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Louis Vierne plays Méditation & Marche épiscopale - Notre Dame Paris 1928
Louis Vierne (1870 - 1937) plays two of his own improvisations:
Méditation & Marche épiscopale
Recorded November 21st, 1928 in Notre Dame, Paris.
This is my mono transfer from the original 78 rpm record (French Odeon 171.074).
The Méditation is, in my opinion, his best recording. A gentle improvised melody freely floating and ending quietly on the flute. At 3:14, when the flute solo starts, you can hear the sound engineer crank up the volume. I did not try to correct this.
The recording of the Marche is more problematic because there is significant sound deformation which is very hard to reduce. I tried different cartridges and weights to arrive to this digitization. I re-equalized the recording, applied some bass boost and slight click/pop removal. I prefer not to reduce hiss and broadband noise.
The recording is in public domain.
มุมมอง: 182

วีดีโอ

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ความคิดเห็น

  • @georgie5700
    @georgie5700 2 วันที่ผ่านมา

    Creepy. I like it

  • @topclassical
    @topclassical 2 วันที่ผ่านมา

    Please check out my new recording of two improvisations (Méditation & March épiscopale) by Vierne: th-cam.com/video/gZ0HdRst4Gg/w-d-xo.htmlfeature=shared

  • @topclassical
    @topclassical 2 วันที่ผ่านมา

    Please check out my new recording of two improvisations (Méditation & March épiscopale) by Vierne: th-cam.com/video/gZ0HdRst4Gg/w-d-xo.htmlfeature=shared

  • @erronblack5015
    @erronblack5015 4 วันที่ผ่านมา

    What is 78rpm records?

    • @topclassical
      @topclassical 21 ชั่วโมงที่ผ่านมา

      The original recording from 1928 was issued on these old breakable shellac records which play at 78 rpm --> 78 rpm record

  • @johnharvey2215
    @johnharvey2215 8 วันที่ผ่านมา

    One detail I never noticed before is an electric bell above the pedals on the left side.

  • @valentinotaormina8657
    @valentinotaormina8657 13 วันที่ผ่านมา

    Commovente

  • @nostos-music
    @nostos-music หลายเดือนก่อน

    This recording of the Bach Fantasia in G minor is one of the most impressive I have ever heard. Such mastery of the music and the instrument. The musical architecture is stunning: a cathedral of sound in a cathedral. Here the genius of Bach is transmitted through this moving performance by the great organist and composer Louis Vierne. I love your digital rendition of the old recording. Thank you for sharing!

  • @megustalapizzaxd2463
    @megustalapizzaxd2463 2 หลายเดือนก่อน

    ABSOLUTELY AMAZIIIIIIIIINGGGG!!!!!

  • @エルマン-o3m
    @エルマン-o3m 3 หลายเดือนก่อน

    個性万歳🎉

  • @neiljohnson1773
    @neiljohnson1773 3 หลายเดือนก่อน

    A bit random but I just found some 1922 ticket stubs to a concert with Mischa Elman as the lead artist. Used as shims for an old piano keyboard. I did say Random 😊

  • @lucasvanbemmel509
    @lucasvanbemmel509 4 หลายเดือนก่อน

    What an amazing performance

  • @juliegonzaga6625
    @juliegonzaga6625 4 หลายเดือนก่อน

    So awesome..thank you sir Elman❤

  • @OldSchoolOpera
    @OldSchoolOpera 4 หลายเดือนก่อน

    Great sound! Better than any transfer of this I’ve heard before.

  • @valdineijosedias7270
    @valdineijosedias7270 4 หลายเดือนก่อน

    🙌🏾👏🏾🙌🏾👏🏾🙌🏾👏🏾🙌🏾👏🏾🙌🏾👏🏾

  • @valdineijosedias7270
    @valdineijosedias7270 4 หลายเดือนก่อน

    Legendary virtuosity technique!!!

  • @orneant2015
    @orneant2015 5 หลายเดือนก่อน

    C'est tres émouvant 😢

  • @TB-us7el
    @TB-us7el 6 หลายเดือนก่อน

    Thank you for the video, but the recording does seem to be running too fast.

    • @topclassical
      @topclassical 6 หลายเดือนก่อน

      I do not know - I had his transferred by a professional firm

  • @gunnarthorsen
    @gunnarthorsen 6 หลายเดือนก่อน

    Fun facts: Wilhelmus dates to1572. It was only made the official national anthem of Netherlands in1932, so it isn't really the "oldest" national anthem, it has the oldest MUSIC used for a national anthem. The melody was borrowed from a well-known Roman Catholic French song titled "Autre chanson de la ville de Chartres assiégée par le prince de Condé". If you look that song up on TH-cam you'll see the similarities. The French version is often played as a march.

  • @jonathanstallickhomeopathy
    @jonathanstallickhomeopathy 7 หลายเดือนก่อน

    My teacher Jane Coawan, a feuermann pupil, tells a funny story of this recording. Apparently Feuermann was less than impressed by the quality of the orchestra; he had a major outburst where he insisted the orchestra played scales as they were badly out of tune. Jane who was observing the recording, looked on in horror, whispering to Feuermann ‘you can’t treat Sir Malcom Sargent (the conductor) like that- he’s a knight of the realm!’ 😂

    • @topclassical
      @topclassical 7 หลายเดือนก่อน

      Hello Jonathan, well, the orchestra is indeed a bit crude here....

  • @jonathankleefield5520
    @jonathankleefield5520 8 หลายเดือนก่อน

    I concur with the previous comments that given this recording was made only three years after the conversion from acoustic to electric transcription, that its quality is truly remarkable. This excellent sound is even more surprising, given the challenges to make such a recording in the reverberant space such as Notre Dame, yet retain some of its distinct ambience. Kudos to the recording engineer, as well as Maestro Vierne. It is appropriate that we listen to this performance in anticipation of the reopening of the Cathedral after a five year restoration period. Thank God, the organ apparently suffered little damage from the terrible fire, smoke, and water poured into the building to extinguish the flames. Finally, the photos attached to this video are interesting, particularly the one depicting the very serious expressions of the assistants surrounding Maestro Vierne. In today’s world, a smile would not be out of place in such a gathering!

    • @topclassical
      @topclassical 8 หลายเดือนก่อน

      Thanks a lot for your enthusiasm for this recording. Please check out the other Vierne recordings on my channel. I have a very good quality 78 recording set up that yields wonderful results. The Vierne recordings should be much better known and I agree they need attention in the framework of the re-opening of Notre Dame, in late 2024. These recordings will be 96 years old by then.

  • @PBECKLES1
    @PBECKLES1 10 หลายเดือนก่อน

    Surface noise used to drive me nuts. From The Velvet Brush to Keith Monks Record Cleaning Machine - I tried them all. Then suddenly, one day, I quit. Cold turkey.

  • @PBECKLES1
    @PBECKLES1 10 หลายเดือนก่อน

    After a minute the hiss disappeared. . .

    • @topclassical
      @topclassical 10 หลายเดือนก่อน

      The ear accomodates. Focus on the music!

  • @PBECKLES1
    @PBECKLES1 11 หลายเดือนก่อน

    I'm not one for headphones. For years I was a member of the "lunatic fringe" searching for The Absolute Sound. Eventually, I gave up my Quads, Dahlquists and Oracle. Today, my tiny PSB system is augmented by a Sennheiser subwoofer and I am at peace with the world.

    • @topclassical
      @topclassical 11 หลายเดือนก่อน

      Haha, great. I just want to make people aware that listening through your laptop speakers or (even worse) your mobile phone will not give you the best experience. If you have a good stereo, that is of course perfectly fine! I do not think absolute sound can be achieved, as there are so many systems that sound good or even outstanding, they still all sound different. The most important thing is the quality of the performance. Trying to make the general public aware of the immense heritage of old recordings is what drives me to collect these records and share some of them with the world. Thank you for listening and subscribing!

  • @PBECKLES1
    @PBECKLES1 11 หลายเดือนก่อน

    All right Marc. You've got me. I'll subscribe.

  • @이성진-s4n
    @이성진-s4n 11 หลายเดือนก่อน

    good !

  • @paulvannessspianoworld1724
    @paulvannessspianoworld1724 11 หลายเดือนก่อน

    Perfection, and beyond even th 0:30 at! God gives us rare visions of eternity. Here is one. ⚡

    • @topclassical
      @topclassical 11 หลายเดือนก่อน

      Agreed! Such drive, passion and accuracy - the highest level of artistry. It says all about the eternal Creator

  • @johannesbrahms6900
    @johannesbrahms6900 11 หลายเดือนก่อน

    One of the greatest Chopin performers. Listen to his 80 plus minute recording of all Chopin!

  • @attic1project776
    @attic1project776 11 หลายเดือนก่อน

    So beautiful❤ Thank you.

  • @davebarclay4429
    @davebarclay4429 11 หลายเดือนก่อน

    My second favourite twentieth century organ work (after Duruflé's Prelude and Fugue on Alain). Wonderfully played on an excellent instrument. Many thanks for the upload.

    • @topclassical
      @topclassical 11 หลายเดือนก่อน

      Hi Dave, I played the Alain P&F a couple years ago - absolutely love that!! The Schmidt is an even bigger beast and one that is a a great great joy to play. Quite difficult, unfortunately and my amateur performance is far from perfect. I really don't get why it is so neglected; it's a masterpiece!

    • @topclassical
      @topclassical 11 หลายเดือนก่อน

      I especially love the lyrical part in "Lydisch", played with the clarinet (starting 9:25). The moment where it get's two voices (around 10:25) is magical. The lyrical part in "Dorisch", from the 22:00 mark, is just as beautiful and harmonically very interesting

  • @shanedavis8640
    @shanedavis8640 11 หลายเดือนก่อน

    Really well done, thank you for your work!🙏 The bass and tenor come thru surprisingly well

  • @pianoredux7516
    @pianoredux7516 11 หลายเดือนก่อน

    Superb transfer, kudos.

  • @clearbrain
    @clearbrain 11 หลายเดือนก่อน

    Very nice...your writing is also perfect...i don't like noise reduction...great rare upload

    • @topclassical
      @topclassical 11 หลายเดือนก่อน

      Thanks a lot! Hope to upload more, when I find the time to do transfers

  • @fredericrivoal3929
    @fredericrivoal3929 ปีที่แล้ว

    thank you for sharing this absolutely wonderful recording! So spiritual music and playing

    • @topclassical
      @topclassical ปีที่แล้ว

      Hello Frederic, yes, it is an amazing recording. A free floating line of melody. BTW, I attended an organ concert by you in Fouesnant, Bretagne some years ago, loved it! regards, Marc

    • @fredericrivoal3929
      @fredericrivoal3929 11 หลายเดือนก่อน

      @@topclassical Really? What an incredible coincidence!

    • @topclassical
      @topclassical 11 หลายเดือนก่อน

      Yes, crazy! You played a Rameau ouverture, also the Gluck Melody and I think Bach BWV 543 as well! I loved the organ and your performance! Keep it going and be inspired by the old masters!@@fredericrivoal3929

  • @rhm9343
    @rhm9343 ปีที่แล้ว

    These are amazing transfers. Thank you.

  • @GusGrant-o8m
    @GusGrant-o8m ปีที่แล้ว

    Such beautiful melody played with so much feelings by Rachmaninoff. Will look for this music so I an learn it and play it.

  • @주경현-w8e
    @주경현-w8e ปีที่แล้ว

    WOW! It's rather impressive. Beautiful!

  • @solowcello
    @solowcello ปีที่แล้ว

    For those that may not be aware of it, this is only the second recording of the Dvorak Concerto (Feuermann’s was the first) and the only recording made by a cellist who was born before the concerto was composed!

    • @topclassical
      @topclassical ปีที่แล้ว

      It was actually the third commercial recording; there is also the recording with Cassado and Schmidt-Isserstedt on Telefunken from 1935

    • @solowcello
      @solowcello ปีที่แล้ว

      @@topclassical News to me! - there’s always something to learn. And Cassado’ was born only one year after the concerto was written! (It’s also likely that Cassado’ studied the concerto with Casals when he was his student.)

    • @topclassical
      @topclassical ปีที่แล้ว

      It is a very different recording, but wonderful in it's own way. Cassado was a truy great artist@@solowcello

    • @solowcello
      @solowcello ปีที่แล้ว

      @@topclassical th-cam.com/video/mD48Qsc-Nxk/w-d-xo.htmlsi=CZ6kMIkk3fiRtpBf

    • @solowcello
      @solowcello ปีที่แล้ว

      @@topclassical This 1932 live performance with Piatigorsky in Copenhagen (only the 1st.movement was preserved) was not a commercial studio recording but should be in the lineup of early Dvorak recordings: <th-cam.com/video/bpCkRXJk9JY/w-d-xo.htmlsi=xEs2qizyhzIu6jdh> At that point in his career he must have only performed it a few times. (His son Joram determined that he was actually born in 1904, so he would have been just 28!)

  • @LukeFaulkner
    @LukeFaulkner ปีที่แล้ว

    Churchill was boss at piano

  • @hallingerman2168
    @hallingerman2168 ปีที่แล้ว

    Very beautiful transfer of an immortal performance! Many thanks! The cello is such a soulful instrument.

    • @topclassical
      @topclassical ปีที่แล้ว

      Thank you! The performance is immortal, indeed!

  • @pianoredux7516
    @pianoredux7516 ปีที่แล้ว

    How does what I assume to be a digitally sampled organ achieve such a powerfully realistic sound? Or am I wrong about this instrument? Well played in either event.

    • @topclassical
      @topclassical ปีที่แล้ว

      This is indeed a digitally sampled organ, played with Hauptwerk software (voxusorgans.com/en/product/dudelange). This was recorded directly from the soundcard of my computer. The live sound in my room is also quite realistic. Thank you for your reaction and appreciation!

  • @RolandHuettmann
    @RolandHuettmann ปีที่แล้ว

    So subtle. Amazing that such recordings exist. Thank you.

    • @topclassical
      @topclassical ปีที่แล้ว

      Indeed very subtle, thoughtful and soulful. The cantabile free phrasing of the melody line is totally amazing. No-one plays like this today.

  • @MarshallArtz007
    @MarshallArtz007 ปีที่แล้ว

    This is great! 😎🎹

  • @pianoredux7516
    @pianoredux7516 ปีที่แล้ว

    I for one prefer the recordings of the young Szell to those of the older martinet of Cleveland. Invariably I find a more spontaneous, singing quality in the orchestral playing of his earliest recordings, like this one, which is great not just because of the incomparable Casals but because of the committed playing of the Czech players. This performance has a freshness that I've never heard in any other recording of this piece. Other, subsequent cellists may have had a silkier tone than Casals, but he and the orchestra play as if they were composing the piece as they perform it, as if it were a great drama from moment to moment.

    • @topclassical
      @topclassical ปีที่แล้ว

      I believe the freshness has to do with the fact that this was almost a live recording. Casals flew from Barcelona to Prague to perform the concerto on the first day and the second day, they recorded the whole thing. Szell was simply the best man for this job, keeping everything tightly together, allowing both Casals and the orchestra to shine. The spontaneity of for instance the woodwinds of the CPO is charming and captivating, lining up very well with the passion of Casals. Szell was always a literalist and it works very well here. I think some of his stuff with Cleveland is marvellous, Brahms 4 Andante moderato coming to mind as a special case

    • @claudewallet3287
      @claudewallet3287 ปีที่แล้ว

      True. Although the Beethoven with Cleveland were globally magnificent !

    • @claudewallet3287
      @claudewallet3287 ปีที่แล้ว

      Old martinet is a bit tough! Szell gave this mid-range, industrial, unappealing city, allegedly the best orchestra in the world !

    • @pianoredux7516
      @pianoredux7516 ปีที่แล้ว

      @claudewallet3287 Certainly, agreed about the Beethoven with Fleisher and some others, but I also find many of his Cleveland recordings bloodless and finicky, the same way I usually react to that compulsive over-rehearser Celibidache.

    • @claudewallet3287
      @claudewallet3287 ปีที่แล้ว

      @@pianoredux7516 Celidibache was not in the same league !

  • @FlexingClassicalMusic
    @FlexingClassicalMusic ปีที่แล้ว

    🕊 *Classical compositions soar on the wings of grace, whispering serenity to our souls.*

    • @topclassical
      @topclassical ปีที่แล้ว

      Good music speaks to our souls directly and show the kindness and mercy of our creator

  • @eduardocomesana7956
    @eduardocomesana7956 ปีที่แล้ว

    Great recording. Please keep transferring other 78s like this gem. Wise decision to avoid filtering the surface noise.

    • @topclassical
      @topclassical ปีที่แล้ว

      Thank you for listening! Will record more 78s in near future!

  • @gsten2116
    @gsten2116 ปีที่แล้ว

    Best interpretation I've ever heard, despite the recording quality.

  • @AmyAmy-er8bp
    @AmyAmy-er8bp ปีที่แล้ว

    Taking a challenge was not the same as taking it to the next level. Challenging people, then competitive people, Creative people?

  • @litoboy5
    @litoboy5 ปีที่แล้ว

    Great

  • @liyue8772
    @liyue8772 ปีที่แล้ว

    This is the best transfer I’ve ever heard.

    • @topclassical
      @topclassical ปีที่แล้ว

      Thanks a lot! This is exactly how the 78s sound. No filtering applied

    • @liyue8772
      @liyue8772 ปีที่แล้ว

      The first time I heard this recording was in 1981. It was a 33rpm Supraphon LP. The sound was muffled. When CDs came out, I purchased a few versions. Filters were applied to all of them. In these transfers, noise was removed together with the music. Do you have a higher bitrate file for sale? @@topclassical

    • @topclassical
      @topclassical ปีที่แล้ว

      Hello, I recorded this at 96kbps@@liyue8772

  • @annaradin6067
    @annaradin6067 ปีที่แล้ว

    what a performance!!! thank you for posting it!

    • @topclassical
      @topclassical ปีที่แล้ว

      Yes, it is great and sounds like a live performance!