DURLACHER
DURLACHER
  • 6
  • 24 334
Kilfitt Makro-Kilar 40mm Lens Review - Popular Photography's 1955 Dream Lens (as close as it gets)
A detailed review and historical documentation of the Kilfitt Makro-Kilar 40mm standard prime lens in f 3.5 and f 2.8 specification.
In December 1955, Popular Photography Magazine stated:
"WHAT'S YOUR DREAM lens? A needle sharp f/1 which you could use for wide-angle, normal and telephoto shots at will? All this in one neat package of optical glass which you could focus on a bug at two inches or a mountain at infinity-with generous depth of field at both extremes? This lens hasn't been designed yet, but the closest thing to it is the new, compact, f/3.5, 40mm Makro-Kilar which will fit most popular 35mm single-lens reflex cameras accepting interchangeable lenses."
Released some 70 years ago, Kilfitt Makro lenses are historically significant for being the first commercially available fully integrated macro lens, for 35mm SLR cameras.
Revolutionary for their time, Kilfitt lenses are today renowned among collectors and connoisseurs, for their unique rendering capabilities, fine tactility, and faceted functionality.
Chapters
00:00 - Introduction
01:02 - Heinz Kilfitt Historical Context
03:08 - Macro Photography
04:12 - Production Locations & Lens Markings
06:39 - Specifications
07:27 - Lanthanum Glass
07:46 - Lens Type Designation
09:25 - Focusing Measurement
09:48 - Depth of Field Parameters
10:02 - Rotating Helicoid Mechanism
10:39 - Preset Aperture Lenses
11:21 - Lens Weights & Measurements
12:05 - Lens Markings
12:47 - Apochromatic Specifications
13:27 - Lens Mount Options
13:55 - Fliters
14:56 - Lens Coatings
15:34 - Accessories
15:52 - Mirrorless Application
16:19 - Pricing
17:25 - Build Quality
18:13 - Mechanical Movements
18:29 - Rubber Focus Ring
19:02 - Focus Ring Rotation
20:07 - Kilfitt Test Process
20:51 - Lens Weaknesses
23:08 - Applications & Reference Articles
23:52 - Alternatives
24:47 - Performance
25:05 - Sharpness F3.5 Lens
25:54 - Sharpness F2.8 Lens
26:50 - Distortion
27:15 - Vignetting
28:20 - Colour Rendition
29:04 - Chromatic Aberration
29:29 - Comatic Aberration
29:48 - Bokeh
31:01 - Focus Transition
31:20 - Halation
31:45 - Lens Flare
32:40 - Conclusion
Lens: Kamerabau-Anstalt-Vaduz Kilfitt-Makro-Kilar 1:3.5 / 4cm
Lens: Heinz Kilfitt Munchen Makro-Kilar 1:2.8 / 4cm
Adapter: Fotodiox PRO EXA-Sony E
Camera: Sony A7r IV
Adaptable to Panasonic, Sony, Nikon, Leica, Canon and Fujifilm mirrorless cameras.
www.durlacher.me
UNCREDITED INFORMATION AND IMAGES:
All efforts have been made where possible to credit images and content used in this video from the originating source. Where credit has not been provided, or could not be determined, inclusion of such content is made under Fair Use provisions, whereby the information is provided solely for educational purposes.
FAIR USE DISCLAIMER
Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair Use is a use permitted by copyright statute that might otherwise be infringing.
The Copyright Laws of the United States recognizes a "fair use" of copyrighted content. Section 107 of the U.S.
Copyright Act states: "Not withstanding the provisions of Section 106 and 106a, the fair use of a copyrighted work, including such use by reproduction in copies of phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching, scholarship, or research, is not an infringement of copyright."
มุมมอง: 1 421

วีดีโอ

An Abridged History of Topcon Cameras - Part 1 (1932-1940)
มุมมอง 3688 หลายเดือนก่อน
Presenting the first chapter in an abridged historical documentation of camera and lens production by Topcon Corporation (Tokyo Optical Co. Ltd) from incorporation in September 1932 through to the final days of consumer-focused manufacturing in the early 1980’s. Documentation Parts: 1. Beginnings: Lord & Minion Medium Format 1930-1940 2. War Production 1934-1945 3. Post War Rangefinder Cameras ...
Canon New FD 28mm F2.8 - Best Vintage Lens for Street Photography?
มุมมอง 2.2K11 หลายเดือนก่อน
Introducing the Canon New FD 28mm F2.8 wide angle prime lens. An unintentional acquisition having submitted a low auction bid of US$21 and winning! Initial test results surpassed expectations and raised the question as to whether a cheap lens can be used to create good photos? Examples provided from recent travel to Thailand and include images taken within the Queens Theatre projector room (the...
Tokyo Kogaku RE Auto Topcor 58mm F1.4 - Claimed Best Standard Lens of its Time
มุมมอง 4.8Kปีที่แล้ว
Introducing the Tokyo Kogaku RE Auto TOPCOR 58mm F/1.4 standard prime lens. Released in 1963, and renowned among collectors and connoisseurs of vintage lenses, it is considered by some to be among the best high-speed normal lenses of its era. A somewhat lengthy video by necessity, intended to be the definitive guide for the Topcor 58mm F1.4 lens. Over three months in the making, with extensive ...
Nikon PC NIKKOR 28mm F3.5 Lens Review - Unfit for Purpose?
มุมมอง 7Kปีที่แล้ว
An in-depth review of Nikon's 28mm Perspective Control Lens! Adaptable to Nikon DSLR and Sony, Nikon, Leica, Canon and Fujifilm mirrorless cameras. Launched in 1980 and in production for 25 years, this was a flagship lens of beautiful design and construction, that is fundamentally flawed. 00:00 Introduction 00:49 History & Pricing 02:14 Specifications 04:58 Build Quality & Operation 05:59 Appli...
Tilt Shift Zoom Lens for Canon, Nikon, Sony & Fujifilm - 155.3 Megapixel Full Frame Images
มุมมอง 8Kปีที่แล้ว
Introducing the sharpest, most versatile and affordable, perspective controlled tilt shift lens option for full frame and APSC digital cameras. 00:00 Introduction 01:03 Components 02:05 Specifications 04:53 Build Quality & Operation 06:48 Medium Format Crop Factor 07:32 Why it Works 08:24 Applications 08:37 Perspective Correction 09:40 Focal Plane Manipulation 10:02 Miniature Effect 10:24 Horiz...