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Ayala Museum
Philippines
เข้าร่วมเมื่อ 1 พ.ค. 2019
We're Ayala Museum, an arts, culture, and history museum located in Makati, Philippines.
Through this channel, we'll be exploring stories drawn from the Ayala Museum and Filipinas Heritage Library’s art and ethnographic collections, delivered in fascinating bite-sized portions to be enjoyed by anyone, anytime, and anywhere.
Through this channel, we'll be exploring stories drawn from the Ayala Museum and Filipinas Heritage Library’s art and ethnographic collections, delivered in fascinating bite-sized portions to be enjoyed by anyone, anytime, and anywhere.
Dambana ng Kapwa Exhibition in dialogue with Daloy Dance Company | November 24, 2024
This piece is entitled "Halad," which means “offering” in Cebuano, is stripped back, elemental in its intention. It is choreographer Ea Torrado's response to the Diwatas of Joshua Limon Palisoc's OpenSpace exhibition "Dambana ng Kapwa."
It begins in exhaustion-a raw articulation of the pervasive fatigue that is pertinent in these times. As the piece unfolds, the bodies encounter the diwatas, ethereal embodiments of life and spirit, who serve as reminders of our essence. Through their guidance, we are revitalized, reclaiming our agency and resolve to persist, to resist, and to truly live, even within the capitalist system engineered to deplete us.
At its core, Halad is an invocation-a gesture of devotion to something greater than ourselves. Our hope is that amid chaos, dancing can be a pathway to vitality, to resilience, and to collective transcendence. That dancing allows us to reimagine spirituality beyond the confines of dogma.
That it is a practice rooted in shared humanity-a practice that counter the spirit-depleting mechanisms of systems like capitalism, which thrive on exhaustion and extraction.
During his conversation with curator Jei Ente, we heard Joshua Limon Palisoc say something that deeply resonated with me: "Art is always dealing with the material."
For me, the body is that material in our art. It is both the medium and the message, a vessel for expression and a reflection of existence. The fleeting nature of the body-its ephemerality mirrored in a dance, in life itself-is what makes this work what it is. Dance is a constant negotiation with time and space, with humanness and humanity.
In this piece, Halad, the intention is not to present dancers as entertainers performing for an audience’s consumption. Instead, the piece asks us to meet each other as fellow human beings, through movement that reconnects us to the deeper threads of spirit and life.
The "Dambana ng Kapwa" exhibition forms part of Ayala Museum’s 50th anniversary celebrations and is made possible with the gracious support of Wilcon Depot.
Videography:
Raven Lester R. Esperanza
Music Credits:
"Ay, Leng" by Grace Nono
"Balintataw" by Florante Aguilar
"Deer" by Gabrielle Roth & The Mirrors
"Heilung" by Ur-Ton
It begins in exhaustion-a raw articulation of the pervasive fatigue that is pertinent in these times. As the piece unfolds, the bodies encounter the diwatas, ethereal embodiments of life and spirit, who serve as reminders of our essence. Through their guidance, we are revitalized, reclaiming our agency and resolve to persist, to resist, and to truly live, even within the capitalist system engineered to deplete us.
At its core, Halad is an invocation-a gesture of devotion to something greater than ourselves. Our hope is that amid chaos, dancing can be a pathway to vitality, to resilience, and to collective transcendence. That dancing allows us to reimagine spirituality beyond the confines of dogma.
That it is a practice rooted in shared humanity-a practice that counter the spirit-depleting mechanisms of systems like capitalism, which thrive on exhaustion and extraction.
During his conversation with curator Jei Ente, we heard Joshua Limon Palisoc say something that deeply resonated with me: "Art is always dealing with the material."
For me, the body is that material in our art. It is both the medium and the message, a vessel for expression and a reflection of existence. The fleeting nature of the body-its ephemerality mirrored in a dance, in life itself-is what makes this work what it is. Dance is a constant negotiation with time and space, with humanness and humanity.
In this piece, Halad, the intention is not to present dancers as entertainers performing for an audience’s consumption. Instead, the piece asks us to meet each other as fellow human beings, through movement that reconnects us to the deeper threads of spirit and life.
The "Dambana ng Kapwa" exhibition forms part of Ayala Museum’s 50th anniversary celebrations and is made possible with the gracious support of Wilcon Depot.
Videography:
Raven Lester R. Esperanza
Music Credits:
"Ay, Leng" by Grace Nono
"Balintataw" by Florante Aguilar
"Deer" by Gabrielle Roth & The Mirrors
"Heilung" by Ur-Ton
มุมมอง: 133
วีดีโอ
The Artist Talks: Joshua Limon Palisoc
มุมมอง 3172 หลายเดือนก่อน
Joshua Limon Palisoc’s OpenSpace exhibition “Dambana ng Kapwa: Indigenous Spirituality as Resistance from Colonialism” weaves animist, Hindu, Roman, and folk Catholic symbols to create a narrative of survival and resistance. “Dambana ng Kapwa” encourages guests to engage with the artworks not only as a viewer but as an active participant in the shared state of 𝙠𝙖𝙥𝙬𝙖-a reminder that we are all i...
Fernando Zóbel: Imprint Curators Tour
มุมมอง 4718 หลายเดือนก่อน
In the “Fernando Zóbel: Imprint” exhibition held last April-December 2023, we see paintings and prints from his acclaimed Serie Negre period. But we also see how he references Greek mythology and experiments with different printmaking techniques to achieve various effects in his art. How did he do it? And where did he get his creative inspiration? Exhibition curator Ditas Samson takes us throug...
Curator's Tour | Splendor: Juan Luna, Painter as Hero
มุมมอง 1.2K9 หลายเดือนก่อน
Join curators Ditas Samson, Tenten Mina, and Jei Ente on a guided tour through Ayala Museum's blockbuster exhibition of 2023, “Splendor: Juan Luna, Painter as Hero.” 00:00 Intro 00:34 Exhibition Structure and Design 01:10 Juan Luna's "Hymen, oh Hyménée!" Triumphs in Paris 02:50 Luna's Painting Career and Influences on His Work 05:22 Analysis of the Different Elements of "Hymen, oh Hyménée!" 07:...
Curator's Tour | Gold of Ancestors: Precolonial Treasures in the Philippines
มุมมอง 27Kปีที่แล้ว
Join Dr. Florina H. Capistrano-Baker, exhibition curator, as she provides a guided tour of one of Ayala Museum's permanent exhibits on precolonial treasures of the Philippines, Gold of Ancestors.
From Manila to the World | ATIN: Stories from the Collection
มุมมอง 2.7K2 ปีที่แล้ว
Manila had and has an important place in the world given its proximity and position vis-a-vis the Eastern and Western worlds. In 1751, the priest and historian Juan J. Delgado, S.J. dubbed Manila as “Perlas del Mar de Oriente” or the “Pearl of the Orient” for being a hub of maritime trade of Asian goods and riches. As such, objects from Manila-as can be surmised from these short anecdotes from ...
Songs from a Time and Place | ATIN: Stories from the Collection
มุมมอง 1.6K2 ปีที่แล้ว
Music is deeply ingrained in the soul of the Filipino. Various groups express their beliefs and talents through a unique blend of their own instruments and traditions, making folk music markers of culture and place. Listen to some examples inspired by objects from the museum collection. ABOUT ATIN: STORIES FROM THE COLLECTION ATIN is an original production of the Ayala Foundation Arts and Cultu...
Weather-Weather Lang | ATIN: Stories from the Collection
มุมมอง 1.8K2 ปีที่แล้ว
The Philippine archipelago is blessed with a climate enviable to many in the world, but it is not without its share of calamities. By looking at the museum’s various collections, we can see testaments to the Filipino peoples’ resourcefulness and adaptability. ABOUT ATIN: STORIES FROM THE COLLECTION ATIN is an original production of the Ayala Foundation Arts and Culture Division made up of the A...
Intertwined Conversations | Tipos del Pais: Chinese Copies of Albums
มุมมอง 1.5K2 ปีที่แล้ว
Intertwined Conversations is lecture series formatted as conversations between experts-both overseas and local-with the aim of sharing their scholarship and expertise in topics that connect to the themes of the exhibition, Intertwined: Transpacific, Transcultural Philippines. Dr. Florina Capistrano-Baker first suggested in 2004 the previously undocumented phenomenon of Chinese replication of 19...
Swords: Duty, Power, Struggle | ATIN: Stories from the Collection
มุมมอง 4.5K2 ปีที่แล้ว
Swords function as tools, weapons of combat, and ceremonial objects. The various forms found in the Philippines reveal stories about the lives, struggles, and dreams of their wielders. Let’s hear a few of them-drawn from examples from the museum’s ethnographic collection. ABOUT ATIN: STORIES FROM THE COLLECTION ATIN is an original production of the Ayala Foundation Arts and Culture Division mad...
Immortal Beasts, Above and Beneath | ATIN: Stories from the Collection
มุมมอง 2.1K2 ปีที่แล้ว
Philippine folklore is teeming with otherworldly creatures, owing to regional connections and local traditions. Two of the most popular-the sarimanok of Maranao folklore and the moon-eating serpent deity most referred to as the bakunawa-are discussed in this episode featuring objects from the museum collection. ABOUT ATIN: STORIES FROM THE COLLECTION ATIN is an original production of the Ayala ...
Curator's Tour | Ceramics and Cultural Currency: Exchanges of Pottery and Prestige
มุมมอง 3.3K2 ปีที่แล้ว
The exhibition, Ceramics and Cultural Currency: Exchanges of Pottery and Prestige examines how and why tradeware ceramics from Mainland Asia are found in abundance throughout the Philippine archipelago. In this video, exhibition co-curator Tenten Mina discusses how these objects made of the humblest material became markers of prestige because of their physical, economic, and social functions in...
Transpacific Engagements | Book Talk 2022
มุมมอง 6152 ปีที่แล้ว
Watch the free virtual book talk of 'Transpacific Engagements: Trade, Translation, and Visual Culture of Entangled Empires (1565-1898)'. Featuring the editors and a global panel of discussants! 📚 The talk explores global culture and economic exchange on the transpacific routes between Asia and the Americas between the 16th and 19th centuries - an era of competition for global trade networks - a...
Exhibition Walkthrough | Visible Storage
มุมมอง 6462 ปีที่แล้ว
A treasure trove of Philippine ethnographic objects. The museum takes care of over 9,000 archaeological, ethnographic, fine arts, and historical objects of Philippine origin - and not all can be displayed in exhibitions. The Visible Storage allows Ayala Museum to showcase a portion of these where you can see a variety of fascinating objects from swords, hats, lotoans, and so much more. ABOUT AY...
Exhibition Walkthrough | Gold of Ancestors: Pre-colonial Treasures in the Philippines
มุมมอง 4.8K2 ปีที่แล้ว
Exhibition Walkthrough | Gold of Ancestors: Pre-colonial Treasures in the Philippines
Exhibition Walkthrough | Ceramics and Cultural Currency: Exchanges of Pottery and Prestige
มุมมอง 1.2K2 ปีที่แล้ว
Exhibition Walkthrough | Ceramics and Cultural Currency: Exchanges of Pottery and Prestige
Exhibition Walkthrough: Skeins of Knowledge, Threads of Wisdom | Philippine Indigenous Textiles
มุมมอง 2K2 ปีที่แล้ว
Exhibition Walkthrough: Skeins of Knowledge, Threads of Wisdom | Philippine Indigenous Textiles
Using Art as Propaganda | In Focus S03E05
มุมมอง 3742 ปีที่แล้ว
Using Art as Propaganda | In Focus S03E05
How well do you know Philippine Revolution? | Part 3 | Kasaysayan Challenge
มุมมอง 3752 ปีที่แล้ว
How well do you know Philippine Revolution? | Part 3 | Kasaysayan Challenge
How well do you know Philippine Revolution? | Part 2 | Kasaysayan Challenge
มุมมอง 3972 ปีที่แล้ว
How well do you know Philippine Revolution? | Part 2 | Kasaysayan Challenge
How well do you know Philippine Revolution? | Part 1 | Kasaysayan Challenge
มุมมอง 7752 ปีที่แล้ว
How well do you know Philippine Revolution? | Part 1 | Kasaysayan Challenge
How well do you know Jose Rizal? | Part 1 | Kasaysayan Challenge
มุมมอง 2K2 ปีที่แล้ว
How well do you know Jose Rizal? | Part 1 | Kasaysayan Challenge
How well do you know Jose Rizal? | Part 2 | Kasaysayan Challenge
มุมมอง 6642 ปีที่แล้ว
How well do you know Jose Rizal? | Part 2 | Kasaysayan Challenge
Abstracting a Flute into a Landscape | In Focus S03E04
มุมมอง 2002 ปีที่แล้ว
Abstracting a Flute into a Landscape | In Focus S03E04
Diorama Dialogue - The Diorama Experience of Philippine History
มุมมอง 1.5K2 ปีที่แล้ว
Diorama Dialogue - The Diorama Experience of Philippine History
Looking into a Bagobo Portrait | In Focus S03E03
มุมมอง 8392 ปีที่แล้ว
Looking into a Bagobo Portrait | In Focus S03E03
Examining Religious Interpretations in Art | In Focus S03E02
มุมมอง 6682 ปีที่แล้ว
Examining Religious Interpretations in Art | In Focus S03E02
Virtual Visits | Looking In: Araceli Limcaco Dans Retrospective
มุมมอง 1.2K2 ปีที่แล้ว
Virtual Visits | Looking In: Araceli Limcaco Dans Retrospective
Exhibition Feature: I Can't Tell You What I Don't Know, Only That I Don't Know
มุมมอง 3512 ปีที่แล้ว
Exhibition Feature: I Can't Tell You What I Don't Know, Only That I Don't Know
Exploring 500 Years of Philippine History by Botong Francisco | In Focus S03E01
มุมมอง 2.8K2 ปีที่แล้ว
Exploring 500 Years of Philippine History by Botong Francisco | In Focus S03E01
tenkyu boss
Truth shall set us free! No to fake news, No to revisionism!
Media is created to spread lies and rumors pretending to tell the truths. It's created to discredit people they don't like. You should know that. History is subjective, it depends on historians view on how he project the story and called it history. So reader's must be analytical to know what is really right or wrong coz sometimes some writings are wrote just for entertainment & not for giving the facts.
I can only blame my history stupidity on Gregorio Fernandez Zaide whose book I was forced to memorize without question. Thanks, Ambeth.
😂
Sariling wika could mean "the truth or word coming from one's person's mouth" or telling the truth.
Enrile naalala ko noon kumandidatong senador pabababain nya daw ang singil sa kuryente ginamit pa nya sa political ads nya ang sexbomb dancers.pero ng nanalo siya wala nman sya ginawa. Nagsisi tlaga ako binoto ko sya.
Manny Pacquiao as Rizal and Sassa Girl as Maria Clara 😂😂😂
Do you consider yourself the final arbiter of truth? No political influence? We all have our biases, and every historian needs to emphasize that.
Now I know why my grandma and mom like their flashy jewelry! It’s in our collective and history. Wow!
Does this justifies we live in enrille world because of that assasination attempt 😅
Bakit kaylangan sabihin na galing ito sa Pilipinas. Malamang ito ay traded lang dito sa pilipinas and not entirely na ginawa dito. Sana i accept natin ang facts. Ang gold ay galing sa ibang bansa hindi dito. Dito lang nahukay.
ahh i cant decide if i want to gauge up my ears more or get a tattoo !!
permission to use po for information and school purposes! we'll properly credit and link this video
I ❤❤❤ our motherland, the phil. Republic there's no other nation like that of ours thank you for posting these photos on yt 💗 😊 💕 ❤️ 💖 ☺️
Dumating ang mga kastila dito andito n ang chinese mau chinatown na at alipin ng mga negosyanteng chino ang mga pinoy...
Actually their other designs have got nothing to do with crocodiles. There were crocodiles close to where they live so naturally they wanted to depict the crocodiles as part of their identity, just like using as design the Taclobo clams and pearls that are common in one area, for example. Connecting the crocodile to a deity is again a really bad game changer for the Filipino people. Better to not claim something when there is no evidence.
You seem to say in one of your comments that there was animism in the pre Hispanic culture of Filipinos by giving the impression, for example, that a mythical bird was considered divine by ancient Filipinos. In modern times, it is part of artistry to imagine resulting in fantastic novels and even poetry but which imagination has got nothing to do with reality. In short, some of your comments are misleading mostly creating a bad impact on current-day Filipinos. Sorry, but I have to say this.
ganda!!
saan po kaya pwedeng makabili ng mga ganyang character? for educational purposes lang po
~Nice video.
Im in my early 30s. Im here because I want to learn more about the history of our identity as Filipinos. I guess it's like that, the older we get, the more we want to learn about ourselves to understand why we are the way we are now.
His painting of the Stations of the Cross can be seen at the Big Chapel of Don Bosco Technical College in Mandaluyong City.
Visiting this museum is ABSOLUTELY worth it. I cannot recommend it enough.
#NeverForget
If there's anyone reading this - I just want to share this! Indian scholars had once called the Philippines (pre-colonization) 'Panyupayana' which translates to 'The land surrounded by waters', I found it somewhere in a book - perhaps from a book coming from indonesia or philippines, i can't quite remember since it had been from a long time ago. But other than that, 'Panyupayana' is what I only know on what Philippines was called before colonization. Hope this helps!
Amen 🙏
Did Botong started the first way of seeing(Actual proportion)? To educate the young with passion in drawing and painting.
Proof of hero was a bit off..but they played it again this year and its perfect!
ang hindi magmahal sa sariling wika ay mabaho pa sa malansang isda… ito ba ay tunay para kay RIZAL na sinulat ang NOLI ME TANGERE at EL FUSTERISMO sa SALITANG KASTILA.
My objective thoughts after watching the film in full: - The intent is noble and the concept is great. - I was expecting to be touched to the point of getting teary eyed. I wasn't. - I think this is a case of the whole film being less than the sum of all parts. - I thought the narration could have been more poignant. - I loved Peque Gallaga's Oro, Plata, Mata. It was a masterpiece. I wish he handled this film with the same mastery. He didn't. This is my personal opinion that I'm entitled to, as you are to yours. ✌️
Beautiful video
Hearing the Rizal Urban legends for me are way funnier than the Chuck Norris and Erap jokes 🤣🤣🤣
Freiderich Nietzsche has made us understand how the Roman Catholic Church made Filipinos and others invaded by Spain meek hence followers
Rizal was short in revealing the deeper wound created by Spain colonialism and the Roman Catholic Church to Filipino psyche
This was another eye-opening mini-lecture by the Maestro Historiador himself. Kudos po, God bless, and more power to your labor of love!
Dapat s Wikang Pilipino,para kapani paniwala
I appreciate your concise lecture about fake news and more come to watch👍👏
Padayona lang sa Ininglis kay mawad-an mog Bisaya nga tigpaminaw kon Tinagalogon ninyo. If there are concepts or realities best captured by a Filipino tongue, then just use the local tongue. Continue this practice Prof Ambeth.
This is very rich Southeast Asia culture.
This you be introduced to the present educational learning of the Ancient / Precolonial Philippines 🇵🇭 beautiful land of love and land of light...Mabuhay and Lupang Hinirang...LoveandLight to all creations ❤
hanggang ngayon, pinagmamalaki nyo yang edsa revolution na yan? never ako naging proud sa ginawa ng mga traydor sa bayan. mabuti nlng at di nanalo si leni, tapos na po ang pamamayagpag ng mga oligarchy. kahit papaano, medyo natuto na mga pinoy, maliban nlng sa mga binoboto tulad ng mga binotong bobong senador, ang dami nila ha. sa senado plang yan..
13:27.. kala ko ang sasabhin niang Jose ay si.. Jose marie Chan...
❤😂🎉😢😮😅😊
The presentation is so good except for the background music that drowns the narration..
💎💎💎
Greetings prof Ambeth...Sana meron kayong tagalog version ng mga vlogs nyo to benefit common Filipino people. Salamat po sir. More power!
pls do this again this year T_____T i want to hear tifas theme irl
Filipinos are jus colonized Asians 😉