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McNay Art Museum
United States
เข้าร่วมเมื่อ 14 ธ.ค. 2017
The McNay Art Museum, located in San Antonio and named for founder Marion Koogler McNay, is the first modern art museum in Texas.
Director's Message: Reflections on 2024
In 2024, we commemorated 70 years of art and community with a yearlong celebration, featuring events, programs, and storytelling. From welcoming thousands of visitors to anniversary events, to launching a digital guide, to making The New York Times, we pause to reflect on an extraordinary year that kept our founder's vision alive.
Learn more about the 70th anniversary: www.mcnayart.org/mcnay70/
Learn more about the 70th anniversary: www.mcnayart.org/mcnay70/
มุมมอง: 135
วีดีโอ
Curator Walkthrough | Whitfield Lovell: Passages
มุมมอง 11014 วันที่ผ่านมา
René Paul Barilleaux, Head of Curatorial Affairs, offers a close look at "Whitfield Lovell: Passages," the most comprehensive exhibition of contemporary artist Whitfield Lovell’s work to date. Take a journey into Black history and heritage through Lovell’s hyperrealist Conté drawings and expansive, emotionally stirring installations. This traveling exhibition makes its final stop at the McNay, ...
McNay Story | Carolyn Leiloglou
มุมมอง 79หลายเดือนก่อน
In honor of our 70th anniversary, San Antonio native and award-winning author Carolyn Leiloglou sat down with us to discuss how her mother exposed her to the arts at an early age and the meaningful role that the McNay has played in her life and career. From taking classes as a child to having her wedding photos shot here, from finding beauty in the grounds and Collection to writing a book about...
Tomás Ybarra-Frausto in Conversation with Mia Lopez
มุมมอง 100หลายเดือนก่อน
Marking the 35th anniversary of Ybarra-Frausto’s pivotal essay on Rasquachismo, Tomás Ybarra-Frausto discusses the enduring significance of his scholarship on Rasquachismo, a subset of Chicano art, his lifelong connection to the McNay, and more. The talk, moderated by Mia Lopez, Curator of Latinx Art, serves as a prelude to the exhibition, "Rasquachismo: 35 Years of a Chicano Sensibility."
Curator Walkthrough | Caroline Hamilton, Ph.D.: Women Artists of the Ballets Russes
มุมมอง 433หลายเดือนก่อน
Guest Curator Caroline Hamilton, Ph.D. walks us through the women designers behind the renowned Ballets Russes and the legacy that led to the proliferation of ballet schools and companies around the world. Women Artists of the Ballets Russes: Designing the Legacy is organized for the McNay Art Museum by Caroline Hamilton, Ph.D., costume and dance historian, Guest Curator; Remus Moore, The Tobin...
McNay Stories | Chris Butler
มุมมอง 55หลายเดือนก่อน
Chris Butler, one of our most passionate members, reflects on discovering the McNay, his all-time favorite exhibition and events, and the importance of supporting the arts. For more information about our 70th anniversary celebration and to see more "McNay Stories," visit www.mcnayart.org/mcnay70.
Docent Walkthrough | Architecture Tour
มุมมอง 5402 หลายเดือนก่อน
With architect and docent Dan Wigodsky as your guide, take a journey through time, marveling at the details of Marion Koogler McNay’s residence and discover how the McNay Art Museum has evolved across 70 years. Learn more at mcnayart.org/mcnay70. About Dan Wigodsky Dan Wigodsky grew up in San Antonio and was first introduced to the McNay by his mother, Jo Ann Pincus Wigodsky, who served as a do...
McNay Stories | Patsy Patton Sasek
มุมมอง 1993 หลายเดือนก่อน
At Founder's Day 2024, Patsy Patton Sasek looked back on the day that she discovered the McNay as a child with her sister, a moment in her life that sparked her lifelong love of art and of the McNay. Today, the Museum is a go-to place for respite for Patsy and her husband of thirty years. Learn more about the 70th at www.mcnayart.org/mcnay70.
McNay Stories | Tomás Ybarra-Frausto
มุมมอง 3094 หลายเดือนก่อน
Noted Chicano Studies scholar Tomás Ybarra-Frausto shares significant McNay experiences from his life, including his visits to the Museum as a Brackenridge High School student, the impact of Marion McNay's collection, his scholarship on rasquachismo, the de la Torre brothers' exhibition, and his hopes for the McNay's future. Learn more about the McNay's 70th anniversary at www.mcnayart.org/mcna...
McNay Stories | Caroyln Lay on her McNay "love story"
มุมมอง 3805 หลายเดือนก่อน
At Founder's Day 2024, Carolyn Lay, McNay Docent, reflected her 70-year "love story" with the McNay, from attending the Museum's opening with her father in 1954, to becoming a docent in 1984, to continuing her passion for giving tours and staying deeply involved today. Learn more about the 70th at www.mcnayart.org/mcnay70.
Frank Harmon: Writing and Sketching as Keys to Design
มุมมอง 677 หลายเดือนก่อน
May 30, 2024, the McNay welcomed FAIA architect, artist, and author Frank Harmon who delivered an engaging lecture about the elements of design, followed by a book signing of Harmon’s illustrated mini essay book, Native Places: Drawing as a Way to See.
Artist Ian Dawson Addresses 'Spotlight Program' Students
มุมมอง 697 หลายเดือนก่อน
Since 2011, Spotlight has celebrated the remarkable achievements of K-12 student artists reflecting on one work in the McNay collection. This year, students’ artwork responded to Ian Dawson’s Henri and Henrietta. Students’ works were presented in May 2024 at a ceremony. "Spotlight: K-12 Artists Respond to Ian Dawson’s Henri and Henrietta" is on view at the McNay in the Patio Gallery through Apr...
Curator Walkthrough | R. Scott Blackshire, Ph.D.: Around the World in 80 Designs
มุมมอง 3967 หลายเดือนก่อน
Join R. Scott Blackshire, Ph.D., Curator, The Tobin Collection of Theatre Arts, on a journey through 'Around the World in 80 Designs'-a “travel guide” exhibition showcasing scene designs, costume designs, and maquettes from the McNay Art Museum’s Tobin Collection of Theatre Arts. Discover the stories behind four extraordinary objects that bring global scenes to life through theatre arts. 'Aroun...
McNay Stories | Regina Antelo and Selena Watson on Nivia Gonzalez's Painting
มุมมอง 4977 หลายเดือนก่อน
Twin daughters, Regina Antelo and Selena Watson, discuss the life and work of their late mother, Nivia Gonzalez, a San Antonio native whose art touched many across generations. The daughters discuss what it means to donate an untitled piece to the McNay and their hopes for the museum's future. Learn more about McNay's community across the decades at www.mcnayart.org/mcnay70/.
Artist Walkthrough | Einar and Jamex de la Torre: Upward Mobility
มุมมอง 1.6K7 หลายเดือนก่อน
Artist Walkthrough | Einar and Jamex de la Torre: Upward Mobility
Curator Walkthrough | Noelle Yongwei Barr: A Particular Beauty: 19th-Century French Art at the McNay
มุมมอง 3399 หลายเดือนก่อน
Curator Walkthrough | Noelle Yongwei Barr: A Particular Beauty: 19th-Century French Art at the McNay
McNay Stories | Lyle Williams on Marion's Collecting and Beyond
มุมมอง 33510 หลายเดือนก่อน
McNay Stories | Lyle Williams on Marion's Collecting and Beyond
Curator Walkthrough | Chloe Feyock: Prints by Contemporary Black Artists
มุมมอง 47611 หลายเดือนก่อน
Curator Walkthrough | Chloe Feyock: Prints by Contemporary Black Artists
McNay Stories | Lyle Williams on Eye of a Collector: The John M. Parker Jr. Bequest
มุมมอง 79711 หลายเดือนก่อน
McNay Stories | Lyle Williams on Eye of a Collector: The John M. Parker Jr. Bequest
The Latinx Lens in American Art: A Conversation with Curators Marcela Guerrero and Mia Lopez
มุมมอง 197ปีที่แล้ว
The Latinx Lens in American Art: A Conversation with Curators Marcela Guerrero and Mia Lopez
Artists Looking at Art - Melissa Gamez-Herrera
มุมมอง 93ปีที่แล้ว
Artists Looking at Art - Melissa Gamez-Herrera
Dreamland | Tim Burton’s The Nightmare Before Christmas - Walk-thru
มุมมอง 1.3Kปีที่แล้ว
Dreamland | Tim Burton’s The Nightmare Before Christmas - Walk-thru
Dreamland | Tim Burton’s The Nightmare Before Christmas #shorts
มุมมอง 368ปีที่แล้ว
Dreamland | Tim Burton’s The Nightmare Before Christmas #shorts
Artist Talk: Alice Aycock - Moving Through Time
มุมมอง 344ปีที่แล้ว
Artist Talk: Alice Aycock - Moving Through Time
Spotlight: San Antonio’s K-12 Artists Embrace vanessa german’s BLACK GIRL WITH SNAKES
มุมมอง 77ปีที่แล้ว
Spotlight: San Antonio’s K-12 Artists Embrace vanessa german’s BLACK GIRL WITH SNAKES
I enjoyed this walkthrough immensely. Many thanks to Caroline Hamilton, she is an amazing curator and presenter.
💜
Excellent walk through. Very informative and well presented. Thanks.
Are these part of the permanent collection? I would love to travel to see these!
Well done, Dan! Thank you for sharing the fascinating architectural 'secrets' of San Antonio's beloved McNay museum!
Next time I visit San Antonio, I need to visit the McNay, as well as the San Antonio Museum of Art.
I remember that day, my sister. You packed bread and mayonnaise but I remember packing a can of tomato soup and an orange. I forgot to pack a can opener so it thought we should go home. What a fun adventure! We’ve been on several since then.
I loved this exhibition when I visited the McNay!
Just amazing! Thank you so much for posting this!!!
It would be wonderful to have Dr. Tomás Ybarra-Frausto present from “The Geographies of Love” as a video. Do you agree, David Zamora Casas?
Wonderful to see and listen to Dr. Tomás Ybarra-Frausto, who was a mentor while I was a doctoral student and friend. His words are, as always, insightful and original and point the way toward discovering, expanding, refining, and presenting creative expression by artists from all walks of life and ways of being.
I enjoyed this RMUTT tour. Especially the old fashioned lantern. No where else have I seen such a testament to an older generation. Thanks Today if 15 August 2024
I absolutely love this!
I lost brain cells watching them explain this. What a left winged clearly demonic mess. Myself and everyone I’ve spoken to who visited this were appalled and confused. This isn’t art this is degeneration. satanist rubbish.
Although the content is prepared comprehensively, her lack of emotion and enunciation and hurried narration makes listening to her very hard.
Can not hear audience responses.
I'm going to teach this piece in an adult collage education evening......what is the song?
How beautifully you collected the works these three contemporary artists in this gallery at the McNay Museum. I can assure you that it will enrich my viewing experience as well as allow me to have an appreciation of the artist's process and intention.
Great interview! Sounds like an amazing exhibit🎉
He changed my life.
Whoever filmed this and chose the music did an outstanding job!
the burping instrumental paired with this video is a very odd choice...
Every few months I find myself seeking this out when I'm working and can hear Katie giving me instructions in my head. This is so beautiful and comforting. It feels like I get to hear from her again.
You're iconic.
@45:25 - It saddens me to think that this artist altered the way he works in response to an ignorant review. As someone who ALSO overworks their art with insane amounts of detail, (pen & ink) my response to that type of criticism would be to tell the critic to f*ck off. You do you, Lance. ❤🧡💛💚💙💜
Hello. I am a str8 cis male. But I find trans women more attractive than cis women. I pursue trans women instead of cis women. Does anyone know the real reason behind this? Thanks.
❤❤❤
I lovelovelove that Vanessa German acknowledges that all artists are self-taught.
I saw the documentary when it first came out and have watched it again and again over the years. Just today I watched it again and was curious to see if there was any new material about Lance. So glad to have found this interview. Ever since seeing the documentary I’ve felt validated in my collage work. My focus has always been painting and drawing among other things, with collaging being something I did for fun or when I needed to “decorate” something. I teach art, so collaging does come up in my lessons a lot, but for me personally I did not make the effort to elaborate and go deep with it. Lance made me rethink my stance and since I’ve found collage art to be just as rewarding and challenging as any of my other art. I am a reactionary collager, if I am allowed to make up new terms, in other words it is the material and the image I come across that inspires the work I create. Although I am more of a minimalist in my approach, it is always filled with meaning and symbolism. I don’t shy away from painting or drawing on my collages, but some are quite naked with many being so well crafted that they look more like photos not collages. I loved his comment about plagiarism, I think that is one thing that seems to stop many artists from working with found images. Although I wish I had access to old ephemera and images like Lance’s, I am not afraid to use the latest Vogue magazine or Better Homes and Gardens. I do wish their paper was better quality though. Lance, if you see this, thank you!
interesting talk
Excelente trabajo, Señor Director!! Deja el mejor de los recuerdos en el McNay, sin duda alguna seguirán sus éxitos en Chicago! Espero que en el corto tiempo que todavía estará en San Antonio, tenga la oportunidad de verlo y conversar sobre el Arte de Latino America. Le deseo una Feliz Navidad y un Próspero Año Nuevo 2023
This is awesome brother. 👊⚔️🍻
My brother is named Willie Cole and he is an Artist and A writer! Wow I wish these guys could connect!
Love the McNay Education Team!
Thank you so much, Lyle, for such an excellent explanation of printmaking and communicating a fundamental understanding of each process and how individual experimentation can make each unique to the artist.
I wish these prints were on sale id so buy one!!! So Cool specially the one with the red curtain and checkered floor 🤩💜
Great explanation of the the works anthony, definitely understand your work more.
👏🏼👏🏼👏🏼👏🏼
I don't see this work as museum worthy.
Care to explain why not?
I just met Mariana Vasques walking my dog..ty
😬 𝓅𝓇o𝓂o𝓈𝓂
To all, Selena Quintanillas story stands as the cornerstone foundation of the present day Human Rights/Anti-Human traffickicking, forced career, and Social Justice movements in a technologically advanced society. The modern day entertainment industry in particular the music industry as well as various communication and communications media have also been largely founded by those present involved in the production of these events which stand as a most severe matter. We see here in every instance the forced nature of the career of every female artist as well as others on hand in the most physically intrusive manners; who appear in this tejano so called racially commercialized and community destroying endeavour. Which has effectively silenced the voices of entire communities and the human rights movement as a whole. This behavior has continued till present day, simultaneously we see those personally accountable for what truly is a human catastrophe for all society as a whole and brazenly promotes complicity to an already at risk population. The abusive tactics used to intimidate persons vulnerable like Selena Quintanilla highlights the need for immediate societal education. Education on forced relationships, which clearly begets the norm here, and crime free atmospheres which are needed in an advanced tech society faced with long term accountability. Even one such instance resembling what we see here such as that of Ariana Grande has been globally lambasted for offensive volatility, why is this still being allowed in global silence here. Do good to be, question id imposition
To all, Selena Quintanillas story stands as the cornerstone foundation of the present day Human Rights/Anti-Human trafficking, forced career, and Social Justice movements in a technologically advanced society. The modern day entertainment industry in particular the music industry as well as various communication and communications media have also been largely founded by those present involved in the production of these events which stand as a most severe matter. We see here in every instance the forced nature of the career of every female artist as well as others on hand in the most physically intrusive manners; who appear in this tejano so called racially commercialized and community destroying endeavour. Which has effectively silenced the voices of entire communities and the human rights movement as a whole. This behavior has continued till present day, simultaneously we see those personally accountable for what truly is a human catastrophe for all society as a whole and brazenly promotes complicity to an already at risk population. The abusive tactics used to intimidate persons vulnerable like Selena Quintanilla highlights the need for immediate societal education. Education on forced relationships, which clearly begets the norm here, and crime free atmospheres which are needed in an advanced tech society faced with long term accountability. Even one such instance resembling what we see here such as that of Ariana Grande has been globally lambasted for offensive volatility, why is this still being allowed in global silence here. Do good to be, question id imposition
To all, Selena Quintanillas story stands as the cornerstone foundation of the present day Human Rights/Anti-Human trafficking, forced career, and Social Justice movements in a technologically advanced society. The modern day entertainment industry in particular the music industry as well as various communication and communications media have also been largely founded by those present involved in the production of these events which stand as a most severe matter. We see here in every instance the forced nature of the career of every female artist as well as others on hand in the most physically intrusive manners; who appear in this tejano so called racially commercialized and community destroying endeavour. Which has effectively silenced the voices of entire communities and the human rights movement as a whole. This behavior has continued till present day, simultaneously we see those personally accountable for what truly is a human catastrophe for all society as a whole and brazenly promotes complicity to an already at risk population. The abusive tactics used to intimidate persons vulnerable like Selena Quintanilla highlights the need for immediate societal education. Education on forced relationships, which clearly begets the norm here, and crime free atmospheres which are needed in an advanced tech society faced with long term accountability. Even one such instance resembling what we see here such as that of Ariana Grande has been globally lambasted for offensive volatility, why is this still being allowed in global silence here. Do good to be, question id imposition
To all, Selena Quintanillas story stands as the cornerstone foundation of the present day Human Rights/Anti-Human trafficking, forced career, and Social Justice movements in a technologically advanced society. The modern day entertainment industry in particular the music industry as well as various communication and communications media have also been largely founded by those present involved in the production of these events which stand as a most severe matter. We see here in every instance the forced nature of the career of every female artist as well as others on hand in the most physically intrusive manners; who appear in this tejano so called racially commercialized and community destroying endeavour. Which has effectively silenced the voices of entire communities and the human rights movement as a whole. This behavior has continued till present day, simultaneously we see those personally accountable for what truly is a human catastrophe for all society as a whole and brazenly promotes complicity to an already at risk population. The abusive tactics used to intimidate persons vulnerable like Selena Quintanilla highlights the need for immediate societal education. Education on forced relationships, which clearly begets the norm here, and crime free atmospheres which are needed in an advanced tech society faced with long term accountability. Even one such instance resembling what we see here such as that of Ariana Grande has been globally lambasted for offensive volatility, why is this still being allowed in global silence here. Do good to be, question id imposition
Bravooooo!! What an incredible woman! Thank you, a million times, forever and ever! You will live forever in every generation of Mexican American people. You are a treasure, Judy Baca! The land will never forget you.
Katie is my role model, this is beautiful
Jenny, your poem seemed to weave together the artist's essence with her work. I didn't know Katie but wish I had. Thank you - A McNay docent
Wow. Breathtaking and beautiful.
<3 <3