วีดีโอ

👏👏 Although Sills is truly wonderful as Anna, it is Verrett who is AMAZING! Verrett set the bar very high as Giovanna. Wish Sills and Verrett had recorded the Donizetti Queen trilogy together.👏👏👏

Bravo ❤

It probably is the best sung Roberto Devereaux. Beverly Sills was one of a kind singer. Mackeras's leadership was very dramatic - you didn't need to see them with your eyes; you saw them with your ears.

2 Of my ALL time Favorite Sopranos: Farrell and Sills...They are/were the BEST in their vocal categories .

Tiene tanta fuerza en los contrastes como una honda calma en el lacrimosa. Es una de las mejores grabaciones del Requiem de Mozart. Gracias

To me this is THE BEST version of Devereux. Sills is just the most incredible Elisabetta I have ever seen ❤❤❤

Beverly Sills is perhaps a little light vocally for Elisabetta but she sure sings the hell out of her and is riveting from start to end.

Love this rendition, Beverly Sills extraordinary❤

32:22

No show offs, just an honest playing trying to achieve a balanced period performance with modern means. The gaps between movements are longer so the listener gets space to digest one movement before attacking the next one.

Class tells.

I like it, the best

Actually I owned this LP years ago & it was recorded in, I believe 1955. Siepi did record it again in 1959 also with Corena as Leporello. Excerpts of this recording I have as well which has both Birgit Nilsson & Leontyne Price & is well worth hearing. Siepi, IMO, was the definitive GIOVANNI of his time although some may prefer George London whose instrument & approach to the character are very different. I admire London as well, especially in the final scene where his powerful timbre is most appropriate but otherwise personally prefer Siepi‘s more lyric but equally sonorous instrument. Simply boils down to being a matter of taste.

Loveing it ❤😊

De très loin l'enregistrement que je préfère. Je n'y reviendrai pas, m'en étant expliqué hier dans la version de Thielemann au Festival de Salzbourg.

It's the best. you know it the minute it starts. your mind flies.

Sills ottima, però aggiunge troppi acuti e note non scritte da Donizetti. D' accordo su variazioni di cose già udite, ma chi caspita si crede??? La compositrice!!! Elisabetta è discreta. Deve essere ESEGUITA DA SOPRANI NON DA MEZZI! TENORE APPENA SUFFICIENTE. La pronuncia di Sills è buona. Gli altri non sanno una parola D'ITALIANO! PESSIMA PRONUNCIA!! Eppure Ceccato dirige benissimo! Perche permette tutti questi acuti? Perché tollera una pronuncia talvolta incomprensibile?!? INCREDIBILE! Io li avrei sbattuti fuori a calci nel sedere questi angloamericani del cavolo! Meno male che non fa nessun taglio come altri direttori imbecilli che si credono più del COMPOSITORE! Ma esisterà una tegistrazione o un' esecuzione live senza tagli e SENZA ACUTI NON SCRITTI??? Mah!

❤

Purchase the Philips boxed Mozart set by The Academy of St Martin in the fields and Neville Mariner. It's the gold standard of Mozart. I don't know if it's available anymore- I bought them when I was in college 20 years ago. Even this recording, although it's by the same orchestra and conductor, is inferior to the official Mozart edition.

This style is a hybrid between the period instrument practice but played with a modern instrument and bow, modern tuning, however achieving the old sound with limited vibrato and light bowing. Short notes and no show off. Some embellishments added but it needs more embellishing on the repeats. That was the purpose of the repeats to give the player a freedom to embellish. Sadly all the virtuosi cellists and violists do the repeats just the same possibly for fear of being criticized . Bach gives us blueprints with no markings of dynamics or speed . This is the pleasure of playing Bach, there is no set way it is the music that counts.

Kore ga, requiem da

Dio Santo !!! Sono incredibiliiiiiiiiiiiiii .....Che cast favoloso !!!

I hadn't realized Abbado was still conducting the Vienna Philharmonic in 2011?! In what else?

Az egyik legnagyobb magyar dirigens...Mozart egyszerűen csodalatos!!!

Anyone feeling the immediate difference in the quality and the style of music written for Sanctus/Benedictus/Agnus Dei?Gosh, I just can’t help but wonder what if Mozart had finished the whole work and died… those parts are clearly not Mozartian, and I just keep on waiting for Communio…

The only BEST version. Heard it since l could walk.

❤🌸🍋🌻🏵🪢🇻🇦✝️🇻🇦🪢🏵🌻🍋🌸❤🌿💮🌼😇🦊🌸🥰⛑✒📃📚🎶🍋🌻🌺🪢🇲🇬🫂🇲🇬🪢🪢🌹🇦🇲⛑🇦🇲🌹🪢🏵🧸🎶🍋🌺🌸🦊🥰❤🇦🇲🪢🇦🇲💮🌼🌿😊🦁🎶🏵🍋🌿🪅🪢🇻🇦🏵🇻🇦🍋🪢🌺🙋‍♂️

Wolff does not sound confident. she sounds retiring, scared of her own voice. I much prefer Sills' singing, it's "in your face".

OMG, so many different variations in video, this is the only one in audio only. Seriously who is going to watch an opera on a tiny screen 25 millimeters across?

Rita Streich was a marvelous Queen of the Night.

Act I 0:00 Ouverture

Sills did a high voltage Bolena!!!

Act I Ouverture 0:02 Cinque... dieci... venti...4:10 Se a caso madama la notte ti chiama 7:23 Se vuol ballare, signor Contino 11:55 La vendetta, oh la vendetta! 15:07 Via resti servita, madama brillante 18:47 Non so più cosa son, cosa faccio 22:37 Cosa sento! tosto andate 28:32 Giovani liete, fiori spargete 34:13 Non più andrai, farfallone amoroso 38:15 Act II Porgi amor qualche ristoro 41:55 Voi che sapete che cosa è amor 50:03 Venite inginocchiatevi 53:24 Susanna or via sortite 59:33 Aprite presto aprite 1:03:27 Esci omai, garzon malnato 1:06:02 Susanna! 1:09:00 Susanna, son morta... 1:10:23 Signori, di fuori son già i suonatori 1:14:12 Ah! Signor, signor! 1:17:09 Voi signor che gusto siete 1:22:31 Act III Crudel! perché finora 1:28:29 Hai già vinta la causa 1:31:41 E Susanna non vien 1:36:46 Dove sono 1:38:14 Riconosci in questo amplesso 1:44:12 Canzonetta sull'aria 1:50:45 Ricevete, o padroncina 1:53:11 Ecco la marcia, andiamo 1:56:45 Act IV L'ho perduta... me meschina 2:02:49 Il capro e la capretta 2:06:48 In quegl'anni in cui val poco 2:11:39 Aprite un po' quegl'occhi 2:16:20 Giunse alfin il momento 2:19:43 Pian pianin le andrò più presso 2:24:23

Non so più cosa son 22:37

IO AMO LA NORMA..Questa poi SUBLIME!!!!

Amazing !!!

Edizione tra le migliori, con un grandioso Fricsay

A good one, but in the complex not of the best versions

Θεσπέσιο!!!

I'm really fond of Abbado and most singers in this recording...equally, listening to the whole opera I was afraid Studer might never be able to last until the end. During "Dove Sono" the voice is truly exhausted...Lucio Gallo sounds like Bartolo while D'arcangelo as Bartolo (a much younger singer) sounds like Figaro. The rest of the cast is flawless (McNair, Bartoli <3)

It is a great recording. She herself said that she shortened her career by many years singing the three Donizetti queens. The result, however, was astonishing.

1:31:36 🥹♥️

Cet enregistrement de Sills est très bon et intéressant .Elle propose une Anna Bolena purement soprano coloratura avec des extrapolations virtuoses spectaculaires et elle y excelle car elle est à l'aise . Néanmoins et malgré ces mérites ,cette version est sans doute différente de celle imaginée par Donizetti pour Giuditta Pasta .Il a écrit ce rôle pour un vrai soprano dramatique coloratura .Et Sills malgré tous ses mérites n'est pas soprano dramatique .Et cela s'entend même dans cette version studio .Donc oui superbe interprétation très spectaculaire dans le goût américain .

前半のクライマックスのところが大好きです！

42:27

ドイツ・レクイエムでクレンペラー盤やジュリーニ盤とそびえたつ最高峰の名盤ですね。

ドイツ・レクイエムでクレンペラー盤やジュリーニ盤とそびえたつ最高峰の名盤ですね。

Habría que compararla con la versión posterior de 1982, con Barbara Hendricks (o Kathleen Battle, si es a través de YT), José Van Dam y la Wiener Philharmoniker :S

Afer that angelic soulful soprano…EXAUDI, EXAUDI, they all cry out…yearning for forgiveness…salvation…are there words to describe such poetry? Mozart left us this sacred gift. We may not be as gifted but at least we can open our hearts and show genuine kindness to each other and all of god’s creatures.

Straordinaria,una delle mie preferite in questo ruolo.