วีดีโอ

@davidorlov, every piece of equipment has it's own price which is not necessarily dictated by its exact percentage. For example, a SUB8004 costs about $5,000 but we don't charge $500 for a cross rental , we charge about $150. But then you take into account the number of days it's rented for. So for a week long conference, we may charge 2.5 times that cost. Then, you could have a DPA podium microphone worth about $1250 that we can charge $200/day for. All these prices are determined by industry standards as well as supply and demand.

@v-productions- Thank you so much for the answer!

Thanks 👍

Your just jealous

WorkPro WTS375

​@@v-productions- do you know of any workpro retailers in Canada?

​@@v-productions- where did you purchase the crank lift?

research cardioid subwoofer configuration.

TT22 louder and much more commercial then the 515

@@GKSounds1 Thank you so much. Do they both have the same detailed clear sound? (The reason I'm asking is because I actually was impressed of the detailed sound from the 515, but never listened to the T22. But note that when I Listened to the 515 it was crossed over together with the 808, so maybe both together made the magic.

@@yosefshkeidim5755 you’re welcome. They might sound little sharp but they won’t last front of TT22 …and I do TTW4A TT5A and I have nxl24 a-mk2s but I would still say TT22/25 great cabinets after TT5A

4 - 2 per side as outfills

​@@v-productions- how an outfill speaker work? are they connected on different auxiliary out of the mixer?

yes exactly

They are very different. Coverage wise the nxl24s mk2 is about the same as 3 x HDL6, but not as far of a throw. I think of these as more of a point source with precise directivity. In general, I wouldn't use less then 3 HDL6 per side.

Awesome! I am thinking of getting these, would a 1-per side of NXL24 with 18" sub cover a large hall with 300-guests attendees? Can you make a video or these vs the hdl6's? Can't find any on youtube

@mitas3484, these subs are incredible with the correct configuration and calculation. Here we used them in a semi cardioid arrangement and time aligned them meticulously with the rest of the system.

@@v-productions- been waiting on mine for almost a year, can’t wait 🥲

​@@v-productions- would the NX-910 work as stage wedges as well? I noticed you have QSC-K12's. What's your take on co-axial monitors? Are they better on feedback rejection?

@thorsteng85, 8 subs total

40 metres is quite a long room. What I would do is get two more nxl24s mk2s and one more sub. Then you can mount two nxl24s one on top of the other on each side. If you have room, you can hang the additional nxl24s half way down the room and delay them through a processor or audio console. The 515s are amazing but their throw is definitely a lot smaller

@@v-productions- Thank you for your input. Forgot to mention that the room ceiling is not high, around 3m. No tiered elevated seating.. one nxl24a on a fly bar does not allow to put the speaker on angle, so the narrow 30° vertical coverage will be high on the ceiling, not targeted to the people...

All depends on budget, but I would say that 2 x 8004 subs and 2 x NXL24A mk2 column speakers like in the video would be excellent for mains. If budget allows, anything in the TT series would be excellent as well.

​@@v-productions-how would you compare NX910 versus NXL24A mkii? I am currently using a pair of ART-910's but I found it a little harsh-sounding. Forum said NX910 is significantly warm-sounding than the ART's plastic box and tuned differently. However, that NXL24 is very appealing and neat set-up. Is NXL24's waaaay better than NX910?

We set them to full on the top 8 boxes and about 80 percent on the bottom boxes so we don't kill the crowd in the first few rows

@@v-productions-really shouldn’t do any gain shading when deploying line array. Control volume consistency utilizing splay angles, height, and if you need to shade, do only high frequency shading on bottom boxes. Changing gain shading breaks phase coherency within the array as a whole.

You are correct. I have to say that the NX32 and NX45 models sound more similar to the TT line then it may seem. The 515 and 808 are amazing little speakers. Keep in mind however that the SPL is limited so its important to figure out your exact application before making a large monetary commitment, since form factor and application if using as a sub and top combo is the same as an evox which is several times less expensive and faster to set up. Corporate, trade shows, product demos, art exhibitions, brand events are some of the applications I would use these for. For comparisons sake, an RCF NX910 or QSC K10.2 gets a lot louder then these.

Can you try db technologies es1203? It's a dual 12" semi horn loaded with 8x4" tops. 3 channel amplifier so you can split the tops and choose to play dual mono or stereo via dsp

Tt is better

Yes, I believe the Meyer gets a little louder but I like the audio characteristics of the 515 better.

@@v-productions- I just got a pair in yesterday. Obviously they don't have the throw of my FBTs, but I needed something with better vertical coverage and less power for smaller acoustic shows. I didn't realize the padded case for these is designed to be used while the speaker is on the pole, which is a cool feature and gives you even more rain protection.

@@fiddleseth how do u compare them to the FBT? pls share your experience

@@rayflexentertainment1545 RCF can be little more aggressive in the high mids than the FBT Vertus when you push them but that's easily fixed with EQ. Think I'll only be using the tt515 for fills from now on. Had the amp on one of them blow up on me during a gig taking the all the drivers out with it. RCF fixed the amp but the drivers are on backorder. Thinking of replacing them with a couple Ventis 206a for smaller gigs even though the coverage isn't as wide. They were great speakers but I'm not sure if I can trust them now

I would say that they are absolutely not comparable. 2 x 808 stacked are surprisingly powerful, punchy and tight, but there is a limit to the amount of air that the tiny drivers can push. The 8004 - with enough units can power a festival for 1000s of people and the threshold is many times higher

Thanks super helpfull did you compare the tt10a to 515a price wise they are the same weight similar

Do you think 2 x 8004 and 2x tt515 good for a 300 guest event?

@@djbeboent yes certainly. Depending on how the room is oriented, you will probably want additional fills. Respectively if there are speeches.

@@markodjorovic7481 I have the TT10a they go up to 130dB!

This was a demo set. I will make a video when my own set comes in.