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Safelight Berlin
Germany
เข้าร่วมเมื่อ 8 พ.ค. 2018
We are an analog photography shop based in Berlin. We will be showcasing some of the photographers we have met, events, and other film photography related stuff going on in the Berlin scene.
Rare Camera Hunt at Film Community Meetup ! | Safelight Goes To Köln
NEW MISSION ! Today a bunch of the team are in Köln for a huge film community event organised by another lab, camera dealer. Their mission, meeting with people shooting film from all across Germany, and trying to find the best cameras out here.
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Team in this episode:
Mick : mick.cst
Chris : __chrismorgan
Beatrice : aei.pathy
Iara : iara_sisa
Paula : jpegmustdie
Sasha : sasha_maha
Alex : daleria_my_world
Yago : yago_cobas
Ottavio : oselliti
Tristan : tristanscholteden
Alessandro : ai____ph
Frankie : frankiecasillophoto
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Shot + Edited by @TristanScholteden
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Additional music used in this video:
- [FREE] 2000's West Coast Hip Hop Rap Beat by VLADSEEN
- Jak X OST - Heli
- Some tphs from ps1 sound fx
(this is a fun video, and is demonetised by us)
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Thanks for watching !
#filmphotography #analog #photography #film
-------
Team in this episode:
Mick : mick.cst
Chris : __chrismorgan
Beatrice : aei.pathy
Iara : iara_sisa
Paula : jpegmustdie
Sasha : sasha_maha
Alex : daleria_my_world
Yago : yago_cobas
Ottavio : oselliti
Tristan : tristanscholteden
Alessandro : ai____ph
Frankie : frankiecasillophoto
--
Shot + Edited by @TristanScholteden
--
Additional music used in this video:
- [FREE] 2000's West Coast Hip Hop Rap Beat by VLADSEEN
- Jak X OST - Heli
- Some tphs from ps1 sound fx
(this is a fun video, and is demonetised by us)
--
Thanks for watching !
#filmphotography #analog #photography #film
มุมมอง: 1 627
วีดีโอ
New 699€ POLAROID I-2 In-depth Review, We're disappointed.
มุมมอง 5K7 หลายเดือนก่อน
Today we're testing the brand new Polaroid I-2 and all its new manual features !! Is it worth the 699 euro price tag? Our firsts pictures came out a bit overexposed.. so we'll let the Lab Nerds dissect this new camera and give their verdict... Timestamps: 00:00 Over Dramatic Teaser 00:13 Intro 00:40 Hands On 02:56 Shooting Around (It's overexposed ??) 07:24 First Results 08:26 In-Depth Testing ...
Shooting on 500T VS 250D | Kodak Vision 3 ECN-2 Film Comparison
มุมมอง 17K10 หลายเดือนก่อน
We now develop ECN-2 Film at Safelight ! So today we're going on a quick walk around Berlin to compare two cinema film stock, the Kodak Vision 3 250D and 500T, using the Canon AF35ML. Timestamps: 00:00 Intro 00:36 Loading Film 00:50 Daylight Shooting 03:11 What is ECN-2 Film ? 03:51 Shooting Around 05:07 Berlin Undergrounds, Tungsten 6:09 Shooting Around the Alex Crew in this episode : Paula : ...
What Are People Shooting at the CineStill & Safelight Berlin Photowalk
มุมมอง 1.3Kปีที่แล้ว
Today we're hosting a photowalk in collaboration with CineStill for the analogueNow! festival here in Berlin. We're gonna take pictures around Tempelhof Airport, see what cameras people are shooting on and then head to the festival for some refreshing drinks. Timestamps: 00:00 : Intro 00:39 : Classic Safelight 01:10 : Meeting Everyone 01:52 : Photowalk Start 02:20 : What Are You Shooting Walk 0...
Shooting & developing pictures right on the spot | Direct Positive Paper on Large Format 8x10
มุมมอง 9Kปีที่แล้ว
Today we're shooting Large Format 8x10 with Direct Positive Paper, Shooting and developing directly outside, on the spot. Check out Austin IG, if you want to join a session in Berlin during the summer ! austinfassino Crew in this episode : Austin : austinfassino Tristan : tristanscholteden safelightberlin.com/ safelightberlin Shot edit ...
How to shoot Large Format 8x10 Photography
มุมมอง 19Kปีที่แล้ว
Today we're back with Austin to learn how to shoot Large Format 8x10 Photography from beginning to end. We'll show you the gear you need, the different movements you can make with these cameras and the different films still available today. Then, we'll shoot a quick studio portrait and go to the lab to develop and scan it ! Crew in this episode : Austin : austinfassino Renèe : in...
Next Gen Fashion Photographers, Film Lab Tour & Local Photo Zine | Safelight Goes To Brussels
มุมมอง 1.7Kปีที่แล้ว
Today the team is going to Brussels to discover the local scene around film photography! We're gonna meet with the young generation of photographers and designers that are gonna show us their take on fashion. We're gonna meet with the creators of Tropical Stoemp, a local zine in which Alessandro is published, and finally we're gonna tour one of the best lab in Brussels, Mori Film Lab. This epis...
Freaky Cameras & REFLX LAB 800T | Canon Epoca & Konica AiBorg
มุมมอง 2Kปีที่แล้ว
Today, we are testing two special looking cameras from Alessandro's collection of freaks, the Canon Epoca (also called Photura or Autoboy Jet) and the Konica AiBorg, with some REFLX Lab 800T. Safelight: safelightberlin.com/ Instagram: SafelightBerlin Crew in the video : Alessandro : aiottiphotography Iara : iara_sisa Paula : jpgmustdie...
Safelight Professional Film Lab & Print Studio, Tour 2023
มุมมอง 3Kปีที่แล้ว
Today we're giving you a quick tour of our new film lab and print studio ! Safelight: safelightberlin.com/ Instagram: SafelightBerlin Host : Chris : instagram.com/ chrismorgan/ shot edit: www.youtube.com/@tristanscholteden Chapters : 00:00 Intro 00:18 Office administration 00:37 Wall of fame 00:50 Developper 01:11 Frontier Scanners 01:32 Noritsu Scanners 02:07 Contact Sheet Scann...
Contax 645 vs Mamiya 645 | 6000€ vs 600€ Medium Format Camera, Is it worth it ?
มุมมอง 19Kปีที่แล้ว
Contax 645 vs Mamiya 645 | 6000€ vs 600€ Medium Format Camera, Is it worth it ?
Ricoh 35R - A rare Point and Shoot | Berlin photo walk
มุมมอง 2.7Kปีที่แล้ว
Ricoh 35R - A rare Point and Shoot | Berlin photo walk
Useless comparison. If you could adapt the Contax lens on the 645 you will get the same results just because both are basically the same: just light boxes.
One has af the other not.. big differemce!!
Today we will be comparing a BMW covered in, and also partly crafted with, poop, and a factory model Porsche.
you can't be serious !!! start with a real Mamiya lens and a Mamiay 645 Pro TL and a pro photog the sharpest point of most lens two stops down . and this new era of photo bugs are more interested in a word that never existe BOKEH !! who cares about out of focus backgrounds (focus on the subjest!)
How do you wash the prints in the field?
Had an issue with mine when it auto rewound on the 11th or 12th shot on a 24 exp film. Any idea why?
Good vid... always cock and test the shutter before pulling the darkslide ;)
yea
What a great edit and what a great video.
Had a great time meeting you all! And thank you Beatrice for having our back! What a fun summary of your trip ~Nora
800T
Nice 👍🏻
entertainment at its best😮💨
loool
This is super interesting. Not sure I understand why you are saying it's 'inconsistent', though - it seems to be consistently over-exposing when relying on the light meter. For manual it looks like it's ok if you're metering separately.
Great work mate! What time and dilution did you use for the developer? And did you use any filter?
which of these would you recommend to someone who has shot film but not large format: 4*5, 5*7, and 8*10?
1 Buy an SX-70 Sonar. 2 Have it overhauled and converted with an SX-70 R circuit board. You end up with an SLR(!) that gives you complete control, has BT connectivity, external flash sync, works with both 70 and 600 film and more features. All for around the same price or even cheaper than the I-2. I'd rather see Polaroid spend their time on improving their film instead of cameras.
promo sm
The London Cinestill walk was utter shit, truly disappointed
Got mine a few days ago, in manual mode pictures are okay, in automatic only at -2 acceptable. With flash its different, need more (costly) trial and error. It's set on I-type film, but gives better results with sx 70 film. After Polaroid wanted to know per mail, wether I'd recommend it to friends, and I answered zero "not at all", support contacted me, and I wrote about the situation. Let's see what they answer. At a price of 600 € this is very disappointing.
Until now no useful answer from Polaroid-support. Last week I described it as a case of warranty: No answer at all.
Instant cameras (not instant film) were originally invented for family snaps, not for camera and film experts. They should produce good results at the press of a button. No light shielding, minimum development time, true colours and longevity. Don't ya think?!
you should calculate the exposure and cock the shut before you do the movements because the subject will likely move
dirty holder man lol
Cool! Do you preflash the paper or shoot it straight out of the box?
Good times with this video, nice finish!
that dude really likes “how dark it is”😅
Hi! Do you ever take into consideration your bellows extension? (the "bellows extension factor" which we'd usually apply to increase exposure to compensate for light loss, as in this sort of case?) I believe the rule is: more exposure must be given if your subject is *closer than 8x the focal length of the lens* (in your case: 8 x 250mm = 2000mm (which is 2 meters, therefore about 6.5 feet). This would explain why - as you had mentioned in you video - your image was "a bit underexposed". I mean, because of some latitude, it looks pretty good as it is except for some detail lost in the shadow side of your girlfriend's hair. All-in-all, bravo, though!
❤
Thanks for a honest review. There's no need for all these control with Polaroid until they don't take the time to set these better. A simpler model just gets the job done.
Это видео отличное, господа, сделайте обзор или сравнение Rolleiflex 6000 серии.
Nice 😍👌
can I ask you what made you pick the newly made large format cameras and not some old Horseman or Toyo, on something else?
Muito bom. O 500t tem um tom mais frio. O 250d tem um tem mais quente e realça bem o vermelho.
Dope video.
Thanks. Where you buy this type of backdrop ?
I am over the moon to try this soon.
Thank you for showing us the mechanics and process.
You shoot 10x8 negative then make a digital scan??!!! Also it’s well underexposed.
when making a video about SHOOTING large format, the quickest and most "user friendly" way to show the result is to scan it digitally. Also, does it really matter if it's underexposed? Sure, I could have spend another 5 minutes explaining and showing off the calculations needed for bellow extension exposure compensation and getting a bit better exposure but I didn't... sue me.
Thank you for your honesty
Good video but an unfair comparison because you could have at least used a native Mamiya 80mm 2.8 lens instead of the soviet lens...Better yet compare it with the Mamiya 80mm F1.9., and a more even comparison would be with the Mamiya 645AF.
Is the camera set for the right film type? It could be in SX-70 mode causing the over exposure. Or maybe you just have to use a hand held meter.
I have the I 2. Outside a minus (-) correction of either 2/3 or 1 stop works well. If you think the overexposure was 3 stops then the correction dial is not calibrated the way you assume it is. -1 does not mean -1 stop. This gives great latitude in overall control. Anyway, my results are consistently good whether I use a correction outdoors or my sekonic 308S-U and meter on manual mode. I have done direct comparisons with my Instantkon rf 70 that uses instax wide film and the primary difference is in developing time, not the vibrance or accuracy of the colors. If that was not the case a few years ago, it means that Polaroid has done a good job of improving their film. You guys should listen to all the newer youtube videos and do a new round of testing. You’ll have a lot more fun when your results are much better. The experience of shooting instant film with a camera that can be manually controlled, is unsurpassed.
The perfect camera for people who hate money
way to expensive for a broken Mamiya with a soviet lens. For the price you can find a nice Mamiya with its original lens and for a few hundreds more a more recent high end model Mamiya super, pro or AF
Han disparado sin usar el flash? Tengo una cámara réflex y planeo usar el mismo rollo que ustedes para una fiesta pero quiero saber si afecta el hecho de que no podré disparar con flash
Why I use instax pro cameras. So much better. And consistent quality
i think you should not shoot kodak vision on pns because the motor on this camera too weak to pull this film overtime it will break the motor
I’m sorry your experience was such a failure - but this is NOT an in-depth review. An in-depth review involves far more than a handful of photographs shot over a couple of sessions. I’ve had my I-2 for a few weeks and can attest to much better and consistent results than these two gentlemen. My conclusion: this camera is not for the Polaroid dilettante or casual user. It is for a serious photographer who is willing to investigate the camera and films, both of which have quirks and features. (I shoot Leica, Mamiya, Toyo LF, and Canon dSLR.) I love the way this camera and film transform “reality” into something different - photographs that are beyond merely faithful reproduction. If you can accept serendipity and trust the results to be unique, you too may find this little camera to be all I have found it (and in comparison with other high end gear, $600 for all it offers is a modest price). Happy shooting always!
You sound like a paid Polaroid shill.
@@michaeltuffin8147 😆
ezpoppy is speaking the truth. Just like the SX-70, you'll need to get used to shooting instant film.
@@michaeltuffin8147 There are lots of Polaroid shills around with the I-2, seems like 90% of the reviews only talk positives about it (without even addressing the obvious design problems). I guess they poured the money into the advertising and fake reviewing of the camera and not into troubleshooting the design of it before mass production. Either this guy is a shill or he just doesn't want to accept that he got scammed with a 800USD crappy camera. The SX-70 is 50 years old and even then it's better designed than the I-2. At least it accomplishes what it's supposed to do.
did you cuys check if the camera was set to sx70 film? if only automatic shots come out over exposed that would explain it
How do you set what film is in the camera? I can't find a how to anywhere. Nothing obvious in the app or on the camera.