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Beauregard Hall
United States
เข้าร่วมเมื่อ 9 พ.ค. 2014
Multi-plastic-selling Musician/Writer/Artist shares everything I know about everything.
The Fender Blues Jr is the path to Stevie Ray Vaughan and Angus Young.
I rarely post videos, so when I do, you know it's something earth-shattering. In my quest for soujnding just like my heroes, today we're going to dig deep into Stevie Ray Vaughan, and do a little tapdance around Angus Young of AC/DC as well because I mean, come on.
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You Couldn’t Love if You Wanted To by Ryan Hall
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You Couldn’t Love if You Wanted To by Ryan Hall
Ryan Hall: Anesthesia live in Nashville
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Ryan Halls band playing Anesthesia
Wait Up: Ryan Hall and Atlas In Motion, live in Nashville
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Wait Up: Ryan Hall and Atlas In Motion, live in Nashville
The Ryan Hall performing Homewrecker in Nashville
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My son doing another great show
Hangover Lane Promo
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Highlight Reel of the "Hangover Lane World Tour 2022" Kickoff show, where the band played from Cumming, GA to Dawsonville, GA, Budakon, the Omni, the Swimming Pool Club House Arenadome... sure why not.
No Room For Improvement
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Sometimes I write a new song and it’s so good I have to share with the world right away.
Cheap Guitar Feedbacker - How I Did It
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In response to a previous video, where I showed a mounted exciter speaker - (mounted on my guitar) that makes the guitar sound like I'm at Woodstock playing the Star Spangled Banner - I'm covering the really dull bits for you DIY guitar freaks. AND ALSO PRINCE GUITAR LESSON? sure why not.
$30 Guitar Sustainer with Feedback of the Gods?? Yes please!
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$35 exciter speaker from Amazon, an old guitar cable and bam, I’m Hendrix at Woodstock on a $180 guitar! HOW DID I DO IT: th-cam.com/video/h6WIDP1SYNk/w-d-xo.html
Let's Play 4 Harley Benton guitars Back to Back
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Let's Play 4 Harley Benton guitars Back to Back
Another two minutes for you to blues better.
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Another two minutes for you to blues better.
GET IN WHERE YOU FIT IN: How to play the guitar funk like Prince and Sly and Clinton, episode 4.
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GET IN WHERE YOU FIT IN: How to play the guitar funk like Prince and Sly and Clinton, episode 4.
Funk guitar Tone: Prince Funk Guitar - Harley Benton
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Funk guitar Tone: Prince Funk Guitar - Harley Benton
Funk and Harley Benton Prince Guitar (TS-80): Let's Play The Funk!
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Funk and Harley Benton Prince Guitar (TS-80): Let's Play The Funk!
Harley Benton Prince wannabe and how to play it with all the funk guitar ever.
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Harley Benton Prince wannabe and how to play it with all the funk guitar ever.
Blind Lemon Pledge: Just Caint Wait To Be Kang
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Blind Lemon Pledge: Just Caint Wait To Be Kang
Maaaaan, that is great !!!! It never occurred to me and I have one of these things lying around for like 10 years.
This made me run down the internet rabbit hole, and I guess Sustainiac did something very similar called the Sustain-Man. Basically it had a small power amp on the body and the speaker on the headstock. So I played around with a cheap amp plug I had laying around and a cable splitter to hook up to both the amp and amp plug and it worked like a dream. A cheap maybe $60 tops sustainiac and I’m really digging it.
There you go! Yes. I've been messing around lately with a bluetooth speaker - compact but bass heavy. It would work if I could figure out how to run a line directly into it instead of bluetooth's delay.
What about a cheap headphone amp to just drive the speaker? Use a Y cable to split the signal from the guitar, that way you don’t need the second cable to the output of the amp.
This guy getting geeked kinda gets me geeked.
Facts! My geektronomic number simply cannot be measured.
I have wanted to do this very thing for several years! Sounds great! Thank you for showing the demo!
Nice gizmo and he's right but you could also touch and hold the head stock of the guitar to the amp or speaker cabinet when you strike a note you want to sustain when you are looking for a long sustained note... and that note will sustain and possibly feed back.. no cables, no gimmicks.. And you can stop when out pull the head stock off (no longer touching the amp or cabinet) I also wonder if that gizmo has an option to shut off the unit for times when you don't want the guitar to vibrate. Sustain or feedback..that would be a nice option and maybe increased volume for it to amplify the guitar so you could practice without an practice amp. And just use the gizmo.
yeah - that's what started my journey here. I do that a lot - love it. Would love to do that without running over to the amp.
Something about the drums sounds so painfully off😭
I was standing right in front of them, so they're definitely the loudest thing on the clip.
awesommme ! How can you connect it besdie your regular jack cable ...? :O
So I'm guessing I could just take an exciter off the back of an old speaker to do this? (the world is full of old speakers)
That's a great question. It sounds like a great idea - I thought exciters were something else, but now that you say it, oh man. Yep.
Thank you so much for posting these I can’t wait to see Ryan next time he has a show
Hohner.
Have you thought any more about producing these? I want one!
In the end, it proved to be just too clunky. When/if they make a smaller, more powerful version of the speaker, it might work. I think it's a great concept, simple solution, but at the moment, it's kind of like attaching a lunchbox to the back of your guitar, with its own cable. Recording in a studio? It'd be cool to do. Onstage? I mean if you sit in one place, probably.
SOOOOO - your comment got me to check into alternative options. I found a magnetic one, about the size of a silver dollar. Just ordered it. I'll post with updates when it arrives.
@@BeauregardHall awesome!
Your son is a goat🐐
Any chance you can add tab for this? I have a madobird that needs to play this.
Hahaha no I do not. I don't even remember how I did it - the tuning is different so I had to just burn the notes in my head before I hit record.
This is fantastic
Now I want to put strings and frets on a table 😂 Genius invention!
Amazing! No way I'm spending on a "real" sustainiac now.
It was really cool. I dismantled the whole thing but I'm wanting to break it out again.
I am so absolutely proud of my kid.
I think this works better mounted to the headstock than the body, at least when not playing on the higher frets, because there's less mass to move. Also fewer unexpected body resonances that might kill particular frequencies. Also with a normal guitar setup you'd get stronger feedback by simply touching the speaker cab with the headstock or neck.
Blues Jr. is the path to a better cab and amp. Had a version 3 for over a decade. It was a grab and go amp for jams. Crank it, and roll the guitar volume for cleans, kick the pedal 'fat switch' for leads. Does OK, if the drummer/brass ain't too loud. Next, quite fine playing and phrasing, sir. You do the amp quite a bit of justice. Low volume playing is far better with it than my 65 Deluxe, or 59 RI Bassman. It gets the tones you're looking for quite well. Yet, it always got drown out for those tones, in jam scenarios for me. A 212 Orange and a 50watt 1987 always got the job done better for Angus, and my Bassman was far better for SRV than the Blues Jr. But, for your volumes, phenomenal tone, fine sir. The Blues Jr. is a great home amp, but a poor gigging amp.
These amps sound 100% better if the master volume is removed.
Very Nice, wish I could do that. You know what they say , Practise once a week and sound pretty %$#@'in , well you know where I'm goin' with this !?!
What is this PRACTICE nonsense
I don't get the hate around these amps. For the price, its hard to get a better all around tube amp that is loud enough to gig with and quiet enough to play at home. Mine has a Greenback in it stock, so it does have a sort of low gain plexi vibe. I have other amps I like more, but its still a good amp for the price, especially used.
First, 'all the hate' is hard to justify with via an amp that is a record selling amp, and quite popular. Second, it depends on the gig. It is NOT loud enough for unmiked gigs, which are most gigs. Even worse if outdoors. If you're playing a gig with a good house PA, then you're most likely not playing a budget Blues Jr. Even the worst of those have a backline of a HotRod Deluxe, or a real Deluxe.
@@kennethc2466 Its loud enough for certain spaces, but yes normally would would need a mic and PA. Depends on if you boost the amp with pedals and what not too. It is a record selling amp because its cheap, people love them or hate them. You can use them to gig smaller spaces and bars, I disagree with that.
@@GuyNarnarian The amp has near zero headroom, so a boost is just adding compression/distortion, and will add no increase in volume. You must be disagreeing with yourself, as I've gigged with one, unmiked. Drummer using brushes, stand up bass, trumpet player with a mute, and a room seating no more than 40 people. It didn't even have the headroom to stay clean for that quiet jazz gig.
@@kennethc2466 Master on 12, gain on 1-2 it stays clean and is loud enough for a bar. Miked up is better but not everyone needs to pay 100% clean either. Get a Twin if you want to do that. There are hundreds of videos with people playing them unmiked at gigs. I never said I hated the amp, I said some people do. Jazz guys love the Pro Jr.
@@GuyNarnarian Ok, I'm sorry, but this is nonsense. You insult me with this drivel. "Master on 12, gain on 1-2 it stays clean and is loud enough for a bar." No, it is not. Not even a small 40 seater, dinner jazz jam, via a Blues Jr. Claiming otherwise is ignorance. This is a FACT. "Get a Twin if you want to do that." For a $150 dollar a musician, small Jazz gig, with no PA? You sound like a magazine reader, and not a guitar player. All because your pet amp is unworthy? That is ridiculous. You further show you've never gigged with the amp you claim to own, nor care for reality. "I never said I hated the amp" Nor did I. ONCE. Please refrain from spewing such dishonestly at me, while avoiding near every word I say. You insult my time, intellect, and experience...via your juvenile rants . Please do not waste my time further, by ignoring my every post/point/fact.
You should push the amp with a tube screamer. No gain from the pedal. Just a suggestion. You have Stevie’s licks but lack the fire that the tube screamer gives. I use a tube screamer mini and it works great
I always sound a million times better when no one is in house. 😂
Exactly!! I’m just a much better player with no fans. That’s what I tell myself.
Wow. Sounds great!
I really do like it a lot.
Maybe I misread, but looks like you have your master at like 3? That thing is not cooking at 3 my man. You’re getting preamp gain. I was wondering why I was hearing so much string attack. But cool amp nonetheless! Rock on!
Yeah. I thought about that. Man it sounds better than most amps with a gain stage. If I dime the master? Super clean. I like the crunch.
I’m a child of Angus. I love me some string attack.
Right on. I don’t own a Blues Junior but sometime you should try putting a set of ear plugs in, set gain at zero and master at 7 or 8. Then slowly increase gain until really digging into a chord breaks up a bit but picking lightly is clean. That’s where the magic is for many. Then there’s a million light overdrives - Nobels, Lightspeed, Klones, Mostortions etc that become your “third” gain stage.
@@VintageRadius i've got the Maxon and a Klone and some others. I am loving the purity of going straight into the amp right now. I'm sure it'll wear off and I'll "need" another pedal before you know it!
THANK YOU!!! 1,000% agree with the room mic, we want to hear what you hear! Great video!
Exactly!!
I FORGOT TO MENTION THAT STEVIE ALSO USED FENDER BLACKFACE SUPER REVERBS TOO. AND ON OCCASION HE WOULD SPLIT HIS CLEAN SOUNDS WITH EITHER OF THOSE FENDERS AND FOR DISTORTIONS USE A TUBE SCREAMER. THERE IS REPORTS OF HIM USING VARIOUS MARSHALS FOR HIS DISTORTION SOUNDS BUT IF YOU SEE ALL OF HIS LIVE CONCERT FOOTAGE? YOU WILL NEVER SEE ANY MARSHALS! EVER! HE GOT HIS DISTORTION SOUNDS WITH A FENDER TWIN AND A TUBE SCREAMER. BUT VERY RARELY USED DISTORTION SOUNDS.
: / NOPE! STEVIE RAY VAUGHN USED TWO FENDER TWIN REVERBS! NOT THE BLUES JR. TOTALLY DIFFERENT VOICED AMPS. FENDERS DO HAVE "THAT FENDER CLEAN" BUT NOT ALL THE FENDER AMPS HAVE THE SAME FENDER CLEANS! WHEN TRYING TO CAPTURE SOMEONES SPECIFIC TONES OR SOUND? ITS BEST TO USE THE EXACT GEAR THEY USED! DUHHHHHHHH.... YOURE WELCOME! ( AND ANGUS? NEVER USED ANY FENDERS! HE WAS A MARSHALL 59 SUPER LEAD GUY ( PLEXI ) BUT USED A JTM 45 MORE OFTEN THAN THE OTHER )
Don't let your wife buy you anymore tee shirts
Hahaha! That’s all me! Got it at Goodwill and busted it out after watching the show on Prime (it is awesome)
Fantastic video ! Thank you for sharing !
Those were real popular in the 70's. You could get them real cheap at a second-hand music store used!
I had no idea they were that old. I thought they were some 90s revamp or something.
@@BeauregardHall the serial number should be located inside the box on the bottom or on the speaker. You want to sell it? It's up to you. It's all cross town traffic 😂
This guy is a smokin guitar player!!
Thanks. I continue to fake it til I make it.
tone deaf isn't just a rapper's name
Like I always say, “if you can’t be bothered to tune, I can’t be bothered to listen” so yeah. I get it. But also, meh.
Beast of an amp. Nice ! 😁👍
I had 2 of those . I loved them , and I actually blew them up . I was lucky to be an active musician in the Detroit area . There are countless good amps . But in a live setting , that amp sounded amazing turned up , in a club or theater .
Your fire insurance just went up
Living on the edge!
This is actually eiectric guitar reinvented! I thought how would it be a speaker without a membrane and iron iron or magnet disk inside the guitars body. It might filter high frequencies and work in silence. Think will only guitar body vibrations and feedback will born after filtration of woods itself...
When jamming live I used to occasionally press the head of my bass into the frame of the cabinet to get huge sustain & almost keyboard sub-lows. Cool concept 🤘🏼
Actually Thomann is the company in Germany, not Harley Benton. Harley Benton is a brand name. their guitars are now made in Indonesia.
Is it possible to make it simpler to use (not necessarily to build) by creating a splitter of the signal internally in the guitar, so the output goes to the amp as normal, but in the space where electronics is hidden in the guitar add an extra battery powered circuit that will send a signal to the exciter speaker, with everything being effectively hidden inside the guitar?
So that's much closer to a sustainiac. I was hoping to make something that could go on any guitar, and also be removable. That was the hard part. I damaged the guitar when I removed the speaker, but you really do need a solid connection between the speaker and the guitar.
So you made a DIY sustainiac?
Much cheaper, no installation on the guitar, but yeah pretty much the same science.
Which exciter speaker did you go with? They seem to be a bit hard to find in Europe so I can't easily buy-to-try
Great question - unfortunately I can't remember. I know it was a 30-watt exciter, and that's about all I remember about it
YES!!! Yes, yes, yes! I've planned and dreamt of doing this since 'Tech Ingredients' did "World's Best Speaker" video five years ago, but typical for me I made everything so intricate and complicated that I couldn't face actually doing it or the possibility that it wouldn't work. The way you've done it is so neat and brilliant!
I think I figured out a design for us all. Option 1. Add a tiny digital amp and battery pack into the guitar. Guitar output splits to the tiny amp, and your normal amp. Option 2. Replace guitar output jack with TRRS. Wire it normally, but add the sustainer speaker inputs to the extra contacts. Make a custom cable to take (guitar output) to (amp input) as normal, while ALSO sending (amp output) to (sustainer input), in one cable. Make a pedalboard enclosure for the other end of said cable, with TS jacks, to split/combine (guitar output) and (amp output) to their respective destinations. The theory is to build the exact same thing, but condense it all into ONE CABLE baby. Clear as mud, but feel free to ask questions. It's simpler than it sounds!
i love your vibe, thank you and i’m definitely gonna be doing this- thinking of using a mooer micro 30w amp, it’s a little micro pedal that i can hopefully attach to the guitar as well.
Thanks. Yep - I still haven't figured out a solution that allows me to go moving around too far.
I tried this but I always got only certain frequencies to vibrate and go into sustain. It didn't work with the other tone pitches.
were you running more distortion into the doodad? Or was it same as the amp output?
Boss Kidder !
Coming from the reddit post this was a lot of help thanks a lot!
This strap blew them all away you know what I meant to say
this is amazing