Intempus Music
Intempus Music
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Using Ableton Sampler's New MPE Control Functions | An Ableton Live 11 MPE Tutorial
The Ableton Sampler can now use MPE information with the release of Ableton Live 11. Ableton Sampler properties can be assigned to an MPE controller's slide, press and note pitch bend controls, allowing for more expressive performances. In this video, I try these MPE functions out for Sampler for the first time.
Intro: 00:00
Using MPE Control: 00:27
Assigning Note Pitch Bend to Pitch Bend: 01:50
Assigning Slide function to Filter Frequency: 02:20
Assigning Press function: 03:13
Switching between Mod Wheel and Slide functions: 04:25
Outro: 05:36
How to set up a Roli Seaboard Block in Ableton Live 11:
th-cam.com/video/VobK7K_zfJU/w-d-xo.html
Spotify: open.spotify.com/artist/5Uxi0...
Instagram: intempusmusic
มุมมอง: 1 540

วีดีโอ

Using the MPE Control MIDI Effect for Ableton Instruments | Ableton Live 11 Tutorial
มุมมอง 3.2K3 ปีที่แล้ว
Ableton Live's new MPE Control MIDI Effect helps turn non-MPE synths into MPE capable instruments. I used MPE Control to set up the Ableton Instruments for my Roli Seboard Block. Most of the Ableton Instruments can used with MPE thanks to the new MIDI effect, but some don't. 00:00 Intro 00:18 Sampler 02:22 Simpler (set up similarly to Sampler) 02:28 Wavetable (brief introduction to the possibil...
Setting up a Roli Seaboard Block in Ableton Live 11 | a FASTER way to work with MPE for Roli Blocks
มุมมอง 4.2K3 ปีที่แล้ว
Ableton Live 11 has incorporated a way to work with MPE, or MIDI Polyphonic Expression. Using the Seaboard Block with Ableton Live has never been easier. This video is simply a quick tutorial on how to set up your Roli Seaboard Block with the new Ableton Live 11 update. I use Wavetable, Sampler and Simpler with their new MPE features incorporated into the instruments. I try to use the new MPE C...
I made a PS3 MIDI Controller in Ableton Live - part 2 | Max for Live Beginner
มุมมอง 2943 ปีที่แล้ว
I'm new to Max for Live but one of my favorite patches I've worked on so far is making a PS3 controller into a MIDI controller. Max for Live can take incoming data from the PS3 controller and with a little data manipulating, you can trigger midi notes with each button. This was just a little example of the PS3 controller triggering a drum rack and the joysticks mapped to a delay effect that I c...
I Made a PS3 MIDI Controller in Ableton Live | Max for Live Beginner part 1
มุมมอง 1.2K3 ปีที่แล้ว
Using Max for Live in Ableton, I created a patch to midi map a PS3 Controller to control a Drum Rack. I tried doing some sound design with a delay and the ps3 joysticks also and got some great sounds! Overall it's a lot of fun trying to make music on the controller. Got some cool sounds out of it, but I want to do more! 👍 ✅ Part 2 will have better play ins lol Intro: 00:00 Showing the PS3 patch...
Using Ableton Sampler's Auto Select for the Ableton Ultimate Drum Rack | Ableton Live Tutorial
มุมมอง 1.2K3 ปีที่แล้ว
The Ableton Sampler's Auto Select Function is a tucked away button within the Zone Editor. We can use this function to trigger the right sample to show in the Sampler Waveform view, but using this function with the "Ultimate Ableton Drum Rack" requires a little workaround. Here's the tutorial for Making the Ultimate Drum Rack if you want to make one yourself: th-cam.com/video/eoWn7ZybW5M/w-d-xo...
Making a quick beat with Roli Blocks, Noise app and Loopy HD app | iOS Music App Performance
มุมมอง 1974 ปีที่แล้ว
With the Roli Blocks and the Noise app, you can make beats using MPE (MIDI Polyphonic Expression) technology on your iPhone. I made the beat all within the Noise app and used the Effects tab that turns the Roli Lightpad Block M into an XY pad. I used the Roli Seaboard Block to play in the Keys, Bassline and Lead sounds using the Noise app's sounds. I'm using an iPhone X running the Noise app wi...
Roli Blocks Performance by Intempus | Roli Seaboard Block and 2 Lightpad Blocks
มุมมอง 3654 ปีที่แล้ว
Roli Blocks live performance by Intempus using a Roli Seaboard Block, Lightpad Block M, Lightpad Block and a Loop Block. The live performance was done using the free Noise app by Roli in the Apple App Store. You can connect the Roli Blocks via Bluetooth MIDI and you're able to use the MPE MIDI capability from an iPhone. I used all four channels in the Noise app as well as the built-in effects. ...
How to use the Loopy HD app - An In Depth Loopy Starter Tutorial
มุมมอง 3.7K4 ปีที่แล้ว
This video teaches you how to use the Loopy HD app. The Loopy HD app is a music looper that you can use to record your vocals or import audio to loop. If you're a beginner, this tutorial video will show you how to use the Loopy app from the very basics and give suggested settings to start recording your musical ideas. Loopy HD Video Times: 1. Basic music concepts to know for Loopy HD: 2:15 2. L...
Intempus - Roli Blocks Noise App Live Performance - 2 lightpad blocks, seaboard block and loop block
มุมมอง 2674 ปีที่แล้ว
Intempus - Roli Blocks Noise App Live Performance - 2 lightpad blocks, seaboard block and loop block
Building an Ableton Drum Rack from Scratch 🥁 🎧 | Ableton Beginner to Intermediate Tutorial
มุมมอง 1064 ปีที่แล้ว
Building an Ableton Drum Rack from Scratch 🥁 🎧 | Ableton Beginner to Intermediate Tutorial
what you'll learn making the ULTIMATE Ableton Drum Rack | Ableton Drum Rack features Tutorial
มุมมอง 2764 ปีที่แล้ว
what you'll learn making the ULTIMATE Ableton Drum Rack | Ableton Drum Rack features Tutorial
Chillhop LofiHipHop Intempus Winter Mix 2018
มุมมอง 345 ปีที่แล้ว
Chillhop LofiHipHop Intempus Winter Mix 2018
Loopy HD App Overview | A Mobile Looper
มุมมอง 1.4K6 ปีที่แล้ว
Loopy HD App Overview | A Mobile Looper
Roli Noise App Overview | A Mobile Music Production and Social Music Making iOS App
มุมมอง 7716 ปีที่แล้ว
Roli Noise App Overview | A Mobile Music Production and Social Music Making iOS App
3 Mobile Music Production Apps I've been using in 2018 | Thoughts and Overviews
มุมมอง 1296 ปีที่แล้ว
3 Mobile Music Production Apps I've been using in 2018 | Thoughts and Overviews
🎹 Music Producer Talk 🎛 | Search by lyrics on Apple Music a good tool for Songwriters?!
มุมมอง 636 ปีที่แล้ว
🎹 Music Producer Talk 🎛 | Search by lyrics on Apple Music a good tool for Songwriters?!
🎹 Music Producer Talk 🎛 | Spotify now lets artists directly upload music to the Platform!
มุมมอง 776 ปีที่แล้ว
🎹 Music Producer Talk 🎛 | Spotify now lets artists directly upload music to the Platform!
Mobile Music Production 🌊 🎹 | in Santa Cruz, CA with the Roli Seaboard Block and Lightpad Block!
มุมมอง 2096 ปีที่แล้ว
Mobile Music Production 🌊 🎹 | in Santa Cruz, CA with the Roli Seaboard Block and Lightpad Block!
Mobile Music Production 🌊 🎹 in a Record Store with the Roli Seaboard Block
มุมมอง 726 ปีที่แล้ว
Mobile Music Production 🌊 🎹 in a Record Store with the Roli Seaboard Block
Mobile Music Making 🌊 🎹 with Roli Blocks and Seaboard Block
มุมมอง 1736 ปีที่แล้ว
Mobile Music Making 🌊 🎹 with Roli Blocks and Seaboard Block
9 Ableton Live EQ8 Tips and Tricks for FASTER Production | (Oversampling, Mid-Side Mode Explained)
มุมมอง 1566 ปีที่แล้ว
9 Ableton Live EQ8 Tips and Tricks for FASTER Production | (Oversampling, Mid-Side Mode Explained)
How to Make Glitch Sounds Easily with Max for Live Mono Sequencer | Ableton Live 9 Tutorial
มุมมอง 9566 ปีที่แล้ว
How to Make Glitch Sounds Easily with Max for Live Mono Sequencer | Ableton Live 9 Tutorial
This is Your Chance Beat Tape
มุมมอง 196 ปีที่แล้ว
This is Your Chance Beat Tape
Things for a Sunday in December Beat Tape
มุมมอง 146 ปีที่แล้ว
Things for a Sunday in December Beat Tape
10 Things I Learned at an Audio Engineering School
มุมมอง 29K6 ปีที่แล้ว
10 Things I Learned at an Audio Engineering School
Mobile Music Making at the California Delta Drawbridge | using Roli Blocks
มุมมอง 1036 ปีที่แล้ว
Mobile Music Making at the California Delta Drawbridge | using Roli Blocks
Mobile Music Making: at William Land Park *secret spot*
มุมมอง 246 ปีที่แล้ว
Mobile Music Making: at William Land Park *secret spot*
Mobile Music Making with Roli Blocks | at the Sacramento River
มุมมอง 976 ปีที่แล้ว
Mobile Music Making with Roli Blocks | at the Sacramento River
Is Ok, Cuz in the End | Best of September 2017 Collection Track 11
มุมมอง 127 ปีที่แล้ว
Is Ok, Cuz in the End | Best of September 2017 Collection Track 11

ความคิดเห็น

  • @elmokh.wma.
    @elmokh.wma. 28 วันที่ผ่านมา

    where's the patch bro this is so dope

  • @timmccue4320
    @timmccue4320 หลายเดือนก่อน

    thank you

  • @biggego4609
    @biggego4609 หลายเดือนก่อน

    Great video !

  • @will-lloyd
    @will-lloyd 3 หลายเดือนก่อน

    Thank you, that was exactly what I needed!

  • @ValleyOfWillows
    @ValleyOfWillows 3 หลายเดือนก่อน

    As a possible solution for the sounds not triggering where you want them to: As you've explained now, you're only using one Velocity value per sample to select it with. What if you gave all the samples a Velocity Range that is the same as the Range for that sample in the Sample Select editor. In other words, following your example, the Velocity Values of 0 to 15 select the first sample, then the Velocity Values from 16 to 31 select sample 2, etc... In the Velocity Device, you then also need to set the minimum to 0 again; and in the Macro Mapping you also need to make it go from 0 to 127. My thinking is that with your method, Ableton divides the Macro Knob into 7 steps, and only changes the selection when that certain step is reached (which will always be at the end of the step. I say 7 steps because you already start at 0 which is the first sample of your 8 samples.

    • @IntempusMusic
      @IntempusMusic 3 หลายเดือนก่อน

      Hey thank you for sharing! Your solution is very insightful and yes I do believe that would work! The main concern at that point would be the volume the samples play at will be lower/louder depending on the Velocity zone that’s set (which was also an issue with the method in the video as well). I haven’t taken the time to work that part out fully yet but I do believe the method you mentioned would work to get the select/velocity zones to match!

    • @ValleyOfWillows
      @ValleyOfWillows 3 หลายเดือนก่อน

      @@IntempusMusic Then maybe here's another idea: what if you used your method of assigning individual velocity values but added a 9th sample (with its own velocity value) at the end that is actually a duplicate of the 8th sample. So, in this case it would go from 119 to 127. This way, the knob would be divided in 8 segments, but you're still using only slight differences in velocity, so the loudness won't be so different, and because this 9th sample is the same as the 8th sample, the sample won't change if you're at 127.

  • @sabwepatrick7865
    @sabwepatrick7865 6 หลายเดือนก่อน

    True having a degree makes hireable

  • @redlobsta1
    @redlobsta1 7 หลายเดือนก่อน

    Informative for sure but I had a follow up question. What if you had the same note (let's say C) coming into the sampler and we had 12 different samples loaded into it where they are distributed equally across the "Sel" range (0 to 127). And then let's say we map the "Sel" slider to a midi knob, Is there a way we can have the Sampler change its view depending on where the knob is i.e. which sample is being selected?

  • @mrdenson3101
    @mrdenson3101 8 หลายเดือนก่อน

    Thanks and good luck to you. Why have you stopped making content ?

  • @YasathDias
    @YasathDias 11 หลายเดือนก่อน

    i love u

  • @williambrand4497
    @williambrand4497 ปีที่แล้ว

    Great detailed video! Thank you!!

  • @AJGuy-ev5jn
    @AJGuy-ev5jn ปีที่แล้ว

    See I want to be an artist of my own one day, but I know that I want to be in the studio one way or another and I have a passion for recording and mixing. I’m the end, I feel like CRAS (my school) can teach me everything necessary to make that career for myself, wether I’m playing stadiums or recording the people who do

  • @squidcaps4308
    @squidcaps4308 ปีที่แล้ว

    This was nice video, i remember a lot what i did learn and the list was longer than i remembered. I started behind a sound console when i was 11, and went to school when i was 36, so i got few years of experience but i still got a lot out of it. It cemented my workflow, i was very unpredictable before but rock solid after. I had luck that i got into a good school too, it was intense but the quality of teaching, the foundations they laid, principles that were inserted in my spine that they became instinctual and intuitive... It also gave a lot of confidence, being able to make mistakes in a more closed system and then taking on bigger and bigger projects, applying all of that wisdom and it working every bloody time. I know what i can and can't do, and it doesn't scare me. "You are just one more device in the chain, no more important than an EQ or a compressor. Your only job is to ensure that the message gets thru". It means don't get cocky, don't have any ego but just do your best so that whatever message you need to relay forward gets there. If it is music, you make decisions that ensure that the message in that music arrives at the listener in a way that they understand it, they "get it". Not your job to modify that message. We had a ton of sound production, since that was the name of the whole thing, sound engineering was big part of it but basically i should be able to produce anything that has sound, in any media, any event. I am not saying i can, but that was the goal. Oh, and i got to do it all using TL Audio VTC... god damn that desk is beautiful, you can just keep pushing it and pushing it and it just sounded better and better. It does make the room quite hot but it is worth it.

    • @IntempusMusic
      @IntempusMusic ปีที่แล้ว

      Thank you very much for sharing your experience! I think it’ll give others a different perspective and insight into another person’s journey, which is amazing. And that quote is awesome!

  • @squidcaps4308
    @squidcaps4308 ปีที่แล้ว

    I would add unity gain to signal flow, which links it to gain staging which is very, very important to have clear understanding of the signal flow and gain staging, and all of that is tied in with the concept of unity gain: that the input and output levels of each device in the signal flow are equal. You don't attenuate, you don't add gain, you keep them the same. It makes handling signal flow and gain staging so easy to handle, it makes your whole workflow more predictable. It ensure your signal quality is at highest possible, it makes sure each device is working in their nominal range, at signal levels that they were designed to. In practice, when you tweak any effect, eq, compressor you keep an eye for input and output levels and constantly adjust them so that the signal is not boosted or attenuated. You raise the signal level to the optimum once in the preamp section and then you keep it as close to 1:1 ratio until the channel balance is set with a fader. It makes EVERYTHING so much easier. It also means that when we do break that rule, and there are reasons why we sometimes want to do that, those cases are exceptions to the rule and you will remember it better. If every single signal route is all over the place when it comes to gain staging you can never manage that chaos and will make tons of mistakes. And your noise and distortion levels will increase. Unity gain has the best signal quality possible, there are dozens of unity gain stages inside the hardware too. I was lucky to go to electronics before sound engineering, i had good grasp on complex signal flows but it was very important part for me too, to really get hands on experience how to do it right when it comes to audio. And the concept of unity gain applies in the digital world too. BTW, audio engineering and sound engineering are not the same thing.. Some countries call sound engineers audio engineers, like in this video. The difference is actually simple: audio engineers design the hardware that sound engineers use..

  • @ICEONEMUSIC
    @ICEONEMUSIC ปีที่แล้ว

    Great job and good luck!

  • @jayallisonsmusic4019
    @jayallisonsmusic4019 ปีที่แล้ว

    100 bucks he went to Full Sail lol

  • @sabwepatrick7865
    @sabwepatrick7865 ปีที่แล้ว

    Great advice

  • @katemovingmusic88
    @katemovingmusic88 ปีที่แล้ว

    Thank you for this! Very clear & helpful!!

  • @clanksmusic
    @clanksmusic ปีที่แล้ว

    Awesome and helpful video!!

  • @cynthiasandoval6273
    @cynthiasandoval6273 ปีที่แล้ว

    did you get a degree for audio engineering ?

  • @3-57
    @3-57 ปีที่แล้ว

    This video helped a lot. I want to study audio engineer as well but I don’t know how to study for the entrance exam they do in the university’s. Do you have any tips on how to study the topics for entering the Uni ?

  • @kcf6969
    @kcf6969 ปีที่แล้ว

    did not work at all

  • @jeremyboesmans
    @jeremyboesmans ปีที่แล้ว

    I didn't know how to record the midi notes, great advice thank you :) It's a great tool the Mono sequencer, love it so much

  • @igor_awake
    @igor_awake 2 ปีที่แล้ว

    If you will send this MAX patch to another PS3 + Ableton Live 10 Mac environment - will it works there?

  • @Rickiegirlmusic
    @Rickiegirlmusic 2 ปีที่แล้ว

    I love this one 😌

  • @FranciscoAlves-hx8cg
    @FranciscoAlves-hx8cg 2 ปีที่แล้ว

    deveria ter para o sistema android

  • @williamjenkins7842
    @williamjenkins7842 2 ปีที่แล้ว

    Dope information Fam!!!🎧📈🔥

  • @VinceVicari
    @VinceVicari 2 ปีที่แล้ว

    Yo this is dope!

  • @IntempusMusic
    @IntempusMusic 2 ปีที่แล้ว

    There’s something different about making music early in the morning 🤌🏼🤌🏼

  • @IntempusMusic
    @IntempusMusic 2 ปีที่แล้ว

    We were trying to come up with a title and this is what we came up with 😂 like wut?? at least the beat is good lol

  • @cbwinning
    @cbwinning 2 ปีที่แล้ว

    🔥🔥🔥

  • @RocknRollkat
    @RocknRollkat 2 ปีที่แล้ว

    Excellent presentation, thank you.t When I was coming up there were no schools, we built our own equipment because we couldn't afford 'real' equipment, etc. I threaded my first tape machine in 1961, and it has been quite a journey. Now I'm writing my own plugins, trying to keep up with you guys. Once again, excellent presentation.

  • @IntempusMusic
    @IntempusMusic 2 ปีที่แล้ว

    I’ve been trying the Roli Blocks for a while. I like the portability and design a lot! I’ve been working on a few Ableton Live patches for them. Patches to get the Loop Block to control Ableton Live. 👍🏼

  • @guillaumeperrin6772
    @guillaumeperrin6772 2 ปีที่แล้ว

    bro this is insane

  • @Littlewing.
    @Littlewing. 2 ปีที่แล้ว

    Thank you so much for the helpful info and covering the basics!! I just downloaded the app recently and your tips have already effectively assisted my attempts to work musically with loops!

  • @AdrianGeorges
    @AdrianGeorges 2 ปีที่แล้ว

    Very useful video as a refresher and some additional information I did not knew before.

  • @applegravy5418
    @applegravy5418 2 ปีที่แล้ว

    My thing is I want to make music, and I have been trying to self teach for about 5 months now and I have learned a lot but when it comes to plugins I wanna know what does what. What does attack do and how do I use it, what is threshold and how do I use that, so I want to know what does what I don’t wanna be mindlessly turning knobs that I have no idea what they are for, does this catagory fall into music production or audio engineering???

  • @Kasiemobi_udemadu
    @Kasiemobi_udemadu 2 ปีที่แล้ว

    what are the requirements for going to an audio school

  • @ILoveMusic20mg
    @ILoveMusic20mg 2 ปีที่แล้ว

    What school did you got too?

    • @bigeddie1669
      @bigeddie1669 4 หลายเดือนก่อน

      He didn’t reply cuz you used the wrong “to” 😊😂

  • @aswmusic88
    @aswmusic88 2 ปีที่แล้ว

    What are some top music engineering schools

  • @louislogie2654
    @louislogie2654 2 ปีที่แล้ว

    Mayyy just teach u. Like how he added the disclaimer 34 way in

  • @KBConsulting
    @KBConsulting 2 ปีที่แล้ว

    Having worked my whole life in the audio production-related industry, I can tell you there is a lot of misinformation in this video. Many audio production companies (most in my experience) will not hire people who recently graduated from Music/Audio schools. This is because most for-profit audio schools don't correctly teach necessary basic audio concepts. Students also typically lack the hands-on experience to enable them to be effective. Electronic Engineering schools are better for learning audio engineering fundamentals. Most audio production companies are looking for people who have experience in the field they get from doing live sound (for bands) or working as an intern. Of course, this is a generalization as there are a few excellent audio programs at colleges today. But in general private for-profit audio programs tend to produce "graduates" with factually incorrect technical knowledge who do not understand how much they don't know. Many of the incorrect or misleading statements in this video are examples of this problem.

    • @barosielle2952
      @barosielle2952 2 ปีที่แล้ว

      what are some good audio engineering schools within colleges? edit: curious because i am looking into university programs that do audio engineering

    • @WeCrazy3
      @WeCrazy3 2 ปีที่แล้ว

      I am not sure what is misleading.... 😅 as he is just sharing his own experience and what he's learned..... it mostly sounds like what has help him in his career.... But can you point out what exactly is incorrect??? O.o

  • @KBConsulting
    @KBConsulting 2 ปีที่แล้ว

    This is very confused many of the words and concepts are no correct. Audio engineering, mixing engineering and acoustics are not correctly used in this video.

  • @jdavis1286
    @jdavis1286 2 ปีที่แล้ว

    First off all, get the word engineer out of your mouth. What you have achieved is an understanding of the application of the gear and concepts that audio engineers designed to do your job as a end user audio technician. Stay in school, learn the trigonometry of waveforms, how to build circuits and consider their values and understand acoustic resonance and be able to communicate it scientifically, building the tools you have been exposed to. A bachelor's degree in electrical engineering separates the wheat from the mixer and enthusiast. Kudos for your work that you have put in.

  • @thomaskarunathomaskaruna9898
    @thomaskarunathomaskaruna9898 2 ปีที่แล้ว

    Please tell me what type maths and physics that need in sound engineering because I'm very very poor in maths and physics I'm going to join in sound engineering bachelor's degree program

  • @jordanvanderwerfhiphop
    @jordanvanderwerfhiphop 2 ปีที่แล้ว

    Yo where is the link for the school you went to???

  • @harsharav3rvge593
    @harsharav3rvge593 2 ปีที่แล้ว

    Thank you so much mate

  • @Bogummy1994
    @Bogummy1994 2 ปีที่แล้ว

    Why removed this feature tho?

  • @noserunner
    @noserunner 3 ปีที่แล้ว

    any news on the patch? been a while

  • @ectyka
    @ectyka 3 ปีที่แล้ว

    Thank you for sharing brother. God bless you.

  • @mkndmny
    @mkndmny 3 ปีที่แล้ว

    This is sooo great 👍 thank you so much for all the information 😀