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Oh, I don't know about that. I think at this level of playing, he's certainly free to make artistic choices regarding the amount of freedom he brings to the rhythm. Being pedantically doctrinaire about such things is for undergrad programs, not for fully fledged artists. The real question, I think, is whether he makes it work. If one has determined in advance that such freedom is verboten, then the decision has been made in advance. From my point of view, this player makes his idioscratic case triumphantly. (Also from Canada)

@@syncopate50 Well, it’s complicated. Along some grey line is the differentiation between noise and music. On another level is the drift between as-written and improvisation. In another matter is what makes Bach “Bach.” For his “idioscratic” (not a word, I think you mean “idiosyncratic”) case to work, it needs some sense of organizational motif, a sense of flow or melodic theme, which I find missing. And improvisation could rest in a realm of caricature or of a new thematic direction, and I don’t see any of that.

Wir freuen uns ebenfalls, dass uns die evangelischen Kollegen immer wieder mit ihrer Musik erfreuen. Die nächste Matinee ist schon gebucht :-) Herzliche Grüße an die Erlöserkirche!

Thank you for your comment. You are of course free to judge musical interpretations at your own discretion. Tastes differ. But why do you feel the need to compare a professional singer with a 13-year-old who follows the instructions of his singing teacher? Furthermore, you are comparing two different vocal ranges. In our language, this is called comparing apples with oranges 🙂

@@Kirchenmusik_Immenstadt- I sure expected an "answer" from you. - Yes, we are talking about apples and oranges, but I was not comparing anything like that. - My main interest with new recordings of old music, is that it is performed as much as possible like the composer intended and how he had it performed. Franck did this P&E. for - and performed it himself for - music during Holy Communion - and with boys voices. - Not for general concerts. - Thus the piece with the (remarkably good) boy during a live Holy Communion in the church is a vast more genuine and nearer Franck's work than any lifeless, general concert, sung by anyone non-engaged,. a

@@BoGunnarHansson-re8gv I don't think we'll get anywhere this way. What we do know, however, is that the musical world would be a lot poorer if all music were only performed for its original purpose. In your opinion, Handel's Music for the Royal Fireworks, for example, should only have been performed once in London on April 27, 1749 (end of the War of the Austrian Succession). The same goes for all coronation masses or requiems dedicated to a specific person. We are sure that Franck will forgive us for not letting his music be forgotten. We are presenting a cross-section of our musical work here - liturgical and concert. That's all. And we welcome all expertise, including yours 🙂

Ihr Lob wird Philipp sehr freuen. Wenn man bedenkt, welch schwierige Gesundheitsgeschichte seinem Konzert vorausgeht, kann man nur den Hut ziehen. Wir freuen uns, dass er sein erstes Konzert nach langer Unterbrechnung bei uns in Immenstadt gegeben hat.

@@Kirchenmusik_Immenstadt Ich wünsche ihn alles erdenklich Gute für die Zukunft und dass das mit seiner Gesundheit auch gut ausgehen wird.

Vrgealt's Gott! Mir freiet eis, wenn's g'fallt 🙂

Danke sehr

Vergealt's Gott! 🙂

Joa Donk😅😂