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Bett Gallery
เข้าร่วมเมื่อ 10 ธ.ค. 2011
Bett Gallery is one of Australia's foremost contemporary art galleries. Located in Hobart, Tasmania and established in 1986. Bett Gallery represents leading Australian painters, sculptors, photographers, jewellers, print-makers and ceramicists whilst also supporting young, emerging artists.
Sue Lovegrove - Meltwater
Sue Lovegrove
Meltwater
22 November - 14 December 2024
The experience of sitting still, quietly watching and bearing witness to a glacier imperceptibly melt is both compelling and horrifying. Over the next century, 80% of Europe’s glaciers will completely melt and become extinct due to irreversible human induced global warming. In 2014 a glacier in Iceland, Okjökull, was declared extinct, and there are now glaciers in the alps that have been reduced to remnant patches of ‘dead ice’, (ice that is no longer moving). The temperature in the Arctic is rising faster than anywhere else in the world and as a consequence Arctic ice is melting at an alarming rate. The impact of this melting will forever change the cultural and natural landscapes of Arctic countries and the European Alps with catastrophic ecological consequences. As well as that there is the tragic loss of the uniquely beautiful and fragile aesthetics that glacial landscapes embody.
This series of paintings is based on my research trip to Iceland last year when I was able to crawl around, get up close to, listen to and gaze down on several different glaciers. The sheer beauty of the surface with its wrinkled sculpted skin, the scale of the rivers of ice plummeting down from 2,000 metres to sea level in a space of just a few kilometres and the overwhelming sense of vulnerability and fragility was mesmerising. One of the things that struck me so profoundly was the sense of movement and life that was encapsulated in the stillness of the sculptural forms, created by the constant sounds of running meltwater beneath the ice, the groaning of shifting ice within its belly and the occasional collapse of the ice breaking off. I have tried to capture this sense of movement and the life force within the glacier by focussing on the glacial meltwater.
Sue Lovegrove’s works reflect her close relationship to the natural environment, her relationship to place and her concerns around environmental issues. Her paintings explore the interplay between surface and depth; with layers of subtle washes creating an exquisite depth and fine delicate lines, produced with highly detailed and exquisitely fine brushwork, creating rhythms and patterns of movement across the surface. Combining her knowledge of both Persian miniature painting and European watercolour traditions, Sue brings historical landscape painting into a 21st Century context. Bridging abstraction and figuration, Sue’s paintings are sensory responses to landscape that sing with representations of shimmering water, light, air, space and are vibrant with the rhythm of wind and weather.
Born in Adelaide, Sue Lovegrove graduated from ANU School of Art with a Bachelor of Visual Arts in 1990 and a PhD in 2002. Her PhD research was on Aboriginal women’s painting from the desert with a focus on Indigenous perceptions of pictorial and cultural space in painting through experience of everyday life. Sue has undertaken numerous residencies in remote locations including Iceland, Antarctica, Macquarie Island, Maatsuyker Island and Tasman Island and, in 2015, she studied Persian miniature painting at The Prince’s Foundation in London. In 2018, she was awarded an Australia Council Grant to publish ‘The Voice of Water’ in collaboration with Tasmanian poet Adrienne Eberhard, bringing together Adrienne’s poems and Sue’s paintings. Sue won the 2020 Elaine Bermingham National Watercolour Prize in Landscape Painting and was awarded a Highly Commended in the 2017 Hadley’s Art Prize. Sue has had over 30 solo exhibitions around Australia and her work is represented in numerous private and public collections including the National Gallery of Australia, National Gallery of Victoria, Tasmanian Museum and Art Gallery, Parliament House, Macquarie Bank, Canberra Museum and Gallery and the University of Canberra. Sue works and lives in luruwita/Tasmania.
Meltwater
22 November - 14 December 2024
The experience of sitting still, quietly watching and bearing witness to a glacier imperceptibly melt is both compelling and horrifying. Over the next century, 80% of Europe’s glaciers will completely melt and become extinct due to irreversible human induced global warming. In 2014 a glacier in Iceland, Okjökull, was declared extinct, and there are now glaciers in the alps that have been reduced to remnant patches of ‘dead ice’, (ice that is no longer moving). The temperature in the Arctic is rising faster than anywhere else in the world and as a consequence Arctic ice is melting at an alarming rate. The impact of this melting will forever change the cultural and natural landscapes of Arctic countries and the European Alps with catastrophic ecological consequences. As well as that there is the tragic loss of the uniquely beautiful and fragile aesthetics that glacial landscapes embody.
This series of paintings is based on my research trip to Iceland last year when I was able to crawl around, get up close to, listen to and gaze down on several different glaciers. The sheer beauty of the surface with its wrinkled sculpted skin, the scale of the rivers of ice plummeting down from 2,000 metres to sea level in a space of just a few kilometres and the overwhelming sense of vulnerability and fragility was mesmerising. One of the things that struck me so profoundly was the sense of movement and life that was encapsulated in the stillness of the sculptural forms, created by the constant sounds of running meltwater beneath the ice, the groaning of shifting ice within its belly and the occasional collapse of the ice breaking off. I have tried to capture this sense of movement and the life force within the glacier by focussing on the glacial meltwater.
Sue Lovegrove’s works reflect her close relationship to the natural environment, her relationship to place and her concerns around environmental issues. Her paintings explore the interplay between surface and depth; with layers of subtle washes creating an exquisite depth and fine delicate lines, produced with highly detailed and exquisitely fine brushwork, creating rhythms and patterns of movement across the surface. Combining her knowledge of both Persian miniature painting and European watercolour traditions, Sue brings historical landscape painting into a 21st Century context. Bridging abstraction and figuration, Sue’s paintings are sensory responses to landscape that sing with representations of shimmering water, light, air, space and are vibrant with the rhythm of wind and weather.
Born in Adelaide, Sue Lovegrove graduated from ANU School of Art with a Bachelor of Visual Arts in 1990 and a PhD in 2002. Her PhD research was on Aboriginal women’s painting from the desert with a focus on Indigenous perceptions of pictorial and cultural space in painting through experience of everyday life. Sue has undertaken numerous residencies in remote locations including Iceland, Antarctica, Macquarie Island, Maatsuyker Island and Tasman Island and, in 2015, she studied Persian miniature painting at The Prince’s Foundation in London. In 2018, she was awarded an Australia Council Grant to publish ‘The Voice of Water’ in collaboration with Tasmanian poet Adrienne Eberhard, bringing together Adrienne’s poems and Sue’s paintings. Sue won the 2020 Elaine Bermingham National Watercolour Prize in Landscape Painting and was awarded a Highly Commended in the 2017 Hadley’s Art Prize. Sue has had over 30 solo exhibitions around Australia and her work is represented in numerous private and public collections including the National Gallery of Australia, National Gallery of Victoria, Tasmanian Museum and Art Gallery, Parliament House, Macquarie Bank, Canberra Museum and Gallery and the University of Canberra. Sue works and lives in luruwita/Tasmania.
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Interesting yet considering of Time
Just the time involved in these paintings is contrary to modern life. A human touch, not an AI, icescape. Might call them timescapes.
Very moving. ❤
Beautiful work, thanks for sharing!
A good painter, his sentiments are well orchestrated, I like him.
Lovely Hope to see Australia the paintings are soo skillful. Thank you.
❤ 😊
brilliant
Thanks for the video 🙏🏼🤍
Awesome Artwork!!!. Congratulations, Tim, your Art is marvelous. Greetings from Xalapa, Veracruz in México.
Truly contemplative work. Reminds me somewhat of a painting my father had bought years ago by Joseph Rustling Meeker. He seemed to be enthralled with atmosphere, also.
Can I buy this video
Can I buy this video
Fun. Cool. Hypnotic.
Intuition builds
Beautiful 💙👍
Shego hadd approves
loving the rhythm🙌🙌
This is exactly how I paint. Wonderful 🤗 from Ireland 🇮🇪
UFO's aren't fantasies or escapism. If you've seen one, you never forget and the many related phenomena such as cattle mutilations, crop circles, abductions, missing time and so on are surely evidence that only adds credibility to the thousands of images that exist. Of course there are many fake photos but think about the sheer volume of existing documentation and the much greater number of undocumented sightings.
P𝐫O𝕞O𝓢m
Hi David this is a long shot :) but buy any chance could u have painted a landscape design painting between 1996 to 1998 it’s the best Piece of artwork i admired a lot when I was young 😊it’s also been held on to my family thru the years and has many memories