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Intempus Music
เข้าร่วมเมื่อ 6 เม.ย. 2014
First of all, thank you for checking out the Intempus Music TH-cam Channel!
I'm an electronic artist who tries to create a sci-fi feel in the music. I emulate old sounding recordings to sample from and fuse them with futuristic electronic sounds to create this nostalgic juxtaposition.
I post my Twitch live streams, music and creative videos to the channel. Check out the Soundcloud page soundcloud.com/intempus and you can also check out the live stream to ask any questions you would like at www.twitch.tv/intempusmusic.
I also produce music for other people as well. Feel free to message me if you want to work on a project :)
If you're interested in licensing any music, you can contact me at the email below.
I'm an electronic artist who tries to create a sci-fi feel in the music. I emulate old sounding recordings to sample from and fuse them with futuristic electronic sounds to create this nostalgic juxtaposition.
I post my Twitch live streams, music and creative videos to the channel. Check out the Soundcloud page soundcloud.com/intempus and you can also check out the live stream to ask any questions you would like at www.twitch.tv/intempusmusic.
I also produce music for other people as well. Feel free to message me if you want to work on a project :)
If you're interested in licensing any music, you can contact me at the email below.
Using Ableton Sampler's New MPE Control Functions | An Ableton Live 11 MPE Tutorial
The Ableton Sampler can now use MPE information with the release of Ableton Live 11. Ableton Sampler properties can be assigned to an MPE controller's slide, press and note pitch bend controls, allowing for more expressive performances. In this video, I try these MPE functions out for Sampler for the first time.
Intro: 00:00
Using MPE Control: 00:27
Assigning Note Pitch Bend to Pitch Bend: 01:50
Assigning Slide function to Filter Frequency: 02:20
Assigning Press function: 03:13
Switching between Mod Wheel and Slide functions: 04:25
Outro: 05:36
How to set up a Roli Seaboard Block in Ableton Live 11:
th-cam.com/video/VobK7K_zfJU/w-d-xo.html
Spotify: open.spotify.com/artist/5Uxi0...
Instagram: intempusmusic
Intro: 00:00
Using MPE Control: 00:27
Assigning Note Pitch Bend to Pitch Bend: 01:50
Assigning Slide function to Filter Frequency: 02:20
Assigning Press function: 03:13
Switching between Mod Wheel and Slide functions: 04:25
Outro: 05:36
How to set up a Roli Seaboard Block in Ableton Live 11:
th-cam.com/video/VobK7K_zfJU/w-d-xo.html
Spotify: open.spotify.com/artist/5Uxi0...
Instagram: intempusmusic
มุมมอง: 1 540
วีดีโอ
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where's the patch bro this is so dope
thank you
Great video !
Thank you, that was exactly what I needed!
As a possible solution for the sounds not triggering where you want them to: As you've explained now, you're only using one Velocity value per sample to select it with. What if you gave all the samples a Velocity Range that is the same as the Range for that sample in the Sample Select editor. In other words, following your example, the Velocity Values of 0 to 15 select the first sample, then the Velocity Values from 16 to 31 select sample 2, etc... In the Velocity Device, you then also need to set the minimum to 0 again; and in the Macro Mapping you also need to make it go from 0 to 127. My thinking is that with your method, Ableton divides the Macro Knob into 7 steps, and only changes the selection when that certain step is reached (which will always be at the end of the step. I say 7 steps because you already start at 0 which is the first sample of your 8 samples.
Hey thank you for sharing! Your solution is very insightful and yes I do believe that would work! The main concern at that point would be the volume the samples play at will be lower/louder depending on the Velocity zone that’s set (which was also an issue with the method in the video as well). I haven’t taken the time to work that part out fully yet but I do believe the method you mentioned would work to get the select/velocity zones to match!
@@IntempusMusic Then maybe here's another idea: what if you used your method of assigning individual velocity values but added a 9th sample (with its own velocity value) at the end that is actually a duplicate of the 8th sample. So, in this case it would go from 119 to 127. This way, the knob would be divided in 8 segments, but you're still using only slight differences in velocity, so the loudness won't be so different, and because this 9th sample is the same as the 8th sample, the sample won't change if you're at 127.
True having a degree makes hireable
Informative for sure but I had a follow up question. What if you had the same note (let's say C) coming into the sampler and we had 12 different samples loaded into it where they are distributed equally across the "Sel" range (0 to 127). And then let's say we map the "Sel" slider to a midi knob, Is there a way we can have the Sampler change its view depending on where the knob is i.e. which sample is being selected?
Thanks and good luck to you. Why have you stopped making content ?
i love u
Great detailed video! Thank you!!
See I want to be an artist of my own one day, but I know that I want to be in the studio one way or another and I have a passion for recording and mixing. I’m the end, I feel like CRAS (my school) can teach me everything necessary to make that career for myself, wether I’m playing stadiums or recording the people who do
This was nice video, i remember a lot what i did learn and the list was longer than i remembered. I started behind a sound console when i was 11, and went to school when i was 36, so i got few years of experience but i still got a lot out of it. It cemented my workflow, i was very unpredictable before but rock solid after. I had luck that i got into a good school too, it was intense but the quality of teaching, the foundations they laid, principles that were inserted in my spine that they became instinctual and intuitive... It also gave a lot of confidence, being able to make mistakes in a more closed system and then taking on bigger and bigger projects, applying all of that wisdom and it working every bloody time. I know what i can and can't do, and it doesn't scare me. "You are just one more device in the chain, no more important than an EQ or a compressor. Your only job is to ensure that the message gets thru". It means don't get cocky, don't have any ego but just do your best so that whatever message you need to relay forward gets there. If it is music, you make decisions that ensure that the message in that music arrives at the listener in a way that they understand it, they "get it". Not your job to modify that message. We had a ton of sound production, since that was the name of the whole thing, sound engineering was big part of it but basically i should be able to produce anything that has sound, in any media, any event. I am not saying i can, but that was the goal. Oh, and i got to do it all using TL Audio VTC... god damn that desk is beautiful, you can just keep pushing it and pushing it and it just sounded better and better. It does make the room quite hot but it is worth it.
Thank you very much for sharing your experience! I think it’ll give others a different perspective and insight into another person’s journey, which is amazing. And that quote is awesome!
I would add unity gain to signal flow, which links it to gain staging which is very, very important to have clear understanding of the signal flow and gain staging, and all of that is tied in with the concept of unity gain: that the input and output levels of each device in the signal flow are equal. You don't attenuate, you don't add gain, you keep them the same. It makes handling signal flow and gain staging so easy to handle, it makes your whole workflow more predictable. It ensure your signal quality is at highest possible, it makes sure each device is working in their nominal range, at signal levels that they were designed to. In practice, when you tweak any effect, eq, compressor you keep an eye for input and output levels and constantly adjust them so that the signal is not boosted or attenuated. You raise the signal level to the optimum once in the preamp section and then you keep it as close to 1:1 ratio until the channel balance is set with a fader. It makes EVERYTHING so much easier. It also means that when we do break that rule, and there are reasons why we sometimes want to do that, those cases are exceptions to the rule and you will remember it better. If every single signal route is all over the place when it comes to gain staging you can never manage that chaos and will make tons of mistakes. And your noise and distortion levels will increase. Unity gain has the best signal quality possible, there are dozens of unity gain stages inside the hardware too. I was lucky to go to electronics before sound engineering, i had good grasp on complex signal flows but it was very important part for me too, to really get hands on experience how to do it right when it comes to audio. And the concept of unity gain applies in the digital world too. BTW, audio engineering and sound engineering are not the same thing.. Some countries call sound engineers audio engineers, like in this video. The difference is actually simple: audio engineers design the hardware that sound engineers use..
Great job and good luck!
100 bucks he went to Full Sail lol
Great advice
Thank you for this! Very clear & helpful!!
Awesome and helpful video!!
did you get a degree for audio engineering ?
This video helped a lot. I want to study audio engineer as well but I don’t know how to study for the entrance exam they do in the university’s. Do you have any tips on how to study the topics for entering the Uni ?
did not work at all
I didn't know how to record the midi notes, great advice thank you :) It's a great tool the Mono sequencer, love it so much
If you will send this MAX patch to another PS3 + Ableton Live 10 Mac environment - will it works there?
I love this one 😌
deveria ter para o sistema android
Dope information Fam!!!🎧📈🔥
Yo this is dope!
There’s something different about making music early in the morning 🤌🏼🤌🏼
We were trying to come up with a title and this is what we came up with 😂 like wut?? at least the beat is good lol
🔥🔥🔥
🙌🏼🙏🏼
Excellent presentation, thank you.t When I was coming up there were no schools, we built our own equipment because we couldn't afford 'real' equipment, etc. I threaded my first tape machine in 1961, and it has been quite a journey. Now I'm writing my own plugins, trying to keep up with you guys. Once again, excellent presentation.
I’ve been trying the Roli Blocks for a while. I like the portability and design a lot! I’ve been working on a few Ableton Live patches for them. Patches to get the Loop Block to control Ableton Live. 👍🏼
bro this is insane
Thank you so much for the helpful info and covering the basics!! I just downloaded the app recently and your tips have already effectively assisted my attempts to work musically with loops!
Very useful video as a refresher and some additional information I did not knew before.
My thing is I want to make music, and I have been trying to self teach for about 5 months now and I have learned a lot but when it comes to plugins I wanna know what does what. What does attack do and how do I use it, what is threshold and how do I use that, so I want to know what does what I don’t wanna be mindlessly turning knobs that I have no idea what they are for, does this catagory fall into music production or audio engineering???
what are the requirements for going to an audio school
What school did you got too?
He didn’t reply cuz you used the wrong “to” 😊😂
What are some top music engineering schools
Mayyy just teach u. Like how he added the disclaimer 34 way in
Having worked my whole life in the audio production-related industry, I can tell you there is a lot of misinformation in this video. Many audio production companies (most in my experience) will not hire people who recently graduated from Music/Audio schools. This is because most for-profit audio schools don't correctly teach necessary basic audio concepts. Students also typically lack the hands-on experience to enable them to be effective. Electronic Engineering schools are better for learning audio engineering fundamentals. Most audio production companies are looking for people who have experience in the field they get from doing live sound (for bands) or working as an intern. Of course, this is a generalization as there are a few excellent audio programs at colleges today. But in general private for-profit audio programs tend to produce "graduates" with factually incorrect technical knowledge who do not understand how much they don't know. Many of the incorrect or misleading statements in this video are examples of this problem.
what are some good audio engineering schools within colleges? edit: curious because i am looking into university programs that do audio engineering
I am not sure what is misleading.... 😅 as he is just sharing his own experience and what he's learned..... it mostly sounds like what has help him in his career.... But can you point out what exactly is incorrect??? O.o
This is very confused many of the words and concepts are no correct. Audio engineering, mixing engineering and acoustics are not correctly used in this video.
First off all, get the word engineer out of your mouth. What you have achieved is an understanding of the application of the gear and concepts that audio engineers designed to do your job as a end user audio technician. Stay in school, learn the trigonometry of waveforms, how to build circuits and consider their values and understand acoustic resonance and be able to communicate it scientifically, building the tools you have been exposed to. A bachelor's degree in electrical engineering separates the wheat from the mixer and enthusiast. Kudos for your work that you have put in.
Please tell me what type maths and physics that need in sound engineering because I'm very very poor in maths and physics I'm going to join in sound engineering bachelor's degree program
Yo where is the link for the school you went to???
Thank you so much mate
Why removed this feature tho?
any news on the patch? been a while
Thank you for sharing brother. God bless you.
This is sooo great 👍 thank you so much for all the information 😀