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This was extremely informative and heartbreaking. Thank you for making this video.

I had never heard of Clara before, but you captivated me and I'm so glad you came across my recommended! Thank you for telling her story. Looking forward to more!!

this was so captivating and informative, great job :)

You have a natural storytelling ability! Can’t wait to watch part two! Keep it up!!! 😁

I've been curious who Clara Bow is since Taylor Swift released her song "Clara Bow." I can't wait to learn more.

Amazing story. I can’t wait for part 2!

love this!

Goodtimes 😁. 💪💪💪

you actually deserve a lot more views, this kind of things are really worth it, how CIA messed up with the world is something everyone deserves to know

This is true. You can read about it in The Hiding Place.

You got me. Good thing I watched til the end.

Sounds familiar?😜

Logic doing WWII content now 😂😅

That’s very old history about Germany

She also slept with General Gavin! How patriotic is that?

Earned a sub

Wow high quality 😮

No wonder….

Lots of interesting information here. A few points: 1) Not sure population size can be used to support the argument that Germany produced more composers than other countries. The UK had a large population during the 18th and 19th centuries but produced very few composers until Elgar. Meanwhile, Italy produced many composers during this time. 2) I don't see the connection between use of hymns in the Lutheran tradition and the development of a superior culture of music making. Religious music, Protestant, Catholic, or otherwise, has played a central role in the formation of classical music in all Western countries. 3) I would suggest that a more complete exposition of music's role in Nazi Germany incorporate a consideration of the following figures: Richard Strauss, Wilhelm Furtwaengler, Herbert von Karajan, Elisabeth Schwarzkopf. Not least because all four of these prominent German musicians were ambivalent with regard to their stance on Nazism. Strauss was head of the Reichsmusikkammer, for example, but insisted he took the position because he believed he could wield influence within the role for good. . The same goes for Furtwaengler, who in fact smuggled prominent Jewish musicians out of Germany (like Carl Flesch). Schwarzkopf, meanwhile, appeared in no fewer than 4 propaganda films for Goebbels. These musicians also seemed to receive full exoneration by former Allied powers after the war, and enjoyed huge success, which is surprising given their questionable pasts. Also questionable is the continuation of the Bayreuth music festival immediately after the war, with its production of Wagner's hideously antisemitic opera Siegfried only 6 years after the war ended. 4) I have also come across Moser's stance on the supposedly corrupting influence of Jewish-American music on German music, in my own research. Did you know that he himself was Jewish?!