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Nathire
เข้าร่วมเมื่อ 13 ส.ค. 2006
วีดีโอ
Luminous Night of the Soul - Cantare Houston
มุมมอง 26K11 ปีที่แล้ว
Luminous Night of the Soul - Cantare Houston
Der Doppelganger - Performed by Bryn Terfel
มุมมอง 21K11 ปีที่แล้ว
Der Doppelganger - Performed by Bryn Terfel
In my opinion, noone can match Fischer-Dieskau (pick any version from the 40s to the 90s...) but this is wonderful
Was fuer eiñe Interpretation!
Tonic..
Incredible...
This is a great interpretation of this art song
Dang. The pace taken here is remarkable. Drama just builds and builds through to the accel. at 3:30 or so. The falling action afterward is just that more effective. Holy moly. What a performance!
6:17 that soft, vulnerable moment right here. Gets me every time. It feels like someone holding my face in their hands
Why the hell does it sound like the Narnia theme from 7:00 to the end?
Out of ALL the different interpretations I've listened I believe gives the best EMOTION of what Schubert is trying to show in this music. Sing the high notes with fear or anger, and tremble on the lower parts. Bryn just knows how to perform anything he does. He's my absolute favorite and idol when it comes to art songs and operas. Absolutely phenomenal. Also, the accompanist is fantastic is delivery- crushing the forte chords and aiding Bryn in giving a full honest performance. Well done to this duo.
Yes. Fantasic sung and accompaniomented! Timing!! Time does not exist sometimes with Schubert! They make it happend. Think he wrote this Heine song in late 1828. Just before dying, 31 yaers old. A hero!!!
The first time I heard this incredibly beautiful piece was at my son's wedding last weekend. It took place in a meditation garden that included a seven-circuit labyrinth inspired by the 13th-century Chartres Cathedral labyrinth in France (labyrinths, long used as tools for meditation and prayer, are ancient symbols that convey wholeness). My daughter-in-law walked the labyrinth while this played. It was the perfect accompaniment; incredibly spiritual and moving and brings tears to my eyes every time I hear it.
WBU's International Choir did Dark Night of the Soul 2 years ago, and this year we're doing a collaboration with Wayland Singers (our non-audition choir) and LCU's choirs to do this, Dark Night of the Soul, and Lauridsen's Lux Aeterna. All three pieces are just so amazing, it's going to be great.
Astonishing performance. In a generation of great baritones (Hvorostovsky, Goerne, Mattei, Gerhaher) he is the greatest artist.
Just fantastic!
My choir at GCU performed this last fall and again for our friend Ashley at her memorial. People who have been in the choir with us saw our performance and said we never sounded better. And I felt like I was at the brink of tears and that I couldn't stand up there without her, a hummingbird flies in right above us and made me smile. I miss her so much and it's been 4 months without her. Beautiful piece and it will also have a place in my heart.
Long before music was sung by a choir, Long before silver was shaped in the fire, Long before poets inspired the heart, You were the Spirit of all that is art. You give the potter the feel of the clay; You give the actor the right part to play; You give the author a story to tell; You are the prayer in the sound of a bell. Praise to all lovers who feel your desire! Praise to all music which soars to inspire! Praise to the wonders of Thy artistry Our Divine Spirit, all glory to Thee. Oh night that guided! Oh night more lovely than the dawn! Oh night that has united The Lover with his beloved! Music by Ola Gjeilo. Poetry by Charles Anthony Silvestri and San Juan de la Cruz.
This key is G# minor, a minor third down from the original key of B minor.
Andrew Margrave As I understand, there is traditionally no "original key" in art song repertoire as there would be in an opera. You can purchase anthologies from 100 years ago in high and low editions. However, I agree that in song cycles, it's important to keep the relationship of keys between songs in line.
+David Morgenstern I think if you do some research you will find that there is in fact original keys in lieder. This song in particular was orignially written in B-flat minor, as this was known as the "black key", as described by Beethoven. Schubert recognised key characters and utilised their "significance". That you can find 100 year old anthologies in high and low editions is not the work of the composers as much as it is to do with the publishers at that time.
A flat minor
I think it's B flat.
What key is this in- it's different to the original (B minor)
A flat minor. Sorry this is six years in the future.
I fell in love with this song as soon as we started practicing this for my university's choir! Thanks for uploading! :)
First and only! Until now. But yes, this song is gorgeous!
Whooo only one to comment yeah! I'M THE FIRST!
So pretty sounding