The Garden Cinema
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Days Q&A with actor Lee Kang-shen
Actor and filmmaker Lee Kang-sheng talks about his career and collaborations with Taiwanese titan Tsai Ming-liang for our screening of Days, hosted by academic and film consultant Dr Victor Fan.
Part of Taiwanese Cinema: Now &Then.
Info & tickets: www.thegardencinema.co.uk/season/taiwanese-cinema-now-and-then/
In the film Days, Tsai Ming-liang continues his exquisite examinations of alienation, isolation, and the fleeting beauty of human connection in one of his sparest and most intimate works. The director’s longtime muse Lee Kang-sheng once again stars as a variation on himself, wandering through a lonely urban landscape and seeking treatment in Hong Kong for a chronic illness; at the same time, a young Laotian immigrant working in Bangkok (Anong Houngheuangsy) goes about his daily routine.
Recorded on 9th September 2024 at The Garden Cinema
39-41 Parker Street London WC2B 5PQ
Visit our website: www.thegardencinema.co.uk/
Follow us on Twitter: x.com/thegardencinema
Follow us on Instagram: thegardencinema
มุมมอง: 5

วีดีโอ

Celebrating Al Pacino
มุมมอง 2.7K9 ชั่วโมงที่ผ่านมา
Throughout Autumn, our spotlight shines on an icon of New Hollywood and beyond, the living legend that is Al Pacino. Guided by suggestions from Garden Cinema members, we’ve selected 18 titles that we believe encapsulate Pacino’s intensity, range, and charisma. See the full list and book tickets: www.thegardencinema.co.uk/season/celebrating-al-pacino/ The screenings unfold broadly chronologicall...
Zhang Yimou's Video Message
มุมมอง 239 ชั่วโมงที่ผ่านมา
The Garden Cinema's Zhang Yimou Retrospective ran through Summer 2024 and screened a rare selection of masterpieces from his early career. Audiences also got to watch this personal message that Zhang Yimou made exclusively for The Garden Cinema. Find out more about the season: www.thegardencinema.co.uk/season/zhang-yimou-a-retrospective/
Natalie Lurie performs classic movie soundtracks from the 1940's-60's before The Third Man
มุมมอง 8912 ชั่วโมงที่ผ่านมา
In celebration of the 75th anniversary of The Third Man (1949), Natalie Lurie performs pieces from her favourite films from the 1940s-60s for our audience in Screen 1 at The Garden Cinema. 00:00 // Intro 00:20 // La Vie en Rose 03:35 // Moon River 06:00 // Hungarian Rhapsody no. 2 (Harpo Marx version) 10:22// The Third Man Theme Natalie Lurie is a classically-trained harpist, composer, arranger...
Natalie Lurie performs “Moon River” from Sabrina (1954)
มุมมอง 8712 ชั่วโมงที่ผ่านมา
In celebration of the 75th anniversary of The Third Man (1949), Natalie Lurie performed iconic tracks from films from the 1940s-60s, including the well-known song Moon River, for our audience in Screen 1 at The Garden Cinema. Natalie Lurie is a classically-trained harpist, composer, arranger and session harpist based in London, UK, and most had a song featured on the season finale of Netflix's ...
Natalie Lurie performs “Hungarian Rhapsody” from A Night in Casablanca (1946)
มุมมอง 39612 ชั่วโมงที่ผ่านมา
In celebration of the 75th anniversary of The Third Man (1949), Natalie Lurie performed iconic tracks from films from the 1940s-60s, including this rendition of Franz Liszt's Hungarian Rhapsody no. 2 as jazzed up by Harpo Marx in the movie A Night in Casablanca, for our audience in Screen 1 at The Garden Cinema. Natalie Lurie is a classically-trained harpist, composer, arranger and session harp...
Natalie Lurie performs “Third Man Theme” from The Third Man (1949)
มุมมอง 20812 ชั่วโมงที่ผ่านมา
In celebration of the 75th anniversary of The Third Man (1949), Natalie Lurie performed iconic tracks from films from the 1940s-60s, including the Third Man Theme, for our audience in Screen 1 at The Garden Cinema. Natalie Lurie is a classically-trained harpist, composer, arranger and session harpist based in London, UK, and most had a song featured on the season finale of Netflix's Grace and F...
Moonage Daydream Q&A with sound editor Nina Hartstone
มุมมอง 41วันที่ผ่านมา
In the Works is our regular series of screenings and informal conversations with guests from all areas of the industry, hosted by Oscar nominated composer Gary Yershon. Gary's guest is the Academy Award winning sound editor, Nina Hartstone. Aside from Moonage Daydream, for which she won an Emmy, Nina's credits include Everest, Saltburn, and her Oscar-winning work on Bohemian Rhapsody. Visit us ...
Taiwanese Cinema: Now and Then
มุมมอง 22421 วันที่ผ่านมา
Thu 05 Sep - Thu 03 Oct 2024 More info and to book tickets: www.thegardencinema.co.uk/season/taiwanese-cinema-now-and-then/ Following our popular New Taiwanese Cinema season in Autumn 2023, we are delighted to launch a new strand, supported by the Ministry of Culture, Taiwan, to showcase the best of classic and contemporary filmmaking from the region. Join us throughout September for a celebrat...
Shiraz introduced by Anupma Shanker
มุมมอง 4628 วันที่ผ่านมา
This film was selected for our programme and introduced by Anupma Shanker. Anupma is a British-Indian film curator and archives researcher, with a deep and evolving interest in colonial & post-colonial screen narratives. A silent spectacle featuring an all-Indian cast of thousands, lavish costumes and gorgeous settings, Shiraz: A Romance of India is based on the true story -or a romanticized ve...
The Salt in Our Waters introduced by Momtaz Begum-Hossain | South Asian Heritage Month 2024
มุมมอง 32หลายเดือนก่อน
Debut director Rezwan Sumit was awarded the Spike Lee Fellowship to produce this exquisite drama set in the Ganges Delta in Bangladesh. Momtaz Begum-Hossain is an award-winning journalist and podcaster who has reported from festivals including BFI London and Cannes. She has delivered workshops for Film London and hosted Q&As with Film Directors at venues including the BFI Southbank, Rich Mix, P...
Original Copy introduced by Dr Ashvin Immanuel Devasundaram | South Asian Heritage Month 2024
มุมมอง 37หลายเดือนก่อน
Original Copy is an essential documentary for cinephiles. A ravishing declaration of love to the cinema and its heroes both on and behind the big screen. Dr Ashvin Immanuel Devasundaram is a lecturer in World Cinema at Queen Mary University of London. See more films and events happening as part of South Asian Heritage Month at The Garden Cinema: www.thegardencinema.co.uk/season/south-asian-heri...
Queen of My Dreams introduced by Dr Kulraj Phullar | South Asian Heritage Month 2024
มุมมอง 37หลายเดือนก่อน
Queen of My Dreams opened our South Asian Heritage Month season and was introduced by Dr Kulraj Phullar, a London-based Film Studies teacher and researcher. Dr Kulraj Phullar is a London-based Film Studies teacher and researcher. His interests include classic Hollywood cinema, British colonial and diasporic cinemas, and popular Indian cinemas. He currently teaches at MetFilm School and the Nati...
Polite Society Q&A with actress Priya Kansara
มุมมอง 98หลายเดือนก่อน
Q&A with lead actor Priya Kansara, hosted by Dr Kulraj Phullar. See more films and events happening as part of South Asian Heritage Month at The Garden Cinema: www.thegardencinema.co.uk/season/south-asian-heritage-month-2024/ Dr Kulraj Phullar is a London-based Film Studies teacher and researcher. His interests include classic Hollywood cinema, British colonial and diasporic cinemas, and popula...
Jennifer Lim, Hester Yang, and Cici Peng on The Farewell
มุมมอง 56หลายเดือนก่อน
Jennifer Lim is an actor, theatre and filmmaker who also writes, directs and produces. Her acting work encompasses film, theatre, television, radio and audio work. Hester Yang, a London-based Chinese filmmaker and film programmer, focuses on alternative documentary storytelling. Cici Peng is a film journalist and film programmer based in London. She has written for British GQ, LWLies, Dazed & C...
Members' Summer Selection Trailer
มุมมอง 178หลายเดือนก่อน
Members' Summer Selection Trailer
Appropriate Behaviour Q&A with Desiree Akhavan | Women Aren't Funny Season
มุมมอง 2072 หลายเดือนก่อน
Appropriate Behaviour Q&A with Desiree Akhavan | Women Aren't Funny Season
Crouching Tiger, Hidden Dragon Q&A with production designer Tim Yip
มุมมอง 952 หลายเดือนก่อน
Crouching Tiger, Hidden Dragon Q&A with production designer Tim Yip
Omar Rios Performance before La hija de todas las rabias
มุมมอง 1282 หลายเดือนก่อน
Omar Rios Performance before La hija de todas las rabias
Caramel discussion with Abla Kandalaft and Laila Alj
มุมมอง 822 หลายเดือนก่อน
Caramel discussion with Abla Kandalaft and Laila Alj
Buitumelo Kotekwa introduces The Watermelon Woman and reads Zoe Leonard's poem 'I Want A President'
มุมมอง 562 หลายเดือนก่อน
Buitumelo Kotekwa introduces The Watermelon Woman and reads Zoe Leonard's poem 'I Want A President'
Birgit Bebe Dierken, Nanu Segal and Evelin van Rei on Cinematography | Garden Cinema Industry Panel
มุมมอง 1322 หลายเดือนก่อน
Birgit Bebe Dierken, Nanu Segal and Evelin van Rei on Cinematography | Garden Cinema Industry Panel
The Heartbreak Kid Q&A with Dr Devorah Baum and Journalist Darren Richman
มุมมอง 2482 หลายเดือนก่อน
The Heartbreak Kid Q&A with Dr Devorah Baum and Journalist Darren Richman
South Asian Heritage Month 2024: Free To Be Me
มุมมอง 4872 หลายเดือนก่อน
South Asian Heritage Month 2024: Free To Be Me
The Passionate Stranger Q&A with Prof Melanie Williams and Dr Lawrence Napper
มุมมอง 942 หลายเดือนก่อน
The Passionate Stranger Q&A with Prof Melanie Williams and Dr Lawrence Napper
Dance, Girl, Dance discussion with Melanie Iredale, Caroline Cassin, and Mary O'Connell
มุมมอง 983 หลายเดือนก่อน
Dance, Girl, Dance discussion with Melanie Iredale, Caroline Cassin, and Mary O'Connell
Gravity Q&A with sound production mixer Chris Munro
มุมมอง 683 หลายเดือนก่อน
Gravity Q&A with sound production mixer Chris Munro
Slow Q&A with director Marija Kavtaradze
มุมมอง 2393 หลายเดือนก่อน
Slow Q&A with director Marija Kavtaradze
Our Mothers Q&A with director with César Díaz
มุมมอง 534 หลายเดือนก่อน
Our Mothers Q&A with director with César Díaz

ความคิดเห็น

  • @pa0mafeurtadott777
    @pa0mafeurtadott777 ชั่วโมงที่ผ่านมา

    love the film. Don't say this to try and take it down, but is david thewlis character not a misogynist? He skirts the line of r@pe repeatedly, he seems to enjoy toying and testing women, floating in his intellect to avoid any counter punches. I guess he does this with male characters too. a grim and captivating protagonist

  • @jamesconway337
    @jamesconway337 3 วันที่ผ่านมา

    Nice!!!

  • @NandiniSharma-o7r
    @NandiniSharma-o7r 3 วันที่ผ่านมา

    Moore Kimberly Miller Jeffrey Wilson Cynthia

  • @scrambled5948
    @scrambled5948 4 วันที่ผ่านมา

    Mr Dunkacino himself

  • @soccerholidays3338
    @soccerholidays3338 8 วันที่ผ่านมา

    I had never seen it when I first heard the infamous rant sampled during a compilation mix album by Orbital. From there I found out what film it was from. Definitely one of my favourite British films of all time.

  • @xuanwxx
    @xuanwxx 9 วันที่ผ่านมา

    Thanks for introducing these films! Can't wait to check them out.

  • @TheArtofPianoism-cr2pc
    @TheArtofPianoism-cr2pc 9 วันที่ผ่านมา

    Great films are always very simple stories and extremely well written e.g. Bicycle Thief by V. De Sica. The perpetual feeling of hopelessness and paranoia really reminded me of the Italian film and it’s connection with the German drama.

  • @Raj-ol8yy
    @Raj-ol8yy 12 วันที่ผ่านมา

    @1:50 'No body walked from one end to other'. Are we discounting Shankara and Nanak?

  • @trucknfool3510
    @trucknfool3510 20 วันที่ผ่านมา

    "I'm simply not there"

  • @user-mt6hr4qf9n
    @user-mt6hr4qf9n 22 วันที่ผ่านมา

    ha ha - did they cut out the woman who interrupted about when she could ask a question? There's a gap where she should have been

  • @AnhTuPhucDerrickHoangCanada
    @AnhTuPhucDerrickHoangCanada 26 วันที่ผ่านมา

    to sort things out

  • @AnhTuPhucDerrickHoangCanada
    @AnhTuPhucDerrickHoangCanada 26 วันที่ผ่านมา

    strife, btw what your bastard need

  • @libbycarp
    @libbycarp หลายเดือนก่อน

    Feel sorry for the student who mentioned naturalism. Zola would be turning right now. Mike Leigh really knows his beans. Great interview. The host is so gracious and lovely. Anyone wanting another interview with Mike Leigh - the Jarvis Cocker one is excellent also.

  • @90RavenBlack
    @90RavenBlack หลายเดือนก่อน

    Arguably the finest drama ever to be broadcast on British television. Exploring themes of sexuality, nationalism, cold war paranoia, landscape, climate, art, mysticism, Paganism and radical interpretations of Christianity, Penda's Fen is the kind of avant-garde film-making that will likely never be seen on British television again. Endlessly rewatchable and eternally complex, it remains an all to rare testament to the transformative potential of visual media.

  • @simonrowe5380
    @simonrowe5380 หลายเดือนก่อน

    Rich criticism of 'professional actors' whose abilty to inhabit the roles which are th least endearing ? 😊

  • @Floraison2
    @Floraison2 หลายเดือนก่อน

    Amazing interview with Desiree, Cant wait to see her new work :} I loved seeing an insight into her work and writing

  • @John-lp5xh
    @John-lp5xh หลายเดือนก่อน

    I watched the trailer, that's some orwellian level of propaganda

  • @keammaha990
    @keammaha990 หลายเดือนก่อน

    Congratulations Sir 🎉 Can't imagine the edit efforts

  • @Element-oe8hn
    @Element-oe8hn หลายเดือนก่อน

    Hopelessly misses the central point. Who would know there was anything visionary or mystical about Penda's Fen from listening to this political irrelevancy. Awful.

  • @lallyamanteofficial
    @lallyamanteofficial หลายเดือนก่อน

    He just created a MASTERPIECE and he seems so DOWN TO EARTH ! he inspires me so much in my film making career! ❤

  • @nochillisauce
    @nochillisauce หลายเดือนก่อน

    My Summer Of Love, obviously 😊

  • @Bagatellamusic
    @Bagatellamusic 2 หลายเดือนก่อน

    Career Girls is one of his best! ”Ricky” (Mark Benton) is one of my all time favorite roles.

  • @jackbarton7479
    @jackbarton7479 2 หลายเดือนก่อน

    Great discussion! Desperate to see this film now!

  • @just.nandez629
    @just.nandez629 2 หลายเดือนก่อน

    What name film movie?

  • @Bleech606
    @Bleech606 2 หลายเดือนก่อน

    For some reason I'm distracted by the fact that if Leonie, in that outfit, veered into view on a laptop camera she would be easily recognisable.

  • @daviswiggin4425
    @daviswiggin4425 2 หลายเดือนก่อน

    An absolute master!

  • @strussdo
    @strussdo 3 หลายเดือนก่อน

    Delcious Snack? 😂😂

  • @zasddsaf
    @zasddsaf 3 หลายเดือนก่อน

    yeasss!

  • @sspbrazil
    @sspbrazil 3 หลายเดือนก่อน

    This is one of my favorite films by Mike. It’s severely underrated.

  • @m.v.5093
    @m.v.5093 3 หลายเดือนก่อน

    🇱🇹🇱🇹🇱🇹

  • @ricardosajor2817
    @ricardosajor2817 3 หลายเดือนก่อน

    Just joined on the recommendation of a fellow film nerd and looking forward to my first film tomorrow!

  • @odysseusprodromou3260
    @odysseusprodromou3260 3 หลายเดือนก่อน

    he'd make a great James Bond...Viva Ken Loach one of a very few directors who re-presents the working class with their dignity and humanity without patronizing them with 'comic bits' or reducing them to isolated psychological phenomena. Taking them from the margins to the centre. What Shakespeare is to King n Queens Loach is to those that do the work and produce the wealth.

  • @Gab19
    @Gab19 3 หลายเดือนก่อน

    What an amazing movie!

  • @gerryenglish3122
    @gerryenglish3122 3 หลายเดือนก่อน

    Is there anywhere this can be watched?

    • @truecrimeboozer
      @truecrimeboozer 2 หลายเดือนก่อน

      On TH-cam at the time of posting this comment (while using a VPN set to the USA)

    • @gerryenglish3122
      @gerryenglish3122 2 หลายเดือนก่อน

      @@truecrimeboozer actually truecrimeboozer- I’d never do anything like that 😉 but I tip my hat to your good taste and kind suggestion! Oh my England!

  • @TheMickgriffin
    @TheMickgriffin 3 หลายเดือนก่อน

    It is a tricky one to find , being shown. All of the play for today’s , I’d like to know. . Our monthly licences bought them. Where are they all? We have to pay again ? That seems unfair .

    • @dee_seejay
      @dee_seejay 2 หลายเดือนก่อน

      th-cam.com/play/PLTLZ1lg0P-ETCmpK2aNsZMCPdbJpoGt0H.html&si=8ZjZAe0vadGP_CHG

  • @TheMickgriffin
    @TheMickgriffin 3 หลายเดือนก่อน

    Very little that shows where t o watch . I have tried . So far failed . Where it’s meant to be available it isn’t . I shall persist . Which brought me here .

  • @helenrnicholson
    @helenrnicholson 4 หลายเดือนก่อน

    Brilliant interview, really enjoyed it

  • @judithhewitson4865
    @judithhewitson4865 4 หลายเดือนก่อน

    Besotted by this film❤

  • @conguidoit
    @conguidoit 4 หลายเดือนก่อน

    Thank you, that was so interesting!

  • @theogoldberg8919
    @theogoldberg8919 4 หลายเดือนก่อน

    #TheGardenCinema a movie by Mike Leigh is always a spark in the dark. A reminiscence of our vulnerable humanity in the darkness and the wilderness

  • @martin-mi3cg
    @martin-mi3cg 4 หลายเดือนก่อน

    The first Mike Leigh film I really got into. So incredibly real and the most brilliant character acting & dialogue. When I was at school me and my best mate knew virtually the whole script, seen it that many times 😂

  • @jorgealves8578
    @jorgealves8578 4 หลายเดือนก่อน

    Andrew Haigh is a tremendously intelligent man. I've seen 4 of his films. I've loved them all. Each one is special, one of a kind, a unique vision of the human condition which can never be set apart from pain and loss and love. Thank you Mr. Haigh without your films life would be even more lonely.

  • @martinwall502
    @martinwall502 5 หลายเดือนก่อน

    My colleague and I are doing a presentation at Bewdley Festival in October entitled 'Mired in Penda's Fen' ... please contact us if you can beforehand ... we were only 12 when we first saw it. You are our hero!

  • @gsygsy
    @gsygsy 5 หลายเดือนก่อน

    A great writer. I watched the first broadcast of PENDA'S FEN, when I was a student. Once seen, never forgotten

  • @joestrummer1962
    @joestrummer1962 5 หลายเดือนก่อน

    27:45. Beautiful

  • @joestrummer1962
    @joestrummer1962 5 หลายเดือนก่อน

    Did anyone else have a negative reaction to the ending? I loved the movie up til the last 5 minutes, which made it seem like it had all happened in the main character's head, "Mulholland Dr." style. That would mean not only did the parents not really exist as souls, but the really beautiful relationship that he built with his man didn't actually happen at all. I would prefer to think that they were all ghosts in purgatory, where those relationships would've at least have been real. Would love to be persuaded that I'm wrong, misunderstood the ending, something smart in response...Thanks!

    • @Ambroos
      @Ambroos 5 หลายเดือนก่อน

      Spoilers ahead obviously. I think the answer you're looking for was given by the mother in one of the scenes of the movie, when Adam asks if all he's experiencing is real. His mother asks if it feels real, Adam responds with yes, and she says "well there you go then". Yes, the conversations with his parents are just in his head, and so are all of the interactions with Harry after the initial rejection at Adam's door. But the important part is that to Adam, those *are* real. Do you know those moments when you wake up after a really intense dream, and feel shaken to the core? What happens in your head *is* really important, and has a real impact on you. In the movie, he's likely experiencing all of this in the context of a script he's writing (he is a screenwriter after all). He's writing the script of how if it was possible he would want these things to go, because it's what he feels he needs to resolve this knot in his chest. After the diner, where there's catharsis and his parents say goodbye for real, Adam is ready to make decisions, to open up and to move forward with life. This is why he goes to Harry's apartment. He probably knows that what he had with Harry before was also just in his head, but he's ready to let Harry in this time. Unfortunately in this case it ended up in another trauma, and he has to go into his head to process it again. The moment he has with Harry then are how he deals with the grief of losing this idea of loving someone he only met once. But now he's able to deal with it. Harry's fears mirror his own, but Adam is OK with confronting them, and knows it will be OK. He's learned how to move forward. The actual screenplay for the movie ends with these lines, which I think capture the essence of the ending well: As the song builds, Adam holds Harry tighter, comforted at last, cared for at last, no longer strangers. Harry’s breathing slows. “Love is the light, scaring darkness away”. As the music soars, we pull away from them. It seems like they are almost dancing, swaying together, for how long we won’t ever know. Further and further we come. Out of the room. Spiralling. Into the night. Adam and Harry fall away as we rise into the stars. Finally, as the music crescendos, Adam and Harry are no more than a glint in the dark sky. A guide not a warning. “Make love your goal”.

  • @MrAnubis50
    @MrAnubis50 5 หลายเดือนก่อน

    *PURE AND LATENT LONELINESS!!!* - It's this gay being from the 80s, loaded with all forms of prejudice in the family, at school, etc., that permeated the time. This revisiting "his parents" was the catharsis that the character found (writing the script) to say who he became. Sad and lonely for years, without even being able to have a relationship with another man. Setback, the personification of Love appears in front of him, and wrapped in fears, traumas, and without realizing the speed of time, he gradually allows himself to be enchanted by the possibility of loving and letting himself be loved, of filling the void that the Human Being has as his greatest tragedy! But temporal cruelty, in the most vile and real way, because Death is the "game over", only glimpses the pleasure of having someone as the Central Character... The end, in the Darkness of Time, in a plane that opens up , we have maintained there in infinity, the multiplicity of finiteness, the plurality of All of us! It's to cry, yes..... 😥😥😥😥

  • @josephcollins6033
    @josephcollins6033 5 หลายเดือนก่อน

    And, YOU are one handsome man.

  • @wilhelm.reeves
    @wilhelm.reeves 6 หลายเดือนก่อน

    8:50 Everything was perfect, my god 😭