏👏👏👏👏
Beautiful. Thanks.
Thnak you!
Wonder if you have seen our „making of“ video and heard the whole program, Requiem for a Pink Moon“?
No, but I’ve listened to Pink Moon many times!
@@hillelknobel8241 Great Recording! Nick and that recording were the inspiration, of course.
What an absolutely wonderful version of an English Classic. Beautiful voice, accompaniment and chord progression. Completely excellent
Much appreciated! Thanks for commenting!
No computers. No electric, just 50 million tons of talent.
Yes, we are really low tech:-)! The natural voice and the instruments without amplification. Thank you for your comment!
Brilliant
Thank you!
Exquisite!
Thank you! So happy that you were moved to comment. Best wishes, Joel
Great😊❤
Holy crap. Nick Drake sung by a guy channeling Nick Cave.
😂! At the time I made the CD I didn’t even know Nick Cave:-)
Well done! 👍 I thoroughly enjoyed yor harmonies
Thank you! We want people to hear and to feel it….
sehr schön besetzt
This combination of voices and instruments is absolutely amazing...
Thank you! Putting the project together with these musicians was a great pleasure!
I will definitely order this album and recommend it to family and friends!
What a beautiful and original project! Thank you so much for sharing this video. This album is an excellent Christmas present! 😊
What a nice idea: to give music as a gift! We give it gladly to you.
So wonderful and rich of expression! 👏 👏 👏 👏 👏
Beautiful
Impressive, fresh look at this little-known gem.
Thank you….
Stunning! That was amazing, it gave me goosebumps and brought tears to my eyes. Steph
Thank you! We love this piece, as well. The Moravian-American pieces by Massah Warner are a treasure! We recorded this piece on „Rose of Sharon“.
You have a sensational voice! It was a joy to listen to you ❤ Steph
Thank you!! We just performed an arrangement of this piece a few times as an encore in Canada!
@@ensemblephoenixmunich2210well, I hope the audience thoroughly enjoyed your performance ❤️ Maybe one day you'll make it down to Australia 😄
Absolutely beautiful.
Thank you so much. We don’t perform this program very much any more, but it remains close to my heart.
a bass singer!!! rare halas.... lovely to hear...
Sublime! What a beautiful rendition!
Thank you!
I am Here As He Is Here [ I can not force him to Touch Lost_Souls ] * Seek_Pray and Wait *
Leicht wie kraftvoll und wunderschön klar... Großartig !
Herzlichen Dank!
Whats a duet!!!congrats fron argentina
Thank you! Muchas gracias!!
@@ensemblephoenixmunich2210 I have sing that theme with my chorus, difficult but beautiful!!
@@nesaro Yes, it’s beautiful and challenging! Congratulations for singing the works of John Dowland with your choir!!
Prachtig
Es ist wunderbar was ihr macht. Musik mit Seele, was brührend ist. Gruß aus Istanbul ❤
Herzlichen Dank…das versuchen wir immer-Musik mit Seele und für die Seele zu machen.
Never Weather Beaten Sail is perhaps my favourite song (depending on the day) and this is my fave rendition... but imagine my distress I felt to find out the tenor has passed, after listening to this interpretation for years. However sad that is, it makes the lyrics, and the experience of listening to this, even more impactful. "Cold age deafs not there our ears nor vapour dims our eyes... oh come quickly... and take my soul to rest."
Seems I never replied.... We miss Tim every day. Perhaps you have listened to the whole CD-Program? This song occupies an important place in the dramaturgy of the program, just preceding the reprise of "Horn" and a second rendition of the Requiem Mass. Thank you for writing, Joel
Thank you Joël, this performance of yours always touches my heart and soul!
Thank you, Mauricio….
Thanks for helping to promote these works. The fact that the artists & composers are women is still worth the emphasis, especially given their biographical & historical context. I just hope the day will come when, other than the desire to shed light on lesser known or obscure composers and musicians, we'll be able to talk about "great composers" without further qualification, i.e. female, black or otherwise.
Thank you so much for your comment! Their music is great, that is the most important thing, for sure. We are happy to promote new music and music by women composers and hope to encourage all people, as you say, regardless of ethnicity or sex, to make music and contribute to culture!
I enjoyed the album so much!
That makes me happy!