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Thanks for this video. I’m struggling as I only have one condenser! This is the only vid I’ve found on here that does ideas for mono. I also have a dynamic mic but I don’t know how they would work together..

I have this one

Thank you🔥 This is really helpful for me. (from South Korea🇰🇷)

thanks for making this video series!

Do neural dsp stuff need ilok? Do cracked plug ins require ilok when logic pro is cracked?

That was helpful, thanks. I think spaced pair always sounds good. And in general a low height position.

incredible video. been trying to figure out how best to record my piano, decided to get a pair of NT5s after some recommendations from someone I trust, but figuring out how to position them is a time consuming process when I'm both the pianist and the 'audio engineer' and have to place mics, record, check, repeat. This saved a lot of time!

Wow, impressive! A bit like Brian Jonestown Massacre sometimes...

Great video and info. You are appreciated

ORTF

XY ----- 3:05 ----- 3:14 ORTF -------- 5:52 ----- 6:01 AB1 --- 8:56 ----- 9:05 AB2 ---------- 9:27 ----- 9:36

Is there a way to limit it to play all chords in a particular key? Or a way to view the name of the chord it’s actually playing? It feels useful but not quite developed enough

I hear distortion and an untuned piano.

In the xy and ab pair, are these cardioid or omnidirectional mics?

Really loaded video! Very detailed and very helpful! I 'm a tru-noob to this so I need some really basic info...where is your output routed from the SE-02???

Excellent comparisons. Thank you!

Excellent video, thank you for making this.

Contact mic on bass. Better than most di

Great detail! Thank you!

1:04 how did you get that sound from and what name is the plug sound i want to buy

Genuinely helpful & straight to the point! & you covered things I didn't know I could do! Thank you so much

Thank you.

Great video, thanks for posting

How do you change the color contrast of the control bar itself? Mine is dark grey with black letters and I have eye strain. Please help.

Thank you for the great experience anybody could help me with piece name place ?

Hi, thanks for the video. Is it possible to maximize the midi editor window with keys, without having to go with the mouse stretching? Regards 🙂

Hi Constantine. If you own a Minimoog (or Behringer copy), I think you'd have a hit video if you made one showing people how to adapt a Minimoog patch to the SE-02. Some of the controls on the Minimoog are different than the SE-02, and showing a way to adapt them would open the way for people to recreate the many Minimoog patches available online for the SE-02. Thanks for all your great tutorial videos!

This is really the best tutorial ever. Quick, Clean, Clear and Complete. Without this it would be so difficult to learn the SE-02 with the standard manual. 1000 times thanks.

I know this is an old video, but do you still have any check or high hat patches for your SE - 02? I'd love to buy some.

thank you, a lot of combinations, very informative

on my keyboard launch key, it only makes octave changes. how can i fix that?

Thanks, friend, for taking the trouble to demonstrate your set of options and encouraging critical listening. You are the human equivalent of open software 😊

This is GOLD. Thank you very much.

amazing content, thank you!

What about eq'ing transients and the body? What uses does this have?

Excellent to the point demonstration.

Cons of this vid: - Dont used the pedal (pedal noices) - No very high notes

Thanks great tutorial

Excellent. Completely helpful. Thank you guys.

This is perfect, thank you so much for creating this amazing informative resource!

thanks for the comparison between different settings!!

Keek

Great content ! Thank you!

Great Vds Very helpfull Thx u

Do you always use the pads on your KM84s for overheads?

This is exceptionally well done!

Thank you I learned a lot, I can try and apply in our house of worship

Many times you get a reflection from the bass and not the bass because there are iron bars from the sound board betwen the hammer and the mic. That makes a lot of diference in mic positioning. If the mic doesen't see every single hammer you will have a cluster of sounds and reflection sounds in the lower bass... The best option with less bass refletions is at 12:04. The worse would be 6:08 because it has the score stand in front (i'm glad you put it down after for this demosntration). Another position is in front of pianist wiht the same distance betwen mic and every single hammer. The side position alway puts away the bass hammer and puts in front the higher hammers. A pianist ears the hammer at an equal distance and so should the mics. You can only do that without reflections in the oposite side of the piano (facing the front of the pianist). Remember, distance to each hammer and visual contact between mic and EVERY hammer (if possible) is very important in close capture. You have to care for every hammer as if it's an instrument to mic, just like a musician do with every single note. If a mic doesn't "see" an hammer, you will not have the same sound result from that string. It may sound picky but artists put a lot of efort in every single note, so there shouldn't be an iron bar betewen an hammer and a mic.

Hey man, thanks for the course. What exactly makes you think the graphics in Logic are terrible? I'm pretty satisfied with them, but I've never really used another DAW.