วีดีโอ

Bravissimo Sergio!! senza parole.....orchestra semplicemente magnifica.

So inspiring. I will go practice!

Gorgeous upper string playing

13:35

Bravo !

Bravo !!!

Is this Bach or Mozart

Well played! I was wondering where can I find the score of this version? Many thanks

Very beautiful. Such sad music

Excelente, boa sorte rapaz.

Bellisimo❤

Bravíssimo!! Saúde, paz e sucesso sempre!! 👏👏👏

Merci beaucoup M.Pires pour tous vos conseils très précieux 👏👏👏

멋진 연주 감사합니다

Beautyfull piece

How do you tongue the reed? I wonder if those who prefer to use k as standard tend to have a different method of tonguing from those who use g. One player who has a video advocating k, uses the tip of the tongue to perhaps 1/3 of an inch lower than the tip of the reed. I tongue to the tip of the reed, from a point a little back from the tip of the tongue. I guess a lot can depend on the length of your tongue.

Olá clarinetista Sérgio, admiro o seu som! Estudo clarinete no conservatório de Cascais e Oeiras, gosto muito da sua interpretação do concertino de Weber! E pelo tutorial do duplo staccato!

Fortíssimo! Bravo!

Played loudly to conceal lack of passion, especially on lower register eg.2.27. Exactly as ex-BBC Pierre Boulez would have wanted. A difficult instrument to master

Merci 😇😇😇😇

Bravo 🎉🎉

Com urgência preciso falar com o senhor Sérgio pires não sei como fazer para contatar

Good tutorial! But as you said, it is not used very often. In many years if playing, I just missed it once (a few notes in the 4th mouvement of Francaix). However, I didn't play Nielsen or 4th of Beethoven.

Qual é a orquestra?

Hello, what reeds were you using?

Wow muito bom!

Très bonne musique contemporaine et un formidable clarinettiste, Sergio Pires. Effectivement un très beau son et beaucoup de projection. Bravo

Bravo

Outstanding performance! I'm a clarinetist trying to discover more lesser-known works to add to my repertoire. Your incredible channel and lovely playing helped me to add a new work to my repertoire! Cheers!!

Thanks and I will try.

I heard this one a few years ago performed by Steven Silverstein "The Great" with orchestra...You know the man who invented your ligature. He understood that the work is a "theme and variations" and performed it like that. Go back over it with this one idea in mind and perhaps it will then sound like "von Weber".

Thank you for this very useful technique. I had to largely master it myself and we didn't have TH-cam at the time. 👌😉

One of the best interpretations I've ever heard! É um presente para os ouvidos! Obrigado por isso👏🏻

Der Konzertmeister hat richtig Freude am Musizieren - sehr schön!!

très beau, du niveau de Mc Kauw qui fut un maître dans cette oeuvre, où une embouchûre souple ,une sonorité proche du jazz est requise( la technique...bien sûr).

Fantástico ❤

Beautiful ❤

Why it’s not correct to have air in the cheeks, says who?…..Go on Great Job!❤

huh?? does his bell have a key/hole on it?

Grandissimo ❤

Very good Bravo

Master!!!!!!

MASTERRRRR

1:35 8:47 13:38

Absolutely breathtaking

❤

Hermosa interpretacion!!

Excellent! The best double tonguing explanation I’ve heard on line.

Had a masterclass with this man recently. There is not a single negative thing to say against him! Great teacher, really. Talented and extremly skilled clarinet player, very patient and very kind and friendly. Learned a lot by taking his classes. All the best Mr. Sergio! You are awesome...

Copenhagen: Samfundet til Udgivelse af dansk Musik, 1931 (Imslp version) Pág1: 0:06 ||1|| = 0:33 Pág2: 1:52, ||6|| a tempo = 3:10 Pág3: 4:13, fermata cadenza ad lib= 4:38 Pág4: 6:39, ||9|| Più allegro = 7:35, Poco adagio: 08:38 Pág5: 9:36, ||16|| = 11:21 Pág6: 12:05, fermata: 12:46, ||20|| Allegro non troppo eighth:144 = 13:10, ||21|| = 13:49 Pág7: 14:50, ||25|| a tempo = 15:30, ||27|| = 16:06, ||28|| = 16:28 Pág8: 16:32, ||30|| = 17:08, Fermata1 = 17:45, Fermata2 = 18:00 Pág9: 18:25 Pág10: 20:42, ||39|| Tempo I (Allegro vivace) = 21:18, ||43|| Poco meno = 22:57