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Awesome but no need to flip me off🤣 jk 👍 nice video

Outstanding Miles, I've been playing for more years than I'd like to admit 😂, Your lessons are allowing me to add some structure to things I've been playing for years,Thank You

At the risk of sounding stupid, I see a lot of people with that hair scrunchie lookin thing between the head stock and first fret what is it for thanx

Clear and concise thank you , a lot of guys would over complicate that, you naming the lesson heavy metal chords was a good Idea

Name of song?

nice!

Good stuff, thanks for the reads!

Nice🎉

Jazz 3 xl

Within each of those 5 EDCAG shapes, name and number these notes: E(1)-G(b3)-A(4)-Bb(b5)-B(5)-D(b7). After that add in 3-6-2 (G#-C#-F#). Lastly, use b2-b6-7 (F-C-D#) as passing tones. Once you can use all 12 notes within each of the 5 shapes, move to all of the other keys (ADGC first). - Play over a 3-chord Blues (E7-A7-B7), using those 3 chords in each of the 5 positions. Always know both the name and number of the note that you’re using. That’s how to master the fretboard. (Always go b3 UP into 3, a chord tone, NEVER the reverse of 3 into b3. 1-3-5-b7 are the safest notes, the chord tones.)

Thanks for watching! Make sure you're subscribed to the Guitarjet newsletter to get my tabs in your inbox every week: guitarjet.beehiiv.com/

Thanks for watching! Make sure you're subscribed to the Guitarjet newsletter to get my tabs in your inbox every week: guitarjet.beehiiv.com/

Glad I found this channel! I'm trying to relearn guitar and the videos are definitely helpful. Thank you!

Here's the associated tab: guitarjet.beehiiv.com/p/major-and-minor-pentatonic-scales-tab Thanks for watching!

Get your scale shapes here! guitarjet.beehiiv.com/

Nice playing man 👍

Consider recording your video higher in the frame since most of what you're doing can't be seen due to text from TH-cam at the bottom of the screen. Otherwise please continue to share your guitar wisdom and rock on.

Very informative and well done

Thanks for the recommendation man, i have to get it now hah

Play some Shawn Lane

Hey, I know that guy! 😁 Play some Shawn Lane.

TY

Swiss Picks 1.30 mm jazz minis... the Jason Becker "Bleu Cheese" model

I like your vibe and enthusiasm Miles, you got yourself a new subscriber

Nice to get out of the box great lesson thanks

👏🏽👏🏽👏🏽

Thanks. That was very well done and clear. I wonder if you have examples of verious modes combined with the 3 octave scale?

Great video! Nice Carvin!

The crucial thing to understand with 8-strings is that power chords no longer really sound clear below the low A power chord. For palm-mute / djent stuff on the lowest string, you only need to play single notes anyway, and dialling down the gain also helps making those notes tighter. I mean, you’re effectively in bass range here, and who would put as much distortion on a bass guitar as on a metal rhythm guitar? If you want an F# power chord that includes the open F# string, I usually go for the 0-7-9-9 - since in that low range, octaves are pretty much the only interval that still sounds clean. You can also play 0-2-2-4-4 (including the 2 on the low B string, i.e. including the fifth), but even that fifth can get muddy. There are a few instances in which I’ve actually used the open 0-2-2 power chord on the low F# string, but it’s rare. Unfortunately, it’s also the very first thing most people do when they pick up an 8-string, and then they wonder why it doesn’t sound good - because they only apply the theoretical harmony lens to it, not the practical physical lens of note interference. As you said, it also depends on the pickups. Active pickups tend to produce clearer sounds even at low pitches, especially when the guitars also have an extended scale, like the Schecter Hellraiser series. ESP / LTD guitars, while comparable to Schecter in many ways, tend to come with shorter scale lengths (closer to those of 6-string guitars). I had that on my very first 7-string, a Jackson Soloist (also with EMGs). And while it is easier to play fast, it does get muddier in the low end, or at least compress the sound more. Playing through the Jackson sounds a bit like playing through a Mesa/Boogie Rectifier, which has less definition when it comes to the difference between palm mute and open chords. If you really need that djenty tight bottom end which so many modern players enjoy, you probably either need EMGs, and extended scale length, a Marshall JVM or any of the ENGL amp models - in the US, a 5150 / 6505 or Revv Generator should work, too - or a combination of the above. The Rectifier, meanwhile, to me is really more suited to playing open power chords and octaves, because then you have that bottom-end pressure applied to these open power chords, where other amps would sound more, well, open. Therefore, to me the Rectifier is ultimately a punk-rock / alternative amp, not a metal amp. There, I said it. 😜

All in one minute:) Awesome! I always leave with something cool:)

It sounds off because its an open E skip the A

👍🏼🎯👏🏼

Thank you for watching! Here are the associated tabs. guitarjet.com/tapping-arpeggios/ Don't forget to like and subscribe to the channel! You rock.

appreciate you not only breaking it down in two variations, but explaining how to work it into minor and major. Subscribed!

Epic sound n feel of that song

You can access the tab for this lesson by joining my Patreon for free. www.patreon.com/guitarjet/posts🎸

I love how the tap/pull off/hammer seems to require little movement from your hands- you make it look effortless, I’ve found that after just a little time it becomes natural. I don’t need to think anymore:), it just flies off the fingers! Lots of fun👍🏼

🎯👏🏼

Money is an awesome choice and you’ve got really nice concise and fun lessons👍🏼. I’m here because of a post by your wife “Life in Idaho Falls”…. I hope your week is going well, I’ll check back for updates. 👍🏼👏🏼🎯

"Promo SM" ✋

I presume this book will work way beyond jazz harmony? I’m not into jazz per se, as much, hence asking. Also, how’s the CD / audio samples that come with the book. Tia.

Could you recommend a guitar chord book that has lots of slightly difficult to difficult songs and talks about (or at least outlines) the theory behind each song.

Thank you Miles 🤙🤘🔥

Absolutely no mention of the non fretting hand 🙄 Music is nothing without rhythm

Very straightforward and true.

This is amazing. Thank you

Great video mate! Please make more Shawn Lane videos bro

Of course why didnt i think of that!.

Right On! 🎉

The main lesson starts at around 1:35 🎸