วีดีโอ

im so proud of this video lol

Bjorn troppo cresciuto per intrpretare la parte di tadzio tadzio era piu giovane massimo tredcenne e pio manca la nudita che il professore voleva ammirare

Bjorn troppo cresciuto per int

2:00 4:25

This Bjorn is a case of collective hysteria carried out by bigots and stupid women: he was NEVER abused by anyone, he himself was the one who knowingly entered into certain circles at the age of 15/16. Stop blaming Visconti for absurd things.

Society is finally opening its eyes, away with the bigots, puritans, depressed moralists! There is nothing sweeter than the tender passion between a man and a boy. Long live father son couples!❤❤❤🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈✌🏽✌🏽✌🏽✌🏽✌🏽

The scenes are so beautiful

How all this excites me! Tadzio is the same age as me and I'm also with a 50 year old Gustav, we've loved each other to death for 1 year...❤❤❤❤😌😌😌

VOUBAIXAAA!!!!!!! AMOOOOO!!!!!

The dance scene around the poles on the beach is the essence of the film. Explain everything. I don't think Tadzio was making fun of Gustav, the reason is simple. A 15 year old noble boy with some education would never make fun of a man who could be his father, rich, titled (baron), famous as a musician. Gustav is an authoritative figure. At most, a boy of that age could have made fun of an ugly peer, with crooked teeth, plump, with glasses... or a homeless person, a disabled person, but certainly not a distinguished and authoritative person like Aschenbach. I think that in the film Visconti wanted to make it clear that the blond boy wanted to experiment something with the older man, perhaps also because the boy had understood that Gustav is rich and wealthy (the same old story in short...). The famous shot in which Gustav seems to be "on top of" Tadzio from behind and the fact that both were sexually "involved" in this scene (objective data visible to all, if you want to understand...) speaks for itself.

The pathetic and bigoted comments under this Bjorn's videos were mostly written by frustrated and disillusioned women. Attention ladies, your fifty-year-old husbands have many fifteen-year-old Tadzios as lovers, this is today's society. Start opening your eyes.

Bogarde was born in 1921, Bjorn in 1955, so there is a 34 year difference between Gustav and Tadzio, the perfect gap for a man/boy or father/son couple.

Most of the comments on this film are written by frustrated women or bigoted men. They only know how to say the usual three stupid stereotypical sentences: "this movie ruined Bjorn's life, the movie is a platonic metaphor for lost youth, Gustav is an old pedophile". This may be true for the novel but not for Visconti's film. The latter is a story of tenderness and passion between an adult and a teenager which unfortunately (for now) does not have a happy ending. But the sequel to this film is lurking and the time of bigotry is over... soon Gustav and Tadzio will also be free to love each other...❤❤❤❤❤❤❤

I like how at 2:13 the tale gets rather serious like how the bass and the music intensifies. As the obsession with the boy gets serious and uncomfortable.

Death in Venice, such a romantic title…

Facing real beauty is facing death...

Love is beautiful... Gustav&Tadzio 💙🩵🏳️‍🌈

LOVE IS LOVE. Happy Valentine day ❤❤❤🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈

I think that everyone knows how lovely and stressful at the same time is being obsessed for someone with a divine beauty

This is lovely.

I've never read the book and I've never watched the movie. So I read the comments without seeing the clips. Only afterwards I looked and was amazed. I expected to see a 12/13 year old child and an ugly OLD man with gray hair. None of that. Tadzio is a mischievous and flirtatious fifteen-year-old with a frail but developed physique. Gustav is a forty-nine year old dark-haired man (almost non-existent white hair) with a mustache and a beautiful, slim and distinct figure, a sweet face and large eyes. It was a surprise.

Nobody abused Bjorn (he was too stupid) even Bogarde, being the intelligent and refined man he was, let him go. People are pathetic with this Bjorn. At 15 he was already a little hooligan and had the stupidity to throw the enormous world-wide opportunity that Visconti had given him down the toilet.

In the film (I'm not talking about Mann's novel) nothing is metaphysical, symbolic or philosophical, but rather everything is very physical, concrete and sensual. Tadzio smiles and provokes Gustav throughout the film, at the beginning it starts as a stupid game, then it lasts too long, even when dangerous situations arise (cholera, the police on the street, the mother and the housekeeper who have discovered the boy flirting with a man...). If it had been a joke, Tadzio (who in the film is 15 and not 12!) would have stopped after a while. Gustav had a very unfortunate set of circumstances, but Visconti's "Death in Venice" is far from symbolic or anything like that. Let's not forget that Visconti was a convinced and fervent Marxist...

Everyone complains about the age cap of the two characters in the movie.But after two tears of being a fan of Death in Venice, reading the book, watching the movie and apreciating theatre plays, I think that Gustav felt in love not with Tadzio (altought it was a pedophile obsession),but with the death.Gustav was a fragile man and has lost part of his family, he was depressive and sad, it Didn’t have a vision of the future for himself.His love for the death, “incarnated” by the idealization of Gustav in Tadzio, was a way out for him, to escape the end of his miserable life.

How much hypocrisy and falsehood I have read (most of them, however, are comments from disappointed women). Bjorn was so stupid that he couldn't even take advantage of the worldwide fame that Visconti had given him. No one abused him. And Bogarde, being the refined and intelligent man that he was, preferred to leave him alone, because he understood that he was just a beautiful puppet without a brain and he was right! In fact, Bjorn had a shitty life afterward.

But how overrated is this Bjorn/Tadzio? With a lot of makeup and an "angel" hairstyle he can be called cute but not handsome. As for intelligence: "not perceived", Visconti gave him world popularity, so the boy was a pure ingrate! Some call him "little boy" when in the film, at 15 and a half, he was almost as tall as Bogarde. We're kidding...

Tadzio looks like a woman. Gustav is a very charming man.😊

Honestly, on the threshold of 2024, certain comments seem to me to be written by people frozen in the Middle Ages. First of all, Tadzio (in the film) is 15 years old and is not a child as many (bigots) write. Gustav is anything but a predator (always in the film), on the contrary he is the clumsiest and shyest of the two protagonists. Sure, he could be his father, he desires the boy sentimentally and physically, but he respects him while keeping his distance. Throughout the film Tadzio does not suffer Gustav, on the contrary he provokes him repeatedly, even when the mother notices everything the boy continues this "game". I think that Visconti has made notable changes compared to Mann and this must be considered, especially in the psychological, age and physical aspect of Gustav and Tadzio. At the time of filming Bogarde was 49 years old, Andresen 15. The former was not "an old man" (on the one hand) and the latter was not a child (on the other). These are details not to be overlooked.

Tadzio is a very flirtatious teenage boy

Soon they will say that Tadzio is a newborn. The "pole dancing" scene, however, tells a different story😂😂

Dammit Germany, haven't you learned to stay out of Poland?

I think Tadzlo was immaculate for nothing...

Bogarde es encantador como Gustave

The anorexic Tadzio... Choices that obviously led him to a shitty life.

😂

Tadzio is not a child as many bigots write, it seems clear to me. However dark haired men are sexier than blond boys.

Único,maravilloso e inolvidable. Siempre Bjorn. Te queremos!!

Song name please

This song does does nothing for the film

th-cam.com/video/YYHcdGjUdP0/w-d-xo.html

Perverted men do prey on boys too😢

Truly Art 🎨 🖼 🎭

Art.

Fico triste pelo o que aconteceu com o bjorn, é claro. No entanto eu ainda de uma maneira gosto do filme. E um tanto pertubador ver um homem velho seguindo um menino? Com certeza. Pelo menos ele não aparantava ter más intenções nem nada, so queria tipo ser amigo ( até aonde eu entendi ) Ainda bizarro por mais de que certa forma esse filme influenciou e em muito o ator ( no caso mais os bastidores ) É triste, mas não consigo tirar da cabeça varias cenas desse filme, simplesmente acho ele lindamente trágico. Mais uma jornada com admiração a junventude e beleza que no fim e inevitável a morte.Esse filme sinceramente me faz pensar e refletir.

Death in Venice.

"you're beautiful and i'm insane" is a perfect way to describe the story

Gustav von aschenbach.

THIS IS SOUL CRUSHING I AM DISTRAUGHT

Many people suffer in their childhood by being sexualy harassed by people who are older than them this movie is all about pedophilia, and as person who suffered from it specifically at schools by many teachers I experienced the worst childhood ever they make you get lost disturb you and and make you feel as a beautiful sex toy it's really shameful those people are sick and have to be stopped they ruin kids life

They started grooming child actors longer than I originally thought. The story of Bjorn and the disgusting director if this movie makes me ill. I hope Bjorn finds peace in his life. I wish he were more of an outspoken advocate for the sexualization of children in Hollywood.