วีดีโอ

siempre escucho esta canción cada vez que estamos cerca de la 3ra guerra mundial

Super banda

3:39 no dice but maybe tomorrow. pero tal vez mañana? o me fume un porro de tres pares de cojones

This song is so special The way it handles the topic of death and letting go is really profound, and the sheer musicianship combined with the theme makes it by far one of their best tracks period

Concuerdo en que este es el mejor álbum de Death

Temazoooo

Hola. Podrias subtitular el disco de crownshift?

Fenomenal

Gran trabajo!! 🤘🏾⚡🖤

Bro podrias subtitular devin twonsend jainism y supermerd

The metal can be beautiful and evil

Excelente trabajo!!

ISTANBUL 🤘🤘🤘

vine surfeando una gigante ola de barro

QUIEEERO PRINGLEEEEEES!!!!!!

Mi álbum favorito de Death. Buen trabajo y gracias por las traducciones.

The title track, or written in Norwegian Entirety as Eline Medley was divided into four parts, written in Norwegian as Eline i et nytt område, Club Jona på Elite, Tidligere Brudd and concluding with Straffen! which was also the title sequence for our 20th story. Daniela could only finish half of the medley, as she had to assist both Anniken and Pernille to the train, and eventually followed them across Gothenburg. Those who remained helped out, only to figure out what would've surely been better for everyone to get going across with. Jona filled in for the rest of the medley, though provided vocals were possible. Jona also had to focus on drumming carefully. When the punishment part came into sight, most of the entire Club Jona cast had gone off by Express Bus, or others changed to tram or other bus routes where available. As bus 74 approached Komettorget, Christine and Lisa stepped off and chose to take the tram immediately, and the rest continued to travel to the terminus at Angered. Those who met the target included were me with Jona, Andrea and we couldn't forget Eline who also helped out. Jona understood that I had entered a punishment act. This in turn caused Jona to work on the first leg, which included Lines 1, 3, 7, 9 and 11. Starting with Line 9, a Low-Floor entry tram had to be chosen. Modern trams then came into sight for the journey beyond Kungssten to Saltholmen. Another tram with a Low-Floor entry area then followed on Line 11, prior to joining Line 7, and then Line 3, before concluding with Line 1. The remaining lines were handed over to Anniken so to finish all 11 tram lines. So many lines to take was the final response given, after the punishment had been achieved. During the 21st story, Lisa was shocked and surprised to see that another person with the same name as herself had arrived. A friendly one to follow this time. We would meet up again, this time at Holy Cow, as the hospital was where she was first discovered at. That was sure a fun trip.

In English Sleeping with Jona meant a lot to me, as I normally slept with Anniken, and since this couldn't be done with, it had to wait until First Hotel G had been the place to stay at. And for this reason. Awaken the Master or written in Norwegian as Av gårde med Sjefen, marked a little bit of difference. Daniela played drums throughout the entire track, and this was also the track to not feature me, nor Anniken and Jona were included. So therefore Keyboard parts were therefore shared between Hedda and Eline. Despite being presenters for adding that music, it was just before I woke up. Jona was fully dressed, and rushed to get me dressed as well, despite Anniken telling the truth, before finally knocking on the door. As I wasn't awake at that time. Jona rushed to open the door, only to inform everyone that I was soon awake. A little bit of view from Deck 11 had to be seen prior to the announcements which were given over the speakers, and Jona understood that she had heard that the only way out would be on Deck 8, which was also the way they came in to board the vessel.

In English Transcending Time or written in Norwegian as Sangen om Stena Scandinavica, meant a better opportunity to finally get inside a modern vessel, with Deck 11 being chosen for various people, including me with Jona at Cabin 11020. Anniken shared Cabin 11040 with Christine and Lisa for this reason, though hoped to sleep along with me again, but that would only take place during the 21st story prior to setting off for Varberg and later to Vänersborg, where the 21st story concluded. The 22nd story was shot across Vänersborg, with the 23rd story marking another journey, this time to Uddevalla, and we bid farewell to a familiar figure, Lisa Marie Karlsen, whom we discovered in a hospital building.

In English, Sleeping Giant or known in Norwegian as Søvnløse Netter remarked a big opportunity to travel with Stena Line, and it was a that point that Jona had taken the chance to share the same cabin that I was going to sleep in. Anniken couldn't be included due to transaction failure, and thus ended up sharing a cabin with others instead. The 20th story marked changed as mentioned earlier with Jona playing drums on various legs, including the rest of Eline Medley, where Daniela played first, prior to stepping down from the stage, only to guide Anniken and Pernille to the next journey which went by train, all the way to Gothenburg.

In English Invisible Monster reminded me of seeking a true story, that surely let me introduce a lot of invisibility, and Oda was therefore the chosen one. Renamed in Norwegian as Usynlige Oda. It focused on how the journey to Sweden would be prior to punishment. For the punishment act, Jona asked to accompany me for the first leg. The other leg, was handed over to Anniken, so to gain extra possibility to visit various places and a lot of things to come. Jona woke up in the same room where I and Anniken slept at. Sleeping in the middle, Jona had done her best, prior to taken a vessel under the name Stena Scandinavica. The 20th story also marked some minor changes, with Jona and Daniela switching places, so that Eline could focus on playing alone with others to assist with, and that Daniela could take a break, meaning that Jona could finish essential songs where Daniela would not be able to finish them in time. Before Jona could drum out loud enough to various songs, Daniela had to give Jona instructions on how to play drums carefully. Jona did her best and eventually got addicted to playing drums.

In English I wrote this song in Norwegian. It was meant to be included earlier, but later discarded. After Jona returned in August 2024, it was decided that the song would be included in our 19th story instead, so that the remaining songs from Dream Theater's A View fom the Top of the World could be finished, as Answering the Call had been the subject on the 2nd story that had been made. The remaining songs were completed on our 20th story. It was between me and Jona to record our own lines, and to make it easier for a 5 hour trip on a train from Cologne to Kiel. Club Jona had reunited with the return of Jona after discovering Ehrenfeld. Journeys to Sweden would then follow, as a long lineup surely took their opportunities for granted. Also during the 19th story, Jona had to spend time sleeping with both me and Anniken, as staying alone, had to be kept out of privacy, so that guest could sleep in the same bed too. With me and Anniken sleeping on our own sides, Jona slept in the middle, and woke up in the 20th story, to find out that she woke up in another room, so Room service had to be the target.

Gracias hermano esta pieza es inmortal .

Es una brutalidad este tema

Might literally be the best metal song of all time

¡Impresionante! ❤👏

Not technical metal but still love it

Bandota!

La introducción que le agregaste queda espectacular. Psdt: Subtitula OBSCURA de GORGUTS!!!

that bass tone is fucking monstrous

Thats great!! ty so much for your work!!🤘🏻

no mentias si esta gran parte del album. ojala fuera posible stranger fruit o gravedigger chant. de momento te mereces sub

SIMPLEMENTE OPETH

mano llevo tiempo buscando un video con la traduccion. zeal and ardor es de mis bandas favoritas

Sin duda, mi cancion favorita de este album. Como siempre, Dream Theater nunca decepcionan sus canciones

El matrimonio concebido como una obligación al sometimiento de uno a otro. Mas claro no hay. Y es acertado para quienes pretenden apropiarse de la vida del otro por un simple contrato nupcial. Es lo típico de la mentalidad tercermundista.

Una de sus mejores canciones fácilmente

Agarren ahí progres

Tajeteándole la Yugular al Barba un clásico

Un clásico

por Dios es simplemente es mucho aAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

Es increíble cómo en cada álbum desarrollan tanto y son tan cambiantes, pero siendo ellos, que gran banda. Gracias por la traducción,

Ohhhh siiiii

Amo esta canción

Wowwwwwwwww!!!!! What a performance, damn!!

Discazo!!

Eye of the enemy- Clay POR FAVOR 🙏

❤

❤

Mi favorita de este discazo