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Alissa, thank you. very informative!

Just fantastic life story! i would not say that i would like to live all parts of it, but definitely Alissa is amazing example of how go ahead and not give up

Thank you for the informative video. It definitely helped me to rethink the way I use the color page

Thank you so much for this! you're amazing

您的讲解非常好

1:18:04 Sorry, but isn't it a horrible looking image with clearly visible power mask around his face? Not something you would expect from a "hollywood colorist"

Thanks for the great work I have learned a lot from you

you' re are so brilliant ...and i don't mean it ( sorry my french ). did that mean somthing ?

How much is everything individually? Or how much in total??

instan sub 🔥🔥

Thanks for the great content, umm deity batteries arent rechargable though. Becareful.

Thank you so much! You are very good teacher!

very impressed by this long sophisticated tutorial! one of a kind <3

thank you !

Instant sub!

it only took youtube forever to recommend someone other than a straight white man to teach davinci. thanks for this i'm sending it to our staff to get them up to speed and educate the davinci noobs. side note i had that same mac, there was a gpu issue and holy hell did it wreck my life for after effects for the longest. apple replaced it for the m2 max if you haven't used it yet man it cooks

You sync all shots using the external recording as the base placing it on track1. then all the angles are placed from track 2 etc. You delink audio from video for the multicamclip, pick track 1, then lock the track from changes. now you can edit between angles using only the external recording for audio. I do it for every videoclips that I shoot.

Hey, this channel is great! thanks for sharing your experience. I've been struggling with my timeline lagging. It's strange because my computer is equipped to run davinci smoothly, but its not. I have a IMac 8-core intel core i7 processor, pro 5700 xt graphics card with 16GB VRAM, and 128GB of memory. I'm getting discouraged can you please point me in the direction.

I'm a nerd and OCD person. Here is a good place to be. Great infos, apart from some minor "errors" that the community already pointed out: really thank you. Instant sub

This tutorial is insane!!! Thank you very much for the sharing! Hope to see more in future about specific topics like groups, clips matching etc. This video make me subscribe instantly

Great information, thank you! Quick question... Would you use the same color management when working in ProRes 4444XQ?

Hi Knight Light. Love the video. After watching your video regarding DaVinci Resolve I have now downloaded the software and I am using it. I also purchased the LoopDeck CT all thanks to you. I am only on the Free Version at the moment. Do you have any Discount Code which I could use to get the full version Please. Regards and keep up the good work. I would like to see some more of your videos regarding Editing. Thank

Thank you! But your way before applying the LUT looks so complicated. If you need a natural look, why don't you use the simple Color calibration chart? With one click you can generate the perfectly exposed and color-graded part that matches your previous and future video parts. Afterwards, you can enhance shadows and make small corrections which will be the same for the whole of your movie, and then apply LUT.... Cheers!

Very professional video! Congratulations!

Aa a begginer since I only have one TC-1 is there a way I can use just one TC-1 to Jam my mix pre 6 and then leave the TC-1 in the camera? I know it might start drifting and it might have to re jam multiple times a day. Is that even an option at least until I can get a second TC-1 ?

Is it bad that the shots are not matching? Some of the shots are with green tint some of them are with different contrast.

Bravo! Thank you for the indepth information and taking your time to share with us. Mucho Garcia! Best.

THANK YOU!

That was very interesting! subbed

Hi Alissa! I just discovered you yesterday and love your content, energy and dedication ! I wish I had been around when you were parting with your Ultrastudio hahaha I’m 1:12:16 in and I had to comment regarding the bug with power windows not appearing when you select the node. I remember it happening for a while on my end and found a solution and sort of a reason for it, it might not even be a bug and that’s why it’s not been addressed. So, to easily show the power windows (or anything that’s not popping up), head to the bottom left corner outside frame of your viewer screen (I might be wrong with the title, but the screen that’s next to your nodes, not the video clean feed display hahaha Anyways, in that position will be the tools that are active. At the moment when you couldn’t see your power windows, the active tool was the qualifier I believe! The moment you implemented your solution by going to the menus and enabling the power windows, the little icon of qualifiers changed to the power window icon :D I believe you used the qualifier tool last, and that that is the reason why it didn’t switch to the power windows, it thought you were still using the qualifier. I guess sometimes it does switch, and sometimes it doesn’t, depending on its recognition of what’s currently being used :) I hope this helps and clarifies this behavior, and if I’m wrong, I’m happy to learn what’s happening with it! Wishing you all the best, keep going, you and your work are amazing! Nothing but love for you and your community! Kindest regards from Serbia! Teo P.S. I just uploaded my first ever colorist showreel here on TH-cam, and it would mean a lot to me if you gave it a quick look, it’s only about a minute long :) Any advice regarding the editing and opinion on the coloring (does it look professional/industry standard), are appreciated! I would be delighted to hear it come from you!

Found your channel recently & glad that I found you. Well, I am curious about why mid grey 40% mark is so high on your omniscope? What sort of settings are you using & would you mind making a tutorial on omniscope & mid grey (latchmans zone) setup?

Is it true that if i buy davinci speed editor that i get the davinci studio with it for free

How many hours does that battery power the audio recorder?

Happy birthday!!!

Can you share the .drx of that node trees. pre. post. and clip ?

wow you are amazing, i love your energy as well! hope i can meet you in person one day!

Perhaps you can explain something to me. Why is it that SDR content generally looks brighter and more vibrant than its HDR counterpart? Meaning when I directly compare the same exact content on a calibrated panel in both SDR and HDR, the SDR version will almost always seem to have a higher average luminosity level and more vibrant colors. This is not because brightness levels are cranked up either. HDR seems a bit less saturated but with the benefit of the occasional high nit specular highlight and perhaps better shadow detail. Just having a hard time finding a technical explanation for why SDR is actually more vibrant and generally brighter on average. Is it because it is a more compressed format? I have read that SDR has a higher average luminosity level, this seems to be the case.

Thank you for this

Thanks for this video. Correct me if I am wrong, in the end of this video, it seems you did not bothered with the concept of 180 degree role. Secondly, you placed your camera on Christopher's right side where you placed the light. Remmember, you said put the camera on the darkest side of the subject.

Notes on 5:19: Rembrandt lighting is of course used in more than just superhero movies. If you're new to lighting techniques and the concept of Rembrandt lighting, give yourself the challenge of looking for it in your favorite bingeable TV series or movie. It's a very common method of lighting for DPs that adds dimensionality to your show/film. Remember, one of our most important jobs is making the 2D world we're filming more 3 dimensional to viewers. Use every tool you can to add more dimensionality to your shot (read: paint with light). Yes. We placed our C-cam on the lit side of the talent to show the full 180 degrees of his face in this lighting setup.

❤️🔥

Hello, can you show me the CST input node of the Pre, I am wondering if you transform to DWG wide gamut before clip level ( that means all the clip color correction is within Davinci Wide Gamut)

watching you from Zambia , your are the best

Thnks for this vedio love from india❤️

Thank you, this is soooooo incredibly helpful!

Excellent ! This is very helpfull.

Love what you do and your teaching style is on point Just wondering when you do the primary balance, noting changes in the primary wheels window Or am I missing something ? Keep pumping out content, I love how concrete it is and in the real world 🔥🔥🔥

Pure 2 hour value. Thanks a lot.