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Alberto Azzolini
เข้าร่วมเมื่อ 16 ธ.ค. 2012
L. Bernstein - Maria
🎧 ⚠️ headphones recommended ⚠️ 🎧
"Maria"
from West Side Story, music by Leornard Bernstein
arranged for two contrabass tuba (Eastman EBC836S)
Antonio Belluco
Alberto Azzolini
"Maria"
from West Side Story, music by Leornard Bernstein
arranged for two contrabass tuba (Eastman EBC836S)
Antonio Belluco
Alberto Azzolini
มุมมอง: 386
วีดีโอ
Bach Invention n. 4
มุมมอง 1.4K3 ปีที่แล้ว
🎧 ⚠️ headphones recommended ⚠️ 🎧 Bach Invention N.4 , BWV 775, originally in D minor, transposed for two bass tuba (A minor). Alberto Azzolini, tuba Antonio Belluco, tuba
J. B. Arban, Variations on a Tyrolean Song (Tuba solo)
มุมมอง 2.6K3 ปีที่แล้ว
🎧 ⚠️ headphones recommended ⚠️ 🎧 J. B. Arban - Variations on a Tyrolean Song, arranged for Tuba solo and "small group of nice people" 😁 (Die GiBIEneR Musikanten) Alberto Azzolini, Tuba Giordano Bruno Tedeschi, Bass-Trumpet and arrangement Matteo Costanzi, Flugelhorn Michele Colò, Accordion Manuel Fracca, Percussion Anna De Zen, video shoot Alberto Azzolini, audio/video editing
Calls - The Magic Tuba, duets - C.M. Saglietti
มุมมอง 7903 ปีที่แล้ว
" Calls " from The Magic Tuba* , 9 duets for two tubas, composed by Corrado Maria Saglietti. Performed by Matteo Magli (Orchestra Sinfonica Nazionale della Rai, Torino) Alberto Azzolini (Orchestra del Teatro la Fenice di Venezia) . *Editions Bim. credits: Più Luce / OSN Rai
Double Portraits, for Trombone and Tuba - D. Uber
มุมมอง 3.3K3 ปีที่แล้ว
Double Portraits , Concert sketches for trombone and tuba composed by David Uber The City: 0.14 - Times Square 1.38 - Twilight 4.08 - The City Awakes Giuseppe Mendola, trombone Alberto Azzolini, tuba
March - The Magic Tuba, duets - C.M. Saglietti
มุมมอง 1.8K3 ปีที่แล้ว
" March " from The Magic Tuba* , 9 duets for two tubas, composed by Corrado Maria Saglietti. Performed by Matteo Magli (Orchestra Sinfonica Nazionale della Rai, Torino) Alberto Azzolini (Orchestra del Teatro la Fenice di Venezia) . *Editions Bim.
Appassionato - The Magic Tuba, duets - C.M. Saglietti
มุมมอง 8463 ปีที่แล้ว
"Appassionato" from The Magic Tuba* , 9 duets for two tubas, composed by Corrado Maria Saglietti. Performed by Matteo Magli (Orchestra Sinfonica Nazionale della Rai, Torino) Alberto Azzolini (Orchestra del Teatro la Fenice di Venezia) . 🎧 headphones recommended 🎧 - video editing : Stefano Angiolin - audio editing : Alberto Azzolini *Editions Bim.
Tango - The Magic Tuba, duets - C.M. Saglietti
มุมมอง 1.5K3 ปีที่แล้ว
"Tango" from The Magic Tuba* , 9 duets for two tubas, composed by Corrado Maria Saglietti. Performed by Matteo Magli (Orchestra Sinfonica Nazionale della Rai, Torino) Alberto Azzolini (Orchestra del Teatro la Fenice di Venezia) . *Editions Bim.
Nessun Dorma - 56 tuba players version
มุมมอง 4.5K4 ปีที่แล้ว
56 tubisti professionisti italiani riuniti augurano al Bel Paese una pronta guarigione! 56 pro italian tubaplayers wish Italy a speedy recovery! Partecipanti: Andrea Affardelli Stefano Ammannati Pierluigi Ausili Alberto Azzolini Alessio Barberio Mario Barsotti Salvatore Bonanno Davide Borgonovi Vincenzo Borriello Federico Bruschi Mauro Cadei Michele Cantatore Alessandro Caretta Antonello Ceraol...
A York - tuba comparison
มุมมอง 57K5 ปีที่แล้ว
Questo video è stato creato con l'intento di mettere a confronto 5 strumenti, copie dell'originale e famosa tuba York 6/4, pilastro della sezioni ottoni della rinomata Chicago Symphony. Troverete la lista dei 5 strumenti utilizzati alla fine del video. Registrazione audio: Zoom H5 Neumann km184. E' consigliato l'ascolto in cuffia! This video was created with the intention of comparing 5 instrum...
Slide & Friends
มุมมอง 1.3K6 ปีที่แล้ว
Concerto del 18 marzo 2018, Teatro Giovanni da Udine Audio e video registrati durante il "Musicup 2018" - Udine Slide&Friends, ensemble di tromboni Direttore: Simon Hogg Demetrio Bonvecchio Tiziano Mazzoleni Stefano Stevanin (alto trombone) Elia Biasi Federico Girardi Mauro Valente Mauro Casonato Luca Terracciano Emanuele Avoledo Andrea Cozzarini Sergio Bernetti Luca Forgiarini Athos Castellan ...
Fenice BrassEnsemble tribute to J.Williams Star Wars JFK E.T. Jaws Superman &more
มุมมอง 1.7K8 ปีที่แล้ว
Fenice BrassEnsemble tribute to J.Williams Star Wars JFK E.T. Jaws Superman &more
Brass Operà - Carnevale di Venezia 2016 - Venice Carnival - Carnaval de Venise
มุมมอง 1.6K8 ปีที่แล้ว
Brass Operà - Carnevale di Venezia 2016 - Venice Carnival - Carnaval de Venise
Carnevale 2014 - Teatro la Fenice, Federico Garato
มุมมอง 22510 ปีที่แล้ว
Carnevale 2014 - Teatro la Fenice, Federico Garato
I own a conn 26 J, I would love to have him play that in the comparison
I would love to hear a comparison with those old 6/4 American tubas: Conn, Holton, York, and Martin I've heard the Conn sounds wooly/woofy, Martin sounds big and clear, Holton and York sound similar with the York being more mellow and the Holton having a bit more robust tone. This is just what I've picked up from reading over time, but I've never heard a comparison!
Güzel
#1 - If you want to win a job, the Nirschl is the one. Wessex is clear but is only about 85% of the core. Yamaha is excellent in low register but tonal inconsistency drove my ears nuts -- and it would get major dings from ww's/strings on a commitee. Eastman -- dull. Yorkbrunner sounds great by gets tubby.
You play them all very well. I liked the Hirsbrunner best followed by the Yamaha.
... just spectacular ... 👏👏👏👏
Great video!
Excelente sua técnica de respiração e ele consegue manter a mesma qualidade de SOM na Família das Tubas!!👏👏👏👏👏
The tubas all sound slightly different but you played them all well! Here are my thoughts on each one Nirschl: Has a defined, rich sound that slots very well, dark sound. Articulations are more like little pops instead of a “T” sound. Most consistent intonation from what I heard. Wessex: Upper overtones are very strong, has a buoyant sound, seems to slot the easiest, and also cuts in the low range more than the other tubas YamaYork: A mix of heavy core with just the right amount of overtones, meaty low register. Has the classic york sound with a singing quality to it. Very very consistent sound, although it may become uneven if you push the sound too hard EBC836: Warmer, more compact sound, has the body of a york sound, but lacks as much resonance as the other horns. Sounds the most even tonally Hirsbrunner: Sounds a little thin and tubby, but projects and rings like crazy. Articulations have more of a “T” sound than the other tubas All in all, my personal favorites are 3/4 with 1 being right behind that
HA! I nailed all five! Do I win a prize? Okay, so as of this date (11/11/2023), there is a Yamayork at Dillon Music that I am about to drive out to play-test. I will likely just get one of the three Eastman EBC836 tubas they have in stock (two demos and one new, all lacquered) but I *really* want that Yamayork. Thanks very much for posting this excellent video.
I bought the Yamaha YCB-826S. I am pretty excited, too. Thanks again for the outstanding video!
My preference order: 1,5,3,2,4 I suspect that #5 is a tricky horn to play but that you have spent a great deal of time on it. Do you put more hours in on the Hirbrunner or a different horn?
Yes , I spent more hours practicing the Hirsbrunner because at that time it was my own instrument. Before that , I had a Nirschl for 3 years .
@@albertoazzolini2058 thanks for the reply. You sound great on all of them; great inspiration for my own journey learning to play my Nirschl better
DAmn, BUT I LIKE THEM BIG BOYS!!!!
Hirsbrunner has a big big sound
Amazing!
Há muito tempo queria ver essa comparação entre as tubas
2165 solos ez Def my favorite out of all of the york designs I've played. Though slightly different than a york it captures the essence
which instrument is this?
Amazing performances, the best were 3 and 5… 3 is my favorite clearly
For what it's worth, I'm not a fan of the modern tendency toward " blatty" low notes. I've been out of the loop for many years, but my template for how the York tuba should sound is my recollection of the way Arnold Jacobs sounded on the Chicago York tuba(s). That template is a lively sound in all registers, full of harmonics, always vocalistic, and beautiful above all. I remember him playing single notes that were so compelling in sound quality and vitality that my ear was immediately drawn to them in spite of whatever else was happening in the rest of the orchestra.
My generation didn’t have this luck , unfortunately. but Mr Jacobs’ influence has reached us, and we do what we can to honor him. sometimes well, sometimes less well. About details , every time I listen to someone playing “blatty” low notes , I am physically very close to him. If I move away from the source of the sound , everything change , And the sound that seemed ugly to me, is now just fine. I mean: each listening must be contextualized for the recording and the room in which it is located… so, listening mr Jacobs playing in the orchestra cannot be compared to this, because it is a completely different situation. This comparison wants to verify the features of each instrument from very close . There is absolutely no presumption of looking like mr Jacobs. First of all because we do not have his instrument 😁. And of course because he was unique, father of 2-3 generations of brass players. 🙏🏻 Thanks for the comment ! 😊
Agree. When I was 15, I listened to Jacobs tuba tone on records, radio, etc. I tried to copy his tone. Also, I had a tuba teacher in high school who studied with Jacobs. When I thought my tone was getting too Blatty in the lower registrar, I would start soft and play louder and try to control the tone without the Blatt. Can be done, but you need to practice. There is a lady pro tuba player that I won't name, that has a very Blatty sound in low and even low-middle registrar. I don't enjoy listening to her.
Bellissimo suono! Contesto musicale originale! Bravo!!!
Could either of you guys even read the music from that far away lol. Wonderful playing though!
Great playing! Personally, there's just something about how the Yamayork spoke the lows, it had this intense focus and presence to the tone that I can't really find words to describe. If I were to put it another way, I find it easier to imagine a trombone section balancing to that sound, if that makes any sense. It also had such a dark sound that was so different from the others. It's almost like the other 4 were variations on the same general "velvet fog" sound while the Yamayork was built to be more organ-like. I, and many others, I'm sure, would love to see you do this with other horns like the Gronitz, MW 2165, or the Baer? I know you can't just actualize these $20-30,000 tubas out of thin air, but it'd be really sweet if you could make it happen. Cheers!
Nice!
What was the second excerpt he played?
Great video. They all sounds very close, which reflects the player rather than the instrument. There is likely as much variation in sound between tubas from the same manufacturer, than between the tubas from different manufacturers.
To me they all sounded the same but nice playing bro👍
It was pretty close, as they were all pretty good, but to me, #3 had the best sound in the very low range, as the low frequency was obviously low frequency, whereas the others on the same notes sounded like a higher frequency being played in a stuttering manner. I.E., the upper overtones came through stronger than the actual note in the other tubas. So, #3.
I really appreciate your point of view. finally someone who goes more specifically. just to know, with which device did you listen? the differences you have found may be noticed more or less from one device to another. thank you very much
Sir, I am no computer guru. My PC is a gift from my son. On the front cover it has 4 squares inside another bigger square, if that helps. My earphones are SONY, pretty small, but they pick up a wide range of pitch, and extreme low notes come through very well. Sorry I can't tell you more. @@albertoazzolini2058
@@jerrybyers2172 don't worry, mine was just curiosity! anyway, I suggest listening on a good pair of headphones, nothing more! thanks for the comment
complimenti!!
To my old, failing ears, the best one was whichever tuba he was playing at any given time.
Bravissimi! Super! Volevo chiedere... ma il Signor Giuseppe Mendola suona la coulisse con la sinistra (da mancino puro) oppure è solo un effetto dovuto al video "rovesciato"? Mi è subito saltato all'occhio, essendo io mancino e suonando il trombone rovesciato, con la coulisse a sx e ritorta modificata. Grazie
Video rovesciato ! 😅
Bravo 👏🏼👏🏼👏🏼👏🏼👏🏼🇧🇷
What was the second etude you played? Great clarity!
Arban’s characteristic study #1
Super!!!!
Grandissimi!!!
Bravi!!!!!
very nice playing and very interesting - thank you for sharing
Thank you for watching!
Trombone*
Bravo Alberto!!
For me a Hirsbrunner is a best ,lirical song e intonation best
I don't know that I'd pick it overall, but #2 made the hall ring more than the others. A couple others barely created a response in the room. Compare the low E's in Fountains. The hall barely reverberates after the release for 2 or 3 of them. But it rang for #2. As a conductor, #2 would get a callback. I'd want to hear it with the trombone section. It doesn't matter what a tuba sounds like if it can't project it more than 3 feet.
thanks, your considerations are all precious. It is very difficult to record all the many resonances a tuba can have. In this comparison I wanted to focus on which are differences in timbre and colour of the instruments , something that a close* listener can notice (*close to the sound source). If we want to speak about projection of the sound, this video is not realistic because: the mic were quite close to the source and the hall was a medium/big rehearsal room. After this experiment I had the opportunity to try 3 of them (n° #2,#3,#5) in a big concert hall , but unfortunately I had no chance to record. Anycase, the responses were really different from the ones I had in this video. Even, contrary in some instruments. If desired, an even more interesting discussion opens up here. Ultimately, I agree with you about the projection: speaking purely of orchestral work, it is the fundamental characteristic, along with compatibility with the low brass section.
In fact, the best sound is from the Hirsbrunner.
Bravissimi 👏
Bravo Alberto! Grandi!
Grande grandissimo!
The chinghius Forever
👏👏👏👏 braviiiiiii!!!!!
amazing sounding tuba playing!
Giù il cappello 🎩. Bravissimi!!
Bravissimo... Suono stupendo
Proprio bello!!! Complimenti
Grande Albe!!!!!!!!!!well done!!!
Che grande! Bravo Azzo!
Grandissimo Alberto! Bellissimo suono