- 85
- 437 806
Composer Daniel Willett
United States
เข้าร่วมเมื่อ 5 ส.ค. 2021
Epiphanies - Softube Model 77 demonstration
Epiphanies - Softube Model 77 demonstration
This is a song demonstration of the Softube Model 77 dual layer synth by Composer Daniel Willett.
All sounds used were from the Model 77 by Softube.
From Softube:
Model 77 Dual Layer Synth gives you one of the most influential sounds of our time. It is the iconic sound of Blade Runner, Chariots of Fire, Billie Jean, Africa, and Human Nature - among countless others.
We modeled and accurately articulated every detail of the circuits of three legendarily expressive Japanese synthesizers from 1977 and put them in one user-friendly plug-in. The sound, interaction, and performance remain as close to the hardware as possible, while the complex interfaces of the original instruments are enhanced with an intuitive redesign. Finally, your most-coveted synth has the workflow you deserve.
USE DANIEL'S MUSIC FOR YOUR VIDEOS: www.storyblocks.com/audio/sea...
- LISTEN TO MY MUSIC
Spotify:
Knights of Red: open.spotify.com/artist/597CO...
Daniel Willett: open.spotify.com/artist/5Gr0f...
- FOLLOW ME on Social Media Instagram: / composer_danielwillett
Soundcloud: / danielwillett
Email: contact@danielwillett.com
TAGS: Softube Model 77, Softube Synth, CS80 Synth, Softube Plugins, Model 77 Review, CS80 Analog Synth, Vintage Synths, Synthesizer Plugin, Softube Virtual Instruments, Softube CS80 Emulation, Analog Synth Plugin, Synth Sound Design, Virtual Synthesizer, CS80 VST, Synth Plugin Tutorial, Analog vs Digital Synth, Softube Synth Review, Classic Synth Sounds
#softube #softubemodel77 #cs80
This is a song demonstration of the Softube Model 77 dual layer synth by Composer Daniel Willett.
All sounds used were from the Model 77 by Softube.
From Softube:
Model 77 Dual Layer Synth gives you one of the most influential sounds of our time. It is the iconic sound of Blade Runner, Chariots of Fire, Billie Jean, Africa, and Human Nature - among countless others.
We modeled and accurately articulated every detail of the circuits of three legendarily expressive Japanese synthesizers from 1977 and put them in one user-friendly plug-in. The sound, interaction, and performance remain as close to the hardware as possible, while the complex interfaces of the original instruments are enhanced with an intuitive redesign. Finally, your most-coveted synth has the workflow you deserve.
USE DANIEL'S MUSIC FOR YOUR VIDEOS: www.storyblocks.com/audio/sea...
- LISTEN TO MY MUSIC
Spotify:
Knights of Red: open.spotify.com/artist/597CO...
Daniel Willett: open.spotify.com/artist/5Gr0f...
- FOLLOW ME on Social Media Instagram: / composer_danielwillett
Soundcloud: / danielwillett
Email: contact@danielwillett.com
TAGS: Softube Model 77, Softube Synth, CS80 Synth, Softube Plugins, Model 77 Review, CS80 Analog Synth, Vintage Synths, Synthesizer Plugin, Softube Virtual Instruments, Softube CS80 Emulation, Analog Synth Plugin, Synth Sound Design, Virtual Synthesizer, CS80 VST, Synth Plugin Tutorial, Analog vs Digital Synth, Softube Synth Review, Classic Synth Sounds
#softube #softubemodel77 #cs80
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mmmm 😂
Thanks for sharing!
Too much waffle before getting to the "How Too".
where can you get it
2:00 ff you say bass heavy and "had to ad more bass". Isn't it the opposite way?
Iiwjeiriritjo2jr93
no. if the monitor is bass heavy compared to other systems you would have to add more bass, past what sounds fine, to compensate for less bass heavy systems. this is to hear the desired bass later on less bass heavy monitors.. ...
Just hopped on seventh heaven for the last day of Black Friday. Didn’t know it was a pop vocal staple. Everybody uses that thing. It was an impulse buy but oh well. Tell you what! My rig is mean! Proper toolbox future proofs a lot. Strategic Black Friday impulse buys have served me well.
For me it's the Seventh Heaven Professional. I can't anything else to sound as good on my voice.
Thanks for sharing your thoughts and opinions, Daniel.
Which piano did you use at minute 12:30?
Was asking the same question! sounds so good
Instead of CMD clicking all the tracks you want to reroute which are currently routed to the main out (which can be tedious/prone to mistakes on large sessions), you can right click the output itself on any of those tracks and click "Select Assignments To Output 1-2" (or whatever your main out is called.) Fast and foolproof way to reroute a fuckton of things.
yea, sounds like reverb 🤓 my all time favorite is LexHall
My protools bounce file sounds differently while playing through apple normal player
That sounded so much better than the example on the eventide short
Question. With software-based reverbs can you assign different FX on each channel of a mixer? In other words if I have say 5 or 6 keyboards plugged into 10 different channels on my PreSonus mixer can I still assign different affect settings for each channel. Delays on one reverbs on another Etc sorry I'm an old guy looking to move out of the hardware rackmount units
@@VelvetTubeShaper Yes you can! When you step into the DAW world you can pretty much do anything that you can think of as long as your computer has the processing power. I used to use hardware reverb units too. This is much much easier.
@@ComposerDanielWillett gotcha. Thank you so much for the response. I'm learning new things every day. Old dog new tricks. Namaste 🧘♀️✌🧘♂️
Great video! So after printing the mix you bounce the printed mix in solo? Thanks
Thats wY too much I would’ve bounced an album by now
Is it just me or do cubase reverbs all suck?
I want to tell you where I'm coming from. Once upon a time when I started recording using Ntrack studio, I used to love turning on the monitor with the little reverb and it sounded awesome. I used to love creating. And then I got cubase and every time I put on a reverb it sounds like wow so spaced out that's totally ridiculous sound. Tell me what reverb can bring me back to that beautiful sound I used to enjoy
There's still an easier way to do this. Just put an audio track next to the master fader. Route the master fader to the track and enable the input so you can monitor it. Press record when you're ready. The aux track isn't needed.
White Deborah Clark Betty Perez Sharon
Been offline bouncing since it came a feature in Pro Tools, never looked back. And I actually have my session ready to print in it. Neither my customers telling me there is something “odd” in my mixes. What they actually asked me was not to send the .wav file through Whatsapp!! 😂
Love that Red FunkLogic Pannel
I had expect you talk more about each invidivual frequency band. like sub-bass, mid-low ...
prints are best. more detailed data captured.
Thompson Matthew Garcia Michelle Moore Donna
sounds great!
Wish there was a ratio feature
Thanks this is great, but how do you access the printed track as a file outside of Pro tools? Thanks
It'll be on your audio file folder for the session
9636 Bashirian Cape
Gonzalez Elizabeth Martin Gary Lopez Kimberly
8278 Bode Ridge
But how do you get it out of pro tools? Its still inside there.
745 Travon River
Anderson Charles Rodriguez Jose Hernandez Carol
Libby Curve
Wow I love this! Perfect timing as I just created a synthwave channel. Beautiful haunting track! Always love your compositions, amazing production!
Thank you so much! I'm glad that you enjoyed it Echoes! Where can I hear you synthwave tracks?
@@ComposerDanielWillett Thanks for the comment, will you be doing a walk through demo video on this synth? I love how you also make tracks of the new instruments, as always top notch! I have been wanted to do some synthwave tracks for years , just started my channel, its just so much fun making it. p/s made a previous comment but seems it didn't take for some reason www.youtube.com/@ElectricSkies-i4i
Nice video. I want to ask what about if some tracks(like verbs,delays and parallel auxes)we don't want to send them to mix buss and compress them again with the buss compressors or whatever inserts there will be in the mix buss. How then we can print the mix identical to our mixed song? Thanks again
Harris Estate
Allen Barbara Perez Anthony Miller Thomas
I made the mistake of buying this synth, its crap. Lots of glitches and CPU spikes. Totally unreliable. Save your dough and get Surge.
Total nonsense. It sounds wonderful. Go and buy a decent computer. 🙄
Yeah did you do a null test?
Eventide SP2016 is a killerrrrrrr
I've been a professional mixer for 12 years and I've always used the bounce function. No quality difference. A more practical approach would be to ditch plugins that don't bounce correctly
use a de-esser lawwwddd
plosive much?
Adaptive reverb ? CPU eater so I had to uninstall.
Can the blackhole immersive sound the same? I don’t care for surround sound for now . I just got the immersive & hoping I could get the Alleluia effect you demonstrated.
I like the sound of crystalline, going to look more into it
I didn't know there was a strymon plug-in was on the verge of buying one thanks buddy I get to save few bucks now...
yes thank you so much!! :D
question: if you go to meta pitch presets, you have 02: extreme - the creature... I love this sound, everything about it but I don't like the fact that it tunes to one note, however by turning "robot" off on the slider, it also gets rid of that crunch/ gritt/ autopan effect... how can I get the effect that I want?