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5:42 What he felt "more beautiful" I felt less beautiful.

Bach wrote that soon after his wife died. He didn't necessarily want it to be played on a jackhammer. Nobody else plays it like that. I hear it as being played next to her grave.

Thank you for this maestro. I envy this student as I myself have not been fortunate to have a one to one teacher.

They should listen to Segovia's version! especially the re appearance of the second subject towards the end which is not at all the key of the printed copy, this needs investigating. Are they using photo copies? I do not like the way he is forcing the student into his interpretation.She needs to think it out for herself!

Very nice 👍🏽

Nada masy nada menos que Du Thule🎉

¡Excelente!...

The best. This is out of the "ordinary great"

Amazing

Incredible interpretation.

Wow so clean!! Amaizing. Thanks for sharing

Ακούγονται όλες οι καμπάνες του καθεδρικού...σπουδαίος έλεγχος σε όλη τη διάρκεια της εκτέλεσης, απολαυστική ευκρίνεια, εκνευριστική! αυτοπεποίθηση, πειστικές εναλλαγές ύφους χωρίς περιττούς θεατρινισμούς, συνυπάρχουσες μουσικότητα και δεξιοτεχνία . Άψογο το πέρασμα στο 0.18 που συνήθως προκύπτουν δράματα. Η μικρή καθυστέρηση στο 0.31-1.40-2.26 [είναι το ίδιο σημείο], τραβηγμένη νότα - εκφραστικό στοιχείο, δεν με βρίσκει σύμφωνο καθώς διακόπτεται έστω και στιγμιαία η καταιγιστική ροή σε σημείο που δεν προσφέρεται αλλά ίσως να γίνομαι υποχόνδριος...Σε κάθε περίπτωση ξεχωριστή - αφοπλιστική εκτέλεση ενός έργου κόσμημα για το ρεπερτόριο της κιθάρας και σαφώς δοκιμασία ακόμα και για τους επιφανείς virtuosi. Θυμάμαι το πρωτάκουσα στις ραδιοφωνικές εκπομπές του Βαγγέλη Μπουντούνη και εντυπωσιάστηκα ως όφειλα. Φανταστείτε την απογοήτευσή μου όταν στα πρώτα τεύχη του περιοδικού TAR, ο Ruggero Chiesa νομίζω [ζητώ συγνώμη αν κάνω λάθος] προσπαθούσε να περιγράψει τον Barrios σαν κάποιον γραφικό ιθαγενή και δημιουργό ελάσσονος σημασίας. Ατυχές και άδικο σχόλιο...Κάποτε το είχα μελετήσει και το εκτελούσα [[καλούτσικα]]. Τώρα πια δεν μπορώ όπως και τη πρώτη σπουδή του Villa Lobos [εντάξει, και πολλά άλλα βέβαια] καθώς το απαιτητικό τους άρπισμα απαιτεί εκτός πολλών άλλων και αρτιμέλεια που πια δεν έχω, καθως κατάφερα να καταστήσω αγκυλωμένο τον δεξιό μου δείκτη σε κάποια άτυχη ξυλουργική στιγμή και πια να μην τον χρησιμοποιώ. Παίζω πάντως όπως μπορώ , προσπαθώ να ψελίσσω κάποιες ιδέες μου και χειροκροτώ με την ψυχή μου εκτελέσεις όπως αυτήν εδώ. Ίσως ανέφερα πολλές λεπτομέρειες και κούρασα, συμπαθάτε με. Κατανοώ και εγώ πως το πρωτεύον, η μεγάλη εικόνα είναι η Κιθάρα και ο τρόπος που αντηχεί μέσω των [[ιερέων]] της.

Music seems come out directly from the artist's soul. Techniques are so good that almost can not see it.

👏👏👏My takeaway from this.. Top teachers give most valuable instructions on emotions and expressions, techniques are secondary.

A particularly outstanding performance of this masterpiece. Wonderfully fluid and expressive tremolo, sensitive use of dynamics and expansive overall conception. I believe this piece was composed in 1944 in El Salvador, shortly before Barrios died of a chronic heart condition. This piece was not titled by him but, according to a popular story, a poor woman knocked on his door and asked for "alms for the love of God." It is interesting how the treble theme in tremolo gradually ascends higher and higher, symbolizing the composer's spirit on its final journey.

What a great great teacher. Man I miss this kind of knowledge. So many dilettantes in classical guitar education.

Ce n’est pas de Bach c’est de Buzoni!!!!

T by że

Nice ! Really loved your advices. I am also working it. I have one question: for the ostinato section at 2:20 do you always alternate I-M, I-M, I-M ... on the B string while playing the harmonics or do you sometimes repeat one finger (for the harmonic combo at 2:35 for exemple, it seems to be easier when i repeat M finger on B string while playing the harmonics simultaneously with the thumb).

Maravilha! Obrigado pela partilha.

Excellent teacher……and student!

I'm turning back to this interpretation since I really can't find one as expressive as this one. Better than K. Yamashita.

Most excellent!

Where can I see the complete version

Denis es excelente... Que nivel.. Aplausos para el

❤❤

Another trashy bitchy teacher. Eww

What a wonderful lesson! I can't speak much spanish but the body language tells so much! Your lessons on La Catedral really help my preparations for my Master-Music-Studies exam =) Such delight! Thank you :)

This will always be one of my favorite performances of all time ❤️

Loved it, my only criticism for his playing here was the lack of timbre. He’s clearly made a conscience decision to play at this tempo with purpose. So in slowing it down he should capitalize on the freedom to exaggerate some of the different tones

연주자의 이름은 무엇입니까?

Impresionante y Hermosa interpretación 👍✔

Thank you for sharing this. I am learning the Bagatelle and so many wonderful learning points to take from this masterclass!

Gracias por la clase Maestro, aproveché bastante. Gracias!

Il est exceptionnel un des meilleurs au monde

i love this performance so much

Well done! I played this piece as a child without an introduction and without nails; with a nail it sounds brighter, but less tonal.

Good interpretation, integrity of form, respect! I played this as a child, although without the flagellants.

Hello, I live in Chicago, where I teach at University of Illinois, but I also teach online (via Zoom, Skype, etc...) students from all around the world and of all levels. If interested, please contact me at denisazabagic@gmail.com

sensational which country he teach??/

Odlična izvedba, tehnički i interpretativno.

Both are great guitarists❤

The stain glass colors and fragility certainly describe this piece. Great lesson

His student became a great guitarist herself. Awesome, both instructor and student.

Hey Marco, beautiful arrangement. I saw you have the video course on the prelude, but couldn’t find the score for sale. Is that because you’re essentially following a well-established score? If so, may I ask which arrangement out there is your favorite? I’ve looked at a few and none are quite as compelling as yours.

Oh no😂I’m going to break my nails😂

Excelso!

Il est pas un peu beaucoup trop rapide?

sensaional

I like every note of your interpretation of this monster-piece. Perfetto tone and tempo. Flawless, but still inpired and colorful. Ciao