Power Institute
Power Institute
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VISIONS Vision Statement: Kate Crawford, "Material Visions"
This lecture was delivered on Saturday, 17 August 2024.
For more information see www.vrp.org.au
Generative AI systems are proliferating and shifting practices of image-making. But they are also fundamentally reshaping the Earth. AI is one of the largest planetary architectures ever built by our species, requiring vast amounts of energy, minerals, water, data, and labor. This talk will contend with generative AI as a fundamentally metabolic technology - burning energy and consuming water at an exponential rate to keep the ingestion, digestion, and production of data going. By placing this moment in a deeper historical context, we can see how this shift echoes previous eras when empires harnessed technologies to centralize power.
มุมมอง: 78

วีดีโอ

VISIONS Session 2: Seeing rhetorics and visualising ideas
มุมมอง 51วันที่ผ่านมา
This session was convened by Marni Williams, and took place on Thursday, 15 August 2024. For more information: www.vrp.org.au What does it mean to ‘see’ a virus spreading? What would social media look like without metrics? This panel stares back at our screens and explores the new ways artistic practices, interface design and multimodal forms of communication are helping different publics to un...
VISIONS Session 1: Art, science and vision
มุมมอง 37วันที่ผ่านมา
This session was convened by Mark Ledbury, and took place on Thursday, August 15. For more information: www.vrp.org.au This panel explored the ways vision works, using insights from scientists active in exploring issues such as perception, attention and colour - and how insights from science and art intersect.
VISIONS Session 5: Picturing world futures
มุมมอง 69วันที่ผ่านมา
This session was convened by Terry Smith, and took place on Saturday, 17 August 2024. For more information: www.vrp.org.au World picturing is the universal practice of creating imaginative, insightful, accurate, and useable understandings of past, present, and future worlds, initiated in ancient times and ongoing to this day. World pictures condense complex phenomena into comprehensible configu...
Astrid Lorange and Andrew Brooks / Unmaking Police Power
มุมมอง 715 หลายเดือนก่อน
This event took place as part of the Art, Power, Inequality conference, held at Western Sydney University on 9 April 2024. For more information: www.powerinstitute.org.au/events/art-power-inequality This talk will begin with an articulation of ‘police power’ as a central tenet of the Australian settler colony - in its inception and in contemporary governance - and as inseparable from the coloni...
Mike Savage / The Contemporary Application of Field Analysis: Some Critical Issues
มุมมอง 1385 หลายเดือนก่อน
This event took place as part of the Art, Power, Inequality conference, held at Western Sydney University on 9 April 2024. For more information: www.powerinstitute.org.au/events/art-power-inequality Bourdieu’s field analysis has been a hugely productive approach to examining cultural dynamics in ways which allow culture and the aesthetic to be considered in non-reductive ways (because fields ar...
Nathan "mudyi" Sentance/For my Ancestors, for my Descendants: Challenging Possessiveness in Museums
มุมมอง 465 หลายเดือนก่อน
This event took place as part of the Art, Power, Inequality conference, held at Western Sydney University on 9 April 2024. For more information: www.powerinstitute.org.au/events/art-power-inequality Due to the long histories of exploitation and extraction, ownership of Indigenous knowledges is a key tension between Indigenous communities and collecting institutions such as libraries, archives a...
Susan Banki / Migrant Artists and Migrating Art from Myanmar: Expanding Activism
มุมมอง 175 หลายเดือนก่อน
This event took place as part of the Art, Power, Inequality conference, held at Western Sydney University on 9 April 2024. For more information: www.powerinstitute.org.au/events/art-power-inequality The violence enacted on the people of Myanmar over decades has been captured in photographs, performances, hip hop and art of various mediums. The subjects of such art are as diverse as their messag...
Terry Smith / Art’s Powers, Exchanges Between Differences
มุมมอง 1285 หลายเดือนก่อน
This event took place as part of the Art, Power, Inequality conference, held at Western Sydney University on 9 April 2024. For more information: www.powerinstitute.org.au/events/art-power-inequality Some recurrent questions: What are the powers that accumulate within certain works of art as they are composed, and how do these powers operate in responses to such works? How do these powers exerci...
Verónica Tello/Shonky Exports: An Archive of Neoliberalism from the Margins, the Losers and the Poor
มุมมอง 2265 หลายเดือนก่อน
This event took place as part of the Art, Power, Inequality conference, held at Western Sydney University on 9 April 2024. For more information: www.powerinstitute.org.au/events/art-power-inequality In the 1970s and 1980s, Chileans lived under the dictatorship of the Pinochet regime (1973-1990). Often understood as a testing ground for the now global logic of “neoliberalism”, the Pinochet regim...
Tony Bennett / Refracted Entanglements: Canvas, Apparatus, Discourse
มุมมอง 415 หลายเดือนก่อน
This event took place as part of the Art, Power, Inequality conference, held at Western Sydney University on 9 April 2024. For more information: www.powerinstitute.org.au/events/art-power-inequality This presentation arises out of a current inquiry into the different ways in which perspectives derived from the work of Foucault and Bourdieu currently engage with how art/power relations are struc...
Yvonne Low / Powerful Images for a New Nation: Sukarno’s Grand Monuments and Pretty Nudes
มุมมอง 345 หลายเดือนก่อน
This event took place as part of the Art, Power, Inequality conference, held at Western Sydney University on 9 April 2024. For more information: www.powerinstitute.org.au/events/art-power-inequality This paper explores how Presidential Sukarno, known for being a great patron of the arts, had used modern art to galvanise nationalist spirits and to imbue collective solidarity among the disparate ...
Justin Jesty / Community and Care at the Edges of Modernity
มุมมอง 1505 หลายเดือนก่อน
The second lecture in the 2024 Sydney Asian Art Series, delivered on 22 May 2024. For more information visit www.powerinstitute.org.au My research focuses on art, story-telling, place-making, performance and other forms of value creation that mostly take place outside or adjacent to museums and other modern institutions. The work I study is sometimes called socially engaged art or community art...
May Adadol Ingawanij / Southeast Asian Contemporary Artists’ Moving Image
มุมมอง 3788 หลายเดือนก่อน
The first lecture in the 2024 Sydney Asian Art Series, delivered on 6 March 2024. For more information: powerinstitute.org.au/programs/sydney-asian-art-series-2024 This lecture draws on the speaker's book in progress, Animistic Medium: Southeast Contemporary Asian Artists’ Moving Image, which forms part of the ongoing curatorial project Animistic Apparatus. The book writing aspect of this proje...
Jack Halberstam, All Fall Down: Post-Industrial Demolition Projects and the Aesthetic of Collapse
มุมมอง 72510 หลายเดือนก่อน
Jack Halberstam, All Fall Down: Post-Industrial Demolition Projects and the Aesthetic of Collapse
Stacey Pierson, The Man Who Loved China: The Extraordinary Life and Collection of Sir Percival David
มุมมอง 334ปีที่แล้ว
Stacey Pierson, The Man Who Loved China: The Extraordinary Life and Collection of Sir Percival David
Contemporary Photography / Peta Clancy, Simryn Gill, Brett Neilson and Amanda Williams
มุมมอง 311ปีที่แล้ว
Contemporary Photography / Peta Clancy, Simryn Gill, Brett Neilson and Amanda Williams
Mique'l Dangeli / Dancing Sovereignty: Protocol and Politics in Indigenous Dance Practices
มุมมอง 115ปีที่แล้ว
Mique'l Dangeli / Dancing Sovereignty: Protocol and Politics in Indigenous Dance Practices
Melody Rod-ari / Smarthistory: Creating a Smarter, More Equitable and Diverse Art History
มุมมอง 72ปีที่แล้ว
Melody Rod-ari / Smarthistory: Creating a Smarter, More Equitable and Diverse Art History
Melody Rod-ari / Who Owns Ban Chiang? Revisited
มุมมอง 119ปีที่แล้ว
Melody Rod-ari / Who Owns Ban Chiang? Revisited
Art History and the Digital / Yael Rice, Deepthi Murali and Nancy Um
มุมมอง 213ปีที่แล้ว
Art History and the Digital / Yael Rice, Deepthi Murali and Nancy Um
Yael Rice / Artist, Maker Unknown: Hierarchy, Bias, and the Museum Database
มุมมอง 222ปีที่แล้ว
Yael Rice / Artist, Maker Unknown: Hierarchy, Bias, and the Museum Database
Kāmawāpātahmōwin: Introduction to Indigenous Visual Knowledge
มุมมอง 185ปีที่แล้ว
Kāmawāpātahmōwin: Introduction to Indigenous Visual Knowledge
Speaking Seeing: Indigenous Visual Knowledge and the Priority of Language
มุมมอง 162ปีที่แล้ว
Speaking Seeing: Indigenous Visual Knowledge and the Priority of Language
Orit Halpern / In the Garden of Speculative Delights: On the Financialisation of Cognition
มุมมอง 410ปีที่แล้ว
Orit Halpern / In the Garden of Speculative Delights: On the Financialisation of Cognition
Nick Mirzoeff / The Strike Against White Sight is a Feminist Strike
มุมมอง 467ปีที่แล้ว
Nick Mirzoeff / The Strike Against White Sight is a Feminist Strike
Kavita Singh / An Embarrassment of Riches: Indian Architectural Exhibits at the V&A
มุมมอง 2.1Kปีที่แล้ว
Kavita Singh / An Embarrassment of Riches: Indian Architectural Exhibits at the V&A
Kimberley Moulton / Restoring the Spirit
มุมมอง 252ปีที่แล้ว
Kimberley Moulton / Restoring the Spirit
Miryam Sas / Realism & Media: Reconsidering Japanese Women Photographers
มุมมอง 2712 ปีที่แล้ว
Miryam Sas / Realism & Media: Reconsidering Japanese Women Photographers
Christopher Pinney / Citizens of Photography
มุมมอง 3112 ปีที่แล้ว
Christopher Pinney / Citizens of Photography

ความคิดเห็น

  • @dr.katherinemezurphd6257
    @dr.katherinemezurphd6257 7 วันที่ผ่านมา

    Volume is so low I can’t hear this. Can you adjust it? Others are ok in this series but low volume. I checked on my end.

  • @noahway13
    @noahway13 9 วันที่ผ่านมา

    First. From the US. I can't believe how badly the white man in Australia treated the original native people of Australia and took their land.

  • @warrensummers2462
    @warrensummers2462 2 หลายเดือนก่อน

    Loving the ponderings of dissociation as an artform... thank you for articulating that!

  • @Boner-n1n
    @Boner-n1n 2 หลายเดือนก่อน

    I am the great grandson of Edward Frank Hall and my great Grandma r is Clara Hall married maiden name fullston

  • @maxyorke2453
    @maxyorke2453 3 หลายเดือนก่อน

    Autogynephilia

  • @RajlaxmiGhosh-u9g
    @RajlaxmiGhosh-u9g 6 หลายเดือนก่อน

  • @robertplautz9722
    @robertplautz9722 8 หลายเดือนก่อน

    very excellent contribution to the study of gender and Japanese photography in general. thank you for this!

  • @richardpeej
    @richardpeej 9 หลายเดือนก่อน

    Nice one Priya…💐

  • @grybnyx
    @grybnyx ปีที่แล้ว

    I was a freshman at UC Berkeley with Alex long ago. He has done well for himself.

  • @arikkatzenberg4498
    @arikkatzenberg4498 ปีที่แล้ว

    Lisa Lowe is with the Chinese Ministry of Sate. Her team was hunting me in summer 2017, Vienna. Still here, Lisa.

  • @peaceforall1996
    @peaceforall1996 ปีที่แล้ว

    Thank you for sharing, what a brilliant lecture.

  • @emeryroe2487
    @emeryroe2487 ปีที่แล้ว

    An informative and illuminative lecture, with all kinds of extensions.

  • @CraigBellamymilkbar
    @CraigBellamymilkbar ปีที่แล้ว

    Great ideas 💡 here.

  • @notanemoprog
    @notanemoprog ปีที่แล้ว

    Start at 1:05 to skip the ludicrous and vomit-inducing "land ackwokeledgments"

  • @CenozoicCyrus
    @CenozoicCyrus ปีที่แล้ว

    Ironic that in a lecture pertaining to visual art with slides the videographer is unreliable to, at the minimum, pan to the image the speaker is notating.

  • @aprillindala3383
    @aprillindala3383 ปีที่แล้ว

    Towards the end of this video, there is digital interruption. Is there a full transcript of this talk? Nia:wen. Thank you.

  • @dwainchambers6363
    @dwainchambers6363 2 ปีที่แล้ว

    p̲r̲o̲m̲o̲s̲m̲ 😋

  • @miriamploude3175
    @miriamploude3175 2 ปีที่แล้ว

    😡 Prⓞм𝕠𝕤𝐌

  • @eprohoda
    @eprohoda 2 ปีที่แล้ว

    beautiful footage~ goodbye!, Power, =)

  • @davecommon1475
    @davecommon1475 2 ปีที่แล้ว

    no audio?

  • @lesleyjones4859
    @lesleyjones4859 3 ปีที่แล้ว

    m69azz th-cam.com/video/aKI7ZdFvJYE/w-d-xo.html

  • @FreyasArts
    @FreyasArts 3 ปีที่แล้ว

    I can taste colours 😁 Neon colours taste bitter. Pink to purple colours are sweet, the brighter the colours, the sweeter the taste. Bright pink- purple colours taste especially good with subdued yellow to orange colours, but only when they're mixed with white. When they're mixed with brown or black, it doesn't taste very good. Avoid black whenever possible. Dark blue to dark green colours taste kind of like fried onions, especially dark blue mixed with purple tastes like burned onion. Bright green grass and blue sky also taste quite good.

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  • @hchchchchchchcwwww1629
    @hchchchchchchcwwww1629 4 ปีที่แล้ว

    great!

  • @Kianarevision
    @Kianarevision 4 ปีที่แล้ว

    Great upload! I believe you'd enjoy my content too. Keep up with your fantastic work! 💞💜

  • @omanuelsa
    @omanuelsa 4 ปีที่แล้ว

    Thank you very much for this. If possible, subtitles would be amazing.

  • @Surv1ve_Thrive
    @Surv1ve_Thrive 4 ปีที่แล้ว

    🇬🇧🇮🇳🇳🇵❤

  • @sebastianmejiaphoto
    @sebastianmejiaphoto 4 ปีที่แล้ว

    this is amazing!!!!

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    @ilegnah303 6 ปีที่แล้ว

    LEGENDAS,POR FAVOR.

  • @brianf5359
    @brianf5359 7 ปีที่แล้ว

    Amazing Insight