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Con Musica
เข้าร่วมเมื่อ 10 ก.ย. 2019
Musician, music teacher, & dancer who mixes everything up then talk about it.
Music & Musicality for DANCERS #3: When it's NOT in 4/4 (Time signatures & Meters)
Things have been hectic here, so this has been in editing for ages. I've loved to hear from you all in the meantime, thanks for your comments! So much love to you for hanging out.
Quick note: If you're experienced or a teacher of the styles I mention and want to tell me about them or fix up a detail, I'd love to hear from you!
Thankyou to : Jay_You on freesound.org for his Elevator Music
PLEASE SUPPORT THE FEATURED VIDEOS:
Paso Doble:
Dancers: Vincenzo Mariniello & Sara Casini
Music: España Cañi - Composer: Pascual Marquina Narro
Link: th-cam.com/video/toSkA3ZITbY/w-d-xo.html
Samba:
Dancers: not specified
Event: Brasil Samba Congress
Music: Samba De Arerê / Zé Do Caroço (Ao Vivo) - Diogo Nogueira
Link: th-cam.com/video/MyPyvEVox0M/w-d-xo.html
Waltz:
Dancers: not specified
Event: Blackpool 2010 Ballroom Dancing Pro Final
Music: Always & Forever - Empress Orchestra
Link: th-cam.com/video/g1o31fsZxCc/w-d-xo.html
Adagio
Dancers: Marianela Nunez & The Royal Ballet.
Production: The Sleeping Beauty (2006).
Composer: Pyotr Il'yich Tchaikovsky. th-cam.com/video/qqejv_BQ7Zg/w-d-xo.html
Sarabande
Performers: Kaspar Mainz (dancer) & Il Giardino Armonico.
Production: "Music of the French Baroque".
Composer: Charles Dieupart. th-cam.com/video/VF9v-6B_O0A/w-d-xo.html
Polonaise:
Production: Eugen Onegin, Bolshoi Theatre (2000)
Composer: Tchaikovsky. th-cam.com/video/4Um3wUL-pxw/w-d-xo.html
Music Theatre #1 - Victoria's solo
Dancers: Phyllida Crowley Smith
Production: Cats (1998 film)
Composer: Andrew Lloyd Webber
Link: th-cam.com/video/CwAldIBJUdE/w-d-xo.html
Music Theatre #2 - Dream Ballet
Dancers:
Production: Oklahoma (Royal National Theatre 1998 cast).
Composer: Rodgers & Hammerstein.
Link: th-cam.com/video/gzSK-YmDROc/w-d-xo.html
Menuet:
Dancers: Sarah Cremer, Ursula Hageli, Alison Pooley, Angela Robinson, Chris Evan, Ray Holland, Rai Harell, Richard Slaughter (The English Bach Festival Dancers).
Production: The Banqueting House - Whitehall London - "The Water Music".
Composer: George Frederick Handel. h
tth-cam.com/video/6fa2wZEsRWM/w-d-xo.html
Mazurka
Dancers: The Bolshoi Ballet.
Production: Coppelia (2011).
Composer: Leo Delibes
Link: th-cam.com/video/8Sb7gp98wAc/w-d-xo.html
Bolero dancers: Sylvie Guillem & unknown.
Production: Tokyu Silvester Concert 2015.
Composer: Maurice Ravel.
Link: th-cam.com/video/SS_WJmLGFrA/w-d-xo.html
Spanish Bolero
Dancers: Ballet Folclorico de Madrid
Production: Boleros de España: "Son 60"
Link: th-cam.com/video/ESdkxj2lUpk/w-d-xo.html
Cuban Bolero
Dancers: Dakhóta Romero and Edwin M Ferreras
Song: Dos Gardenias - Buena Vista Social Club
Link: th-cam.com/video/m8IF92ioIpM/w-d-xo.html
Kalamantianos
Dancers: Lykio Ellinidon
Singer: Yiannis Katevas
Song: Mandili Kalamatiano
Link: th-cam.com/video/wvul9U03Bvg/w-d-xo.html
The Rite of Spring
Dancers: Unknown. Mariinsky Theatre (2008)
Production: The Rite of Spring
Composer: Igor Stravinsky
Link: th-cam.com/video/h-3wI3Upvpw/w-d-xo.html
Quick note: If you're experienced or a teacher of the styles I mention and want to tell me about them or fix up a detail, I'd love to hear from you!
Thankyou to : Jay_You on freesound.org for his Elevator Music
PLEASE SUPPORT THE FEATURED VIDEOS:
Paso Doble:
Dancers: Vincenzo Mariniello & Sara Casini
Music: España Cañi - Composer: Pascual Marquina Narro
Link: th-cam.com/video/toSkA3ZITbY/w-d-xo.html
Samba:
Dancers: not specified
Event: Brasil Samba Congress
Music: Samba De Arerê / Zé Do Caroço (Ao Vivo) - Diogo Nogueira
Link: th-cam.com/video/MyPyvEVox0M/w-d-xo.html
Waltz:
Dancers: not specified
Event: Blackpool 2010 Ballroom Dancing Pro Final
Music: Always & Forever - Empress Orchestra
Link: th-cam.com/video/g1o31fsZxCc/w-d-xo.html
Adagio
Dancers: Marianela Nunez & The Royal Ballet.
Production: The Sleeping Beauty (2006).
Composer: Pyotr Il'yich Tchaikovsky. th-cam.com/video/qqejv_BQ7Zg/w-d-xo.html
Sarabande
Performers: Kaspar Mainz (dancer) & Il Giardino Armonico.
Production: "Music of the French Baroque".
Composer: Charles Dieupart. th-cam.com/video/VF9v-6B_O0A/w-d-xo.html
Polonaise:
Production: Eugen Onegin, Bolshoi Theatre (2000)
Composer: Tchaikovsky. th-cam.com/video/4Um3wUL-pxw/w-d-xo.html
Music Theatre #1 - Victoria's solo
Dancers: Phyllida Crowley Smith
Production: Cats (1998 film)
Composer: Andrew Lloyd Webber
Link: th-cam.com/video/CwAldIBJUdE/w-d-xo.html
Music Theatre #2 - Dream Ballet
Dancers:
Production: Oklahoma (Royal National Theatre 1998 cast).
Composer: Rodgers & Hammerstein.
Link: th-cam.com/video/gzSK-YmDROc/w-d-xo.html
Menuet:
Dancers: Sarah Cremer, Ursula Hageli, Alison Pooley, Angela Robinson, Chris Evan, Ray Holland, Rai Harell, Richard Slaughter (The English Bach Festival Dancers).
Production: The Banqueting House - Whitehall London - "The Water Music".
Composer: George Frederick Handel. h
tth-cam.com/video/6fa2wZEsRWM/w-d-xo.html
Mazurka
Dancers: The Bolshoi Ballet.
Production: Coppelia (2011).
Composer: Leo Delibes
Link: th-cam.com/video/8Sb7gp98wAc/w-d-xo.html
Bolero dancers: Sylvie Guillem & unknown.
Production: Tokyu Silvester Concert 2015.
Composer: Maurice Ravel.
Link: th-cam.com/video/SS_WJmLGFrA/w-d-xo.html
Spanish Bolero
Dancers: Ballet Folclorico de Madrid
Production: Boleros de España: "Son 60"
Link: th-cam.com/video/ESdkxj2lUpk/w-d-xo.html
Cuban Bolero
Dancers: Dakhóta Romero and Edwin M Ferreras
Song: Dos Gardenias - Buena Vista Social Club
Link: th-cam.com/video/m8IF92ioIpM/w-d-xo.html
Kalamantianos
Dancers: Lykio Ellinidon
Singer: Yiannis Katevas
Song: Mandili Kalamatiano
Link: th-cam.com/video/wvul9U03Bvg/w-d-xo.html
The Rite of Spring
Dancers: Unknown. Mariinsky Theatre (2008)
Production: The Rite of Spring
Composer: Igor Stravinsky
Link: th-cam.com/video/h-3wI3Upvpw/w-d-xo.html
มุมมอง: 1 599
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Song for Elias by The Cat Empire - Cover (feat. G'Beats) - Australia/Spain collab
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Thankyou G'Beats! 💛 If you don't already know this super talented guy, go make your life a little brighter & visit his channel at th-cam.com/users/gbeats Covering one of our favourite bands, thankyou to The Cat Empire for making phenomenal music. The piano solo is one-handed because my LH had an injury. Chords were painful so I split it up.
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In HD and with headphones, it's a little better. Song: Deixa by Oques Grasses.
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3 tips to help you understand music & music theory (and improve your musicality).... from a dance perspective. Made for a couple of friends, but if it helps you then it's perfect. About Me: Music teacher, Professional musician, Dancer, Ex-dance teacher. I get weirdly excited by musical concepts & say "now" way too often when explaining things. If you are working with music that's not in 4, leav...
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My most important song of 2019, sung in *Catalan by an Australian living in Germany. *Warning: I don't speak Catalan To make up for all the words I don't say properly, the lletra are below !! . . Lletra No hi ha manera de deixar-ho tot enrere, no hi ha manera per tornar a començar. No tinc cap pressa si em dius que tu m'esperes, no vull saber res del que passarà demà. No hi ha manera de deixar-...
thank you. Musicality is difficult to understand, especially for beginners. i am learning bachata now. i am difficulty in finding the no 1 beat, especially when there are more than one instrument. is there any video which explains in detail how one can identify the beat and dance according to the music. thanks
As someone who holds a masters degree in conducting, when I first started learning to dance I struggled. This struggle seems to be common for those who enter the dance world with a strong music background. My frustration was furthered by the inadequate explanation of how to dance to music that had a strong 4/4 time signature yet the dance, west coast comes to mind, relies significantly on a 6 beat structure. This frustration continued until I had my ah-ha moment; musicians work to keep 'time' (thus the time signature where everything works to fit within a particular measure (bar) or span of time) where as the dancers count beats. I have never heard of any dance instructor explain their dance musicality in these terms. I think it is probably because most dancers have as little understanding of music, in the same way musicians have little understanding of dancing. While dancing you want to maintain consistency with the beat of the music. The aspect of timing seems to primarily come into play when you are talking about speed, that is going too fast or slow according to the music. You made a nice attempt at trying to clear up some confusion. However, consider the notion that musicians and dancers look at music completely different modes. I can count beats and work the dancing to fit within the structure of the music. If I insist on trying to keep time, the frustration never ends.
Con you do more about contemporary
Thanks for your amazing explanation, but what about triplets 12th notes?
Thank you
As a musicality teacher for dancers, I see all of the music theory shown in such a short time is explained so nice and easy for understanding. Thank you so much for your work on this ! Keep going!
Thank you so much for the support!
Bravo!
That sudden and temporary change in swing at 3:00 is so nice!
this is so helpfull!! can you please give an example of disco music?
#nowordstodescribe thanks :)
Happened to saw your video .... I want to address something, i am a musician, a music composer and producer. I will come straight to the point mam. You videos are good but the is no Balance in the output. I mean your mix is not that good. I can hear a lot of background music while i m listening to crucial information. So may be you can Do mixing of your videos. Or if you want some help, I can help you with that.
Love your videos. Would love more info on samba please 😊
would love to see you break down kizomba music :)
It's definitely on my list! The more authentic kizomba or the more computer-based music you often hear in urban kiz?
@@conmusica for me its somewhere in the middle, "pop kizomba" (not tradicional kizomba, but also not the harsh electornic taraxxo music) e.g. c4 pedro, william araujo, tayc, nelson freitas, etc... because thats what they play mainly on the dance floors and i would like to increase my musicality. Thank you if it happens :)
Hi, are you still making videos? Just watched them all in one go
Hey thanks! I have heaps coming up, yep! I've had a lot to deal with but am coming back soon :)
@@conmusica excited! Trying to learn musicality for dance. Hope all is well!
Awesome! Thankyou! If you hit subscribe and the bell, it'll let you know when I'm posting again.
Thanks for your vidéo its miss a lot on TH-cam understand thé music IS thé base to dance
😍😍😍
So cool
Fantastic explanation 👏 The 1 e & a counting that can be "replaced" by faster 1& 2 was perfect.
Thank you for the info, what struck me the most was the little piece about Stravinsky.... I did not realise so now I need to listen to it again with different "ears":)
thank you so much!!! I'd be fantastic if you could actually deep into the 2/4 , the 3/4 and the 4/4 on a ballet class, counting over music. Thank you!
Can you explain hip hop music 🙏
Definitely... I'll plan a hip hop vid for you. Thanks for your support ❤
@@conmusica this great news :)
❤️🙏❤️🙏
Thank you so much for this knowledge 🙏☺️
I’m glad I found you. I’ve subscribed and will be sharing. I’ll check out your other videos for any tango references, if not please consider including tango. <3
I love tango!! I'll definitely add it to the future list, let me know if you have any specific questions. Thanks for your support ❤
Please upload some videos related to the Series you are awesome 😊❤️
I have more coming I promise!
I would like to take some online classes with you. Is it possible? If yes, how to get in touch?
Hey, of course! Send me a msg on here & we can chat :)
@@conmusica great! Thank you! Can you please find me on facebook messanger or on Instagram? Does this work for you or you have another suggestion? On both platforms you can find me as nagel.felicia (for messanger this is the link: m.me/nagel.felicia).
Thank for the video. I found it useful. Whenever I dance (primarily pop) my teachers tell me I'm rushing, so I want to understand how to better listen to music. I am trying now to just listen and count, however I'm still not sure I'm counting correctly. Is there a way for me to check it? E.g. a program in which I can play the song and it shows the counts? Thank you ;)
I'm glad it helped you 😊 I don't know any programs that can help, if you want to check you really just need someone there with you who can help you out!
You can definitely check for dj or music production software. I was using before Traktor from Native Instruments or Ableton. You just have to understand the software first so do not get frustrated. Do not forget that such software will probably not be custome made for your case. I use it to slow the tempo upto 100%, use loops over an 8 count and observe the wave forms of a track. Then I just write done on paper the counts, e.g., 1 & 2 & 3... and write an x where I hear a beat in that 8 count.
Hey Felicia, the fact that you may rush sometimes when you dance especially Pop has a few cause factors. One of them is an ability to accurately reproduce various musical durations within the current tempo(beat) using only muscles's tension and release. The other is emotional state during the dance which affects you muscles tension level. For example, if you are stressed during performance then your muscle gets over-tense and now in order to make a tension for Pop you need significantly less time BUT your brain still sends impulse assuming that your muscle are in normal state (if you train yourself in comfortable conditions) as a result you will make Pop ahead of time. To sum up, the problem is not your hearing at all. Music is time based events so you need to study how to control (time) Tempo, length of your movements (musical durations) to be in sync with music (stay on the beat) cause if you are not at list in the same tempo (beat) as music the rest of yours skills won't help. Cheers.
These videos are really helpful. Thank you!
Hey can you tell me how to understand any songs tempo, if it possible
Definitely! I'll add that to an upcoming video!
This is awesome! This song gets a lot less attention than it deserves. You did it justice!
Thanks a lot for this ❤️❤️
I can’t wait to see them tomorrow 🎷 Great cover 💕
This is gorgeous. I love your voices and the instrumentals are spot-on. I’ll play it many times. Thank you!
Wow❤️
Absolutely mind-blowing! There's so much talent and work in this cover, loved it 😍
This is cool! Nice work :D
Thankyou!! 😊
what about 3/4 or 6/8 time signatures?
Hey Mariana! There are so many fantastic dances with music in 3/4 and 6/8 (and others - even folk dances in meters like 11/16). I kept this first video to the very common 4/4 so the introduction to these concepts was easier to understand. I have another video planned for other time signatures, so if there's anything you want me to explain, let me know!
@@conmusica That sounds great! A lot of Ballet music is in 3/4, so I would love to see a video explaining how to count in that time signature so I'm able to apply that to a choreography. Thank you, your video explains a lot.
@@marianazertuche441 Thankyou, I'm glad it helped you! I'll definitely make a note to add that into a video for you. Most basically, Ballet counting can vary with style (eg mazurka vs waltz), but there is a *basic* 3 count for anything in 3/4. The most common that I've heard are 123, and 1&a (easier to say, best for quicker tempos). Often then you count in groups of 4 or 8 bars, and that '1' changes with each bar. For instance: 1 & a, 2 & a, 3 & a, 4 & a, (5 & a, 6 & a, 7 & a, 8 & a) or 1 2 3, 2 2 3, 3 2 3, 4 2 3, (5 2 3, 6 2 3 , 7 2 3, 8 2 3) There's so much more to add, but that's the foundation!
@@conmusica Thank you for explaining this. Can't wait to see the video.
Now everything makes sense... Thanks!
Thanks a lot for that many useful tips! :D