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Check out pat martino for deriving chords by moving single voices using dim and aug chords as home shapes

Great lesson. Thank you very kindly for that rabbit hole.

This juxtaponic harmosition fills me with joy

Quick question, in the Gm6 you keep the E. If it is minor, should'nt be E flat?

Of course. Leave out the fifth. Unless it's part of a chord voicing, it is absolutely unnecessary. It only tends to thicken the chord in an unnecessary manner. If you're on the piano, all bets are off.

I just discovered your TH-cam channel and subscribed. I’m a Ted Greene lover. I have all of his books and his one album. You sound great too!

How do you recommend using this stuff or practicing for truly learning the skill rather than just going through the page? I will visit this book for a few weeks, really play through most of this page slowly and in all keys, but then I never really end up applying it

cooky

Excellent. Gained a lot. Thank you!

That was a marvelous lesson. Fundamental

very nice! when are the modern chord progressions videos coming back?

Ffundermental

I feel like the magical and versatile 6-chords are used a lot in Gypsy Jazz

I don’t really want a dominant energy reciprocal d. “Not that there’s anything wrong with that!”

Great lesson, nice Tim Lerch book! 🤘

This was the best intro I’ve ever seen lol

Good stuff ❤

Awesome lesson!, I’ll be Back 😎!🎼👍🏼👍🏼👍🏼🎼

Why does looking at his guitar neck make me dizzy?

That's so Fun King cool.

Great books! Vic Juris (I believe) has a Bill Evans for guitar MI press I believe.

Awsome content & it all makes sense & your playing is AMAZING!!!!!!!!

Great stuff Jakob. One of my favorite uses of m6 chords is on iv in a major key leading back to the I, ie: I I7 IV iv6 I

This channel is very funderrated

Any idea good theory books you could recommend that are detailed like your explanations?

It's very interesting that you've the Goddess of Music's picture on the keyboard - Saraswati. How did you come across finding her? I know it's nothing to do with the topic at hand, but that just caught my eyes, and is now making me curious.

Now I have the tools to expleriment with a a better sharmonic funderstanding

I'm not sure it helps to say G6 is Eminor 7 . Your root is G .. the listener doesn't hear E , they hear the G root . They are rooted in G . How does it help to look at it as a G. Isn't it more productive to simply say the G 6 can be played in its inversions 1,3,5,6 or 3,5,6,1 etc

beautiful ideas and beautiful sound

Amazing teaching! As a songwriter your videos truly help me to expand my vocabulary and tools. Thank you so much for the effort you put into these lessons!

Nice to see a 7-string that isn't obviously geared towards metal

Great instruction ! What guitar is this that you’re playing ?

You are great teacher !

Subbed

Wow ur knowledge and explanation in context, is unbelievable! Did u go to Berkeley ?

It's all Funderstanding!

Joe Pass said don’t play anything hard😂

What is wrong with that neck ?--its all weird /crooked /slanted ???---or am I drunk ?

Always great to

What Nathan said..holy...

watch till the end if you want epilepsy trigger

I know you make some psych jazz I needa hear it

I know you make some crazy psych jazz I need to hear it

that right hand technique is insane

Schoenberg redivivus.

Dope

something you could play only once in your lifetime? 😂

Like your fanned-fret, 7-string fingerboard. Like Charlie Hunter's.

Mission impossible?

nice