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4:00 🏈 Detroit Lions💙🩶 vs Denver Broncos💙🧡 4:05 Orange Crush

Beautiful transcription and piano performance! 😍 And huge thank you for the detailed harmony analysis!

Thank you so much for this, I am doing an arrangement (completely different style) of this, and seeing this really helps me get a grasp of it. I'll make sure to credit you when I put it out.

Jeez. This theme keeps jumping between musical modes and scales. One moment it’s Dorian, the next moment it’s mixolydian, the next it’s Phrygian, and the next it’s Lydian. It just doesn’t stick to a single mode.

Tchaikovsky simph 4 pls

Tchaikovsky symphony 4 please

Really fun thing, very impressive! I've been looking for an analysis like this which really breaks down all chords, it might not be very useful for understanding the piece but it's interesting for us nerds nonetheless;) However after a quite quick look i already found a couple of mistakes, so i wouldn't blindly trust all of it...

5:40 ghost cymbal!!!

Unglaublich schön! Toll auch, die Noten verfolgen zu können.

haha V(omit)

In compass 60 , the last note of flute solo is a B , not D

now faster

Thank you for your help, I’m learning the chimes to this and I am struggling the most with this piece and Uranus more than any other piece from planets. This really helps me understand the context of my part with the orchestra, thanks!

Just curious, why not to label chords with functions instead?

This takes me right back to hearing the theme tune in full surround sound at my local Odeon cinema multiplex last April for the 45th anniversary. Absolutely epic!

You might laugh, literally at the last few days I started reading the score with the aim to make a score reduction of it and upload it here on youtube. Unfortunately(or actually fortunately), you did it before me. Well, now reading the score will be much easier. Here's my first attemp with the score of Samuel Barber Adagio for Strings: th-cam.com/video/lo1Njsir_lM/w-d-xo.html Thanks

Amazing content

1:45 lol holy shit 3rd trumpet is blaring

Give me last chance please 🙏 I’m begging you Nate please

Good morning Nate how was your night………please i need your forgiveness 😢😢😢😢😢😢😢😢😢😢😢😢

Good morning Nate please forgive me I can’t do without you

th-cam.com/video/lo1Njsir_lM/w-d-xo.html My own Reduction to a Famous Score- Samuel Barber Adagio for Strings Enjoy

th-cam.com/video/lo1Njsir_lM/w-d-xo.html My own Reduction to a Famous Score- Samuel Barber Adagio for Strings Enjoy

thanks, love it. would be nice to see it full screen without the black space bit at the bottom

Love the song! I do think that at measure 364 (6:46 timestamp), the interval of the middle staff (the one playing the triplets) is wrong. It should be playing D-C-D-E-F, instead of what is shown at G-F-G-A-Bb

Instrumentation (session recordings): 3 Flutes 3 Oboes 4 Clarinets 3 Bassoons 6 Horns 4 Trumpets 4 Trombones 2 Tubas (the second one plays at the end) Timpani Percussion 2 Harps Piano 2 Synths SATBarB Choir Strings (Violins I/II, Violas, Cellos, Double Basses)

The timpani from 9:55 🔥

I have long wished to see the Score for this Piece, as i think its one of John Williams best Concert pieces. And thats saying something. Shows his Contrapuntal skills.

Admiration for the brainy kind of human who is capable of creating such brilliant score reductions. Спасбо большое !!

Love how trumpet is so outstanding in this interpretation. Resembles Böhm’s view but regarding trombone.

Great analysis! Can you give me some tips on how you identify the chord quicker and more effectively? I find harmonic analyses valuable and id like some tips to improve the process.

Can I get a pdf of this?

Excellent upload, pal! Excellent analysis as well. Thank you!!! I love this work so much.....!!! It opened so many doors to me in my early years and it still moves me everytime I hear it.

The chair creek notation is a beautiful add in😂

PDFs for all of the score tracks are available in my Patreon shop: www.patreon.com/nmkmusic/shop

I never can get the timing right on the 5/2s and the last push to the end.

I now see why a lot of musicians call out sick on the week of performing Rite of Spring. So. Many. Odd Time Signatures

You must like ledger lines

really awesome, thank you!!!

He will be looked back on like we look back on the greatest composers in history. He's a living legend.

My brother and I love this piece so much. We basically grew up on Stravinsky. He’s getting his PhD in music theory who likes analyzing scores for fun and I’m a freshman in high school (who also likes analyzing scores for fun). Great work.

{3:2} seems needlessly specific. They’re just triplets.

That E should technically be denoted as an F-flat (Fb) because the minor 6th of Ab is Fb (it sounds just like E though)

Those lists are stupid

Only 18 years old and above will allow your entry Government Warning: Cigarette smoking is dangerous to your health

John Williams is the Mozart, Beethoven, Brahms, etc. for our time. A Master Composer!

THANK YOU so much for your work and great job!

Ideas... Theme of "Gatchaman" (Imagi film project) Music by: John Williams Produced by: John Williams Executive Produced by: Kevin Munroe, Tommy Tanaka Orchestration by: Edward Karam Recording Engineer: Steve Smith Mixing Engineer: William Storkson Editing Engineer: Alex Levy Music Copyist: Gregg Nestor Orchestra Contractor: Simon James Music Supervisor: Dana Sano Assistant to John Williams: *Jean-Claude Madonne* Recorded at: Bastyr University Mixed at: AudioSFX, CA Orchestra Conducted by: John Williams Orchestra: Northwest Sinfonia & Chorale Orchestra (for this particular cue) 1st Violins: Simon James (Leader), Helen Kim (Principal), Jennifer Bai (Principal), Mariel Bailey (Sub-Principal), Cecilia Poellein Buss, Ayako Gamo, Timothy Garland, Leonid Keylin, Mae Lin, Mikhail Shmidt, Clark Story, John Weller, Jeannie Wells Yablonsky, Arthur Zadinsky 2nd Violins: Elisa Barston (Principal), Michael Miropolsky (Co-Principal), Kathleen Boyer, Gennady Filimonov, Evan Anderson, Natasha Bazhanov, Brittany Boulding, Stephen Bryant, Linda Cole, Xiao-po Fei, Sande Gillette, Artur Girsky Violas: Timothy Betts (Principal), Suejane Bryant (Co-Principal), Steve Creswell (Sub-Principal), Wes Dyring, Joseph Gottesman, Allison Kantor, Sayaka Kokubo, Shari Link, Scott Ligocki, Andrea Schuler Cellos: Andrea Chandler (Principal), Roberta Downey (Co-Principal), Virginia Dziekonski (Sub-Principal), Richard Eckert, Eric Gaenslen, Walter Gray, Rowena Hammill, Eric Han, Charles Jacot, Kevin Krentz Double Basses: Todd Larsen (Principal), Jonathan Burnstein (Sub-Principal), Jennifer Godfrey, Maurice Clubb, Travis Gore, Brian Johnson Flutes: Robin Carlson Peery (Principal), Erin James, Laura Werner Oboes: Dan Williams (Principal), Ben Hausmann (Principal), Stefan Farkas Clarinets: Frank Kowalsky (Principal), Sean Osborn, Denise Lum Bassoons: Seth Krimsky (Principal), Mona S. Butler, Mike Gamburg French Horns: Mark Robbins (Principal), Jeffrey Fair (Asst. Principal), Jenna Breen, Rodger Burnett, Danielle Kuhlmann Trumpets: Allen Vizzutti (Principal), Anthony DiLorenzo (Co-Principal), David Gordon, Alexander White Trombones: Koichiro Yamamoto (Principal), Sam Schlosser, Douglas Nierman, Patrick Herb Tubas: Chris Olka (Principal), Ryan Schultz Timpani: Rob Tucker (Principal) Percussion: Matthew Kocmieroski (Principal), Gunnar Folsom Harps: Valerie Muzzolini Gordon (Principal), John Carrington Pianos: Kimberly Russ (Principal), Meade Crane

based

Excellent analysis!!!