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Hermoso

Fantastic, the speed is the original one indicated by Beethoven. It’s very hard to keep the rhythm for all the sonata, expecially in the first movement

DIO È AMORE. DIO È NOSTRO DIO. 🙏🙏🙏

❤

Fantastique ce que fait Prégardien ! Mais pourquoi ce pianiste joue-t-il tellement en note piquée ? Aucune résonance sur les notes, je ne comprends pas ce choix qui accompagne si mal la voix..

I have very little doubt that Hamelin is the greatest technician to ever play the piano, or at least no one in history has possessed better technique than him. But love it or hate it, the standard is perfection when you have Hamelin's reputation, and that flub at 3:30 was as glaring as it was shocking. It's one performance out of tens of thousands where he's taken the most technically difficult pieces and eaten them like candy. But this was literally the first time I've heard him screw something up. He's human after all!

I love this version, but there is a jump or scratch at 2:46.

A very convincing interpretation. Not the cleanest out there, but you bring out the struggle in a very raw and intimate way. It's apparent that you let yourself be burdened by the weigh of this piece, which is very demanding both physically and psychologically. The result is a very touching and heartbreaking rendition. The way you let yourself feel each moment invites the listener to feel the same way. For a piece like this, it is extremely valuable, making your interpretation one of the best in human history.

Ça fait du bien à mon âme

A melhor interpretação desta Sonata, para mim.

Be sure to listen to the recordings with M. Korstick, the pianist who is unfortunately only known to lovers of Beethoven sonatas.

12:24

Leise flehen meine Lieder Durch die Nacht zu dir In den stillen Hain hernieder Liebchen, komm zu mir! Flüsternd schlanke Wipfel rauschen In des Mondes Licht In des Mondes Licht Des Verräters feindlich Lauschen Fürchte, Holde, nicht Fürchte, Holde, nicht Hörst die Nachtigallen schlagen? Ach! sie flehen dich Mit der Töne süßen Klagen Flehen sie für mich Sie verstehn des Busens Sehnen Kennen Liebesschmerz Kennen Liebesschmerz Rühren mit den Silbertönen Jedes weiche Herz Jedes weiche Herz Laß auch dir die Brust bewegen Liebchen, höre mich! Bebend harr' ich dir entgegen! Komm, beglücke mich! Komm, beglücke mich! Beglücke mich!

Superbe interpretatrion..bravissimo monsieur:-))))

Очень 👍

Alive!

Ich fange an, mich um dich zu kümmern und alles scheint✨Zum Wald🌳🦉Das beste Traumgefühl des Schlafens, während man das Lied der 🦉 hört 貴方が気になり出して　全てが光輝く✨森🌳へ🦉梟の唄を聴きながら眠る極上の夢見心地

👏👏👏

Halbe = 139!! Bravo

3:30..........

2:57 nice bow save

He is not my favorite pianist, but his Scarbo is extremely satisfying for me. It seems that more often than not they make a mess of it. The whole composition is so overblown anyway.

He is one of the best tenors I have ever listened to

The tone of that piano is gorgeous.

Vielleicht auch für Levitt selbst ein einmaliges Erlebnis?

Maravilloso❤

I like this Interpretation but i think the first Movement is played to fast. The Part at Minute 20 is also to fast and to lout for me. The rest is wonderful.

Most beautiful performance of all time

The Hammerklavier is HIS PIECE. Some artists seem to have one piece that the way they play it is like a revealation from on high and an immortal recording is caught on tape, like Brahms hungarian dance #6 played by Jaques Thibaud. Plus one or two other things, yet not everything he played (as on youtubes) seems to me the same outstanding way.

A few seconds of a mistake, in one of the most notoriously difficult passages in piano history, and the world goes completely mad. Get a grip. Get a life.

Very special and sublime playing.

Adorable ❤❤❤

Hier ist jede - jede! - Note durchdacht wie auch durchempfunden. Ich habe nie eine bessere Interpretation des Adagios gehört. Zum Niederknieen schön.

Bravo

Levit is undoubtedly one of the great interpreters of Beethoven. Thanks to his complete sonatas, he has acquired an absolute mastery of the structure of the works, integrating all the sonatas as few pianists can. In this way, everything is considered and thought through. This in no way prevents him from giving us a spontaneous interpretation of this splendid sonata, rich in sonority. For those who have not yet had the chance to listen to the complete sonatas, don't wait any longer: they are masterpieces of priceless beauty. We can only bow our heads in admiration of Mr Levit's remarkable work.

Igor Levit is easily my favorite when it comes to Beethoven. His performances are powerful and rich with emotion. Each piece feels fresh and energized.

Wonderful rendition indeed, both the pianist and the singer truly understand the poetry of every note / word in this masterpiece. Bravo!

Wonderful interpretation. Than you for sharing this.

Wonderful interpretation. Great to see Viardo performing. He as a few really excellent recordings on the propiano label, and one of them is of these Liszt transcriptions.

bravo

Martin helmchen

0:42 0:58 1:13 4:42 5:30

th-cam.com/video/WiHtNP_vkXY/w-d-xo.htmlfeature=shared R.Brautigam is playing like Igor, in the 2nd mov.

SUPER!

This is fantastic! Three greats!

Leise flehen meine Lieder Durch die Nacht zu dir In den stillen Hain hernieder Liebchen, komm zu mir! Flüsternd schlanke Wipfel rauschen In des Mondes Licht In des Mondes Licht Des Verräters feindlich Lauschen Fürchte, Holde, nicht Fürchte, Holde, nicht Hörst die Nachtigallen schlagen? Ach! sie flehen dich Mit der Töne süßen Klagen Flehen sie für mich Sie verstehn des Busens Sehnen Kennen Liebesschmerz Kennen Liebesschmerz Rühren mit den Silbertönen Jedes weiche Herz Jedes weiche Herz Laß auch dir die Brust bewegen Liebchen, höre mich! Bebend harr' ich dir entgegen! Komm, beglücke mich! Komm, beglücke mich! Beglücke mich! Traducir al español

Leise flehen meine Lieder Durch die Nacht zu dir In den stillen Hain hernieder Liebchen, komm zu mir! Flüsternd schlanke Wipfel rauschen In des Mondes Licht In des Mondes Licht Des Verräters feindlich Lauschen Fürchte, Holde, nicht Fürchte, Holde, nicht Hörst die Nachtigallen schlagen? Ach! sie flehen dich Mit der Töne süßen Klagen Flehen sie für mich Sie verstehn des Busens Sehnen Kennen Liebesschmerz Kennen Liebesschmerz Rühren mit den Silbertönen Jedes weiche Herz Jedes weiche Herz Laß auch dir die Brust bewegen Liebchen, höre mich! Bebend harr' ich dir entgegen! Komm, beglücke mich! Komm, beglücke mich! Beglücke mich!

Was there audio compression present? Seems the dynamics are lacking.... ???

Wann fand dieses Konzert denn statt - und wo?

I'm appalled that the ending of the final movement was cut. A crime against Beethoven himself.