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ŠUM journal
เข้าร่วมเมื่อ 22 ก.พ. 2015
www.sum.si/
ARIA: Lucia Pietroiusti: All that remains of the changing seasons
This lecture by Lucia Pietroiusti was part of ARIA's Worlds’ End Symposium held in Museum of Modern Art Ljubljana on 17 & 18 August.
When we look at animals and plants, we often witness a kind of preparation upon the changing of the seasons: an evolutionary dance between weather and choice, where the very first hints of a transformation prompt a withdrawal of nutrients from leaves; the springing up of shoots and buds; the storing of foods and fats; the building of burrows and nests. In the face of transformation, our more-than-human companions may not know what lies ahead, but doubtlessly they know how to prepare for it. In this talk Lucia Pietroiusti draws from her experience as a curator working across art and ecology; as well as her research and training in mourning, grief and ceremony. Accompanied by thinkers from Vanessa Machado de Oliveira to Federico Campagna and Ernesto de Martino, Pietroiusti will try to ask questions of a world that’s ending. In a time of profound transformation, what habits of mind, what stories, what rituals, may help us hold, and weather, change? What embers do we already hold of what has been? How to make space for what we may never experience? And what does art have to do with any of this?
Listen to Q&A following the lecture: soundcloud.com/user-199358479/aria-transmission-lucia-pietroiusti-lukas-likavcan
Lucia Pietroiusti is Head of Ecologies at Serpentine, London. As a curator, programmer and organisational strategist, she works at the intersection of art, ecology and systems, often outside of the exhibition space. Ecologies at Serpentine is a holistic initiative and purpose-led department aimed at embedding environmental responsibility throughout the organisation’s infrastructure, operations, networks and programming. More on: luciapietroiusti.earth
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ARIA - Algo-Rhythmic Ideation Assembly is a summer school that hybridizes art, education, and theory through immersive (role)play. Each edition features two residencies, a public symposium and related events, closed-door workshops and also a real-game play created by Omsk Social Club.
Learn more: www.sum.si/projects/aria-algo-rhythmic-ideation-assembly
and projekt-atol.si/en/work/worlds-end-symposium-public-programme/
ARIA was developed and curated by Tjaša Pogačar and Brandon Rosenbluth.
Production: Projekt Atol Institute (Lara Mejač and Uroš Veber)
In collaboration with: Šum journal (Društvo Galerija Boks)
Co-Production: Museum of Modern Art Ljubljana, International Centre of Graphic Arts Ljubljana (MGLC)
Visual design 2024: Nicola Tirabasso
Video documentation and montage: Jan Drozg
ARIA is part of More-than-Planet project, co-funded by the European Union as part of the Creative Europe framework and supported by the Ministry of Public Administration of the Republic of Slovenia, the Ministry of Culture of the Republic of Slovenia and the City of Ljubljana.
#contemporaryart #ecology #luciapietroiusti #planet #projektatol #sumjournal
When we look at animals and plants, we often witness a kind of preparation upon the changing of the seasons: an evolutionary dance between weather and choice, where the very first hints of a transformation prompt a withdrawal of nutrients from leaves; the springing up of shoots and buds; the storing of foods and fats; the building of burrows and nests. In the face of transformation, our more-than-human companions may not know what lies ahead, but doubtlessly they know how to prepare for it. In this talk Lucia Pietroiusti draws from her experience as a curator working across art and ecology; as well as her research and training in mourning, grief and ceremony. Accompanied by thinkers from Vanessa Machado de Oliveira to Federico Campagna and Ernesto de Martino, Pietroiusti will try to ask questions of a world that’s ending. In a time of profound transformation, what habits of mind, what stories, what rituals, may help us hold, and weather, change? What embers do we already hold of what has been? How to make space for what we may never experience? And what does art have to do with any of this?
Listen to Q&A following the lecture: soundcloud.com/user-199358479/aria-transmission-lucia-pietroiusti-lukas-likavcan
Lucia Pietroiusti is Head of Ecologies at Serpentine, London. As a curator, programmer and organisational strategist, she works at the intersection of art, ecology and systems, often outside of the exhibition space. Ecologies at Serpentine is a holistic initiative and purpose-led department aimed at embedding environmental responsibility throughout the organisation’s infrastructure, operations, networks and programming. More on: luciapietroiusti.earth
_
ARIA - Algo-Rhythmic Ideation Assembly is a summer school that hybridizes art, education, and theory through immersive (role)play. Each edition features two residencies, a public symposium and related events, closed-door workshops and also a real-game play created by Omsk Social Club.
Learn more: www.sum.si/projects/aria-algo-rhythmic-ideation-assembly
and projekt-atol.si/en/work/worlds-end-symposium-public-programme/
ARIA was developed and curated by Tjaša Pogačar and Brandon Rosenbluth.
Production: Projekt Atol Institute (Lara Mejač and Uroš Veber)
In collaboration with: Šum journal (Društvo Galerija Boks)
Co-Production: Museum of Modern Art Ljubljana, International Centre of Graphic Arts Ljubljana (MGLC)
Visual design 2024: Nicola Tirabasso
Video documentation and montage: Jan Drozg
ARIA is part of More-than-Planet project, co-funded by the European Union as part of the Creative Europe framework and supported by the Ministry of Public Administration of the Republic of Slovenia, the Ministry of Culture of the Republic of Slovenia and the City of Ljubljana.
#contemporaryart #ecology #luciapietroiusti #planet #projektatol #sumjournal
มุมมอง: 149
วีดีโอ
ARIA: Lukáš Likavčan: A planet of the selfless: Philosophy for habitable Earth
มุมมอง 53วันที่ผ่านมา
This lecture by Lukáš Likavčan was part of ARIA's Worlds’ End Symposium held in Museum of Modern Art Ljubljana on 17 & 18 August. In his talk Lukáš Likavčan sheds light on his recent work, which orients planetary imaginaries towards the astronomical concept of the planet, and towards the speculative histories enabled by different solutions to Fermi paradox. This has direct implications for poli...
ARIA: Tom K Kemp: Why is it leaking? Bottle universes and infernal actors
มุมมอง 103วันที่ผ่านมา
This talk by Tom K Kemp was part of ARIA's Worlds’ End Symposium held in Museum of Modern Art Ljubljana on 17 & 18 August. The afterlife, particle simulations, and youtuber terrariums can all be defined as ‘mesocosms’: reduced and sealed ecosystems that are sites of speculation, sitting between controlled and emergent behaviours. By working through game studies and various historical formalisat...
ARIA: Klara Kofen: To all the junkyards of what-ifs
มุมมอง 41วันที่ผ่านมา
This lecture by Klara Kofen was part of ARIA's Worlds’ End Symposium held in Museum of Modern Art Ljubljana on 17 & 18 August. Lauren Berlant writes, "Once I called myself a utopian (...) I should have called on the heterotopian, which attends to living in the copresence of many forms of life." What organisational, sensual, and affective regimes emerge when all modalities of existence are out o...
ARIA: Alice Bucknell: All the world's polygons
มุมมอง 96วันที่ผ่านมา
This lecture by Alice Bucknell was part of ARIA's Worlds’ End Symposium held in Museum of Modern Art Ljubljana on 17 & 18 August. The talk explores the history and futures of simulation in gaming, the bleed between entertainment and climate forecasting, and the paradox of predictive technologies in foreclosing other possible futures. From Stockholm, a team of 250 roams the Earth's surface with ...
ADAPTATION exhibition / Hygroamass by Neja Zorzut
มุมมอง 21011 หลายเดือนก่อน
Neja Zorzut, Hygroamass, (dyneema fiber, epoxy resin, concrete, plexiglass, metal, 1200x180x40cm, 2023) Follow @zorzutneja ADAPTATION, 30.11.2023 - 31.12.2023, Povšetova ulica Ljubljana, Slovenia Imagine an artificial object, an artwork of a new kind. It would spread into its surroundings by employing the entropy of its materials, the topology of its location, the vegetation, the changing weath...
ADAPTATION exhibition / sur140 by Andrej Škufca
มุมมอง 12711 หลายเดือนก่อน
Andrej Škufca, sur140 (aluminum, stainless steel, installation, dimensions variable, 2023) Follow @andrej.skufca ADAPTATION, 30.11.2023 - 31.12.2023, Povšetova ulica Ljubljana, Slovenia Imagine an artificial object, an artwork of a new kind. It would spread into its surroundings by employing the entropy of its materials, the topology of its location, the vegetation, the changing weather pattern...
ADAPTATION exhibition / Re-terraforming by Lara Žagar
มุมมอง 7911 หลายเดือนก่อน
Lara Žagar, Re-terraforming, (blown glass, water, algae, 83x120cm, 2023) Follow @larazagar ADAPTATION, 30.11.2023 - 31.12.2023, Povšetova ulica Ljubljana, Slovenia Imagine an artificial object, an artwork of a new kind. It would spread into its surroundings by employing the entropy of its materials, the topology of its location, the vegetation, the changing weather patterns, and other such vari...
ADAPTATION exhibition / Where it was at most filtered by Živa B Rebec
มุมมอง 8411 หลายเดือนก่อน
Živa Božičnik Rebec, Where it was at most filtered, (mixed technique, aluminum, 1m², 2023) Follow @ zivabozicnikrebec ADAPTATION, 30.11.2023 - 31.12.2023, Povšetova ulica Ljubljana, Slovenia Imagine an artificial object, an artwork of a new kind. It would spread into its surroundings by employing the entropy of its materials, the topology of its location, the vegetation, the changing weather pa...
ADAPTATION exhibition / Skylark by Ema Maznik Antić and Maks Bricelj
มุมมอง 8911 หลายเดือนก่อน
Ema Maznik Antić and Maks Bricelj, Skylark, (spruce, steel, laserjet print, phototransfer, polyurethane, various dimensions, 2023) Follow @kinzam_ and @police_line donut_cross ADAPTATION, 30.11.2023 - 31.12.2023, Povšetova ulica Ljubljana, Slovenia Imagine an artificial object, an artwork of a new kind. It would spread into its surroundings by employing the entropy of its materials, the topolog...
ADAPTATION exhibition / Anathema by Maša Knapič
มุมมอง 6911 หลายเดือนก่อน
Maša Knapič, Anathema, (mixed technique, 2x(75)x210cm, 2022) Follow @zamasak ADAPTATION, 30.11.2023 - 31.12.2023, Povšetova ulica Ljubljana, Slovenia Imagine an artificial object, an artwork of a new kind. It would spread into its surroundings by employing the entropy of its materials, the topology of its location, the vegetation, the changing weather patterns, and other such variables. An obje...
ADAPTATION exhibition / Spasmodic sap by Samra Buljić
มุมมอง 7511 หลายเดือนก่อน
Samra Buljić, Spasmodic sap, (industrial marker and oil pastels on glass, 102x129 cm / 123x160cm, 2023) Follow @liguree ADAPTATION, 30.11.2023 - 31.12.2023, Povšetova ulica Ljubljana, Slovenia Imagine an artificial object, an artwork of a new kind. It would spread into its surroundings by employing the entropy of its materials, the topology of its location, the vegetation, the changing weather ...
ADAPTATION exhibition / SPATIA NON LUCEO NISI OPIFICUM by Ištvan Išt Huzjan
มุมมอง 4911 หลายเดือนก่อน
Ištvan Išt Huzjan, SPATIA NON LUCEO NISI OPIFICUM (I do not light the spaces except for the workers), (aluminium bronze (CuAl10Ni5Fe4), 210x2,5x2,5cm, 2023) Follow @istvanisthuzjan ADAPTATION, 30.11.2023 - 31.12.2023, Povšetova ulica Ljubljana, Slovenia Imagine an artificial object, an artwork of a new kind. It would spread into its surroundings by employing the entropy of its materials, the to...
ADAPTATION exhibition / Landscapes by Jon Derganc
มุมมอง 5311 หลายเดือนก่อน
Jon Derganc, Landscapes (Kolkata, Varanasi, Goa), (gelatin silver prints, 17,1x17,1cm, 2014) Follow @jonderganc ADAPTATION, 30.11.2023 - 31.12.2023, Povšetova ulica Ljubljana, Slovenia Imagine an artificial object, an artwork of a new kind. It would spread into its surroundings by employing the entropy of its materials, the topology of its location, the vegetation, the changing weather patterns...
ADAPTATION exhibition / SF 76 by Slavko Tihec
มุมมอง 6111 หลายเดือนก่อน
Slavko Tihec, SF 76, (pickled wood, 25x30x30cm, 1976) Follow #slavkotihec ADAPTATION, 30.11.2023 - 31.12.2023, Povšetova ulica Ljubljana, Slovenia Imagine an artificial object, an artwork of a new kind. It would spread into its surroundings by employing the entropy of its materials, the topology of its location, the vegetation, the changing weather patterns, and other such variables. An object ...
The Hyperemotional Complainer (The Parasite and Its Double)
มุมมอง 1612 ปีที่แล้ว
The Hyperemotional Complainer (The Parasite and Its Double)
(In)finitude Of Progress: The Dialectic Of Becoming
มุมมอง 982 ปีที่แล้ว
(In)finitude Of Progress: The Dialectic Of Becoming
Subset of Theoretical Practice: Atlas of Experimental Politics
มุมมอง 3192 ปีที่แล้ว
Subset of Theoretical Practice: Atlas of Experimental Politics
Post-Soviet Cyberfeminism: On Cybernetic Governance / Lecture by Bogna Konior
มุมมอง 1.3K5 ปีที่แล้ว
Post-Soviet Cyberfeminism: On Cybernetic Governance / Lecture by Bogna Konior
A Theory of Vibe / Lecture by Peli Grietzer
มุมมอง 2.5K5 ปีที่แล้ว
A Theory of Vibe / Lecture by Peli Grietzer
Benjamin H. Bratton: Supernaut / Automation as Ecology / The Terraforming
มุมมอง 3175 ปีที่แล้ว
Benjamin H. Bratton: Supernaut / Automation as Ecology / The Terraforming
Benjamin H. Bratton: Automation Automates Autonomy / Automation as Ecology / The Terraforming
มุมมอง 3945 ปีที่แล้ว
Benjamin H. Bratton: Automation Automates Autonomy / Automation as Ecology / The Terraforming
Automation and Accreditation / Interview with Mat Dryhurst
มุมมอง 5645 ปีที่แล้ว
Automation and Accreditation / Interview with Mat Dryhurst
Never wearing that fucking shirt again
beautiful
🖤
Yo
Deep concepts.
+_+
F
Infrastructure can be seen as rendering political decisions technical and depoliticized by turning them into physical systems (the hardware of our urban spaces). But we can - and increasingly do - reverse this process and problematize (re-politicize) the hardware by pointing out that it represents the physical embodiment of political decisions; that the seemingly technical is always a manifestation of the social forces that shaped it. Jane Jacobs continues to confront Robert Moses, through the ages ...