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Jonathan Nangle
เข้าร่วมเมื่อ 23 ต.ค. 2011
Jonathan Nangle is a composer whose work explores many diverse fields ranging from notated acoustic and electro-acoustic composition, through live and spatially distributed electronics, to video, field recording, interactive sound installation and electronic improvisation.
His work has been commissioned and performed internationally by, amongst others, the RTÉ National Symphony Orchestra, Crash Ensemble, Ensemble Scratch the Surface, The Dublin Guitar Quartet, The Chatham Saxophone Quartet, Ergodos Orchestra, New Dublin Voices, Irish Youth Choir, the Spatial Music Collective, violinist Darragh Morgan and pianist Thérèse Fahy.
His work has been released by the Ergodos, Diatribe, RTÉ Lyric FM, Contemporary Music Centre Ireland and Metier Divine Art Record Labels, featured at numerous festivals, been choreographed for film and stage, and has been broadcast internationally both on radio and television.
His work has been commissioned and performed internationally by, amongst others, the RTÉ National Symphony Orchestra, Crash Ensemble, Ensemble Scratch the Surface, The Dublin Guitar Quartet, The Chatham Saxophone Quartet, Ergodos Orchestra, New Dublin Voices, Irish Youth Choir, the Spatial Music Collective, violinist Darragh Morgan and pianist Thérèse Fahy.
His work has been released by the Ergodos, Diatribe, RTÉ Lyric FM, Contemporary Music Centre Ireland and Metier Divine Art Record Labels, featured at numerous festivals, been choreographed for film and stage, and has been broadcast internationally both on radio and television.
Granular Dusk (Solo Cello)
Granular Dusk
Version For Solo Cello (2022)
Jonathan Nangle
Commissioned by Music Network with funds provided by the Arts Council / An Chomhairle Ealaíon. Premiered by Jennifer Stumm (version for solo viola) in the Mermaid Arts Centre, Bray, Co Wicklow on 29th March 2022.
Programme Note: Granular Dusk (2022)
During the winter season, when I wrote this piece, the sun is low on the horizon and on a nice day, the sunset puts on a particularly vivid display of colour. The sky is ablaze as it shifts through a spectrum of blue, violet, pink, orange, red, eventually settling on the darker hues and finally black as the sun dips below the skyline. So often, this scene has a granularity to it, like a photograph speckled with noise. My piece loosely seeks to express this image, a frame that remains the same while elements within shift in colour and granularity.
Cello - Yseult Cooper-Stockdale
Version For Solo Cello (2022)
Jonathan Nangle
Commissioned by Music Network with funds provided by the Arts Council / An Chomhairle Ealaíon. Premiered by Jennifer Stumm (version for solo viola) in the Mermaid Arts Centre, Bray, Co Wicklow on 29th March 2022.
Programme Note: Granular Dusk (2022)
During the winter season, when I wrote this piece, the sun is low on the horizon and on a nice day, the sunset puts on a particularly vivid display of colour. The sky is ablaze as it shifts through a spectrum of blue, violet, pink, orange, red, eventually settling on the darker hues and finally black as the sun dips below the skyline. So often, this scene has a granularity to it, like a photograph speckled with noise. My piece loosely seeks to express this image, a frame that remains the same while elements within shift in colour and granularity.
Cello - Yseult Cooper-Stockdale
มุมมอง: 21
วีดีโอ
O Curlew (S.A.T.B. and S.A.T.B Semichorus)
มุมมอง 3721 ชั่วโมงที่ผ่านมา
O Curlew For S.A.T.B and S.A.T.B Semichorus (2023) Jonathan Nangle Commissioned by Bernie Sherlock and New Dublin Voices with funds provided by the Arts Council / An Chomhairle Ealaíon. Text based on the poem “He Reproves The Curlew” (1899) by W.B. Yeats (1865-1939) O CURLEW, cry no more in the air, Or only to the water in the West; Because your crying brings to my mind passion-dimmed eyes and ...
our headlights blew softly into the black, illuminating very little
มุมมอง 752 ปีที่แล้ว
our headlights blew softly into the black, illuminating very little for bass clarinet and electronics (2007) Performed by Patrick Burke, 15th October 2022, Kirkos Ensembles Unit 44 Space Programme Note: The title, an adapted quotation from Truman Capote, vividly captures my compositional approach to the piece. If you have ever driven along twisty country lanes in the dead of night, your headlig...
The Mad Hatter's Tea Party
มุมมอง 732 ปีที่แล้ว
The Mad Hatter's Tea Party is an audio-visual installation commissioned by The Ark, a cultural centre for children in Dublin, Ireland. The piece is inspired by everyday objects and the intricate sound world that can be elicited from them. The title references Lewis Carroll's scene from 'Alice's Adventures in Wonderland'. Exhibited as part of Rock, Paper, Scissors (25th June - 20 August 2022) ar...
Surface Patterns
มุมมอง 1003 ปีที่แล้ว
Surface Patterns, for piano solo (2020) In 1787 Ernst Chladni published his book Entdeckungen über die Theorie des Klanges ("Discoveries in the Theory of Sound") in which he detailed his experiment for the visualisation of nodal patterns on a surface. This involved drawing a bow over a piece of metal whose surface was lightly covered with sand. The plate was bowed until it reached resonance whe...
Sound Weaver
มุมมอง 2084 ปีที่แล้ว
Sound Weaver (2020) is an interactive sound installation using conductive thread sewn into a custom-designed wall hanging. The design and crafting of the wall hanging were done by Tomomi McElwee of Slaney Quilting Studio (slaneyquiltingstudio.com/). The cello was performed by Gabriele Dikciute. Sound Weaver was commissioned by The Ark in association with the Spike Alternative Cello Festival 202...
Near & Exact Repetition
มุมมอง 1025 ปีที่แล้ว
Near and Exact Repetition (2019) is a collaborative audio-visual installation between Jonathan Nangle and Sebastian Adams comprising of four cassette tape loops and a generative modular synthesis patch. Imperfections in the DIY construction of the tape loops and time-worn mechanical degradation of the cassette players results in a slowly evolving soundscape of subtle variations.
Vivid Trace
มุมมอง 805 ปีที่แล้ว
Vivid Trace (2016) for Toy Piano and Mechanical Music Box. Live performance featuring David Bremner on Toy Piano.
untitled (after Dan Flavin)
มุมมอง 1665 ปีที่แล้ว
untitled (after Dan Flavin) Soundtrack and 8 Computer Controlled Lights (2013) ‘untitled (after Dan Flavin)’ draws influence from the American visual artist Dan Flavin (1933-1996), who is known for creating sculptural light installations arranged in simple geometric patterns. Flavin used only those materials that were commercially available to him, predominantly fluorescent light fixtures. He c...
Loop Guiding
มุมมอง 465 ปีที่แล้ว
Loop Guiding, 4-Channel Electronics and Kinetic Sculptures I first came across the term “Loop Guiding” in connection with forest trails and other scenic walks. Maps showing routes with distance and estimated completion time, the peculiarities of the native flora and fauna or historical details, myth or lore of the area. These routes eventually lead you back to the point from which you started, ...
The Curious Cello
มุมมอง 2235 ปีที่แล้ว
The Curious Cello (2019) is an interactive sound installation commissioned by The Ark, a cultural centre for children (ark.ie/) in association with the Spike Alternative Cello Festival, Dublin 2019 (www.spikecellofest.com/). With a visual design by Callum Knight (@callum.knight_illustrator) the installation uses conductive paint and a Pi Cap from Bare Conductive (www.bareconductive.com/) and a ...
Luminous Star
มุมมอง 3026 ปีที่แล้ว
Luminous Star, S.S.A.A. (2018) Jonathan Nangle Performed by New Dublin Voices, Conductor Brian Dungan Christchurch Cathedral Dublin, December 2018 Text by Jonathan Nangle, from multiple sources, refers to the Christmas Star (the Star of Bethlehem) and its role within the nativity and astronomical explanations. Purchase the Score cailino.com/product/luminous-star/ Luminous Star Wise men followed...
Christmas Carol
มุมมอง 3026 ปีที่แล้ว
Christmas Carol, For Choir (SATB) (2017) Jonathan Nangle Performed by New Dublin Voices, Conductor Bernie Sherlock Christchurch Cathedral Dublin, December 2018 Christmas Carol is based on the poem of the same name by the American poet Sara Teasdale (1884-1933). It was first published in Helen of Troy and other Poems (1911, The Knickerbocker Press, New York). Purchase the score cailino.com/produ...