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Obsessed With Cinema
Canada
เข้าร่วมเมื่อ 8 ก.ย. 2021
On this channel, I take a deep dive into unique films. Since my interests are eclectic, I intend to let my mind take this channel where it will, without limits. In point of fact, I could be just as engaged with breaking down the reason that a particular scene succeeds in an episode of a TV show, as I am at evaluating the different leadership qualities of characters in The Godfather. This channel is a clearing house for my creativity. If I like a particular movie or film, I will usually watch it a few times, after which, I typically have an original take on it. With luck, this should produce a video that is insightful or provocative or humorous in some way. I hope that you enjoy my videos and should you wish, please feel free to contribute relevant comments of your own. Thank you most sincerely for visiting the Obsessed With Cinema channel.
MARATHON MAN (1976): DREAM FANTASY vs. NIGHTMARE REALITY
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Twitter: CinemaObsessed1
Now with enhanced closed captioning (cc).
Warning: Spoilers
I was having a discussion with a friend when we realized that depending on which half of Marathon Man a person prefers, it actually reveals a lot about their personality. The first part of the film seems designed more to please idealistic individuals, people desperately hoping to lead a life that ends up mattering, whereas the second half of the film seems more geared towards those who are pragmatic realists. The dichotomy which emerges is basically between the dream of what you’d like your life to be, as opposed to the disturbing, underlying reality, that nothing is as it first appears and that a person’s false assumptions may leave them entirely unprepared to resist those more ruthless than themselves.
#MarathonMan #JohnSchlesinger #DustinHoffman #BabeLevy #RoyScheider #DocLevy #LaurenceOlivier #ChristianSzell
www.patreon.com/OBSESSEDWITHCINEMA
www.paypal.com/donate/?hosted_button_id=UE98FPDD2YEKY
ko-fi.com/obsessedwithcinema
Twitter: CinemaObsessed1
Now with enhanced closed captioning (cc).
Warning: Spoilers
I was having a discussion with a friend when we realized that depending on which half of Marathon Man a person prefers, it actually reveals a lot about their personality. The first part of the film seems designed more to please idealistic individuals, people desperately hoping to lead a life that ends up mattering, whereas the second half of the film seems more geared towards those who are pragmatic realists. The dichotomy which emerges is basically between the dream of what you’d like your life to be, as opposed to the disturbing, underlying reality, that nothing is as it first appears and that a person’s false assumptions may leave them entirely unprepared to resist those more ruthless than themselves.
#MarathonMan #JohnSchlesinger #DustinHoffman #BabeLevy #RoyScheider #DocLevy #LaurenceOlivier #ChristianSzell
มุมมอง: 1 756
วีดีโอ
SLAP SHOT (1977): WHY EVERYONE HATES REGGIE DUNLOP
มุมมอง 3Kปีที่แล้ว
Please consider helping support the production of new work. www.patreon.com/OBSESSEDWITHCINEMA www.paypal.com/donate/?hosted_button_id=UE98FPDD2YEKY ko-fi.com/obsessedwithcinema Twitter: CinemaObsessed1 Now with enhanced closed captioning (cc). Warning: Spoilers After initially making a Slap Shot video entitled 10 Reasons Why Everyone Loves Reggie Dunlop, one day I realized that the...
BLADE RUNNER (1982): REPLICANTS DON'T HAVE FAN CLUBS
มุมมอง 1.2Kปีที่แล้ว
Every little bit helps. Please consider supporting the work of this channel with a donation. www.patreon.com/OBSESSEDWITHCINEMA www.paypal.com/donate/?hosted_button_id=UE98FPDD2YEKY ko-fi.com/obsessedwithcinema Twitter: CinemaObsessed1 Now with enhanced closed captioning (cc). Warning: Spoilers Ridley Scott’s Blade Runner is a stunningly original film, both in it’s origins, visual e...
Son of Saul (2015): The Holocaust in Shallow Focus
มุมมอง 4.1Kปีที่แล้ว
Please consider helping support the production of new work. www.patreon.com/OBSESSEDWITHCINEMA www.paypal.com/donate/?hosted_button_id=UE98FPDD2YEKY ko-fi.com/obsessedwithcinema Now with enhanced closed captioning (cc). Warning: Spoilers Hungarian Director László Nemes was wise to realize that traditional filmmaking was essentially inadequate when tackling a topic as vast, overwhelming and horr...
SLAP SHOT (1977): EMPOWERING WOMEN SINCE THE CARTER ADMINISTRATION
มุมมอง 7Kปีที่แล้ว
Please consider helping support this channel. www.patreon.com/OBSESSEDWITHCINEMA www.paypal.com/donate/?hosted_button_id=UE98FPDD2YEKY ko-fi.com/obsessedwithcinema Twitter: CinemaObsessed1 Now with enhanced closed captioning (cc). Warning: Spoilers Make no mistake. Slap Shot (1977) has an entirely unexpected subtext embedded within it which has nothing whatever to do with hockey, ho...
SLAP SHOT (1977): HAVE A COKE AND A SMILE
มุมมอง 2.3Kปีที่แล้ว
Please consider helping support this channel. www.patreon.com/OBSESSEDWITHCINEMA www.paypal.com/donate/?hosted_button_id=UE98FPDD2YEKY ko-fi.com/obsessedwithcinema Now with enhanced closed captioning (cc). Warning: Spoilers George Roy Hill’s 1977 sports comedy, Slap Shot, contains an unusually large amount of product placement, so I decided to create a short video taking a closer look at this. ...
SLAP SHOT (1977): WHY THE HANSONS MEAN SO MUCH TO FANS
มุมมอง 172Kปีที่แล้ว
Please consider helping support the production of new work. www.patreon.com/OBSESSEDWITHCINEMA www.paypal.com/donate/?hosted_button_id=UE98FPDD2YEKY ko-fi.com/obsessedwithcinema Twitter: CinemaObsessed1 Now with enhanced closed captioning (cc). Warning: Spoilers Since first viewing George Roy Hill’s Slap Shot (1977), I have been fascinated by the average fan’s relationship to the Ha...
MARATHON MAN (1976): UNPACKING THE SCENE IN THE DIAMOND DISTRICT
มุมมอง 101Kปีที่แล้ว
If you enjoyed the video, please consider helping support the production of new work.. www.patreon.com/OBSESSEDWITHCINEMA www.paypal.com/donate/?hosted_button_id=UE98FPDD2YEKY ko-fi.com/obsessedwithcinema Now with enhanced closed captioning (cc). Warning: Spoilers When a viewer of this channel asked a provocative question regarding the diamond district scene in John Schlesinger’s Marathon Man, ...
BEING THERE (1979): THE MATTER OF RACE
มุมมอง 13Kปีที่แล้ว
Please consider helping support this channel. www.patreon.com/OBSESSEDWITHCINEMA www.paypal.com/donate/?hosted_button_id=UE98FPDD2YEKY ko-fi.com/obsessedwithcinema Now with enhanced closed captioning (cc). Warning: Spoilers In some ways, Hal Ashby’s Being There (1979) is quite similar to Kosinski’s 1970 novel of the same name. Nevertheless, it diverges in one very noticeable way. Superimposed o...
SLAP SHOT (1977): WHAT THE FILM GETS RIGHT ABOUT HOCKEY
มุมมอง 338K2 ปีที่แล้ว
Please consider helping support the production of new videos. www.patreon.com/OBSESSEDWITHCINEMA www.paypal.com/donate/?hosted_button_id=UE98FPDD2YEKY ko-fi.com/obsessedwithcinema Now with enhanced closed captioning (cc). Warning: Spoilers It always seemed to me that a big part of the enduring popularity of Slap Shot (1977), beyond Paul Newman’s brilliance in the lead role, was related to Nancy...
The Good, the Bad and the Ugly (1966): How Tuco Steals the Movie
มุมมอง 1.7K2 ปีที่แล้ว
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TAXI DRIVER (1976): SALES 101 WITH EASY ANDY
มุมมอง 41K2 ปีที่แล้ว
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(2nd Attempt) Succession Obsession: My Take on S3E9
มุมมอง 3092 ปีที่แล้ว
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Taxi Driver (1976): The Four Incidents Which Radicalize Travis
มุมมอง 2.2K2 ปีที่แล้ว
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TOP GUN: MAVERICK (2022) - WHY IT'S HIGHLY EFFECTIVE STORYTELLING
มุมมอง 6392 ปีที่แล้ว
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BEING THERE (1979): THE MEANING OF THE FINAL SCENE
มุมมอง 138K2 ปีที่แล้ว
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BEING THERE (1979): CHANCE FOR PRESIDENT
มุมมอง 12K2 ปีที่แล้ว
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SLAP SHOT (1977): WHY EVERYBODY LOVES REGGIE DUNLOP
มุมมอง 27K2 ปีที่แล้ว
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มุมมอง 17K2 ปีที่แล้ว
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THE GODFATHER (1972): SIZING UP THE LEADERS
มุมมอง 1.7K3 ปีที่แล้ว
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Marathon Man (1976): Unpacking the Scene in the French Restaurant
มุมมอง 86K3 ปีที่แล้ว
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