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Wow! One of my viola friends is always saying that fiddling on viola is too difficult....This proves otherwise. Besides, if Natalie Haas can do it on cello, violas have no excuse. Btw, if you ever have the chance to meet and jam with Alasdair and Natalie....you won't regret it.

Possibly the greatest performance of this masterpiece.

This is REALLY interesting. I like how the three separate improvisations led to the formation of a group -- a composition, and then to the 'chorus' at the end. More please!

SONATA FORM Exposition: 0:37 Theme A (Part One 0:37) 2:30 Theme B (First Episode (i) 2:30) 3:22 Development (First Episode (ii) 3:22, Part Two 7:34, Second Episode 10:52) Recapitulation: 13:23 Theme A (Part Three (i) 13:23) 14:25 Theme B (Part Three (ii)) 15:08 Coda (Part Three (iii)) SCHOENBERG'S MOVEMENTS 0:37 Part One (Theme A) 2:30 First Episode (Theme B, Development) 7:34 Part Two (Development) 10:52 Second Episode (Development) 13:23 Part Three (Theme A, Theme B, Coda) Thank you very much for this exciting performance, I have wanted for months to try to parse out the structure of this piece, and TH-cam videos are great for this purpose. I think this performance is really terrific, a lot more aggressive than the La Salle performance I have been listening to. Please note that I am not a musician, and this is just an amateur listener trying to make sense out of a pretty unusual piece.

Cool

Одно из лучших струнных трио за всю историю. Впечатляет. Особенно вступление. Отличная интерпретация.

das swingt total - super spannend

Truly impressive

Pity they are greeted with whoops. So undignified. Sorry America!

hey yall... this is fantastic.

BRAVISSIMI !!!

Thank you all, for a beautiful performance and recording.

th-cam.com/video/L_yCNlXjJGo/w-d-xo.html

Magnificent. Demanding. Inspiring. Thank you!

This work is a miracle on Western classical music history.

It's wonderful enough to be heard infinitly-repeatedly.

Dies ist der Ankunftsort von Schönberg. Gleichzeitig ist es zusammen mit Beethovens spätem Streichquartett das ultimative Ziel der westlichen klassischen Musik. www.schoenberg.at/index.php/de/joomla-license-sp-1943310035/string-trio-op-45-1946

シェーンベルクの到達点です。同時に、ベートーヴェンの後期弦楽四重奏と並んで、西洋クラシック音楽の到達点です。 ja.wikipedia.org/wiki/%E5%BC%A6%E6%A5%BD%E4%B8%89%E9%87%8D%E5%A5%8F%E6%9B%B2_(%E3%82%B7%E3%82%A7%E3%83%BC%E3%83%B3%E3%83%99%E3%83%AB%E3%82%AF)

This is the arrival point of Schoenberg. At the same time, along with Beethoven's late string quartet, it is the ultimate goal of Western classical music. www.schoenberg.at/index.php/de/joomla-license-sp-1943310035/string-trio-op-45-1946

Amazing music, amazing performance.

La musique est salutaire quand elle suscite une émotion ou une humeur en vous. il ne s'agit pas nécessairement d'être mélodique ou ouvertement musical, mais plutôt de transporter l'auditeur quelque part où il n'était pas avant. Dans ce cas précis, j'ai l'impression d'être assis sur un banc de parc par une tiède soirée. le vent me caresse doucement le visage, et tout est silencieux à part la nature qui m'entoure. Il est intéressant que je mentionne que cela évoque le silence, quand je parle de cette musique.

12音音楽の傑作ですね。

Beautiful start. And then it stops without warning :-)

this answers my question, will performers play 20th century pieces with the care and concern that prior generations gave to brahms and Mozart, looks like the answer is yes. bravo.

Fantastic performance of this very difficult piece. Bravi!

Fucking awesome

Can’t tell which one is first violinist and second violin, or violist Edit:Just read the description. But which one is the violist and which one is the violinist

Don’t know what to think about this...

When the principal voice is marked, it doesn't mean the secondary voices disappear. I had trouble hearing those voices. ppp, pp, p all depend on the hall and its acoustics. Turning up the volume, I couldn't make out anything in ppp. Dynamics are relative to acoustics. The passage 'sempre ppp and without accentuations' sounded sul pont., which it is not. The 'calando' at 153 was barely noticeable (this and the measure before are two of the most beautiful in the entire work - why rush through them?). The 'agitato' following this is an ostinato, with the lead in the violin. The rhythm was not clear. Near the opening, the 'poco a poco accel. e cresc.' is effective only if it starts slowly enough so one can hear the 'accel.' I couldn't. (also the second time around.) There are passages reminiscent of romanticism, measure 57, for instance. Starting 'mf' with cresc. I think these and other lyrical moments can be brought out. Not all pauses (') should be created equal. I enjoyed your performance for its commitment.

I am enchanted! This is not a single-track interpretation, but rather it shows even the late Schönberg still struggling between expression and abstraction. How beautiful these melodies are! Thank you for this.

Superb performance! Congratulations!

Una interpretación magnífica de estos jóvenes músicos, de una obra EMBLEMÁTICA en la producción de Arnold Schoenberg, música que quedará como una de las más profundas en la historia de la música para cuerdas, en este caso de un trío. Maravilloso....!!!! Me hace muy feliz.... y sobre todo sabiendo de las condiciones en que Schoenberg compuso esta obra, casi al borde de la muerte.... Felicitaciones a los intérpretes...!!!

Wow! That was amazing.

Great video!

One of my favorite Schoenberg compositions! Excellently played! Profoundly played! Hope all three of the (outstanding) players do well in the future!

Absolutely incredible considering you guys' age! Fuckin' amazing performance. =)

awesome

Al primo ascolto può sembrare la musica più astratta dell'autore.Invece è stata ispirata da un evento terribilmente concreto.Fu scritta dopo un arresto cardiaco,risolto con una iniezione intracardiaca.

really great!!!! I have to study Schönberg for my final musicology exam and seeing such a wonderful playing makes it more fun! :)

Unglaublich!!!!

great playing and incredible piece!!

Holy God; wonder how much they had to rehearse THAT to get it together the way they did.... Awesome Awesome Awesome. Thanks So much for posting, Thank you players; sick job, and, of course Thank you Schoenberg.

Philistine!

Cracking ensemble playing! bravo

POWERFUL STUFF! Fantastic playing.

Trash music...

maestro schoenberg maestro el trio

Excellent!

Ermahgerd Schoenberg!