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Andrei Hadap - Pianist-Composer
Australia
เข้าร่วมเมื่อ 7 พ.ย. 2013
Hadap: A Holiday in Naples - I. At the Carnival
↓ Link to Sheet music Below ↓
Please support and consider purchasing the sheet music here:
www.sheetmusicplus.com/en/product/a-holiday-in-naples-a-sonata-for-piano-in-five-movements-22825425.html
www.sheetmusicdirect.com/en-US/se/ID_No/1590074/Product.aspx
Recorded on 28th July 2024
Pianist: Andrei Hadap
@ 2MBS Fine Music Studios, Sydney
Executive Producer: Julie Simonds
Recording Engineer: Jayson McBride
A Holiday in Naples: A Sonata for Piano (2021, rev. 2024)
Composed by Andrei Hadap
I. At the Carnival
II. A Merchant at the Spinning Wheel
III. In the Ballroom
IV. At the Opera
V. At the Plaza
A Holiday in Naples is a five-movement programmatic work for solo piano composed in 2021 by Andrei Hadap. Composed in the late nineteenth century style, it depicts a lone traveller who explores the city of Naples in the same period. Each movement is a short scene that narrates the traveller’s experience during his visit through music.
The first movement, At the Carnival, in sonata form, begins with a slow introduction as the traveller sets foot at the pier in the morning. The main allegro begins as he hears the carnival from a distance and proceeds to explore, represented by the scherzando-like figures. Short episodes of tranquillity interrupt the carnival as the traveller, in a reverie, looks out to admire the Neapolitan coastline. The piece ends as the carnival fades out into the distance.
Contrasting with the festivities, the traveller encounters A Merchant at the Spinning Wheel, the title of the second movement. This encounter depicts the reality of the poverty-stricken region at the time. Here, the merchant is depicted in a trance-like state, with as the monotonous arpeggiated figures at the piano are heard throughout. Later in the piece we hear the agitated merchant spinning the wheel faster.
The third movement, In the Ballroom, the traveller enters a ballroom, observing the dancers from a distance. He finds himself drawn to a young woman, though slightly nervous, whom he invites to dance. In the middle section, we hear the awkwardness between them as the they both stumble frequently. Eventually, he regains his composure and the two dance for well into the evening.
In the fourth movement At the Opera, the traveller then goes to a nearby Opera house where he walks in during a love duet between a tenor and soprano.
The final movement At the Plaza, traveller encounters the carnival once again. This time, they are dancing a tarantella, a Neapolitan folkdance depicting the involuntary muscle spasms as a result of a venomous spider bite. The traveller joins in and dances with them until sunrise.
#periodcomposition #originalcomposition #historicalcomposition #australian #australianmusic #piano #classical #sonata
Please support and consider purchasing the sheet music here:
www.sheetmusicplus.com/en/product/a-holiday-in-naples-a-sonata-for-piano-in-five-movements-22825425.html
www.sheetmusicdirect.com/en-US/se/ID_No/1590074/Product.aspx
Recorded on 28th July 2024
Pianist: Andrei Hadap
@ 2MBS Fine Music Studios, Sydney
Executive Producer: Julie Simonds
Recording Engineer: Jayson McBride
A Holiday in Naples: A Sonata for Piano (2021, rev. 2024)
Composed by Andrei Hadap
I. At the Carnival
II. A Merchant at the Spinning Wheel
III. In the Ballroom
IV. At the Opera
V. At the Plaza
A Holiday in Naples is a five-movement programmatic work for solo piano composed in 2021 by Andrei Hadap. Composed in the late nineteenth century style, it depicts a lone traveller who explores the city of Naples in the same period. Each movement is a short scene that narrates the traveller’s experience during his visit through music.
The first movement, At the Carnival, in sonata form, begins with a slow introduction as the traveller sets foot at the pier in the morning. The main allegro begins as he hears the carnival from a distance and proceeds to explore, represented by the scherzando-like figures. Short episodes of tranquillity interrupt the carnival as the traveller, in a reverie, looks out to admire the Neapolitan coastline. The piece ends as the carnival fades out into the distance.
Contrasting with the festivities, the traveller encounters A Merchant at the Spinning Wheel, the title of the second movement. This encounter depicts the reality of the poverty-stricken region at the time. Here, the merchant is depicted in a trance-like state, with as the monotonous arpeggiated figures at the piano are heard throughout. Later in the piece we hear the agitated merchant spinning the wheel faster.
The third movement, In the Ballroom, the traveller enters a ballroom, observing the dancers from a distance. He finds himself drawn to a young woman, though slightly nervous, whom he invites to dance. In the middle section, we hear the awkwardness between them as the they both stumble frequently. Eventually, he regains his composure and the two dance for well into the evening.
In the fourth movement At the Opera, the traveller then goes to a nearby Opera house where he walks in during a love duet between a tenor and soprano.
The final movement At the Plaza, traveller encounters the carnival once again. This time, they are dancing a tarantella, a Neapolitan folkdance depicting the involuntary muscle spasms as a result of a venomous spider bite. The traveller joins in and dances with them until sunrise.
#periodcomposition #originalcomposition #historicalcomposition #australian #australianmusic #piano #classical #sonata
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Sa bawat sandali tayo ay magkapiling Ang bawat lunggati pakinggan ang hiling Ang puso ko't budhi ay hindi sinungaling Sana ay ulinigin damdamin ko giliw Asahang pangarap nitong buhay Lahat ng araw kita'y mamahalin Iwasan ang iyong alinlangan Lahat ng araw kita'y mamahalin Sa labi ng imbing kamatayan Itangi yaring pagmamahal Dulutang magtapat sayo hirang Lahat ng araw kita'y mamahalin
Sa bawat sandali tayo ay magkapiling Ang bawat lunggati pakinggan ang hiling Ang puso ko't budhi ay hindi sinungaling Sana ay ulinigin damdamin ko giliw Asahang pangarap nitong buhay Lahat ng araw kita'y mamahalin Iwasan ang iyong alinlangan Lahat ng araw kita'y mamahalin Sa labi ng imbing kamatayan Itangi yaring pagmamahal Dulutang magtapat sayo hirang Lahat ng araw kita'y mamahalin
Look long and difficult (more than Czerny's)
how to get this music sheet❤? nice accompaninent ❣️
pretty
That seating position looks unhealthily low. Does it work for you?
wow!! amazing... my lola used to sing this to me when i was a kid.
Nice little variation
A little bit slow but it’s is hard though it’s ok
Sarong banggi, sa higdaan Nakadangog ako Nin huni nin sarong gamgam Sa loba ko katurogan Bako kundi simong boses iyo palan Sarong banggi, sa higdaan Nakadangog ako Nin huni nin sarong gamgam Sa loba ko katurogan Bako kundi simong boses iyo palan Dagos ako bangon Si sakuyang mata iminuklat Kaidtong kadikluman ako nangalagkalag Si sakong paghiling pasiring sa itaas Simong lawog nahiling ko maliwanag Dagos ako bangon Si sakuyang mata iminuklat Kaidtong kadikluman ako nangalagkalag Si sakong paghiling pasiring sa itaas Simong lawog nahiling ko maliwanag --INSTRUMENTAL-- Dagos ako bangon Si sakuyang mata iminuklat Kaidtong kadikluman ako nangalagkalag Si sakong paghiling pasiring sa itaas Simong lawog nahiling ko maliwanag.... Poon na mahiling ko ika lunoy Ika sana pirmi ang sakong nasa isip Kaya pala Nonoy simong himation Mga inagrangay nin pobreng buhay ko Poon na mahiling ko ika lunoy Ika sana pirmi ang sakong nasa isip Kaya pala Nonoy simong himation Mga inagrangay nin pobreng buhay ko.
1:38 Baroque the Law. It's Bach to Jail for you, Krimineller d'Harmonie!
Superb work Andrei!!! I'm encouraged that improvisation within a classical context is reviving in our own country, Australia! I'm thrilled you are one of the key proponents of your generation for this! Keep up the amazing work, and happy to offer you all my support whenever you need it!
Thank you Daniel!
lo interpretas perfectamente bien guauu...
Salamat po. Anong scale po ito?
G#/Ab minor
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The spirit in the supposedly inconspicuous reveals itself to the vigilant. 🙂
This is amazing
Except the type c version of the music that really played by Bach, this is not bad. Maybe it should’ve been a what if Bach did played Tetris in different types. Lol
Jammin'
Beautiful, complimenti
I want you to know I LOVE THIS ❤ you did a Phenomenal job.
From the first two seconds i would say it's Papagenos bell aria (I can't write in German) from second act of Mozart's Opera ,,Die Zauberflöte" (The Magic Flute).
I was shocked when i first heard about it, because it's one of my favorite pieces from Mozart.
Okay I’m sorry but why use the completely original sheet music instead of a more neatly transcribed version?
Because Chopin's manuscripts are pretty to look at!
@@RhapsodyInKeysI agree!
Wonderful! This is perfect for the Shorts format!
One of the best piano pieces in such a great interpretation!
I could never quite get the hang of fugues. I didn't have much better luck with Tetris, but it didn't hurt my brain *as* *much* either. It just gave me night-long dreams of falling blocks. I assume something similar would have happened if I had spent as much time studying fugues as I did playing Tetris. However, I never did them at the same time either. I was long done with fugues before Tetris came along.
This is a truly phenomenal interpretation. I hear several different musical characteristics, most notably a jazzy waltz element. This is a great achievement and I wish you much success in the future.
Wow, what a refreshing interpretation. Congrats on this achievement!
I honestly think it's much more playable than many of Liszt's hard transcriptions (especially S390, S420, Berlioz and Beethoven Symphony Piano Solo ver.) btw, love to hear that speed to my taste!
He died in 1791.
You're right! My mistake
How hard would it be to make an algorithmic fugue generator?
Korobeiniki Fuga? Russian folk as fuga? LOL!!!
beautiful, where i can download this sheet?
Impressive
when bach has a Nintendo GameBoy
When Korobeiniki writen Bach...
When Bach will be russian ))))))
Thanks for uploading!
The magic semitone.
Dominant 7th section.
Hi i saw your Itik-itik sheet music video and im really glad you made that but can you make it sound original? I need it, thanks.
Good interpretation
Good work. Bravo!!!
Good thumbnail
Cringe thumbnail
Regardless if the thumbnail is cringe or not, the fact that you clicked on the video AND felt the need to comment, means it has done its job. Thanks for the view!
I will never understand how even in the depths of Alkan pieces like this we find miserable trolls who have nothing better to do but try and find company to join their misery. Thumbnail honestly isn't that cringe either. Reason I clicked is I genuinely was interested cause it's a recent upload I have never seen and I always love to hear new interpretations of my favorite composers. You earned a sub and like from me. Keep up the hard work! Remember, haters will always be our biggest fans! 🔥👏 @@RhapsodyInKeys
Cringe comment@@kaysonpiano
🥱🥱🥱🥱@@elijahlay5860
🥱🥱🥱🥱@@elijahlay5860
Excellent interpretation, I hear both the flute and the storm
I believe you could play it a bit romantically even tho it is clementi and it would sound great
C'est top mais à la fin après les points d'orgues ca manque de strettes :)
It’s russian folk song “korobejniki”
Beatiful!!!!!!! 🎉🎉🎉🎉🎉🎉🎉❤❤❤❤❤❤
I love and play this one too