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7:32 artistic preparation... (his sound is more like European, romantic definitely not one of my favorite, and i for many years avoided his LP and CDs just to discover nowadays how great musician Mr. Clevenger is, and now that he is no longer with us i feel that i missed a big part of his work and his musicianship, fortunately there are still some CDs around and I just got "candy" Mozart concertos, what to say other than PHENOMENAL!!!)

…..and, NEVER let them forget for one Yankee moment, that you are Tennessee.

Just great ❤

it's good information for all musicians. i'm reminded though that the hardest horn pieces are like beginner pieces for the strings. except for viola

Just excellent. And an example of what Philip Farkas said on a recording regarding what he felt was the real legacy a musician can leave. Their teaching. (Farkas was also principal horn of the Chicago Symphony, but in a period prior to Clevinger.) About legacy, (I paraphrase) Farkas said he first thought it was those wonderful concerts and he would be walking on air after they played a Mahler symphony. But he said the audience forgets in a couple of weeks, the musicians forget in six months. Then he said he figured it was the recordings. He referred to a conductor who said at recording sessions, "Remember, we are making history." But years later the records are at the bottom of a bargain bin for twenty five cents each. Then he said it is the teaching. He learned from his mentors and added some of his own. And passes that along to his students and they add some of their own. And it gets passed on further. THAT is the legacy. The teaching.

With the exception of Nobuyuki Tsujii and a few select others, ALL of them able ear players, anyone who can't hack it in ad lib music, those who can't play by ear "become" sheet music robots & are called classical musicians hiding behind sheet music without which they wouldn't last 10 minutes. C'mon, REVIVE that art of playing by ear, bring back Glenn Miller, The Dorsey Brothers, Artie Shaw, Ian Anderson of Jethro Tull, Mike Oldfield, Elton John... Liberace, Carmen Cavallaro, ...

excelente

Bravo! Wonderful tribute and 100th birthday greeting. That's the kind of horn I started on 60 years ago at Moseley Grammar School (it was a Boosey & Hawkes though) and a similar one at Minehead School a couple of years later. Back then, there was only Dennis Brain to inspire us. He was the first person to record the Mozarts, the Strausses, Hindemith and SO much more. He was my idol and still is. Sadly, he died when I was only six years old so I never got to hear him but I did hear many many stories. :-) Thank you. Greetings from Germany.

If I continue on with horn I will definitely will use this to learn. Something you would not expect normally.

Thank you. A deliciously understated interpretation. Fascinating the 2-3 valve combination for the first note after the opening fanfare.

As a long time fan of the CSO I enjoyed Dale Clevenger's artistry for many years. Few horn players could match him in his prime, as he was here. As others have noted, that devilishly challenging solo from Till Eulenspiegel remains a standard audition piece. From wherever in the cosmic continuum he might be, I'm sure Strauss cracks a wicked smile whenever a horn player louses it up.

Nicely done, that Chap ! I'm sure Dennis would have enjoyed that very much

Awesome stroke of genius!

Help, My English is so Bad, and i play horn french too I wanna have teacher Me gustaría entender todo lo que dice pero mi inglés no es muy bueno, yo también soy cornista pero tengo 4 años in profesor y siento que mi técnica y sonido son amlos alguna recomendación:c?

master need the good micing, too.

Even 40 years later, the same piece still being used in auditions. I know this and I'm even a trombone player.

THANK YOU SO MUCH FOR SHARING! What a awesome brain/advices! 👏🏽💪🏽 let’s work more efficiently now !

Love the judicious use of the Bb horn on the Strauss...also the Bb 3 combo for various written D's and A's for tuning and timbre. Such thorough knowledge of how the horn can work! Great video!!

Oh my gosh so lovely to see this! He was my teacher -- it brings back so much that he taught me.

Love it!!

Amazing video! Thanks for sharing

This video came out a year after my graduation; this is my first time viewing it. It’s filled with great information. During my school years, we had to check into the crowded listening library to hear reel-to-reel tapes and records, which was nearly impossible. I envy the students of today, who can listen to any orchestra across the world, over multiple decades, playing just about anything. There is also greater access to the excerpts. After the games of the Pandolfi brothers in the Alabama Symphony Orchestra (1986), where I was announced as a “close runner up, but the principal horn’s brother won the position,” for third horn, I went into military bands. I’ve been to auditions where people actually peeked around the screen to see who was playing. It’s a crooked business. I left the self-centered world of music in 1993 to become a healthcare provider. My opinion: I would never recommend that anyone get a primary degree in music. Take lessons and minor in music-if necessary. Music is a wonderful part of our world, but I consider it a selfish profession with too much cut-throat competition. Too many players currently sound more mechanical than musical-just like our auto-tuned pop singers. Get a life skill that will support you and give back to your community. Play music on the side. 📯

0:52 Strauss 1 5:28 Introduction 13:36 Warming Up 15:56 Trying out the Hall 20:16 Brahms 3 26:03 Beethoven 6 29:40 Tchaikovsky 5 34:34 Till Eulenspiegel 36:45 Review 38:09 Das Rheingold 39:08 Tchaikovsky 4 40:04 Shostakovich 5 41:19 Siegfried 44:29 Ravel Pavane 45:38 Mozart 40 46:14 Brahms 1

A very fine pianist. Not credited! Who is she?

RIP Dennis Brain (died #otd in 1957) 🌺🌺🌺

I thought Sarah Willis horn hangouts were beginning. Same tune

Wow! I remember watching this in music school in the 80's. Some of the best advice I ever received on taking auditions. And it worked! Thanks Dale!

This is gold! not just for those starting to audition to get into an orchestra; but also for those already in one. A great reminder of the kind of care and commitment one must keep even if having sat in a orchestra chair for years.

I am a flutiist. But one must appreciate the awesome phrasing, superb shaping of an upward leap and just overall pinnacle of the artistry of a devilishly difficult instrument a horn requires, that is being demonstrated here.

What horn is he using?

This was my warm up piece everytime

“Mr. Clevenger, what’s your normal warm up routine?” “Warm up? Hell, boy, I never cool down!”

Just found this on TH-cam recommendations. Thank you so much for sharing! Dale was surely one of the best to ever do it.

Thanks for posting this

Amazing video from one of greatest horn legends! A lot of interesting and precise tips

Excellent! Bravo! Perfect tribute!

Hey Johnathan. I was a slightly younger horn player in HS honor bands around your time. I use to look up to you as a player. Now I also look up to you as a brilliant, empathetic, compassionate, person. Very well done Sir! By the way, I recently moved back to our “home state”. Unfortunately, the sentiments in this song are VERY unpopular & Extremely Unwelcome in the overwhelming majority of this state. I don’t even recognize our old “home”. If you are a praying type of guy, pray for us. Otherwise, send positive vibes our way. We need it! Thanks!

Very nice Johnathan!!!

I miss your amazing brilliant sound!!!!! R.I P.

I recall watching this many years ago and learned to use T23 for the lower F in the opening theme. I also appreciate that he did not emote excessively. I''ve often been criticized for being "stiff" but i find excessive emoting distracting and unnecessary. Thanks for finding and sharing this vid.

Thank you very much for share, amazing!!

Excellent video! Thanks for posting.

Thank you so much for sharing this! He was a great teacher, with the clearest idea of what to do to achieve professionalism

Super interesting! Thank you for sharing - his level was/is terrific

Thank you for your post. The importance of a teacher’s demonstration is key to being a great teacher. My study with John Barrows as his first “kid” student (age 12, 1958) and his demonstrations are still with me. I had the pleasure of meeting and playing for Mr. Clevenger at Giardinell’s just before he was chosen for Chicago. I remember his smile when I played the Brahms 3rd solo. BTW, I’m a physician and still perform (Alex 107x, Barrows Dell’Osa). But, I never found the Schmidt I saught back then.

If anybody is wondering, at first Dennis Brain played on a Raoux (French) single F horn with piston valves and very similar to the one in the video. At some point he changed to an Alexander single B flat horn. I've read he had the Alexander modified to sound a little more like the Raoux by having a smaller lead pipe applied.. I don't know about anyone else, but I always thought much of his playing had a sort of lightness, sometimes even playfulness, compared to others. Part of that might have been that the tone of his horns wasn't the heavier sound of most other horns.

Hello, I have a question. What is the name of the song at the beginning?

Thank you Mr. Ring for this fitting tribute to remember and honour Dennis Brain. So well planned and so well performed. Mr. Brain would shine a twinkle in his eye, I’m certain. 👏🏻📯

Fantastic job!

Wonderful!