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Joe Balabuszko
เข้าร่วมเมื่อ 7 ธ.ค. 2015
วีดีโอ
Gold Leaf Tools of the Trade
มุมมอง 389หลายเดือนก่อน
Some of the tools you'll need to get started with Gold Leafing
Gold Leaf Tips Silk Screening Basics
มุมมอง 327หลายเดือนก่อน
The basics for silk screening on glass - for window sign painting and gold leafing.
Gold Leaf Tips Tape Ink and Pencils
มุมมอง 159หลายเดือนก่อน
Joe's tips for sign painting and gold leafing - focusing on pencils, ink, and tape.
Gold Leaf Tips - Resources and Work Samples
มุมมอง 2.9K4 ปีที่แล้ว
Some of Joe's favorite things: Resources for gold leaf artists. References below: Books and Publications: Gold Leaf Techniques - Raymond Leblanc (out of Print) Gold Leaf Techniques - Kent H Smith - 4th Edition Available at Amazon and other booksellers Sign Painting Up to Now - Frank H Atkinson (out of print) The Sign Painter’s Sketchbook - Noel B Weber - Order at www.noelbweber.com The Artist’s...
Gold Leaf Tips - Cup Folding and Mahl Stick
มุมมอง 1.6K4 ปีที่แล้ว
In this video, Joe shows how to fold cups from index cards, and talks a bit about mahlsticks... plus a little about what's coming up in the series!
Gold Leaf Tips 2 - Gold Size Preparation
มุมมอง 6K4 ปีที่แล้ว
In this episode Joe shows you how to prep gold leaf size both with a heater and the microwave. Then a bit about application.
Gold Leaf Tips
มุมมอง 17K4 ปีที่แล้ว
Part one with master gold leafer and sign painter Joe Balabuszko.
hello. Im doing gilding with copper on glass,, to get an antique mirror effect ,,,, any advise about this material _ is it copper acting the same as gold or silver.? ,,, thanks !
I have antiqued copper leaf by exposing it to ammonia fumes for various amounts of time. It works well, and quite quickly. You must enclose the leaf in a sealed area. Put the ammonia in a dish near the leaf. the fumes will do the rest. SAFETY PRECAUTIONS MUST BE TAKEN WHEN DOING THIS PROCEDURE. Wear a respirator, and eye protection.
Spit does work good for alot of different paint 😊
I have occasionally also used my trusty orbital sander on lowest speed with 80 grit then 120 and a resperator.
The way shown has been used by glass workers as a fast method for a very long time. Making the tool is easy. Some double sided tape, and wet, dry sand paper is all you need.
Just what I needed thanks Joe
Hope to see you at the Society of Golders Conference in Charleston, South Carolina. August, 5 to 9. My class is the 5th to 7th. A very comprehensive class about gilding on glass , and 3d items. Pattern making , sign painting with 1Shot, and Ronan paint. Silk screening, horizontal, and vertical. Lots more, including how to price for profit.
@@joebalabuszko8863 I’d love to be able to get there little hard being in Australia
Great tour of your equipment. Thanks for sharing!
I gotta agree with the previous posting. The information is hard to find so ty so very much for your vids.
More to come, lots of subjects.
Great tips Joe,keep them comming.
Great videos as always, would love to hear about some of fsvourite jobs and about your design process them!
Oh. Thank goodness! I always wondered why you didnt have more videos. This knowledge is priceless!!
Love your videos!
wonderful video! thanks champ
Good video,great to see you again Joe.
So good to see more vids Joe! I’ve learned so much from you. Thanks mate!!
Fantastic video sure wish he would have made more videos ❤️
Hi Joe Balabuszko
Just love your videos on gold leaf guilding. Was wondering if you were going to make any others. Thank you for sharing your knowledge.
Is joe still planning to make more videos? I see they stopped rather abruptly and they are very good videos.
Some great old school ideas here. Love it, thanks
will there be more videos in the future?
I had to learn on my own. Now I have guidance, thank you Sir.
Two more videos being made 7-13'23. Explanation of all equipment needed for shop, or to travel. Second video is to demonstrate how to silk screen verticaly. The method , of course can be used for first, and second work. Demo will include info on adding metalic finishes to first surface printing.
Did you apply the gold leaf while the glue is still wet? I thought that one needs to let it dry and sticky to apply the leaf.
❤❤❤😊
Another brilliant video Joe!!!
Thanks Joe, this is such a brilliant video! I learned a lot of new things that I'll be trying out. I'm especially keen to try the addition of a few drops of dish soap to my size mix. Never heard that one before. I'll definitely be checking your other vids out!! :D
Great videos Joe!!
After putting on the gold, what are the next steps and waiting times. eg dry time, burnishing and whatever steps that follow. Keep up the lessons. Thanks
Nice
I will be attending the Society Of Gilders event in Ashville , NC in Sept 22. Have been asked to do a little teaching during her class by the incredible Anne McDonald. This is a real honor for me. Please look up the Socieyy of Gilders for info on our organization.
Hi Joe. I was trying to find the brushes you use. Couldn't. Would you be able to sell them to me, or direct me where to buy them?
Wherung and Billmeier Glld Leaf in Sheboygan WI AKA. W&B GOLD LEAF. They sell every gilding supply you need as far as tools, or equipment required. They also sell all kinds of gold, and variegated leaf you could ever imagine. I have been dealing with W&B since 1973.. My go too source for all my supplies. I am not associated with the company in any capasity. Only as a customer. I have known three generations of the Billmeier family, great people.
I will ask Anne if she would allow any video to be made of the event. It may be a help to anyone interested in gilding.
Hello Joe,Did I miss what was in your size? I thought there was only size in a can(one shot,ect.) Can you please explain that to me,what you use,how much and so on?/ Please. Thank you, your videos are so kool!
Sorry Joe,I just watched #2 and got my answers.Sorry I was dumb. Please make a whole bunch of videos,its hard to find great tutors and you are awesome!!
In the size used for gilding second surface [ the back side of the glass ] I used 2 00 size gelatin capsules. Melted into distilled water. I recommend using gelatin diamond shaped leaves, 2 per quart of water as a better alternative to the capsules. I did not have any of the gelatin diamonds at the time of the video. There are essentially 2 kinds of varnish sizes [ in cans ] slow size and fast size These products have nothing to do with the kind of size I was demonstrating.The varnish sizes are for use in first surface gilding. As you have seen on statues, picture frames domes on buildings, etc. Please review the videos again to see the size making procedure. I will be making more videos soon to review size making using gelatin sheets instead of capsules.The videos will concentrate on procedures for gilding on glass. Subjects covered will include set ups for silk screening vertically on glass. Shading, and convexing letters, paint prep. to do outlines , etc. hope this info. was a help.
@@joebalabuszko8863 Thank you Joe, I have never seen 2nd surface gilding so I am still a bit fuzzy,cant wait for more! Troy
Review the first video for basic procedures. I will do the procedures in more detail, and camera angles to clarify procedures. The initial set of videos will be focused on second surface gilding. After that I will start first surface techniques. The glass procedures ard being done becsusr they are the ones people are most anxious to learn, and cant find help.
Amazing work! Thanks What are the wait times between burnish, then second gild and or back up or layout paint?
It is always dependent on conditions. I have been on jobs where a hair dryer was needed. I have also blotted the leaf by putting a sheet of news paper on the gild and gently used the side of my hand to rub from top to bottom , 1 time per sheet to help things along. Have been on jobs where the gold had that bright look to say I am ready for a burnish, then iost a third of the gold because it was raw. Usually, under normal conditions, as soon as the first burnish pleases you, you can second gild. Thank you for asking this, I will show the procedure on the next video. I will include comments about it. Also show the blotting method. As soon as you burnish the second gild you can paint on it with no problems. Thank you for good question. This will help direct the next video. I hope this was a help for you.
Thank you for sharing.
Wonderful presentations Joe, hope there will be more soon?
I just bought the Sketch Book!
Thank You Joe!!
Fantastico!
Thank you so much for sharing your knowledge!
Nice job , joe. It’s always nice to see an artist at work
Excellent. Thank you : )
Amazing! LOVE the hand pallet/paint holding 'glove' !!
Lesser people would have edited out the misshaps but we can all see you know what you are doing and gives emphasis that it is a tricky job as you say, even for the best of us.
Many more videos to come with plenty of mistakes. Procedure to fix mistakes will be included.
Love all four of your videos. I hope the hand is healing well! I'm just starting off with sign painting & glass gilding and your videos have been a really huge source of inspiration and help.
Thank you so much for sharing your tips. You definitely are a master of your trade. Also, you look very good for a million plus!
As a relic let out of the Smithsonian, much thanks for kind words.
I hope you will still produce part 3 of the gold leaf series, I’ve enjoyed every video of yours. I’ve been sign painting for close to two years and am hoping for my first gilding project this year now. Thanks for all of your insight and guidance. -Bailey Clayton, California
Fascinating. Thank you so much for sharing
Lot's more to come, various techniques, all fun.
roger stones brother?
Joe, Hope you're ok in these cover times - are you still planning on producing these insights into your industry? It's the best introduction someone interested in your craft could ask for.
what a nice guy Joe seems to be!! his tips are great!! his sign workshop looks just like mine!! Love all his books!! keep on gilding Joe !!!! Lovely Guy.
This lesson was so well done! I have a job gilding a business glass storefront, and the logo has no outline, or drop shadow. Should I lay down the leaf first, as illustrated here? Then paint the reverse logo in black? Let set, then remove excess? Leaving a shiny flat gilded logo on the facade? I am subscribing now! THANKS!!!
@@peterstevens7109 Thank you! We decided to use gold leaf paint instead. But I will be gilding in a upcoming class this year, so this research will pay off later!