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Sergio Tiempo
Belgium
เข้าร่วมเมื่อ 1 มี.ค. 2013
Welcome to my TH-cam channel! (And please forgive me for being so amateurish in managing it…)
If you want, you can also visit
my web page:
www.Sergio Tiempo.net
Or Facebook page:
m. sergio.tiempo
Or Instagram:
genuinesergiotiempo
… and you’ll see how inept I am with those too!
If you want, you can also visit
my web page:
www.Sergio Tiempo.net
Or Facebook page:
m. sergio.tiempo
Or Instagram:
genuinesergiotiempo
… and you’ll see how inept I am with those too!
Chopin Ballade No. 4 (2021)
Dear Friends,
I finally got a chance to make a newer recording of this Ballade. I feel it is closer to my view of the masterwork than that earlier version from when I was young. The thematic transformations and pulse are much more natural. More importantly, the narration is uninterrupted from beginning to end, so it holds together much better. Also, I feel that this version is more vulnerable, which makes it more disarming, perhaps. Let me know your thoughts...
Love,
S
Recorded May 8, 2021, at "Le Jardin Musical" Brussels, Belgium
en.jardinmusical.org
sergio.tiempo
www.sergiotiempo.net
I finally got a chance to make a newer recording of this Ballade. I feel it is closer to my view of the masterwork than that earlier version from when I was young. The thematic transformations and pulse are much more natural. More importantly, the narration is uninterrupted from beginning to end, so it holds together much better. Also, I feel that this version is more vulnerable, which makes it more disarming, perhaps. Let me know your thoughts...
Love,
S
Recorded May 8, 2021, at "Le Jardin Musical" Brussels, Belgium
en.jardinmusical.org
sergio.tiempo
www.sergiotiempo.net
มุมมอง: 18 514
วีดีโอ
Sergio Tiempo's arrangement of Chopin Etudes: thirds with revolutionary
มุมมอง 51K3 ปีที่แล้ว
Answering the request of some of my followers, this was part of a program I did in France for Eve Ruggieri I think around 2003 (not sure). It's an arrangement I had made because I was so lazy and thought I would save time by warming up with two different etudes at the same time. Hence Op. 25, No. 6 in the right hand, and an adapted Op. 10, No. 12 in the left... Warning: not to be taken as a ser...
Sergio Tiempo presents upcoming new album and current release of new single with Martha Argerich .
มุมมอง 9K4 ปีที่แล้ว
In this video, Sergio Tiempo tells us about his upcoming new album release and the single he recorded with his mentor and legendary pianist, Martha Argerich, playing Schubert Fantasy in f minor, D. 940, which is currently available on all major platforms. Apple Music : music.apple.com/album/1510666710 Spotify : open.spotify.com/album/1XvvbjS5lhXoEQQ3jWO7EK
Rachmaninov Waltz from Suite No. 2 with Martha Argerich and Sergio Tiempo
มุมมอง 13K5 ปีที่แล้ว
Snippet from the first full recital ever played by Argerich and Tiempo together. This is from 1999.
Tchaikovsky piano concerto 1 with Gustavo Dudamel and Sergio Tiempo 2005
มุมมอง 9K5 ปีที่แล้ว
Live from the Inaugural concert of the Martha Argerich Festival in Buenos Aires 2005, soloist Sergio Tiempo plays with Gustavo Dudamel and the Bolivar Orchestra, Tchaikovsky's piano concerto number 1.
Sergio Tiempo Ballade No 4
มุมมอง 8K5 ปีที่แล้ว
A long, long time ago (c.1999, I think), in a tacky universe... I found this video of mine in dusty archives. Of course I would play it very differently now...
Chopin e minor prelude: YouTubers' resulting version
มุมมอง 3K6 ปีที่แล้ว
Dear You, Thank you so very much for all of your votes and commentaries. I really enjoyed our experiment a great deal. So as promised, here is the result of your input. As of July 21, 2018, Version 3 was the overwhelming winner. In a way it makes sense since it is one of the most natural for me. To my surprise, however, version 4 was in second place (with Version 1 very close to it). I really d...
Youtube Teaches Sergio Tiempo
มุมมอง 14K8 ปีที่แล้ว
Sergio Tiempo plays Chopin e minor prelude 4 different ways and asks you to tell him how you would like him to play it next time... (Actually there's a 5th version which is the original video that prompted this one: th-cam.com/video/rNUOIzCeSIY/w-d-xo.html)
![concierto para 4 pianos [Eng sub] (Karin Lechner, Natasha Binder, Lyl Tiempo, Sergio Tiempo)](/img/n.gif)
concierto para 4 pianos [Eng sub] (Karin Lechner, Natasha Binder, Lyl Tiempo, Sergio Tiempo)
มุมมอง 76K10 ปีที่แล้ว
Documentary that follows the making of a concert in Teatro Colón with Sergio Tiempo, Karin Lechner, Natasha Binder and Lyl Tiempo, and in the process the story of a 4 generation musical family is revealed. Produced and Directed: Marcelo Lezama Director of Photography: Libio Pensavalle Written: Marcelo Lezama y Manuela Quiroz Edited: Manuela Quiroz
Riveting..... er....Revolutionary!
HAY UN CD CON ESTE TEMA ? DÓNDE ENCONTRARLO ? GRACIAS
Imagine being able to play on stage with Martha Argerich
It‘s absolutely wonderful!!!
I have a question - wouldn’t the fact that the Op 10 No 12 in the left hand here is in G# minor mean that the hand positions would be wildly different to C minor? Does that not affect your practice? Or do you force yourself to use C minor fingering on G# minor?
Кода хоть слишком быстрая как Лан лан но намного романтичнее , а не как робот
Absolutely one of the best pianists in our generation and in our time! Brilliant! you took our breath, Sergio,!
Hi Sergio , i just composed a study with a mix of 2 studies, it would be an honor if you could listen and Even play it ,how can i do ?
I LOVE IT❤...since years!!!!! Again...and again....Its realy GENIAL!!!
Mister Tiempo, I wanted to ask somebody close to Martha Argerich a question. I always see Argerich's and your wrists being very relaxed, but when I try to relax them, I can't. My question-how do you achieve that floating feeling in the wrist/freedom at the piano? I'm stuck, no matter how hard I practice and many face the same problem. I'm looking forward to your answer. ☺️
If Godowsky tweaked Chopin's Etudes into his Studies on Chopin, why not? Combining Chopin etudes contrapuntally was Godowsky's method.
*PRODIGIEUX* 🎹🌈
Bravissimo!
Great performance!So well understood Chopin! Lovely! True,one of the best performance of Chopin Ballades
Bravo!
Just terrific !!
Good musician hear stuffs. Its like mixing lemon and tea and you get lemon tea. Why not...lemon tea taste good too.❤
What a shame that the five chords preceding the coda are not played pianissimo. The whole mystery of this passage has been evaded. Otherwise it's a superb version which reflects the epic side of this ballad well.
Wow, that's better than Godowsky (and a good strategy for when 78 rpm records will come back).
😂
Es ese suspiro Sergio del final. Eso causa la obra más magnífica de Chopin. Mucha energía. Bravo!
this is beyond cool.. we need MUCH more of this in the classical music world... and for goodness sake... can we PLEASE get some new (tonal and BEAUTIFUL) comic opera!!!!
To this day I always listen to this ballade performance. I personally think that this is the best ballade 4 performance on youtube! Very expressive and is just such a beautiful piece. Thank you Sergio!
Thank you very much! You make me blush
I don't know how he does it but just maybe they fed him with red bull instead of a milk 🍼 😅 incredible
Unique as it is, personally the playing here is overdone. Moments of reflection and contemplation are disturbed by irregular phrasing and strange rubato; although this may contribute to the "unknowability" of this elusive and profound work, I simply don't think it works. Silence is pivotal in all of Chopin, least in this ballade... it is a pity to hear silence abused and ruined. Technically brillant, discounting the mere slips in the coda (perhaps due to the excessive ferocity?) but musically lacking in thought.. it needs to breathe, and in my humble opinion, I do not (yet) hear this music taking control of itself, or breathing like an autonomous "entity"... which is arguably the quality in performance that transcends reality and approaches the closest to the concept of perfection.
Bro is just flexin
those chopin etudes mixed are funny and i love those
Just discovered you through a short clip on Instagram. Sorry to see you have such a small number of subscribers here. Hope you gain the recognition you deserve soon!
I loved the dynamics at the climax and the agonizing intensity of the coda
Thank you for not over-pedaling! Glorious.
Everybody raves about KZ but this interpretation seems more personal to me
Have you heard Lisitsa play this piece? *ducks *
This is hilariously virtuosic. Wish more modern pianists did this kind of thing. What creativity
TRUE... agreed... Beethoven use to improvise on his own piano sonatas...
hamelin and godwsky did similar things
@@lotzu_yea but I’d rather have something that sounds good
@@lukemagee1515 hamelin is mad crazy but its good too. and godowsky is js amazing. ofc the original studies r wayy more beautiful
@@lotzu_ they just sound like noise IMO, like sorabji or the Spanish fantasy
Holy
Simply Bravo! 🎆
Fantastic playing. Looks like great fun! Why was there a soprano aria at the end 😅
Hahaha😂 it was part of a longer program I think
ooooh pretty colors
Mechanical and metronomic
Todas evidentemente fundamentales y necesarias para tu existencia como arista. Gracias Sergio, por existir como ese pianista maravilloso que sos. Antonio de Raco estaría más que orgulloso. (Sólo no sé si lo demostraría delante tuyo. Era bravo jajajaja)
nice
Masterful playing
Sir, I wonder why you didn't take part in the Chopin competition/Tchaikovsky competition etc .... when you were younger. I believe your unique interpretations would have reached more people if you had taken part in these big competition, and I also believe you would have been at least a finalist.
the level of technique makes me question the purpose of life..
Tell me about it
Maybe this is my favorite interpretation of this piece of all...
apperenty this is extremely difficult ballade for delicate interpretation, what you think about Krystian ZImerman performance ?
Dear @peterectasy, thank you for sharing your thoughts. I LOVE Mr. Zimerman's playing of this piece. Particularly the DG recording. It's true that it is extremely subtle and with very refined nuances. He also manages to create an overall feeling of well-aged wine. Our approaches are different simply because the music allows a multiplicity of interpretations. His view, I think, is more episodic and he makes clear delimitations between sections by taking a lot of time between them. He nevertheless keeps a similar palette of colors from beginning to end, thus creating unity. My view of the piece is more multithreaded. I see all of the different themes in the piece undergo individual transformations. More specifically there is a duality between the static and the fluid which takes place throughout. And I see all of the threads, at different points in the piece, having a tendency to go from the static to the fluid state, culminating in the coda's explosion of fluid and almost chaotic effervescence. I hope to convey a feeling of constant mutation, mostly avoiding clear-cut movement-like separations in the piece. The subtlety that I seek is within each theme's lifespan and their respective morphing psychological changes. This means sometimes sacrificing the general mood of a section for the mood of its inner characters, and allowing the the general mood to be defined by the resulting state (Sort of like counterpoint). Finally, the most important thing, I believe, is that in order to make music convincingly one must ultimately be true to one's own nature. This nature will not please everyone just like no personality is compatible with everyone, but at least there will be some truth in the expression and this is, in my opinion, the only thing that persists. Fortunately, we all have different natures, and this is what allows us to continue playing the same masterpieces in as many different ways, thus revealing the unfathomable greatness of the works. But in short, yes. I love Krystian's Ballade. 😄
Is the French documentary you are referring in the description the one you were playing Moises Moleiro's Joropo in the ending? When I was a high schooler I watched that documentary many times and loved it, it was the one uploaded on YT by someone though. But the video is gone now. I'd be so glad if you could re-upload in your channel😩❤
Ah yes, that was a lifetime ago. I will try to find it and post it…
Beautiful to look at and beautiful to listen to!
Still looks young.
This is a crazy Interpretation. The Bass Lines are so intense its making the screen shake. Well Done!
Recién descubro este pianista extraordinario en un Concierto de la Temporada de la Orquesta Sinfónica de Chile. Acabo de escuchar videos con su historia completa, de una familia todo música. Interpretó el Concierto 3 de Beethoven y 2 encore de Piazzola y Chopin. Ahora lo sigo, porque es de una evolución y espontaneidad increíbles.
Even for someone who doesn't like Chopin, You cant deny that's forking incredible.
wow!!