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āđāļāđāļēāļĢāđāļ§āļĄāđāļĄāļ·āđāļ 8 āļ.āļ. 2024
In the dimly lit room, where shadows dance upon the walls like whispers of forgotten secrets, the Hands of Darkness find solace at the ebony and ivory keys of the piano. Their touch, gentle yet haunting, brings forth melodies that echo the depths of the night.
At times, the music they weave is as dark as the abyss, each note dripping with melancholy and longing. It resonates with the sorrowful souls wandering in the realms of twilight, a lullaby for the lost and the forsaken.
Yet, amidst the darkness, there lies a strange kind of solace. The haunting melodies wrap around the listener like a comforting shroud, offering a moment of respite from the chaos of the world. There's a strange beauty in the melancholy, a tranquility born from the depths of despair.
The Hands of Darkness move effortlessly across the keys, their music a symphony of shadows and whispers. Each note holds a story untold, a journey through the darkest corners of the soul.
At times, the music they weave is as dark as the abyss, each note dripping with melancholy and longing. It resonates with the sorrowful souls wandering in the realms of twilight, a lullaby for the lost and the forsaken.
Yet, amidst the darkness, there lies a strange kind of solace. The haunting melodies wrap around the listener like a comforting shroud, offering a moment of respite from the chaos of the world. There's a strange beauty in the melancholy, a tranquility born from the depths of despair.
The Hands of Darkness move effortlessly across the keys, their music a symphony of shadows and whispers. Each note holds a story untold, a journey through the darkest corners of the soul.
ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§, ððĒðð§ðĻ & ðððĄððŦðððĨ ððĻðððĨðŽ | ðððŪð ðĄðððŦ ðĻð ð
ðĨððĶððŽ, ððĻððĄððŦ ðĻð ððĄðððĻð°ðŽ | ðððŦðĪððððððĶðĒð
#sadpiano #sadviolin #ethereal
In the dimly lit room, where shadows dance upon the walls like whispers of forgotten secrets, the Hands of Darkness find solace at the ebony and ivory keys of the piano. Their touch, gentle yet haunting, brings forth melodies that echo the depths of the night.
At times, the music they weave is as dark as the abyss, each note dripping with melancholy and longing. It resonates with the sorrowful souls wandering in the realms of twilight, a lullaby for the lost and the forsaken.
Yet, amidst the darkness, there lies a strange kind of solace. The haunting melodies wrap around the listener like a comforting shroud, offering a moment of respite from the chaos of the world. There's a strange beauty in the melancholy, a tranquility born from the depths of despair.
The Hands of Darkness move effortlessly across the keys, their music a symphony of shadows and whispers. Each note holds a story untold, a journey through the darkest corners of the soul. And as the last echoes fade into the night, there is a fleeting sense of peace, a momentary embrace of the darkness that dwells within us all.
Welcome to my channel, where I unveil my unique creations-a fusion of haunting piano keys and mesmerizingly dark melodies. Each composition is a testament to my passion for crafting emotive soundscapes that delve into the depths of the soul. Join me on this enchanting journey as we explore the beauty that lies within the darkness.
ð§Top-notch headphones are essential for creating an emotionally rich, personal, and immersive playlist experience perfect for studying, sleeping, reading, and writing.
ðI utilize a combination of my own drawings, photography, various software programs, and AI tools to streamline the editing process for both images and videos.
ðŦDo not reup in any form!
ðĪThe music and artwork featured on the channel are the creative works of Tenebrarum Manus, a real composer and artist, and they are protected by copyright.
Themes: dark academia, dark piano, sad piano, piano with rain, classical piano, melancholic piano, music for reading, music for studying, music for writing, calming music, classical music, Relaxing Piano, instrumental, stress-relief, night reading, night study music, main character playlist, spooky graveyard,, vampire music, dark vampire, ethereal
In the dimly lit room, where shadows dance upon the walls like whispers of forgotten secrets, the Hands of Darkness find solace at the ebony and ivory keys of the piano. Their touch, gentle yet haunting, brings forth melodies that echo the depths of the night.
At times, the music they weave is as dark as the abyss, each note dripping with melancholy and longing. It resonates with the sorrowful souls wandering in the realms of twilight, a lullaby for the lost and the forsaken.
Yet, amidst the darkness, there lies a strange kind of solace. The haunting melodies wrap around the listener like a comforting shroud, offering a moment of respite from the chaos of the world. There's a strange beauty in the melancholy, a tranquility born from the depths of despair.
The Hands of Darkness move effortlessly across the keys, their music a symphony of shadows and whispers. Each note holds a story untold, a journey through the darkest corners of the soul. And as the last echoes fade into the night, there is a fleeting sense of peace, a momentary embrace of the darkness that dwells within us all.
Welcome to my channel, where I unveil my unique creations-a fusion of haunting piano keys and mesmerizingly dark melodies. Each composition is a testament to my passion for crafting emotive soundscapes that delve into the depths of the soul. Join me on this enchanting journey as we explore the beauty that lies within the darkness.
ð§Top-notch headphones are essential for creating an emotionally rich, personal, and immersive playlist experience perfect for studying, sleeping, reading, and writing.
ðI utilize a combination of my own drawings, photography, various software programs, and AI tools to streamline the editing process for both images and videos.
ðŦDo not reup in any form!
ðĪThe music and artwork featured on the channel are the creative works of Tenebrarum Manus, a real composer and artist, and they are protected by copyright.
Themes: dark academia, dark piano, sad piano, piano with rain, classical piano, melancholic piano, music for reading, music for studying, music for writing, calming music, classical music, Relaxing Piano, instrumental, stress-relief, night reading, night study music, main character playlist, spooky graveyard,, vampire music, dark vampire, ethereal
āļĄāļļāļĄāļĄāļāļ: 1 501
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#classicalsad #darkacademiaplaylist #sadviolin In the dimly lit room, where shadows dance upon the walls like whispers of forgotten secrets, the Hands of Darkness find solace at the ebony and ivory keys of the piano. Their touch, gentle yet haunting, brings forth melodies that echo the depths of the night. At times, the music they weave is as dark as the abyss, each note dripping with melanchol...
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#piano #darkacademiaplaylist #sadviolin In the dimly lit room, where shadows dance upon the walls like whispers of forgotten secrets, the Hands of Darkness find solace at the ebony and ivory keys of the piano. Their touch, gentle yet haunting, brings forth melodies that echo the depths of the night. At times, the music they weave is as dark as the abyss, each note dripping with melancholy and l...
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#sadpiano #sadviolin #ethereal In the dimly lit room, where shadows dance upon the walls like whispers of forgotten secrets, the Hands of Darkness find solace at the ebony and ivory keys of the piano. Their touch, gentle yet haunting, brings forth melodies that echo the depths of the night. At times, the music they weave is as dark as the abyss, each note dripping with melancholy and longing. I...
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ðððŦðĪ ðððĨðĨðĻð°ððð§ ððŪðŽðĒð | ðððŦðĪ ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§ | ðððĒð§ | ðððŦðĪ ðððĨðĨðĻð°ððð§ ððĨððēðĨðĒðŽð
āļĄāļļāļĄāļĄāļāļ 1.3KāļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ðððŦðĪ ðððĨðĨðĻð°ððð§ ððŪðŽðĒð | ðððŦðĪ ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§ | ðððĒð§ | ðððŦðĪ ðððĨðĨðĻð°ððð§ ððĨððēðĨðĒðŽð
ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§, ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ | ðððĨððąðĒð§ð ððŪðŽðĒð ððĻ ðððŪððē ðĻðŦ ððĻðŦðĪ | ððŪððŪðĶð§ ððŦððĒð§ ðĻð ðððĶðĻðŦðĒððŽ
āļĄāļļāļĄāļĄāļāļ 2.2KāļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§, ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ | ðððĨððąðĒð§ð ððŪðŽðĒð ððĻ ðððŪððē ðĻðŦ ððĻðŦðĪ | ððŪððŪðĶð§ ððŦððĒð§ ðĻð ðððĶðĻðŦðĒððŽ
ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§, ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ | ðððĄððŦðððĨ ðððĄðĻðĒð§ð ððĻðððĨðŽ | ððĄð ððð ðð§ð ðĻð ððððē ððŪððŪðĶð§ | ðððĒð§
āļĄāļļāļĄāļĄāļāļ 4.9KāļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§, ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ | ðððĄððŦðððĨ ðððĄðĻðĒð§ð ððĻðððĨðŽ | ððĄð ððð ðð§ð ðĻð ððððē ððŪððŪðĶð§ | ðððĒð§
ðððŦðĪ ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§ | ðððŦðĪ ððððððĶðĒð ððŪðŽðĒð | ððĄð ððēðŽðððŦðē ðð§ðððŦ ððĄð ððð
āļĄāļļāļĄāļĄāļāļ 3.8KāļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ðððŦðĪ ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§ | ðððŦðĪ ððððððĶðĒð ððŪðŽðĒð | ððĄð ððēðŽðððŦðē ðð§ðððŦ ððĄð ððð
ððð ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððĒðĻðĨðĒð§ | ðððĨððąðĒð§ð ððŪðŽðĒð ððĻ ðððŪððē ðĻðŦ ððĻðŦðĪ | ððĄððŦð ðððĶðĻðŦðĒððŽ ððĒð§ð ððŦ |ðððĒð§ððĻðŪð§ððŽ
āļĄāļļāļĄāļĄāļāļ 2.3KāļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ððð ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððĒðĻðĨðĒð§ | ðððĨððąðĒð§ð ððŪðŽðĒð ððĻ ðððŪððē ðĻðŦ ððĻðŦðĪ | ððĄððŦð ðððĶðĻðŦðĒððŽ ððĒð§ð ððŦ |ðððĒð§ððĻðŪð§ððŽ
ðððŦðĪ ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§ | ðððŦðĪ ððððððĶðĒð | ððĄð ðð§ððŦð ðē ðĻð ð ððĻð°ððŦððŪðĨ ðððĶðĐðĒðŦð
āļĄāļļāļĄāļĄāļāļ 1.2KāļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ðððŦðĪ ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§ | ðððŦðĪ ððððððĶðĒð | ððĄð ðð§ððŦð ðē ðĻð ð ððĻð°ððŦððŪðĨ ðððĶðĐðĒðŦð
ðððŦðĪ ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§ | ðððŦðĪ ððððððĶðĒð | ðððĨðĻððē ðĻð ððŦðŦðððŦðĒððŊðððĨð ðððēðŽ | ðððĒð§
āļĄāļļāļĄāļĄāļāļ 1.8KāļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ðððŦðĪ ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§ | ðððŦðĪ ððððððĶðĒð | ðððĨðĻððē ðĻð ððŦðŦðððŦðĒððŊðððĨð ðððēðŽ | ðððĒð§
ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§, ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ | ðððŦðĪ ððððððĶðĒð ððŪðŽðĒð | ðððĄððŦðððĨ ððĻð§ð ðĻð ð ððĒðŦðð§ | ðð°ðĻ ð
ððððŽ
āļĄāļļāļĄāļĄāļāļ 3.3K2 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§, ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ | ðððŦðĪ ððððððĶðĒð ððŪðŽðĒð | ðððĄððŦðððĨ ððĻð§ð ðĻð ð ððĒðŦðð§ | ðð°ðĻ ð
ððððŽ
ðððŦðĪ ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§ | ðððŦðĪ ððððððĶðĒð ððŪðŽðĒð | ððĄð ððð§ðððŦððŦ ððĒððĄðĻðŪð ðððĶðĻðŦðĒððŽ
āļĄāļļāļĄāļĄāļāļ 4.6K2 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ðððŦðĪ ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððð ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§ | ðððŦðĪ ððððððĶðĒð ððŪðŽðĒð | ððĄð ððð§ðððŦððŦ ððĒððĄðĻðŪð ðððĶðĻðŦðĒððŽ
ððð ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððĒðĻðĨðĒð§ & ðððĨðĨðĻ | ðððĒð§ððŦðĻðĐðŽ, ððŦðĻðĐðŽ ðĻð ðððĶðĻðŦðĒððŽ | ðððŦðĪ ððððððĶðĒð ððŪðŽðĒð | ððŪððŪðĶð§
āļĄāļļāļĄāļĄāļāļ 2.9K2 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ððð ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððĒðĻðĨðĒð§ & ðððĨðĨðĻ | ðððĒð§ððŦðĻðĐðŽ, ððŦðĻðĐðŽ ðĻð ðððĶðĻðŦðĒððŽ | ðððŦðĪ ððððððĶðĒð ððŪðŽðĒð | ððŪððŪðĶð§
ððĻðŦððŦððĒððŽ ðĻð ððððŦð§ðĒððē: ððĄð ððŪðŦðŽð ðĻð ððĄð ð
ðĻðŪðŦ ððĒðŽðððŦðŽ | ðððŦðĪ ððððððĶðĒð ððŪðŽðĒð | ððē ððĄð ð
ðĒðŦððĐðĨððð
āļĄāļļāļĄāļĄāļāļ 2.8K2 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ððĻðŦððŦððĒððŽ ðĻð ððððŦð§ðĒððē: ððĄð ððŪðŦðŽð ðĻð ððĄð ð
ðĻðŪðŦ ððĒðŽðððŦðŽ | ðððŦðĪ ððððððĶðĒð ððŪðŽðĒð | ððē ððĄð ð
ðĒðŦððĐðĨððð
ðððŦðĪ ðððĨðð§ððĄðĻðĨðĒð ðð§ð ððð ððĒðð§ðĻ, ððĒðĻðĨðĒð§ | ðððŦðĪ ððððððĶðĒð ððŪðŽðĒð | ððŪððŪðĶð§ ð°ðĄðĒðŽðĐððŦ ðĻð ðððŊðð§ðŽ | ðððĒð§ððĻðŪð§ððŽ
āļĄāļļāļĄāļĄāļāļ 8K2 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ðððŦðĪ ðððĨðð§ððĄðĻðĨðĒð ðð§ð ððð ððĒðð§ðĻ, ððĒðĻðĨðĒð§ | ðððŦðĪ ððððððĶðĒð ððŪðŽðĒð | ððŪððŪðĶð§ ð°ðĄðĒðŽðĐððŦ ðĻð ðððŊðð§ðŽ | ðððĒð§ððĻðŪð§ððŽ
ððð ððĒðĻðĨðĒð§, ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ | ððĄð ðð§ðŽðĐðĻðĪðð§ ððŦðĻðĶðĒðŽð ðĻð ððŪððŪðĶð§ | ððŪðŽðĒð ððĨððð§ðŽðĒð§ð ððĄð ððĒð§ð ðð§ð ððĻðŪðĨ
āļĄāļļāļĄāļĄāļāļ 2.7K2 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ððð ððĒðĻðĨðĒð§, ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ | ððĄð ðð§ðŽðĐðĻðĪðð§ ððŦðĻðĶðĒðŽð ðĻð ððŪððŪðĶð§ | ððŪðŽðĒð ððĨððð§ðŽðĒð§ð ððĄð ððĒð§ð ðð§ð ððĻðŪðĨ
ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ ð°ðĒððĄ ðððĒð§ ððĻðŪð§ððŽ | ðððĨððąðĒð§ð ððŪðŽðĒð ððĻ ðððŪððē ðĻðŦ ððĻðŦðĪ | ðððŦðĪ ððððððĶðĒð | ðððĒð§ ðððĨðĻððē
āļĄāļļāļĄāļĄāļāļ 3.3K2 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ ð°ðĒððĄ ðððĒð§ ððĻðŪð§ððŽ | ðððĨððąðĒð§ð ððŪðŽðĒð ððĻ ðððŪððē ðĻðŦ ððĻðŦðĪ | ðððŦðĪ ððððððĶðĒð | ðððĒð§ ðððĨðĻððē
ððð ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§ | ðððĨððąðĒð§ð ððŪðŽðĒð ððĻ ðððŪððē | ððĨððŽðŽðĒðððĨ ððŪðŽðĒð ððē ððĄð ð
ðĒðŦððĐðĨððð
āļĄāļļāļĄāļĄāļāļ 4.1K2 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ððð ðððĨðð§ððĄðĻðĨðĒð ððĒðð§ðĻ, ððĻðŽðððĨð ðĒð ððĒðĻðĨðĒð§ | ðððĨððąðĒð§ð ððŪðŽðĒð ððĻ ðððŪððē | ððĨððŽðŽðĒðððĨ ððŪðŽðĒð ððē ððĄð ð
ðĒðŦððĐðĨððð
âĪ
So beautiful âĪð
The city was shadowed,but help is on the way.
ðĨðđ
âĪððŠŧ
Excellent! Thank you for both creating this and sharing!
En encanta, lo relajante esðĪðĪðĪ
Thank You
The sadness goes before and beyond this life !!!
I feel nostalgic from the past I was from the old generation when they used it âïļð I feel nostalgic for the past to the point that I hated this harsh life Where everyone beside me left me alone
Depuis quelques temps, tu ne nous sort que des pepites !
ðžðžðžðž
My pen was never a fraud, but rather it was infected
A dangerous woman, lucky if you meet her and unlucky if you lose her
Don't look for a dose of hope here, I only have a drop for me
ðĒ
âĪâĪâĪâĪâĪâĪâĪâĪ
Although it contains a huge amount of sadness, it is an immortal masterpiece that will remain in memory... Thank you very much for this wonderful work
ðžðžðžðž
âĪðķðŊððâïļâĪïļ
âĻ
I will live forever, because I am from the time before memory, which is ETERNITY's own humming tune.âïļ
Daughter of Flames, Mother of Shadows When the last light of day fades and the veil of night descends, I change. Beneath this velvet gown and the halo of soft firelight, something darker blooms within me, unfurling like the black petals of a poisoned rose. They call me a princess, yet I am nothing of the sort. I am a vessel for shadows, for regrets too sharp to bury, and for a hunger I dare not name. Winter grips the land beyond these stone walls, its icy fingers clawing at the castle windows. But here, beside the fire, I find solace. I watch the flames rise and fall, their golden dance mirroring the flicker of my own restless thoughts. Sometimes, I hum a tune-a melody older than the bricks of this ancient keep. It threads through my mind, weaving a bond with the warmth of the hearth, as if the fire alone can hold my unraveling spirit together. But the truth is, I was never kind. Once, in the brilliance of daylight, I wore the mask well-the mask of the dutiful daughter, the gracious lady of the court. I whispered pretty lies and smiled with a sweetness that could rot a saintâs soul. My hands, now pale and slender, were stained with the ruin of others. Words, you see, can be sharper than any blade, and mine were daggers tipped with venom. I wielded them carelessly, like a child playing with fire, until I saw what destruction truly meant. I sit here now, cloaked in the ashes of my sins. I wonder if the fire forgives me for the darkness it sees in my eyes. For when the night falls, the girl they think they know dissolves, leaving behind a creature born of silence and regret. Each night, the flame listens to my song-the same song that once lured hearts to break against the jagged rocks of my cruelty. I wonder-if the fire dies, will it take me with it? Will the shadows consume what little light remains in my soul? Or will I sit here forever, tethered to this throne of ruin, humming my sorrow into the embers until nothing of me is left but whispers and smoke?
Really wonderful
6:30
ØĒŲ Ųا ŲŲØĻ ŲŲ ØąØĻ ŲØąŲŲ ŲŲŲ ØĻØđØŊ ŲŲا ØģŲØŊا ØģŲŲ اŲŲŲ
DE 200
I loved her so much
How I love this channel
âĪ
Very beautiful really amazing
Ų Ų ØĻÛØīØŠØą ŲŲØŠŲا ØĻŲ اÛŲ Ų ŲØģÛŲÛ ØēÛØĻا ÚŊŲØī Ų ÛØŊŲ ØąŲØ Ų ØąØ§ ØĻŲ ØĒØģŲ اŲŲا Ų ÛØĻØąØŊâ ŲŲŲØĻا اØđØŠŲاØŊ ØŊØ§ØąŲ ØŊŲÛØ§Û ØĒØģŲ اŲŲا اØē ØēŲ ÛŲ ØēÛØĻا ØŠØąŲ Ų ا ŲØąÚŲ Ų ÛØŪŲاŲÛŲ ØĻاÛØŊ ØŊØą ØĒØģŲ اŲŲا ØŽØģØŠØŽŲ ÚĐŲÛŲ ØēŲ ÛŲ ŲÛاŲØŠ ØŽØĻØąØ§Ų ŲØŊØ§ØąŲ ŲØą ÚŲ ŲØģØŠ ØŊØą ØĒØģŲ اŲ ŲاØģØŠ
Ų Ų ŲŲŲŲ اØē اØē اÛŲ Ų ŲØģÛŲÛ ØēÛØĻا ŲŲŲ اŲØđاØŊŲ اØģØŠðððšðšðð
PÅekrÃĄsnÃĐ ðĪ
But the passing of time is something that has been known since the beginning of time and Humanity has known this fact since the beginning. So there is no need to single out a certain city or place, because the ETERNAL Passing of Time is a valid reality for our entire Earth and the Universe. Thus we can confirm again that PASSING is ETERNAL
Thank you for your comment. In this story, I wanted to focus specifically on the city of Loryndell to explore the theme of time and its passing through a particular place. While it's true that the passage of time is a universal and eternal reality that affects all of existence, I aimed to highlight how it manifests within the life of this specific city. By doing so, I wanted to give a sense of how time leaves its mark in unique ways on both places and people. The city of Loryndell, in this case, serves as a symbol of the broader, inevitable flow of time. ðđ
Eternal is a long time,especially at the end.
ððâðķðđðŧð§ððððĪðĪðĪðĪð
Deep and profound, transporting me to another, better, more peaceful world.
âĪâĪâĪâĪAmazing
.ØđØī اŲØšØąØ§ØĻŲ ØģŲŲا؊ اŲŲ ØŽØŊ اŲØđØļŲŲ اØĩØĻØ ŲØ°ØĻ ŲØŪØŊاØđ ŲاØīŲ ŲŲ اŲاŲŲ اŲØĻØđŲØŊ اŲاŲŲŲ اŲØģØąØ§ØĻ ŲاØĩØĻØØŠ ØģŲŲا؊ اŲŲ ŲØŠ ŲاŲŲاŲ اŲØŊŲ Ø§Øą ØđŲŲ اŲØŽŲ ŲØđ ŲااØģØŠØŦŲØ§ØĄ ŲØŪاØŊŲ اŲ Ų Ø·ŲØđ ŲŲ ØŽŲ ŲØđ اŲŲØĩŲŲ ŲاŲØŪØąŲŲ ŲاŲØĩŲŲ ŲاŲØąØĻŲØđ ŲØđØļاŲ ŲŲ ŲاŲØŠ ØŠØąØŠØđØī ŲŲ اŲŲØĻŲØą اŲØīØŠØ§ØĄ اŲŲ ØØŠØąŲ ŲاŲØŪŲŲ ŲاŲ ØđŲŲ ØĢØĻŲاØĻŲ ŲØĩŲØŠŲŲ ŲاŲ ŲØąØŠŲØđ ŲŲ اØđŲŲ اŲØģŲ اØĶŲ ØĻŲاØīŲŲØđ ŲاŲŲاŲØĐ ŲŲŲ ŲاØĻŲ ØąØØĻ ŲŲاŲØŊŲØđ ŲŲاŲ ŲŲØ° ŲŲŲ ØšŲØą ØąØĻ اŲØģŲ ŲØđ .ŲŲ Ų ØąØšŲ ØģŲŲŲ اŲØĩŲ ØŠ اŲŲا؊Ų ŲاŲØØąØĻ ŲاŲØŊŲ Ø§Øą ŲاŲØŪØąØ§ØĻ ŲاŲØŽŲØđ ŲاŲŲ ŲØŠ ŲاŲØØĻ ŲاŲاØīŲاŲ ŲاŲØØģØąØĐ ŲاŲŲØŊاŲ ØĐ ŲŲØ§Øą اŲŲØąØ§ŲŲ Ų ŲŲ ØīŲ ŲŲąŲاŲŲ اŲØīŲØŊØ§ØĄ ŲاŲØ°ŲŲ ØķØŲا Ų Ų ا؎Ų اŲŲØ·Ų Ų اØēŲŲا ØšØąØĻØ§ØĄ ŲŲ ØģاŲŲŲ ŲŲ اŲطاŲŲŲ ŲاŲطاŲ ØšŲØąŲŲ ŲŲØŲ ØŊاØĶŲ ا ØđŲŲ اŲØąØŲŲ ŲاØŲاŲ ŲŲ اØĩØĻØ ØŪŲŲ ØģØŠØ§Øą اŲØšØąŲØĻ Ų Ų ØąØšŲ ØķØŲŲا ØĻŲ اŲŲاØŊŲا ŲŲ اŲŲا ŲŲŲØģ . ŲŲا ØīŲØĄ ØģŲŲ اŲØŪŲŲ ŲاŲØļŲاŲ ŲاŲŲŲŲ ŲاŲØģØąØ§ØĻ ØØŠŲ ŲŲ ØđØīŲا ØđŲŲ ØĢØąØķŲا Ų ŲاŲŲŲ اŲØģŲŲŲ. ŲØĻØđØķ اŲاØīŲØ§ØĄ Ųا؊ŲØģŲØą ŲŲا ØŠŲØīØđØą ŲŲا اŲاØĻØŊاŲ ŲŲŲŲ اŲØđŲŲ ŲاŲŲŲØą ŲاŲŲØŽØŊاŲ ŲاŲŲ ŲŲ اŲØĩŲŲا ØØŠŲ ŲŲ اŲاØŲاŲ ØđØīŲا ŲŲ ØēŲ ŲŲ ØĻØđØķ اŲŲاØģ ŲØĢŲØŦØąŲŲ ŲŲ ŲŲØŠŲØđ ØĻØđØŊاŲØĐ Ø§ŲØģŲ Ø§ØĄ ØđŲŲ ŲØ°Ų اŲØ§ØąØķ ŲŲŲŲØĻŲŲ ØŪاŲŲØĐ Ų Ų اŲØĩØŊŲ ŲاŲاŲØģاŲŲØĐ ŲاŲŲŲ ØąØŽØ§Ų اØŪØą اŲØēŲ اŲ ŲاØīØĻŲŲ ŲŲŲ ŲاŲŲ اŲØ§ØąØķ ŲŲاŲŲ اŲØģŲ Ø§ØĄ ŲŲąŲŲŲ Ų Ų ØđاŲŲ ØŦاŲŲ ØŪاŲŲا اŲŲØģŲŲ ŲØīØđŲØĻŲŲ ŲØĻŲ ŲŲ اŲŲاØģ Ųا؊ØĻŲا ŲŲŲ ŲŲ اŲØŲاØĐ Ų اØĻØđØŊ اŲŲ ŲØŠ ŲŲŲ ØŊاØŪŲ اŲاŲŲاŲŲ ŲØĻŲŲ ØŽØŊØąØ§Ų اŲØŪŲŲ ØšØ§ØąŲŲŲ ŲŲ Ų ØģØŠŲŲØđ اŲØŊŲ Ø§ØĄ Ųا؎ØģاØŊŲŲ Ų Ų ØēŲØĐ Ø§ŲŲ اŲاØīŲØ§ØĄ ŲŲŲ ŲØŠØąØŊØŊŲŲ ØģŲØąØ§ØŠ اŲŲ ŲØŠŲ ŲŲŲ Ų؊ذŲØąŲا ØĢØĻØŊØĢ Ų Ų ØąØšŲ ØŊŲ Ø§ØĄ اŲØīŲØŊا ŲاŲØŠØķØŲا؊ Ų Øđ Ų ØąŲØą اŲŲŲØŠ ŲاŲاŲاŲ ŲاŲØēŲ Ų اŲŲØŊ ØģŲąŲØĩØĻØ ŲŲ Ø·Ų اŲŲØģŲاŲ ŲØđاŲŲ اŲŲŲاØĶŲ ŲاØŲاŲ Ųا ŲØ°ŲØąŲا؊Ųا ØģŲØØŠØąŲ ØĻŲØ§Øą اŲØŲØŊ Ų ŲŲ اØŊØąØ§ØŽ اŲØąŲاØŲ ŲØŪŲØĻØĐ Ø§Ų ŲŲا ŲŲ اŲØŲاØĐ ŲاŲ ŲŲ ŲŲŲ ŲØŽŲØŊŲا ŲŲŲ ØĒ Ų ا ØđŲŲ Ø§ØąØķ اŲاØØēاŲ ŲاŲاØŲاŲ ŲاŲا؎ØŊاØŊŲ ŲاŲØ°Ų Ų ا؊ Ų Ų Ų ŲاŲŲŲ اŲØģŲŲŲ ØšØ§ØąŲŲŲ ØĻاŲØŊŲ ŲØđ Ų اŲØØēŲ ŲاŲŲØąØ ŲاŲØĻŲاØĶŲ ØØŠŲ ŲŲŲ اŲŲŲاŲ ØĐ ŲاŲØØģاØĻŲ ðð اŲØīاØđØą : ØŊŲŲØī ŲąŲØģŲ
Esta cancion es mi favorita âĪ
ððĄð ððĒððē ðð§ðððŦ ððĄð ððĒð§ð ðŽ ðĻð ððĒðĶð The city of Loryndell, cloaked in the quiet shroud of winter, whispers of lives long passed and of fleeting moments etched in its frost-laden stones. Nestled within a valley where timeâs hand seems both hesitant and relentless, its spires and rooftops, now dusted with snow, rise like solemn sentinels against a gray expanse of sky. Each chimneystack, crowned with a wisp of smoke, tells a tale of hearths still alight, but each tale is fleeting-a single breath in the cityâs endless chronicle. Once, Loryndell was a place of flourishing splendor. Merchants thronged its cobbled streets, their carts laden with rare silks, spices, and whispered promises of distant lands. The great tower that looms at the heart of the city-known as the Eternal Pinnacle-was not always so weathered. In an age now half-forgotten, its bells rang boldly to mark the triumphs of kings and the weddings of lovers. Now, the bells are still, their echoes lost in the cavern of time, and the towerâs name serves as irony, for nothing in Loryndell has proven eternal. The raven perched upon a skeletal branch watches with a gaze unblinking, a witness to the fragility of the scene below. It knows the truth that the cityâs slumbering inhabitants dare not acknowledge-that all things pass. The streets that hum faintly with the light of flickering lanterns will one day fall silent. The snow, too, will melt, leaving behind only damp traces of its fleeting reign. The houses, with their gabled roofs and shuttered windows, wear the weight of many winters. Their timbers creak like old bones, groaning beneath the burden of years. In their walls are trapped the laughter of children long grown, the murmurs of lovers long parted, the sighs of those who once believed they would leave their mark here forever. But Loryndell swallows such marks; it weathers and softens them until they are indistinguishable from the snowfall itself. The raven spreads its wings, a dark silhouette against the pale sky. It does not linger, for it has seen this before-a city, its people, its stories, all crumbling into the great mosaic of transience. As it takes flight, it carries with it the silent truth: Loryndell is but a fleeting moment in the endless passage of time, beautiful and doomed to fade like the snow it now wears so proudly.
.ØđØī اŲØšØąØ§ØĻŲ ØģŲŲا؊ اŲŲ ØŽØŊ اŲØđØļŲŲ اØĩØĻØ ŲØ°ØĻ ŲØŪØŊاØđ ŲاØīŲ ŲŲ اŲاŲŲ اŲØĻØđŲØŊ اŲاŲŲŲ اŲØģØąØ§ØĻ ŲاØĩØĻØØŠ ØģŲŲا؊ اŲŲ ŲØŠ ŲاŲŲاŲ اŲØŊŲ Ø§Øą ØđŲŲ اŲØŽŲ ŲØđ ŲااØģØŠØŦŲØ§ØĄ ŲØŪاØŊŲ اŲ Ų Ø·ŲØđ ŲŲ ØŽŲ ŲØđ اŲŲØĩŲŲ ŲاŲØŪØąŲŲ ŲاŲØĩŲŲ ŲاŲØąØĻŲØđ ŲØđØļاŲ ŲŲ ŲاŲØŠ ØŠØąØŠØđØī ŲŲ اŲŲØĻŲØą اŲØīØŠØ§ØĄ اŲŲ ØØŠØąŲ ŲاŲØŪŲŲ ŲاŲ ØđŲŲ ØĢØĻŲاØĻŲ ŲØĩŲØŠŲŲ ŲاŲ ŲØąØŠŲØđ ŲŲ اØđŲŲ اŲØģŲ اØĶŲ ØĻŲاØīŲŲØđ ŲاŲŲاŲØĐ ŲŲŲ ŲاØĻŲ ØąØØĻ ŲŲاŲØŊŲØđ ŲŲاŲ ŲŲØ° ŲŲŲ ØšŲØą ØąØĻ اŲØģŲ ŲØđ .ŲŲ Ų ØąØšŲ ØģŲŲŲ اŲØĩŲ ØŠ اŲŲا؊Ų ŲاŲØØąØĻ ŲاŲØŊŲ Ø§Øą ŲاŲØŪØąØ§ØĻ ŲاŲØŽŲØđ ŲاŲŲ ŲØŠ ŲاŲØØĻ ŲاŲاØīŲاŲ ŲاŲØØģØąØĐ ŲاŲŲØŊاŲ ØĐ ŲŲØ§Øą اŲŲØąØ§ŲŲ Ų ŲŲ ØīŲ ŲŲąŲاŲŲ اŲØīŲØŊØ§ØĄ ŲاŲØ°ŲŲ ØķØŲا Ų Ų ا؎Ų اŲŲØ·Ų Ų اØēŲŲا ØšØąØĻØ§ØĄ ŲŲ ØģاŲŲŲ ŲŲ اŲطاŲŲŲ ŲاŲطاŲ ØšŲØąŲŲ ŲŲØŲ ØŊاØĶŲ ا ØđŲŲ اŲØąØŲŲ ŲاØŲاŲ ŲŲ اØĩØĻØ ØŪŲŲ ØģØŠØ§Øą اŲØšØąŲØĻ Ų Ų ØąØšŲ ØķØŲŲا ØĻŲ اŲŲاØŊŲا ŲŲ اŲŲا ŲŲŲØģ . ŲŲا ØīŲØĄ ØģŲŲ اŲØŪŲŲ ŲاŲØļŲاŲ ŲاŲŲŲŲ ŲاŲØģØąØ§ØĻ ØØŠŲ ŲŲ ØđØīŲا ØđŲŲ ØĢØąØķŲا Ų ŲاŲŲŲ اŲØģŲŲŲ. ŲØĻØđØķ اŲاØīŲØ§ØĄ Ųا؊ŲØģŲØą ŲŲا ØŠŲØīØđØą ŲŲا اŲاØĻØŊاŲ ŲŲŲŲ اŲØđŲŲ ŲاŲŲŲØą ŲاŲŲØŽØŊاŲ ŲاŲŲ ŲŲ اŲØĩŲŲا ØØŠŲ ŲŲ اŲاØŲاŲ ØđØīŲا ŲŲ ØēŲ ŲŲ ØĻØđØķ اŲŲاØģ ŲØĢŲØŦØąŲŲ ŲŲ ŲŲØŠŲØđ ØĻØđØŊاŲØĐ Ø§ŲØģŲ Ø§ØĄ ØđŲŲ ŲØ°Ų اŲØ§ØąØķ ŲŲŲŲØĻŲŲ ØŪاŲŲØĐ Ų Ų اŲØĩØŊŲ ŲاŲاŲØģاŲŲØĐ ŲاŲŲŲ ØąØŽØ§Ų اØŪØą اŲØēŲ اŲ ŲاØīØĻŲŲ ŲŲŲ ŲاŲŲ اŲØ§ØąØķ ŲŲاŲŲ اŲØģŲ Ø§ØĄ ŲŲąŲŲŲ Ų Ų ØđاŲŲ ØŦاŲŲ ØŪاŲŲا اŲŲØģŲŲ ŲØīØđŲØĻŲŲ ŲØĻŲ ŲŲ اŲŲاØģ Ųا؊ØĻŲا ŲŲŲ ŲŲ اŲØŲاØĐ Ų اØĻØđØŊ اŲŲ ŲØŠ ŲŲŲ ØŊاØŪŲ اŲاŲŲاŲŲ ŲØĻŲŲ ØŽØŊØąØ§Ų اŲØŪŲŲ ØšØ§ØąŲŲŲ ŲŲ Ų ØģØŠŲŲØđ اŲØŊŲ Ø§ØĄ Ųا؎ØģاØŊŲŲ Ų Ų ØēŲØĐ Ø§ŲŲ اŲاØīŲØ§ØĄ ŲŲŲ ŲØŠØąØŊØŊŲŲ ØģŲØąØ§ØŠ اŲŲ ŲØŠŲ ŲŲŲ Ų؊ذŲØąŲا ØĢØĻØŊØĢ Ų Ų ØąØšŲ ØŊŲ Ø§ØĄ اŲØīŲØŊا ŲاŲØŠØķØŲا؊ Ų Øđ Ų ØąŲØą اŲŲŲØŠ ŲاŲاŲاŲ ŲاŲØēŲ Ų اŲŲØŊ ØģŲąŲØĩØĻØ ŲŲ Ø·Ų اŲŲØģŲاŲ ŲØđاŲŲ اŲŲŲاØĶŲ ŲاØŲاŲ Ųا ŲØ°ŲØąŲا؊Ųا ØģŲØØŠØąŲ ØĻŲØ§Øą اŲØŲØŊ Ų ŲŲ اØŊØąØ§ØŽ اŲØąŲاØŲ ŲØŪŲØĻØĐ Ø§Ų ŲŲا ŲŲ اŲØŲاØĐ ŲاŲ ŲŲ ŲŲŲ ŲØŽŲØŊŲا ŲŲŲ ØĒ Ų ا ØđŲŲ Ø§ØąØķ اŲاØØēاŲ ŲاŲاØŲاŲ ŲاŲا؎ØŊاØŊŲ ŲاŲØ°Ų Ų ا؊ Ų Ų Ų ŲاŲŲŲ اŲØģŲŲŲ ØšØ§ØąŲŲŲ ØĻاŲØŊŲ ŲØđ Ų اŲØØēŲ ŲاŲŲØąØ ŲاŲØĻŲاØĶŲ ØØŠŲ ŲŲŲ اŲŲŲاŲ ØĐ ŲاŲØØģاØĻŲ ðð اŲØīاØđØą : ØŊŲŲØī ŲąŲØģŲ
â@@dalkashkorde4398ðĒ
âĪ
ðĨšðĨš
Kuch be na rahea tum harea sewa wo har gaha hai ye music be na rahea bas ooooio
Es kea bab ek khamoshi hai wo âĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪ
Ye be nahi rehachea....
Nathing.
Before the advent of neural networks, I could not find any such channel. There are a lot of them now, and the frequency of video output is amazing. If we hear AI nostalgia, I wouldn't be surprised (although everyone will write "no, no, what are you talking about". Well, at least on one channel, 2020 or earlier - there are no such channels)
ŨŠŨŨ§Ũ§ ŨŨ ŨŨŠ ŨŨŨĻŨĄ ŨŨĐŨŨ ŨŨ Ũ ŨĐŨŨ ŨŨŨ ŨŨŨ ŨŨ ŨŠŨŨŨĨ ŨŨ ŨĒŨŨŨŨ ŨŨĄŨŨĻ ŨŨŨŠŨĻ ŨŨŨ ŨŨ Ũ ŨĻŨŨŨĐŨ ŨŨŨ ŨŨ ŨŨŨ ŨŨŨŠŨĻ ŨŨŨ ŨŨĻŨ ŨŨŨĻ ŨŨŨ ŨŠŨ ŨŨŠ ŨŨ
ØŊØąŲØŊ ØĻØąØīŲ ا ØĻا اÛŲ Ų ŲØģÛŲÛ ØēÛØĻاðšðšðð
âĪðŪâĻððð
âĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪâĪ
ð